Imagine the scene, there is a terrifying new disease-spreading throughout your home town, killing lots and lots of people…and there is no cure. What do you do? You could hang around and wait for a miracle cure, or you could find a way to stop the disease from spreading/catching further. It’s an interesting plan, and wouldn’t you believe it, it’s possible – just so as long you are sure it won’t come back to eat you in 3 years’ time.
Released in 1997 by Miramax and Directed by Guillermo Del Toro, Mimic is a Science Fiction Horror Film based on the short story of the same name written by Donald A. Wollheim. Mimic deals with the subject of genetic construction and tampering in a similar theme and style to the written works of Michael Crichton, particularly his book and later film Jurassic Park. This time however it’s for the creation of a new species of bug, which then quite literally bites back when it goes out of control.
In Manhattan, a deadly disease known as Strickler’s disease has struck, claiming the lives of hundreds of children. The disease has no cure, nor a vaccination; however what people do know is that it’s being carried by the common cockroach. To this end, Entomologist Dr. Susan Tyler (Mira Sorvino) is brought in by the C.D.C. to create a new species of insect (a cross between Termite and Praying Mantis DNA) which she and her husband Dr. Peter Mann (Jeremy Northam) call the Judas Breed. The insects are successful in killing off the Cockroach population, and with it Strickler’s disease. The Judas Breed meanwhile was designed to be unable to live and breed outside the lab for no more than 6 months, and so would die after 1 generation. Three years later, a reverend is chased and dragged underground by a mysterious assailant; the only person to witness it however is a possibly autistic boy called Chuy (Alexander Goodwin) who notices the strange sound the assailant makes, naming him Mr. Funny Shoes (Doug Jones, Bill Lasovich and Roger Clown). The following morning, the church building is cordoned off by C.D.C. agent Josh (Josh Brolin); who notices excrement hanging off the ceiling, inside of which has some buttons.
Susan, now working at a natural history museum with her assistant Remy (Alix Koromzay), buys some bugs off kids Ricky (James Costa) and Davis (Javon Barnwell). One of the bugs in question is rather big and looks rather weird. Upon closer inspection, Susan begins to realize that the bug is a member of The Judas Breed and is also a baby. But before she can find out more, her office is attacked by an assailant, who only appears to take the bug specimen with him. Susan explains this to her Husband, and with Remy and the kids in tow, they try to get another specimen from a subway locker, but are stopped by Subway cop Leonard (Charles S. Dutton), who demands to see a Permit. Meanwhile, with some information from Susan, and the hope of making quick money, Ricky and Davis journey through the Underground and find an Egg sack, but before they can do anything, both kids are killed by a strange creature. In the subway meanwhile, Susan meets Chuy who is with his guardian Manny (Giancarlo Giannini). That night Chuy hears Mr. Funny Shoes inside the church, and goes looking for him, while Remy and Susan go to a water treatment plant where a large bug, is discovered. Susan’s boss Dr. Gates (F. Murray Abraham) examines the creature and summarizes that the bug is a soldier and part of a colony.
Manny discovers that Chuy has disappeared, and goes underground to look for him after spotting some clues as to where he might have gone. Upon getting a permit to look in the subway locker, Leonard, Peter and Josh head underground to find another specimen, and find traces of more hanging excrement. Susan meanwhile waits outside in the station, looking through some photographs. In the station though, is one of the assailant figures, who transforms into a large man-sized bug, which then takes her deeper underground. Peter and Leonard fall into an old subway station, and Josh runs off to find help, but is then killed by a large creature. Susan meanwhile comes to, and tries to call for help from the city above, but nobody listens. One of the large insects does however, and comes after her. She is eventually rescued by Manny, who after finding Leonard and Peter asks them for help. They take refuge inside an old Coney Island subway car, but Leonard gets injured by an insect that manages to get inside. Upon killing it; Susan explains that by increasing their metabolism, The Judas Breed were able to both reproduce and mutate very fast, despite being unable to biologically reproduce at all. To this end, the creatures have begun to evolve, and Mimic their main predator: Man. At that moment, the car is swarmed by big insects, smelling the blood coming out of Leonard’s Leg. Using the dead one’s smell glands, Susan coats the windows in the smell of the dead creature insides, causing the other to flee, making the insects think the train is one of them. With the insects gone, the group formulates a plan to move the car down the tracks to a possible escape. Peter is sent to get the power back up, while Manny is sent to switch the tracks.
