Top 5 Films of 2016 (It’s Been A Funny Year)

11 01 2017

godzilla-resurgence (Toho Co., Ltd. - 2016)

Since a very young age, I have been a fan of the Two Ronnies. It’s a comedy love that I still carry to this day and continue to enjoy looking back on every now and then. But despite this love for two comedy greats, I have always struggled with Ronnie Barker’s sitcoms. I have seen numerous episodes of Porridge and Open All Hours, but in all honesty have never found them to be all that funny. I have watched plenty of episodes; maybe an odd wisp of laughter here and there, but on the whole, just did not get them. If anything, the only thing that would get a faint pant of air from my lungs would be the spring-loaded till in Open All Hours. Despite this lack of understanding on my part, one thing though that has shined on to me in a way is how sometimes on occasion, I cannot help but at the end of the day say; “It’s been a funny day”. Well, looking back on the movies of 2016, I now cannot help but say “It’s been a funny year”.

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A Funny year is indeed how I feel this year has gone by in terms of movie releases. There have been several high-profile and low profile releases that have caught the eyes of myself and many other movie goers. We have seen live action remakes of animated classics, rebirths of classic comedy, and revolutionary new ideas in already popular genres as well as the usual treasure trove of sequels and heart-warmers. For me personally it’s been a weird one, with a lot of films that I wanted to see being released in the first half of the year, with the second half being a collection of films that I was wavering watching or not. Quite a few of these films were pretty fun and are included in this list, but there have been one or two disappointments. Firstly I did not get to see Teenage Mutant Ninja Turtles: Out of the Shadows or Kung Fu Panda 3 (not forgetting the new Japanese Godzilla film which nobody considers releasing for people living in the UK!), but the big disappointment for me had to be Dad’s Army. It was funny in places; but everything else was just boring by comparison with an acting pool not living up to their own acclaim and a story that was not worth bothering with!

GR1

There have been some high’s thankfully, some of which are unable to be featured in this list and just want to give a quick shout out to (in no particular order): Allegiant, X-Men: Apocalypse, Eddie The Eagle, and Rogue One: A Star Wars Story. But now the main event; as per usual: films will be rated in ascending order with Number 1 being my favourite and 5 being not as much my favourite but still a good film, and as always, the list applies to films that were released and shown on the big screen between the traditional 12 month period of January to December. So without dragging this on any further, here are my Top Five Favourite Films of the year (yes, this year it is actually 5).

ethel-and-ernest (Cloth Cat Animation - 2016)

5. Ethel & Ernest – Based on the Raymond Briggs graphic novel of the same name, Ethel and Ernest is about the life of Briggs’s own parents as they meet, date, marry and live their lives through the changing face of Great Britain. Originally meant to be shown on TV during Christmas 2016, special big screen showings were done in places around the country including at The Dukes in Lancaster. Before seeing this film I had no idea what it was about, thinking it was When The Wind Blows by mistake (having forgotten what that was called), then my Mam told me differently; a little unsure but still interested I decided to go see it, and really enjoyed it. I liked how it was less a film, more an animated slide show of the lives of an incredible couple living through the hardships of London life during WWII, to raising a son, to a new way of life compared to their own upbringing. I especially enjoyed the shots of WWII city life as most documentaries I have seen have mostly focused on evacuations and the front line, but this instead showed what life was like in a major city. Overall I enjoyed this film a great deal, from its unique form of storytelling to its charming and colourful animation style.

10-cloverfield-lane (Bad Robot Productions - 2016)

4. 10 Cloverfield Lane – If you are like me, then over the last few years you will have been calling out for a Cloverfield sequel since Cloverfield’s original released in 2008. For years I have kept tabs on it to see if such a film was going to happen or not, and so far no official sequel has appeared; a spiritual successor has though. 10 Cloverfield Lane is a very different film to the original Cloverfield. Whilst the first film was a found footage drama about a group of people trying to survive a monster attack on New York City; 10 Cloverfield Lane is about a young lady (Mary Elizabeth Winstead) who finds herself in a bomb shelter with two other people, and begins to get cold feet surrounding the older of the two (John Goodman). The film in essence is both a psychological and science fiction horror as for the first good half you get the feeling that something is going on above ground as the characters get used to a new life underground, until the main character finds evidence that suggests that everything underground isn’t groovy either, eventually leading to a tense situation that culminates in a giant twist that makes you rethink everything you have just seen. 10 Cloverfield Lane is a one-of-a-kind film that makes you want to feel out for your Teddy Bear and grip it tight.

Independence Day: Resurgence (20th Century Fox - 2016)

3. Independence Day: Resurgence – Much like number four on this list, if you are like me and absolutely love the Roland Emmerich science fiction film Independence Day, you will have also been hoping that maybe one day there might be a sequel to it; well (two decades later), one has indeed been released. Twenty years after the events of the first film, humanity has used the technology scrounged from the remains of the alien fleet to upgrade their own technology and bolster up defences of planet Earth. This however has not turned out to be all that fruitful however, as the once defeated alien empire has decided to enact a counter attack by sending in a much bigger force than the last one. The first film’s core cast (minus an obvious one) have returned to fight alongside a new cast of characters including (but not limited to); Liam Hemsworth, Jessie T. Usher and Maika Monroe. The film itself was once again packed with a jaw dropping cavalcade of special effects that once again bring the awe and fascination that the first film did so well, but does not content itself by making a simple remake, but a strong sequel that does things a little bit differently and contains several other genres, not just the basic few. Overall I was mightily pleased with the end result.

your-name (Toho Co., Ltd. - 2016)

2. Your Name. – If you look through the prolific catalogue of films produced by Studio Ghibli, there are many highlighted classics. Having recently become a major fan of the studio’s works, I am always on the lookout for new films to watch to add to my growing collection. Some of the films on show though that do not necessarily grab my attention however are the convoy of teen based romantic dramas. In most cases I actually try to avoid them as they don’t really appeal to me. Well this year, I saw a film which was along those lines (not released by Studio Ghibli) while also entwined with a Science Fiction enhanced story that within an instant became one of my favourite films this year. Your Name. is a Japanese Anime film directed by (Makoto Shinkai), which tells the tales of a boy and girl who have never met and live in completely opposite locations miles apart from each other, but for some reason get connected, as when they sleep, they dream the lives of the other, not realizing at first, that in reality they have in fact changed bodies. It is a strange film to begin with that leads to some really funny situations, but things take a sudden turn which causes one character to search out the other and come across a grim reality that makes them attempt to change the course of history. I must say I actually really enjoyed it. I was put off at first by its romantic idea, but upon finishing wanted to give it a standing ovation. It was so different, yet so unique that I was left gobsmacked for one that I enjoyed such a film that I would have normally tried so hard to put off. By failing to look round that I did not properly foresee the science fiction elements that I just so love and the two together created a potent mix that made me leave the cinema with a smile across my face. I absolutely enjoyed this film to its absolute core and it has made me rethink my earlier stance on romantic teen anime films.

