The WordPress Blog Fish

30 03 2016

Lionfish

In February I discovered a new species of Fish. No, not the above, that is of course a picture of a Lion Fish (or a Pterois if you want to be pedantic) and has been known about for a very long time. No, I discovered a brand new species of Fish, one that is so rare, that you will be lucky if you get to see it at all. This fish is unlike many other species of fish as this one does not live in Water. It does live in the surf of its native habitat, but this species of fish inhabits a completely different territory; that of the World Wide Web, in particular on the web service known as WordPress. It is very hard to spot, but this could be more the case that the creature is not really found but more created into life.

WordPress Logo

By now I start to run out of things to say to suggest that it is a real creature; it isn’t (unless there is one in which case I apologise). No, basically the best way to describe what on earth I am talking about is to go back to October last year. You may remember (unless you didn’t see it), back in October I did a series of film reviews over the course of a week, all of which were from the X-Men Film Series to that point. Well, every year I get this little feature from WordPress which is an analysis of the blog during the year. One feature this thing includes is a table showing when posts are posted. Most of the time I try to get posts posted on a Wednesday, however to include the week and build up to the week, I posted the posts in a different way, to cut a long story short, when I looked at the end of year stats for my blog, the feature showing posting patterns showed what looked like an Arrow head for that period.

Arrow

You might be thinking (or not) why am I talking about this and Fish? Well, during February, I posted 2 rather small blog posts in the second week, so I added a third and did them so there would be 3 posts in a row. When I looked at the posting patterns on my blog menu, I wondered if I could do something similar as what happened in October. The reason for this though has a second reason, and that is that later this year it will be my 500th post, and I wanted to try and get it a bit closer. So thanks to this little bit of fun during February I was able to post 8 posts over one month, so I think it worked. Anyway, having put up one post at the beginning of February, followed by 3 the following week, I then scheduled some more posts. One for the week after 3 posts, and then 2 the week after that, and then another 2 the week after that (one of which was the first post of March); scheduling the dates in such a way that the end result would look like a Fish. Here is the end result:

Fish

I think I managed to pull it off quite well. I was worried that I would get a day wrong, but overall I like to think that it has worked. You can see the tip of the head, the main body, then a taper behind which then leads onto a Thresher Shark like tail. It’s sort of like the old CITV show Art Attack trying to make a Big Art Attack, especially the one where he tries to do one with the New York City Skyline.

New York City Skyline at night

Don’t know if I will do anything like that again, it was more that the opportunity presented itself and I just went with it. I think the end result is pretty good. Maybe next time I will try and do something a little more complicated. When that will be however I don’t know, as right now I just want to take it nice and slow until I reach Post 500.

Moorish Idol

GENEPOOL





I’m Asking You, Just One More MINUTE! – Armageddon

23 03 2016

Armageddon (Touchstone Pictures - 1998)

Throughout the pages of history, there have always been beliefs as to how the world might end. Many of these beliefs come down to religious or cultural beliefs, while there is also the more popular forms of the world ending ranging from the Four Horsemen of the Apocalypse, to historical suggestions such as a meteorite similar to the one believed to have killed the dinosaurs, to ones presented in media forms of recent years suggesting anything from Giant Monsters to freak levels of nature to calendar’s. The thing is, unless founded by a religious belief (like I am), there is no telling what will end the world as we know it, but thanks to many movies over the last 20 years or so, at least we have found a way to entertain these ideas by producing many films that go on to suggest ways as to how it will happen.

Released in 1998 by Touchstone Pictures, produced by Jerry Bruckheimer and directed by Michael Bay; Armageddon is an action/disaster movie depicting a possible end to planet Earth by throwing a massive pebble at it. Funnily enough, Armageddon was not the only film to be released in 1998 depicting the end of the world by a giant meteorite, as Deep Impact was released only 2 and half months before Armageddon, but Armageddon fared much better at the box office even surpassing Saving Private Ryan to become the highest grossing film of 1998.