Inside the car, Susan believes the Mimic Insects could spread out of the subway system and colonise anywhere they choose. She describes to Leonard that one way of preventing them from doing this would be to find and kill the colony Male, who will be the only one capable of allowing the Judas Breed to reproduce. While out to switch the tracks, Manny finds Chuy but is killed by one of the insects. Peter manages to get the power back on, and finds Chuy, and Susan, who left the car to look for Manny. They are however cornered by a group of Mimic Insects. Knowing he hasn’t got much time left, Leonard uses the smell of his bleeding leg to distract the insects long enough for Susan and Chuy to hop into a dumb-waiter and escape. Peter then sets off to find a way to stop the creatures while they are still down there. He gets chased into a room which turns out to be a colony nest. Using a pickaxe, he quickly releases gas into the room, hoping to use Manny’s lighter to set it alight, but the lighter has stopped working. With next to no time left, he uses the axe to cause a spark on some railings, causing the room to catch fire, killing all the bugs, and sending a fireball throughout the immediate subway area. Escaping from the Fireball, Susan goes to look for Chuy, but runs into the male Bug. Using her own blood to attract it, she has it chase her; just ducking out of the way from an oncoming Subway train, crushing the Male Mimic. On the surface, the area is in Anarchy after the subway fireball. Dr. Gates explains to Susan that after combing the area twice; ensures her that nothing could have survived. Peter meanwhile had a lucky escape diving into a pool of water, and is reunited with both Susan and Chuy on the surface.
If you look through the filmography of director Guillermo Del Toro, particularly at the films he has directed; many films immediately come to my mind and are at the forefront of his directing career. Films of course like Pan’s Labyrinth, the Hellboy films, Blade II, Pacific Rim, as well as a host of films directed in his native Mexico (that I have not yet seen). On this list however you will also find MIMIC. Back when Pacific Rim was due for release, I remember reading inside VUE Cinema’s prevue magazine a piece about Del Toro and his output, and MIMIC stands out in his filmography, but the main reason for this is due to the film not making back its budget, and when compared to the success of his later films; MIMIC is held as being something like a Black Sheep in his career output. I don’t think that kind of statement is very fair however; because I think MIMIC is very good. It’s is Tremendously Terrifying. I have known about this film for years after seeing the beginning once back in between 2005 and 2008 and after finding out what it was have kept on eye on it since, but recently it was the first time I had watched it all the way through. It carries a lot of frights and scares throughout, while also maintaining a level of creepiness, because bugs are creepy, plus the science fiction story genre element works and is explained well. It’s not like 1950 American Monster Movie explanations where it is done rather quickly; MIMIC instead explains it bit by bit by the relevance of it as the characters begin to explore it. The science fiction side also makes a nice break/change from most monster horror fiction too as it goes into talk about the need for the bug species, but then how while science in the lab can be controlled, the real world can’t. The idea of this film being like a Michael Crichton novel was actually something my Lecturer suggested (who as far as I am aware has not seen it, but suggested such when I mentioned it), and when you look into it sort of does. The mention towards Jurassic Park is very apt I feel, as both stories talk about the new future for science, but in the real world, nature cannot be controlled so easily.
I don’t know if you have watched The Strain or not (I can’t see why you wouldn’t have watched it, since the demise of Top Gear it is officially the best show on TV), but I find that in terms of the handling of its characters, Mimic has some rather similar similarities. The Strain is of course the TV Series adaptation of a book series written by Guillermo Del Toro himself about the release of a Vampire Virus. While Mimic has a similar feature in that sense, that is not what I am going to talk about right now. Mimic has an assortment of characters, all of them in varying different ways of life, the kind of people you wouldn’t necessarily think of associating with each other. Much like The Strain where you have some people who know and work on the Virus but then only to join up with others and create a rag-tag group of people which includes themselves, a pawn shop owner, an exterminator and a computer hacker. This sort of thing happens in Mimic also with characters ranging from an Entomologist, agents of the C.D.C., a subway cop, a shoe shiner, and his Autistic Ward suddenly converge on each other.