deadpool (20th Century Fox - 2016)

1. Deadpool – Just bear with me for a moment as I get my head in the right frame of mind for this one…

With all the super hero related movies that are getting released these days, I think it’s good that we have at least one film that we as an audience can actually connect with. Saving the world is good and all, but what about when you return home and find out that some maniac has kidnapped your girlfriend, I think we can all agree that that is probably far more important! Deadpool is the next major spin-off in the X-Men Film Series and stars everyone’s loud mouthed mercenary as he sets out not to save the world, but rescue his girlfriend and hope he can receive some good plastic surgery in the process. Based on the Marvel Comics character of the same name, Deadpool stars Ryan Reynolds in the lead role, backed up with the talents of Ed Skrein, T.J. Miller and Morena Baccarin in what has to be one of the strangest films of all time. Deadpool is not your run of the mill superhero movie, as Deadpool isn’t really a superhero, more just someone rather deadly you don’t want to offend. Deadpool comes wrapped in a neat pile of action, guns, violence, comedy, sexual antics and fourth wall breaking moments to create a truly incredible experience that will have other superhero movies (and super heroes) taking notice. Altogether this film creates a matchless form of cinematic awesomeness becoming not just the most standout film of this year, but also my absolute favourite film of 2016.

GENEPOOL (what was your favourite film of 2016?).





My Sore Throat Routine

9 01 2017

halls-soothers

Last week, I got a cold and a sore throat. This was very annoying as you can expect, but more annoying than most as I had plans for the weekend (it was a Thursday that I got it), and had work the day after I got it.  In 2016 I had a wave of sore throats and colds as the year went on; mostly sore throats, about 6 or 7 in total as far as I can remember, sometimes within a few short weeks from the last one. It was a horrendous time, and after a year of mostly sore throats, I was hoping 2017 would start off much nicer, but in less than a week, boom, another one. At the time of writing this, things are finally starting to wear off, but I am not letting my guard down. My sore throat is about gone, what currently remain are a cough, and an infected feeling at the back of the roof of the mouth. My cold is going down, my nose still feels twitchy, but I ‘hope’ that it does not get worse. It was really annoying as it pretty much ruined my weekend, and decided to prolong within to about a day of something big happening. For the most part; colds I can just about stand; yes they are really annoying and can cause violent cases of sneezing, however a sore throat is worse, as that is sheer pain!

difflam-spray

Luckily however, due to a lifelong battle of on and off colds and sore throats, I have managed to learn a few tips and tricks to help it not to prolong too far. For starters, if I feel that one is about to come on, I will buy some Soothers to help beat it back. If things escalate, I may consider the purchase of some Strepsils and start putting on Vapour Rub. When it does kick in though, I know what I need to do. I have a select group of medicines I instantly go and buy, knowing that they work just fine.

Difflam Spray is a spray that comes in a nice green and white bottle. Basically spray it directly into the mouth onto the infected area. What’s good about it is a quick action that while minor-ly relieving the pain, it does act fast to slow down the infection. The ultimate bonus though is that it does not have a limited day use, as long as you separate the use of it by at least the times on the bottle, you can keep using it all day long. Soothers and Strepsils (I like the Honey and Lemon ones best) are more just lozenges to help soothe the pain, as Sore Throats can last a while, and are shockingly painful; as such, lozenges help to soothe the pain. Vapour Rub helps with breathing, which on occasion I will wear during the day in cases of the most pain, but is especially useful when going to bed, as every time you breathe in without it, you can’t hope to fall asleep with that much pain. Finally, you need something to which can not only help relieve the pain, but also fight against the illness to help you recover sooner than later. For this I have two choices. My main choice is Lemsip Day and Night pills; the reason for this being is that while they are strong and fast at working, the pack comes with night time pills, which aren’t loaded with caffeine, so this means you are not stark awake when what to be doing is going to sleep. In the case though that Lemsip is not available, I like to treat myself with Beechams Liquid, as I find it can work quicker than most, plus the taste of the liquid is enough to distract me from the pain briefly.

lemsip-day-and-night

 

Alongside these things, one thing I find that helps is to keep warm. I do this by wearing full body clothing (minus the head), and a jumper on top of my t-shirt. I also try to keep the room I am in as warm as I can, and only drink (as far as I can) hot squash. It’s just a minor little thing based on a scene from Rizzoli and Isles (although that was about having a fever) and my knowledge of cooking (germs hate heat, lots of heat should help). Anyway, there you have it, my system for when I get a Sore Throat (as well as a cold). I just thought I would share that with you in case you want some advice (and also to find a way to distract myself).

GENEPOOL





Top 10 Most Exciting Films of 2017 (First Among Lists)

4 01 2017

star-wars-episode-eight (Lucasfilm - 2017)

Jasper Fforde is a British bestselling Author whose selected works include the The Eyre Affair, The Last Dragonslayer and Shades of Grey.  He is something of an inspiration to me and someone I have not just met and had books of his signed, but have had the fantastic opportunity to have my work looked at and even edited by him; it was a wonderful opportunity and moment for me and still ranks as one of the best moments in my writing career to date. Anyway, I have been thinking a little bit about Jasper Fforde recently, mainly because of The Last Dragonslayer being shown on Sky 1 on Christmas Day, a book which was one of my favourite reads a couple of years ago.

The Last Dragonslayer (Hodder and Stoughton - 2011)

Anyway, to get back on topic, one of the books in his Thursday Next series is called; First Among Sequels. Well before I began writing this; (having awoken from a small nap on Boxing Day) I thought that it could be fun to give a personal touch to one of my early blog posts, in particular one of the early Top 5-ish posts where I talk about last year and this year in films. I was thinking that I should call it First Among Lists. Then I thought that this could be rather confusing for anyone who came along looking for a post on films, as the tile does not suggest anything along those lines. Then I thought; ‘why not’, and added it in brackets after writing this sentence. See. Just thought I would do something a bit more fun and a lot less like written uniform.

split (Universal Pictures - 2016)

2016 has passed, and 2017 has begun. Yes, it’s that time of year when we can break those freshly made resolutions and convert the newly acquired weight’s beach into a clothes horse. I prefer not to make such resolutions as I don’t see any real point in them. Why not, instead of making pathetic New Year’s Resolutions which you’re not going to complete, find something to look forward to instead, like; I don’t know – movies to be released this year? There are quite a lot of good-looking films to be released this year, including the possibility of a remake of The Empire Strikes Back, something to look forward to for many I’ll bet. As is something of an annual tradition for me and my blog now, I have had a good look through the (Wikipedia) movie release schedules and found a whole load of good-looking films to look forward to this year, and am keen to share this information with you all, including which are the Top 10 films I personally am looking forward to. Now there is quite a lot this coming year I have found, and not all could end up on my Top 10, so I just want to give a shout out to the following films: Wonder (the book is really good), King Arthur: Legend of the Sword, Alien Covenant, Pirates of the Caribbean: Dead Men Tell No Tales, Geostorm, Despicable Me 3, Split and The Great Wall. If there is anything you in particular are looking forward to this year but is not mentioned on here, please feel free to leave a comment and let me know; but for now, here is what I am looking forward to this year.

dunkirk (Warner Bros - 2017)

10. Dunkirk – Films set during World War II don’t really get my interest. World War 2 is an important event during the entire history of this planet of course, but the use of the subject matter in the media I feel has been rather overdone; you only need to look at Video Games set during WW2 to see what I mean. Why am I interested in this then, well because Christopher Nolan is directing it, and I feel that that is a good a reason as any to not write it off as of yet. A trailer has been released which I have yet to give a proper look at, and will probably do so when I edit this post in WordPress, the one thing we have to hope for of course is that the film is done right, and does not replace the British, Belgian and French Soldiers with American Ones for the sake of the film (America was actually still one whole year away from joining WW2 during the events of the Dunkirk Evacuation).

return-of-xander-cage (Columbia Pictures - 2017)

9. XXX: Return of Xander Cage – I am surprised how long it has taken to get this film made, as this should have been done nearly 10 years ago. The first Triple X film starring Vin Diesel, Marton Csokas, Samuel L. Jackson and Asia Argento was a film I really liked and was hoping for a sequel. A sequel was what we got, but without 3 of the previous mentioned cast members, try to guess which ones. The first one was a unique blend of modern and traditional spy films with the added bonus of extreme sports and stunts, creating what I think is still quite a cool little film. While this new one may be missing Asia Argento (and Csokas of course for those who have seen the original), I still feel quietly excited by this, and hope that the juices that flowed in the original will blossom once more and possibly create an interesting franchise; 14 years late.

thor-the-dark-world (Marvel Studios - 2013)

8. Thor: Ragnarok – The first Thor film was something of a surprise to me, as I had no idea what to expect, but absolutely loved. The Marvel Cinematic Universe has the feeling about it that it might have begun to start to come to a close as the series for one feels like it’s beginning to drag and feature less of its more prominent characters. I do feel sort of glad though that Thor gets one more solo outing before that happens, but it does come with a bit of un-nerve. I have not really been tracking its production, but it feels wrong that Natalie Portman is not going to be in it. I don’t know as to the why she is not in it, but when you have been using two previous films to create a romance between two characters, only for one to leave with no real reason and probably to be replaced, I feel that is something of a bad idea, because, that previous romance has been developed, this new one won’t be to an audience point of view and will come across as more confusing, than heart-warming. It has been done before, just look at Transformers: Dark of the Moon as an example. Anyway, I still have hope for Thor, as I want it to be just like the previous two films; proper fun, enjoyable films. While the love life maybe completely in the air, what isn’t is the male cast which still includes Chris Hemsworth, Tom Hiddleston, Idris Elba and Anthony Hopkins, as well as newcomers to the Thor films in Avengers regular Mark Ruffalo, and more interestingly; Jeff Goldblum.

war-for-the-planet-of-the-apes (20th Century Fox - 2017)

7. War for the Planet of the Apes – The new Planet of the Apes film series has become one of the standout heavyweights of cinema, and has achieved this with only 2 films released so far. Rise of the Planet of the Apes was a wonderfully thought out and brought together film which created truly marvellous moments (including the death of Draco Malfoy), this continued on with Dawn of the Planet of the Apes, which set man and ape against one another in a brutal fashion while also weaving in a thought-provoking plot. Now, things are set to get even deeper, as audiences have a heavy minded choice to make, as they decide whether to fight with humanity, or with the apes in a battle to decide who will be the new dominant species. Regular ape cast members are set to return, while humanity is represented by former District 12 Winner Woody Harrelson…..should be pretty interesting.

the-shape-of-water (Bull Productions - 2017)

6. The Shape of Water – In all honesty I don’t know much about this film. Wikipedia says its: “An other-worldly story, set against the backdrop of Cold War era America circa 1963”. Why do I take an interest in this film you ask? Because Guillermo Del Toro is directing it! While it’s plot is currently vague with not much known about it other than production details including cast members such as Sally Hawkins and Doug Jones, it is hard to expect what it could be, but considering what this film sort of suggests, part of me wonders if this could be Del Toro’s next Pan’s Labyrinth?

the lego-batman movie (Warner Bros - 2017)

5. The Lego Batman Movie – When I went to see The Lego Movie, it was clear to me who the real star of the show was: Batman (voiced by Will Arnett). I loved the portrayal of Batman in the Lego movie, just could not get enough, so was super excited when I found out that he was getting his own movie, and this year it gets released. I can still hear his awesome self-crafted theme tune going through my head right now. Have seen a couple of trailers so far, and it’s hard to work out where it is going or what it is going to do, but as long as Batman is the Lego Movie Batman (which is by far the best Batman to date), then it should be awesome (pun intended).

Power Rangers (Lionsgate - 2017)

4. Power Rangers – Is it excitement or hope why I have put this film so high in this list? I am not going to get too detailed here about this; I made my views very clearly detailed back in September. What I do want to say is that I am excited but still very nervous about the Power Rangers movie due for release in the coming months. The film is not too far from release and the trailer does look pretty promising, but given what we have seen in the past when Power Rangers have taken to the big screen, I think my nerves are a reasonable reaction. I do want this film to work, and do feel that in the right hands and with the right execution, this film could become a worthy rival to the Transformers film series. The trailer and shots from production do look pretty good, but I don’t think any of us who intend to see this film can really hope to relax until this film actually gets released, then we can find out if a third time can be some kind of charm for the Power Rangers.

transformers-the-last-knight (Paramount - 2017)

3. Transformers: The Last Knight – I have been a fan of the Transformers films from day one. It is a series I have enjoyed throughout and have continued to do so to the present day. When Age of Extinction came out in 2014, I was unsure of where the series was heading for, but was blown away by a powerhouse of a film, my favourite entry to date and have been super excited to hear there is not just going to be a sequel, but also returning with the fantastic new cast of Extinction. While Nicola Peltz is a no-show at current, Mark Wahlberg, Stanley Tucci and Josh Duhamel (from the first 3 films) are all confirmed for what is so far looking to what could be the most ‘confusing’ entry in the series to date (and I can’t help but wonder if the title is a reference to something that happens in the film, or is a reference to the status of the series director).

kong-skull-island (Legendary Pictures - 2017)