Thankfully the major part of this cast is small so I am not going to get bogged down like the Independence Day review last week. Anyway; Mimic, sort of like Independence Day again, does work hard to incorporate and make good tertiary characters all the way through the film. So automatically within the first 10/15 minutes you get characters like Ricky and Davis who to begin with get a big role, but eventually, and something I feel of as a departure for the film, don’t survive and become early victims to the Mimic Bugs, but they’re not in the background, they are upfront, and so their death scene becomes a big moment for the film. Then you get characters like Josh, characters who meet the true meaning of supporting characters. He is the film’s light relief, a sort of comedy character. Another person who meets a grim end; but lasts longer than most. He spends most of the film complaining about his role/job and you don’t really connect with him, but for the sake of comedic relief he is ok. Next to him you also have characters like Remy and Dr. Gates. Gates presents the moral side of science, the character you need in a story like this. Someone who questions the true motives behind the uses of science to create the Judas Breed. But at no point does he lose his temper, but tries to show a logical understanding of what goes on and does what he can to support Susan. Remy meanwhile is a character I like, and consider an unfortunate casualty, as while she is a good character, and someone you want to see more of, she has very little in the way of appearances. So while she has a very positive start to this film, she does sort of get ignored from the half-way point onwards and I find that rather sad and a bit disappointing.
Leonard is an odd one. He is a character that is very strong throughout this film and is very good at his job. Compared to most other roles played by Dutton, Leonard stands out more. He is something of a narrator, a historian more like, and who talks about the legends of the Mimic creatures before he even knows about them. Tells the tales of strange people called Long john, but also knows a lot about the underground area. As things begin to take a turn he becomes something of a guardian and a sacrificial hero to the group. He is an enjoyable character, and his singing is rather fun, I just wonder if his death is more a punishment for his unpleasantness, or if he is really needed to die at the end? In something of a similar character to Leonard, you have Manny, the shoe polisher. Much like Leonard he is very down to earth, works hard to both put food on the table and look after his ward in Chuy. He is an interesting character in that he is one of the films very few anchors, one of those people who in the midst of all the science fiction explaining, that brings it back down to a more common human level. He is very caring of Chuy, although finds him possibility a little bit irritating due to his condition, but in a similar vein to Leonard, you wonder if he is really needed as he just gets killed off like everyone else. Chuy meanwhile I find hard to think about it. Much like other characters in this section he has an interesting part, making friends with the bugs, rattling on his spoons, knowing everything about shoes. He has an interesting dynamic, but for the most part; particularly towards the end, he just becomes an alternate character to look out for and for the main characters to save, keep out of harm’s way. He is someone who is good, but as to why is the real question.
Peter Mann, someone who I cannot put my finger on, not in the sense that he is a good character, more in the form of I cannot figure why he is in this film. He starts out as the scientific boss and husband to Susan who then runs on a trail to discover and eventually annihilate the nest of the Judas Breed, but…this turn of character in him does not feel right. He doesn’t seem caring, more a sort of grumpy, he is not a connectable character, more a sort of supportive character that gets some attention. Yes his scenes underground leading to the big bug massacre is good, tense, thrilling and scary, it’s just for the most part, I just don’t get him. Which is entirely the opposite compared to Mira Sorvino’s character. What is a lovely strong female character throughout this film, you have someone who like many of the above loves and enjoys their work, but is the creator of the film’s main antagonist in the Judas Breed. Yes, there was plenty of reasoning to create them, to help wipe out a horrific disease, but just when she thinks they are all dead over, she begins to discover that isn’t necessarily the case. As things develop further, she gets thrusted head first into the situation, eventually meeting the mutated, evolved form of her creation, to then ultimately wiping them out, the one person who needed to do it. She doesn’t raise much of a smile throughout the film’s events, and is embroiled more into the case the more it develops, soon realising the real results of her work, and going from keen professional scientist, to a near nervous wreck at the devastation and death caused by the miracle bugs. So of course she has to end it all with one final, and possibly sacrificial last stand against the creatures, in the end saving humanity once again from the bugs she created to save them once before. Sorvino’s performance is brilliant in Mimic, she stands as the archetype and central figure throughout as a character that stands the rest of the film, not one who becomes a great hero, or an underdog, but someone who stands as a hero to begin with, but ultimately becomes a pre-underdog type character, being brought down to her knees on the result of her creation. A terrific performance by a true; but unfortunately, lesser (at current) titan of cinema.