2. Kong: Skull Island – Soon after the release of Godzilla in 2014; Legendary Pictures announced that they were going to make some more Godzilla films, as well as possibly creating a shared universe which would also include King Kong. Well; King Kong is set to return this year with his very own reboot, as a stellar cast of actors including (but not limited to) Tom Hiddleston, Samuel L. Jackson and John Goodman decide to explore an uncharted island occupied by a variety of horrific monsters, all of it overseen under the might of the Great Ape known mainly as KONG. So far the film is looking really good; Kong’s design especially looks terrific and while details of the story are still relatively unknown, the current premise looks pretty cool. How it will turn out is another thing, but so far, I am really excited for this one (let’s just hope Peter Jackson didn’t accidentally walk onto the set during production).

logan (20th Century Fox - 2017)

1. Logan – A lot of things have happened in cinema over the last 17 years, but one of the very few constants is the portrayal of Wolverine in the X-Men Film Series. Since the series began, Wolverine has been portrayed by Hugh Jackman, and has helped not just kick-start his movie career, but made him a household name. “But all good things must come to an end” many pessimistic people have said, and this appears to be true for the relationship between High Jackman and Wolverine, but the animal is not going to bow out without one last bloodbath. Set for release this year: Logan looks to tie up the loose ends of the series so far, as the X-Men head to bold new directions (especially with Deadpool looking set to become the series main star). Expect possible tears, as well as a lot of blood as Wolverine bows out in more ways than one, delivering potentially his final chapter, with support from his long-time friend and series heavyweight Patrick Stewart returning once more to play Charles Xavier, as they face one last enemy together, possibly in the rumoured form of Mr. Sinister.

GENEPOOL (Well that is my list, what movies are you looking forward to this year?).





I’m Paid To Catch Crooks, Not Get Them Elected – Welcome To The Punch

28 12 2016

Welcome to the Punch (Momentum Pictures - 2013)

If I were to ask you to compare the ways of life in both the UK and in the USA, you could probably come up with a big hefty list, but I could easily bet a substantial sum of money that one of the first things you would note is that in America, ordinary people are allowed to carry a Gun. It is embedded in the constitution of said country that ‘ordinary’ people are allowed to bear arms, so it comes as no surprise to the rest of us that there are a lot of shootings in America…which eventually (of course) lead to major Massacre’s more than once a year; but what do you expect from a country that has such a relaxed attitude to the distribution of deadly weaponry! In the UK we have a stricter form of gun control by only allowing certain people to have access to such weapons where as in America such a tight control of guns is factually impossible due to the large numbers of people (or more specifically gun nutters) who think easy access to guns is actually a ‘good thing’ (even though it’s probably due to this form of idealism that is causing most of the problems). I am not saying that everything is plain sailing in the UK though when it comes to gun access as they can still be attained for criminal purposes; but for this reason the UK does have its police divisions which are specially trained to use Firearms if such a time is needed (but even so this does not stop Daily Mail readers (probably) believing that our police officers should be packing – there is no pleasing some people is there).

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Released in 2013 by Momentum Pictures and directed by Eran Creevy; Welcome to the Punch is a British Action Cop Thriller about a Policeman who ends up teaming with a noted Gangster he has a score to settle with after uncovering a deadly conspiracy within the British Police Force. The film’s script is noted for being voted third on the 2010 Brit List of the best un-produced film scripts.

wttp2

One night in London around Canary Wharf, a heist is pulled off by a team of crooks led by Jacob Sternwood (Mark Strong) who escape on Motorcycles. In hot pursuit is Detective Inspector Max Lewinsky (James McAvoy) who defies orders by chasing after them unarmed, only to be shot in the leg by Sternwood. 3 years later, Sternwood’s son Ruan (Elyes Gabel) is arrested at a London Airport after a failed heist and is in a critical condition in Hospital. Max still works for the police force, but is held in low regard by his Chief Inspector; Nathan Bartnick (Daniel Mays) due to his actions and everyday has to remove water from his shot leg. He teams up with Detective Sergeant Sarah Hawks (Andrea Riseborough) in trying to convict former army man Dean Warns (Johnny Harris), but who is let off the hook after a witness changes their statement. When news reaches Max regarding Sternwood’s son, he sees this as a chance to get revenge.

After a failed attempt to capture him, Sternwood arrives in the UK to take care of his son and asks for help from old friend Roy Edwards (Peter Mullan). With a recent spate of shootings in London, Commander Thomas Geiger (David Morrissey) is campaigning for his officers to be given better equipment in dealing with crime and sees this whole Sternwood resurgence as a way to score points in his favour. He allows Max and Sarah to take command of surveillance at an open hospital where Ruan Sternwood is being treated, hoping that Jacob Sternwood might take the bait. Things end badly however, as Max’s determination results in a gun being shoved in a civilian’s face, Ruan later dies in Hospital. Jacob Sternwood meanwhile undertakes his own investigation into what happened to his son, and lays a trap at a local Hotel where Nathan and another policeman; Harvey Crown (Jason Flemyng) take the bait, and after a small gun fight Harvey gets killed. Sarah meanwhile finds evidence regarding to a containment delivery on the river Thames. When she arrives she finds a container filled with weapons, but before she can escape she is killed by Dean Warns.

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With Commander Geiger’s blessing, Max is sent out to bring down Sternwood once and for all, and a lead on Nathan takes him to a small club, where Max runs into Sternwood, but before he can kill him, both men are ambushed by Warns and Bartnick. Bartnick is killed in the resulting fight, with Sternwood saving Max and escaping in a van. Sternwood orders Max to take him to his son in the Morgue, but while there they run into Detective Juka Ogadowa (Daniel Kaluuya) who tells Max that he is wanted for Sarah’s murder. Sternwood and Max manage to escape and go to Dean Warns’s Nan’s house where they use his Nan (Ruth Sheen) to get him to take them to the containment yard where the container full of guns are. While there, they also trap and capture Commander Geiger who informs them that he set up the means for the recent spate of gun crime in the Capital and helped to ship in the guns, so that when the correct political party took over, he could supply officers with the equipment they needed to protect themselves better. At that moment, armed men sent by Geiger’s PR Jane (Natasha Little) attack the yard, but Max and Sternwood are able to defeat them, killing both Warns and Geiger in the process. With the police on their way to the scene, Max considers shooting Sternwood, but lets him go, and is arrested on the spot as Sternwood flees the scene.

wttp3

Welcome to the Punch is a very interesting film, but one that I would not usually concern myself with watching. Yes there are a lot of independent British gangster based films that are produced year in year out but most of these don’t really grab my attention. When I first saw the trailer, I thought it was a very good trailer and was sort of suckered in with the line that stated that one of the executive producers was Ridley Scott (I know); but the trailer still grabbed me enough to keep it in mind. I eventually got round to going to the cinema to see it and was absolutely blown away by it. While not necessarily the best film of 2013 (my 4th favourite overall), it was a film that while released early on, was one that remained in my mind and would not let go of.

James McAvoy

Welcome to the Punch is not really a gangster film, nor is it a knuckle dusting, all guns blazing shooter movie, what it is, is a solid British Police/Cop film. What do I mean by this? Well, it is a crime film with elements of gangster films but is not one in search of blood lust. What we have is a decent detective who has had his pride shot after an incident wanting some form of restitution. Due to his past failings though he is held in low esteem by his superiors and is sort of made a joke of and as such has fallen on hard times in his personal life. Meanwhile, the super criminal who has pulled off a heist which he can safely retire on, is forced to return to his home country when his son is in danger. This means he has returned, and the detective sees this as an opportunity to settle a score with him plus return into the good books with others. While all this is coming to a head however, the incidents surrounding this turn of events begin to unravel and a much darker conspiracy comes to the fold which means that the two great enemies will have to leave it for later as there is something they both need to settle first and need each other to pull it off. What we have here basically (or as basic as I can get it) is a big action packed detective story with a boiling vendetta ready to erupt engulfing the entire city with it, but still comes with that murder mystery formula that works so well along with the big explanation as to what has exactly been going on and the real crooks revealed, but in the end succumbs to a very tragic end for the hero. It’s like a great crime novel, something that if it wasn’t McAvoy and Strong, could well be Harry Bosch (have not read a single novel, but my researched understanding suggests that he would fit the bill).

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To back up its story, Welcome to the Punch comes with a small but still powerful cast of actors and actresses who deliver some amazing characters in the process, seemingly suggesting that without the actors, the characters would just not have worked. The film does of course have it’s one timers of interest who deliver little such as Ruan, Karen Edwards (Dannielle Brent) and Harvey Crown, to more included characters who still have a little but not a lot such as Juka and Jane, but all of these really go far to enhance the film’s story and setting (not to forget the city of London itself, especially when you listen to the wise words of Luther creator Neil Cross who sums up London’s character status better than anyone else), but the film’s small cast enables these varied roles to really stand out and warrant such a pedigree of acting. I do find Johnny Harris’s role a ,little clichéd in the form that he is a bruiser with little social life and has to engage a lot of heavy breathing, I just couldn’t see why he could not be more like Mike in Breaking Bad or even Buck in Far Cry 3, real characters with a unique personality but are still hitmen to a cause; however his insertion as a gun for hire really allows himself to develop a characteristic which suggests a real hitman, less an armed thug with little allowance to talk. The character of Nathan Bartnick is as unpleasant as the early morning traffic jam on a rainy day, but I suppose that’s the point. He does not come across as pleasant, but given that he is the first end level boss of the film, you can’t really introduce him as a nice man, more of a feeder into something bigger, and let a more major character present himself favorably in the eyes of the audience only to flip at the last-minute.

David Morrissey’s character is that of someone you could confuse of being a mayor if it was not explained that he is actually a police man. He is introduced really well and works hard to present himself as being a supportive influence on Max and who comes across well with the audience as a result. He is a strong leader with a lot of hope and a big heart, really showing that he sees the best in people. All that turns around in a trice however as he is revealed to be the big bad instigator of the film’s events, less a leader, more of a manipulator, whose long career has provided an insight into the criminal underworld, and one he knows how to manipulate to get his wish. His heart is in the right place, and is not looking for a position of power, not a megalomaniac, more a lunatic who thinks that with enough prodding he can get the best outcome. It’s a real shock turn of events that leaves you reeling, as for the great majority of the film; he is one of the good guys. Peter Mullan is an inspired casting choice as his veterancy on the British independent scene means he can slip into a variety of persona’s and can come across anyway he likes. For instance, in this he is introduced as something of an old gangster and a possible mentor to Sternwood, however he comes across as something of a respected member of the community with a lot of power under his belt, and while he is on the initial bad side, he does prove his worth and becomes a trusted ally to all those who side with him. He maybe a retired gangster, but he still comes with a real whack of a punch while still allowing a real sense of sanity to creep in on those around him.

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The way that a crime lord is presented can seem very samey at times, which is why it’s nice that in this case we have someone a lot different. Jacob Sternwood is a criminal who has earned a great deal of respect from his peers and is a real tactician in the execution of a crime, his attitude to what he does though comes across as less a scheming villain, more someone looking for the opportunity to get away and be set up for life. He is suggested of being a hard worker, someone who if he was not a criminal would more than likely be real working class hero whose hard work pays off in dividends. He is a criminal though, but in the same style as what I have suggested, he is a criminal hero of sorts and is just looking for enough to live a nice relaxed life. This is strongly suggested more when his son gets into trouble, as he cares greatly for him, even more so to re-enter harm’s way to check up on him and pursue a vendetta on his behalf. Into this we have the rookie detective sent to bring him down; someone who took it too far and is now forever paying the cost for it, and has a low self-esteem due to his past behavior. He does have a strong support network around him, but his determination to get back onto the good track of life means that he does not really see it until it is too late, and as things spiral more out of control for him, he really begins to understand that there is no real way out for him, and sadly, that’s what does happen. Though while Max does go all out to prevent total Chaos, it ends tragically for him, creating a deep uncertain future that there is no coming back from. James McAvoy and Mark Strong work well off each other, as McAvoy still presents that young but experienced character with deep forgotten hopes and repressed memories, while Mark Strong presents that real strong determination but one that makes him human; not machine nor monster; together creating two very relatable characters.

James McAvoy and Mark Strong

More than anything about this film, the real highlight has to be Sarah Hawks played by the incredible Andrea Riseborough. I could not get enough of her character. She is not an assistant to Max, nor is a running partner in learning, but someone who deeply cares for him and is making it a personal mission to find a way to bring the real Max back. In many scenes she surpasses Max and you really begin to feel for her, and can see a lot of hope and future for her, thinking that she will be the big hero (or at least should have been the lead character). She presents incredible energy in a tough world, not delivering charisma or charm but more a sultry aggression, one that is fighting to be let out, but continues to maintain a level of professionalism. It strikes me though, that with a film about the police and crime, that none of them can spot the real crime in progress, that of the death of Riseborough’s character. It still annoys me to this day that Riseborough’s character was killed off as I simply wanted more of her in this film. She is more what McAvoy should have been than he plays, so why could they not have killed him in a shock twist and allowed her to take over from him. She was incredibly enjoyable and whose death is the real crime of this story.