Let’s not forget however the film’s other characters. The Mimics. The Mimic Creatures in this film are nicely designed monstrosities made for a purpose but ultimately become a new threat, somewhat similar to a species of creature they were supposed to wipe out. In explanation, they were designed to kill off the common cockroach to aid in the killing of a deadly virus striking down the children of Manhattan Island. The end result of that being the death of the virus, but due to an unfortunate misunderstanding, the Mimic bugs themselves, become a new bug threat. While not a virus, like the one they helped rid the city of, still a very dangerous one. Mimic’s, so named for their ability to imitate their main predator/prey in man is a wonderful idea, one that chills the spine, but sets them up as human like characters until they eventually reveal themselves true and proper, not as humans, but as ferocious bugs. Their design is brilliant, somewhat held back by some dodgy late 90’s CGI, their appearance is still terrifying with a hint of realism, and the fact that the way they are shown of pursuing the humans like Prey adds another detail of character, not in something that is to be ignored or does ignore, but rather a merciless killer.
The special Effects are a bit hit and Miss in Mimic. As stated above, the CGI suffers a bit and doesn’t stand out as well as effects delivered in films of its time including Independence Day one year earlier, and The Lost World: Jurassic Park released in the same year as Mimic. The film’s quick scenes and quick moments of movement on part of the Mimic’s sort of make up for it. Yes; while there is still the odd dodgy bit here and there, for the most part in how they used, they look alright, and still don’t ruin the incredible level of design that went into the creature designs. Sadly though due to the lack of well-done CGI, the effects have not aged too well, and these days it’s only the real in shot stuff that still works, and the CGI looks rookie in vain to today’s standards, it’s just so lucky that everything else pretty much works in terms of the film making. But while the CGI falls a lot short, the close up uses of suits/animatronics/puppets/masks/whatever they are is brilliant. The effect of having something there and visible in camera, with added detail such as odd hairs and prongs on the arms and claws are well done. In a similar style to the Alien creatures in Aliens, if it was just the, whatever it was they used, it would have been superb throughout. Add to this the level of additional props and set pieces, like the underground sections, the cart, and of course the icky sticky, very unnerving egg pods. Those in the final scenes in the nest are really creepy, and add to it the bug like sounds, you have something that while in the main part is a horror film, still has room for moments of a horrible, repulsive, disgusting and off-putting by far, nature. Another addition I would quickly like to mention is the several uses of city skyline shots, there are only really 2 I can think of, but both of them are lovely on-screen shots that help to break up the film, but anyway back to the Bugs.
But while the Special Effects may fall short, the soundtrack (composed by Marco Beltrami) certainly doesn’t. The film’s early sounds from scenes such as the release of the Mimic’s and attack on the priest present a very mysterious yet monstrous feel to them. The entire soundtrack on the whole sounds more operatic and monstrous more than anything else, especially the opening and closing credits. They present something of a mystery, like something is hiding, then reveals itself, and is a stark, terrifying monstrosity standing in front of you, and all that you can do, is just stare and scream, there is no running. It’s almost setting your eyes upon a Frankenstein like creature, standing in front of you; Ominous not moving, just pure terrifying. And that is just the soundtrack. Yes it works in tandem with the film, but just to provide a sense of that in listening to it, and also being memorable enough to still create a sense of that is remarkable.
Truly Terrifying: that is the best way to describe Mimic. A terrifying experience all worked into one film supported by all directions by horrifying looking creatures, great characters played by a wonderful cast, horrifying soundtrack and a gripping, thrilling story with a mix of Science Fiction to make Mimic not just a Horror Film, but a really spine tingling mystery. While maybe not standing out as much as Del Toro’s other well-known films like Pan’s Labyrinth for instance, that does not mean that it should be overlooked. Mimic is deserving of another chance, I don’t mean a remake (although a TV series could be interesting), I mean having another watch. Sure it has on and offs, and maybe t’s not Del Toro’s greatest piece of cinema art work, but for the sake of watching a horror film that both creeps you out and nearly scares you to death simply from the ideas that it generates I think is worthy of giving it another look. Now when I think of Del Toro, I am going to think of this film more in detail and equality of mention to his other works. So, Night Night, Sleep Tight, Don’t Let The Big Bed Bugs Bite, Hopefully See You In The Morning Light.
GENEPOOL (Happy New Year).