Andrea Riseborough and James McAvoy

Welcome to the Punch does not carry a heavy burden of Special Effects, but does come with some terrifically choreographed gun fight scenes including some nicely, all be it brutally realistic scenes of the use of injection needles in James McAvoy’s leg, plus a whole heap of excellently devised shooting matches and even a pretty good bike car chase scene in a surprisingly quiet late night Canary Wharf. Any other scenes of adrenaline pumping action really come down to the human level of chases scenes on foot, plus the raw primal instincts of the cast as they deliver very realistic characters, all who appear to be on the edge of mental breakdowns in such a stressful world (come to think of it, the bike chase scene in the underground tunnels does sort of make me think of the opening scene in Blade: The Series). The film’s soundtrack meanwhile (composed by Harry Escott) is a very varied selection of tracks that that range from small low key pieces, to high-octane shouts, all dependent on the scene in hand. For the most part the film relies mostly on a sophisticated level of silence as the characters are talking and only brings in the noise as the time for talking comes to a close. Even when the music is needed, it decides to play tracks that suggest more a moment of thought rather than a moment of action; not necessarily a bad thing, just very different. Scenes that carry a piece of note include the opening heist, Max’s Flat, the attack on Sternwood’s Icelandic villa, the near kiss, the early container, post Sarah’s death, nightclub shootout, the Morgue and the Credits (not forgetting the wonderful piece of music from the film’s trailer, no idea what it is sadly).

Welcome to the Punch is a very satisfying crime thriller. It is a film that is at a good length and carries enough mystery, but not too much to heavy interlace with the scenes of action so as not to confuse itself nor the audience. It is a film with a good sophistication of action sequences, while also presenting a prolific cast of characters and delivering a deep sense of emotion. Yes, it does have its down parts (such as DS Hawks’s Death!) but it also has a lot to make up for that (except DS Hawks’s Death!) and carries on to create a brutally realistic film with a tragic un-turn-around-able ending that makes you question what the future holds and if the villains actually got away with it or not. At the same time though it does go on to question real world ideas such as gun control, the arming of British Police officers; and also delves deep into some of the deepest levels of corruption that we may never see in some of our most trusted institutions. Altogether, I think it is a rather superb film that does something very different to those around it, creating a rather unique if but small experience for all those willing to give it a shot.

GENEPOOL (Happy New Year).





Everything They’ve Built Will Fall, And From The Ashes Of Their World; We’ll Build A Better One – X-Men: Apocalypse

21 12 2016

x-men: apocalypse (20th Century Fox - 2016)

“You have no idea who you’re messing with Xavier”; a line spoken by the Mutant Mesmero in the X-Men: Evolution episode; Mindbender. An insignificant line to those who may not have seen X-Men Evolution, but to me, it is a line that took me on a journey of discovery. It was the beginning of a story Arc involving the resurgence of a powerful Mutant Villain in the X-Men World. A villain, who since the first time I heard speak of his name, I would become besotted by, and looked for any and all opportunities to find out more about him. It’s been maybe 13+ years since I first came across his name, and I know so much; and upon learning of his upcoming movie debut, I could not wait and anticipated the arrival of this film and more importantly the movie debut of APOCALYPSE.

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Released in 2016 by 20th Century Fox, produced by Lauren Shuler Donner, and directed by Bryan Singer; X-Men: Apocalypse is a super hero movie where the Uncanny X-Men attempt to save the world from an ancient Mutant who wishes to destroy Humanity. X-Men: Apocalypse is the direct sequel to Days of Future Past and stars the cast of the First Class series of X-Men Films, but which also looks to introduce new stories in the long-term and introduce and also reintroduce both old and new characters. At the same time it looks to introduce the arrival of the first major super villain for the series, and attempts to do this with the insertion of the first mutant; Apocalypse. The story is based on the X-Men comics Apocalypse Story Arc, as well as the X-Factor Story; Fall of the Mutants.

In Ancient Egypt, the Mutant En Sabah Nur (Oscar Isaac) rules the land with 4 followers dubbed his Four Horsemen. While performing a transferral ritual, he is entombed in his pyramid where falls into a deep sleep. In 1983, kid Scott Summers (Tye Sheridan) discovers he is a mutant while at school, and his brother Alex (Lucas Till) takes him to Xavier’s School for mutants run by Professor Charles Xavier (James McAvoy) and Dr. Hank McCoy (Nicholas Hoult). In Berlin, shape shifting mutant Mystique (Jennifer Lawrence) helps rescue teleportation mutant Nightcrawler (Kodi Smit-McPhee) from an underground fight club and takes him to Xavier’s school; where he meets Scott, Jean Grey (Sophie Turner) and Jubilee (Lana Condor). Meanwhile in Egypt, CIA Agent Moira MacTaggart (Rose Byrne) is on the lead of a mysterious organisation, who are searching for something underground, and there she comes across the remains of En Sabah Nur’s pyramid, which wakes him up, sending a vivid dream to Jean Grey who foresees the end of the World.

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Upon leaving his underground tomb; En Sabah Nur walks through the streets of Cairo, to discover that the world is under the rule of Humans. He finds street urchin Ororo Munroe (Alexander Shipp) who is a mutant capable of controlling the weather and recruits her into his team, enhancing her powers in the process. En Sabah Nur then goes on to hire mutants Psylocke (Olivia Munn) and Angel (Ben Hardy), while still searching for a fourth. In Poland, Erik Lehnsherr (Michael Fassbender), also known as Magneto, has found himself with a job at a steel factory, and lives with his wife Magda (Carolina Bartczak) and daughter Nina (T.J. McGibbon). One day at the factory, he rescues someone with the use of his powers, but this tips off the authorities. After an accident in an attempt to capture him results in the death of his family, Magneto kills the militia and then goes to kill the steel mill workers who tipped them off. When he arrives though he is found by En Sabah Nur who kills the steel workers, then takes Erik to Auschwitz where his powers were born. En Sabah Nur informs Erik that he cannot escape his past, and says that he was sorry for not being there when Erik needed him most, finally recruiting him and enhancing his powers.

Back at the school, Mystique wishes to talk to Charles, who has gone to see Moira McTaggart to talk to her about some of the research she has been conducting about the history surrounding a mysterious mutant called Nur. Upon returning to the mansion and talking to Mystique, Charles uses Cerebro to locate and talk to Erik, but En Sabah Nur uses this connection to tap into Charles’s mind, and use Xavier’s Telepathy to get into the minds of everyone around the world, and to launch the world’s entire arsenal of Nuclear Weapons. Alex helps destroy Cerebro to turn it off, but En Sabah Nur arrives at the mansion and kidnaps Charles. Alex tries to stop them, but accidentally causes an explosion that rips through the mansion killing him. Quicksilver (Evan Peters), a super-fast mutant; shows up in time and manages to rescue everyone inside the mansion as the explosion tears through it. With the Mansion in pieces, a military helicopter arrives which disables most of the mutants unconscious. The men on board the helicopter led by Colonel William Stryker (Josh Helman) kidnap Moira, Mystique, Quicksilver and Hank. Before they leave however, Nightcrawler, Jean and Scott sneak on board the aircraft as it takes them to a mysterious base in the Canadian Mountains.

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In Cairo, En Sabah Nur informs Charles of his plans to destroy the world of Humans, and how he plans to possess Charles’s body with the same ritual as earlier. Charles broadcasts En Sabah Nur’s message to the world, while also sending a secret message to Jean. At the base in the Canadian mountains, Jean, Scott and Nightcrawler discover a savage mutant who has been experimented on (Hugh Jackman) and release him on the men in the base. Upon rescuing the others being held by Stryker; the team travel to Cairo where En Sabah Nur has rebuilt his pyramid; and while Magneto uses the world’s magnetic fields to destroy major cities, Nur’s other recruits attack the X-Men team. Nightcrawler is able to rescue Charles from the transferral just in time, but it has left him scarred. Quicksilver and Mystique attempt to convince Magneto to join them, as they’re his family too, and Charles uses his connection with Nur to get inside his head and attack him from there, but Nur is just too powerful. Even when Ororo and Magneto join the fight against him, they still struggle, until Jean releases the raw power of the Phoenix Force, which burns Nur to ashes. Back at the school, Magneto helps Jean to rebuild the school, Moira has her memories of Charles returned to her and Mystique with the help of Hank, trains the first X-Men team.

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I was very excited about the release of this film, so much so that I pretty much went to see it as soon as it came out. I was expecting and hoping for so much. I was watching the trailer over and over again, watching cartoon clips of Apocalypse’s Quotes, as well as clips of Apocalypse from the film saying that Amazing line. I was so excited and was hoping for so much. X-Men 2 has always been my favourite, but my hopes and dreams, especially after Days of Future Past, was that this film was going to be glorious and possibly better than X-Men 2. It was my final day of work where I was working at the time, and to sort of celebrate, as soon as I got back to Lancaster, I checked the VUE to see if it was on and if I could pre-order a ticket (just so I could go home, drop my bag off and get changed). When it was true that I could, I did just that and went to the cinema with great excitement.

Upon seeing the film, my overall opinion was: right….? One thing that I have always found with films in the X-Men series is that it’s always best to give them a couple of watches to really get down to the nub of them, and that’s why I have waited until I could see it again before I reviewed it. It’s just the case that in the past when I have seen them again a second time, I have understood them a bit more. In terms of Super Hero movies they are in a class of their own as they deal with more than just guys with powers, as the X-men have other issues to deal with especially that of Mutant Racism that is so entwined within who they are. I think the issue for me was that I finished work that day too; at a job I was enjoying and was hoping that a treat may create some closure, but instead, my head was conflicting as my hopes and dreams for Apocalypse lay dashed on the pavement. Upon seeing it again though with a clearer head, I am a lot more favorable for it.

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The film has its issues, and the issues are a few. It’s not that they are generally bad; they are just issues that it doesn’t help, and could have with more development or better execution. The major issue it has is that it has a lot to fill in. In the past the series has orientated itself by keeping the team strong but the cast relatively low. The X-Men are a team and it’s important that they remain like that, but the more effective team is better than the biggest, if you get my drift; they’re not an army. The issue here is that, we have one big villain that of course has his own minions to do his bidding, but in order for it to make sense, it needs to be made up of new but still popular characters, so we therefore have a team of five people vs another team, but this time made up with characters that were being reintroduced to the series, important characters that needed to be introduced sooner than later as they have not been seen for a while (except for clips in DoFP of course). With so many characters to introduce, not to mention other characters taking some spotlight, it was going to be hard to fit them all in the allotted time, so what did the film makers do: extend it, but then again it doesn’t really work! It introduces, and well I will say, characters like Nightcrawler, Scott and Jean Grey, plus allow some development time if not a lot. However, on the other hand Apocalypse’s team is hardly introduced at all. They are sort of sacrificed for the benefit of other characters, which is actually a big shame as some of his team are made up of X-Men Superstars who have been members of the comics longer than most.

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Due to this issue of extra time, the film commits some faux pas that only goes to confuse the viewer rather than enhance the film. It has characters to introduce and a lot to show; what it ends up doing is showing scenes (scenes that are very interesting I might add), making you want to see more, and basically changes scene to another perspective which is OK, but then does it again, and does not return to that original perspective for a while, say between 5 and 10 minutes. With that out of your head, you feel like you have walked in to a scene from a TV Drama completely unawares as to what is going on and with no way of finding out. It’s got all these really good bits, but doesn’t put them together close enough for them to really take you anywhere: if the gap was quicker or shorter, then it would probably be alright. You can actually see how long it feels in reality as you realize that even 47 minutes of the way through, it still feels like it’s the first act, and is still introducing people, and not creating an incidental moment that takes it to the next big thing (at least not until the end of the first hour). What does not help this further is Apocalypse’s plan to destroy several major cities at once. You just don’t feel it. You feel it when you’re there; the final battle takes place in Cairo which is not necessarily a bad thing, but if you’re trying to show global devastation it would be better if you focused on one city then moved out. Put one city in peril, for the sake of everywhere else. The images of destroyed cities are very vivid and visionary, but because the scene is not there, it does not feel like anything. If the final battle was in say Washington, New York, maybe even Tokyo or London; these are big major cities of the world, but have the final battle there, and show the expanding devastation there, so those who go to see this film can at least connect more strongly and really feel for the destruction. I don’t like Part 1 and 2 films that are being done all the time right now, it’s a motive by the studio to make more money, not really for the film’s sake to have a stronger/better story, here however I can see an argument for a film that should have a Part 1 and 2. It’s trying so hard to cram so much into what is already a very long film, if it spread things out a bit more, and split into 2 films, then at least we could have a much better developed story and things could happen quicker and better.

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Much like said above, X-Men: Apocalypses cast can be in spots feel a little wasted. They really pushed the boat out with mutant characters and have featured an all-star cast of X-Men Comic mutants which include single appearances from mutants like Blob (Giant Gustav Claude Ouimet) and Caliban (Tomas Lemarquis) as well as small appearances from Apocalypse’s original Horsemen (Warren Scherer, Rochelle Okoye, Monique Ganderton, Fraser Aitcheson), but it is rather sad that strong characters and re-introductions to this series like Angel and Psylocke are once again pretty much shoved to one side despite how much their images were used to promote the film. I am especially a big fan of Angel and was hoping his new role would be a strong one, much like Psylocke, but again it was very little and he pretty much died a quick death. Psylocke for what time she was given did provide some strong moments, and I would like to see more of her in the future. Like previous films in the series, some major guest actors were brought in to play big but still very short parts, but their inclusion does help ripen the roles of senior characters where required, with the use of such actors as Zeljko Ivanek. But these roles are meant to be one shot spots, whereas major villains or even hero characters should have more. For instance, I thought it was rather odd, that the filmmakers go some distance to include Jubilee in the story, but leave her appearances to the very minimal, especially to introduce her in such a well-developed fashion and not include her in the final battle of which the same could be said for Havok, who was a major introduction in First Class, but not really used beyond, despite how well he is played either way.

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The uses of other characters are just weird though; for instance: I genuinely believe that Hugh Jackman has no point of being in this film other than to make a small appearance. The whole scene in the Canadian mountains shows no real major point, except maybe to introduce the post credits scene, in which case, why not create a very different post credits scene? Everything is going well and Ok, then they just slam this scene in there for no real major story point. What is a real shame though I find is that the film’s major cast (who have since become major stars since their first appearances in this series), seem to be underused. They are there, and feature prominently, but given that Days of Future Past has shown what power they can give in these roles, it’s a shame that they aren’t used to perfection. Most of this could be as an after effect of the convoluted scene by scene irritation I mentioned above, and all the while they still provide goodish performances, it just feels like they have lost effect. James McAvoy for instance seems to have returned to a docile past and feels like he needed to get younger over a 10 year period. That welcoming friendliness is still there, but the power from the previous film has gone. Jennifer Lawrence (who I consider to be my favourite actress) seems to have lost passion as Mystique, she seems to talk more than do more, and does not really deliver any reason for being there, other than maybe for being Jennifer Lawrence. Nicholas Hoult just doesn’t swing it for me much in this film, and just appears to fade into the background mostly while at the same time minutely trying to provide the emotional instability between his character of Beast and Lawrence’s character of Raven/Mystique. I know these films take place 10 years apart from each other, but I didn’t know the actors not the characters had to age in between! As for Fassbender, while he is still very capable of getting very emotional which is a very good trait of his, I think it’s getting rather clichéd that he has to get low and emotional. Why couldn’t he be the big bad strong villain that he is supposed to be playing, only to be enslaved by Apocalypse rather than just join him. Why can’t Magneto just be Magneto? Rose Byrne has a waste of a performance. She was fantastic in First Class, but due to a lack of appearance in Days of Future Past, she is brought in here, and sort of reconciles with Charles really too quickly, not allowing their relationship to really blossom, and so for the most part serves as a double-edged joke and not as the inspired cast choice that she once was.

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It really comes down to the rest of the cast to sort of make up for the casting and performance mess; and some of them do more than any other. The X-Men are a team (already made this point), and as such the characters should have more of a part in the overall battle instead of leaving it to single players to do the job. Scott Summers for instance carries attitude, but not much of anything else to make his part worthwhile. After the death of Alex, he really should have more drive, but he sort of confidently hides in his shell. The same could be said for Nightcrawler who is just there to oppose Angel, and rescue Charles, but nothing much of anything else. And even though she is not part of the team, Storm is a major character in all X-Men related media, and just to be given a few speaking roles and some small appearances, it just again feels like a waste. Quicksilver does get another appearance and a much bigger one plus uses the knowledge of Magneto being his father to increase his position within the film. His rescue of the people in the mansion plus his fight with Apocalypse are two very good and well done scenes and really help to get the final half of the film going. The film’s cast though really does come down to two amazing actors delivering Fantastic Performances. I had never heard of Oscar Isaac when I first heard he had been put in this role, but I absolutely loved his performance. On the one hand I do think Apocalypse was too well held down to begin with and was very much just used to provide philosophy and theory, we didn’t get much of a chance to see his powers until the Nuke Scene and of course the final battle. I was a bit disappointed that his comic book essence, his true powers were not really put on show, but they were minor in reference. However, much like Apocalypse in Comics and Cartoons, his performance, his voice, his presence, were powerful. They were really good scenes, and ones I could both look forward too and much enjoyed. While he did take time to be seen, he was still the main villain and presented as such. I really feel like he should make a future appearance again, a villain like that does not die-hard, but I hope that if it were to be done that Isaac be brought back to play him again and that he is more like his-self in the comics, rather than filmmaker philosophy, but here and now, still well done, and also has the best quote of not just the film, but of any film released this year.

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But for me, there was one person who was better than all the rest. From start to finish her role was pretty mysterious, but the performance provided was unlike any other in the whole film and for her to become the real hero, it was wonderful to see. I absolutely loved Sophie Turner as Jean Grey, she was just epic, and for hours and days after seeing the film, I could still see Sophie Turner whenever I thought of this film. A perfect casting in my opinion that is one I definitely want to see more of in the future (please be cast again in the future).

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The film like its previous series entries does feature a bewildering level of Special Effects, which help to not only show special powers, but also help create scenes and scenarios that cannot be made but are asked of. Some of these sections I feel could have helped in other sections where they may have helped either sped up or at least not slow down the pace of the film. The destruction of cities is very visionary, and the film works hard to create its more iconic big effects like Quicksilver’s running scenes, to destruction on a large scale, to even launching the entire world’s Nuclear Arsenal. But as I have always found, no matter how great the effect is, the soundtrack always delivers more. The soundtrack (composed by John Ottman and Michael Louis Hill) once again features that incredible X-Men opening theme and titles, but does not hold itself down to just that, as it creates some amazing pieces for some of the film’s more outstanding moments, moments such as the launch of Nuclear Missiles (which is played to Beethoven’s Symphony No. 7), Ancient Egypt, Quicksilver’s Mansion Run (Sweet Dreams by Eurythmics), and of course the final battle with Apocalypse, especially the rise of the Phoenix. These two things while considered maybe separate never fail to impress or provide great moments for the series, always delivering, always enjoyable, and always powerful.

I wouldn’t consider X-Men: Apocalypse to be a disappointment, nor a bad film (it’s better than at least 2 X-Men films I can think of). It’s more like an unpolished attempt leaning on the edge of greatness. Even with its issues, it has its scenes and moments; although while largely separated for long periods of time, these scenes still deliver really fun enjoyable and powerful moments that give you a good surge of pleasure. The characters may be hit and miss and mostly underused; doesn’t mean that they still can’t bring the pain; they just need to get out of their personal pain to begin with. Apocalypse might not be the same as he usually is, but he still makes a great villain and his introduction let’s open the gates for other major super villains such as, oh I don’t know, Mr. Sinister perhaps? What I would class this film as, is a good attempt. It’s something that throughout is working ok, but never gives the final push it needs to truly breakout and be what it really can be. I had high hopes, and while it did provide hours of real enjoyment, it just wasn’t enough to truly be. Maybe it’s just that I am a fan of X-Men: a fan of the comics, cartoons, (nearly) all the films, maybe that is why it did not fully work for me? Maybe, but even still, I enjoyed X-Men: Apocalypse to a large degree.

GENEPOOL








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