A3

During a routine space mission, a space shuttle crew are attacked by a group of rogue meteors. The meteors rain down on New York causing city-wide damage. Under further investigation, NASA discovers that a rogue meteorite is heading to earth. The Meteorite dubbed a World Killer is so big that no matter where it lands will destroy all life on Earth. NASA director Dan Truman (Billy Bob Thornton) and Dr. Ronald Quincy (Jason Isaacs) come up with a plan to blow up the meteorite from the inside. On an oil rig, Oil driller Harry Stamper (Bruce Willis), considered the best of his profession is busy dealing with his mini protégé A. J. (Ben Affleck) who he finds having a fling with his daughter Grace (Liv Tyler). Harry is asked to go to NASA with his Daughter where they discover what is going on, he is asked to go to the Meteorite with a crew, and drill inside to drop a nuclear bomb in it. Unwilling to go with untrained NASA drillers, Harry demands that he takes his own un-trained astronaut crew of drillers. These include Bear (Michael Clarke Duncan), Chick (Will Patton), Rockhound (Steve Buscemi), Oscar (Owen Wilson), Max (Ken Hudson Campbell), Noonan (Clarke Heathcliff Brolly) and A. J.

Harry’s team is put through the ringer by NASA under the guidance of NASA Pilot Watts (Jessica Steen) and Colonel Sharpe (William Fichtner). It’s an uphill battle of wills as between NASA crews and General Kimsey (Keith David) against the oil drilling crew. While on Base, A. J. and Grace’s relationship heats up; rather annoying Harry in the process. As time goes by, the crews get into shape for the flight, but not before time. With just a few days left to go, a rogue projectile from the Meteorite crashes into the South Asia Sea, killing thousands. With the truth out, NASA prepare to launch. The plan is to send up 2 crews in highly modified shuttles, Harry leading the Shuttle Freedom, and A. J. leading the Shuttle Independence. The crews launch and dock with a Russian satellite to refuel, meeting Russian Cosmonaut Lev (Peter Stormare). The refuelling operation goes haywire, with the two vehicles departing as the station explodes, with Lev joining the crew of Independence. The two shuttles, having slingshot around the moon, converge behind the meteorite, however the Independence crash lands with most of the crew dying except for A. J., Bear and Lev. Freedom lands successfully, but miles off course however.

A7

The Freedom crew begin drilling into the meteorite but already encounter problems as the surface is made out of iron, and the machine is being run by a badly designed drilling program. Harry confronts Sharpe, but their exchange is seen by everyone at NASA who begins to worry that they might fail. Kimsey is ordered by the President (Stanley Anderson) to override the system and to detonate the nuclear weapons even though the hole has not been drilled yet. Truman orders his men to stop Kimsey, but it’s met with unsuccessful results. With the bomb ticking, Harry convinces Sharpe to turn off the weapon. Drilling recommences and gets off to a good start, however Rockhound having gone insane causes yet more problems that lead to the drilling operation failing, meaning that the team has failed overall. In the nick of time, A. J. and his team, having drove the Armadillo drilling vehicle from their crash site to the Freedom drilling site arrive and get back to work. With less than 2 hours remaining, the teams manage to drill the hole.

A4

With 30 minutes remaining, the team are attacked by a meteor storm, which causes detonation problems for the bomb. The team draws straws to decide who stays on the meteorite to detonate the bomb, with A. J. drawing the short straw. When he goes outside however, Harry pushes him back on the shuttle, taking up the job of staying to detonate the bomb. Harry makes a final tearful farewell to his daughter and says how proud he is of her and his crew, especially A. J. with less than 5 minutes remaining, the Shuttle has problems launching off the Meteorite, but thanks to some quick bodging from Lev, manages to take off. With less than 1 minute to go, Harry slips up, but manages to detonate the bomb with only seconds remaining. The Meteorite explodes into two pieces, which fly and miss earth by miles with the crew back on Earth being hailed as heroes.

A1

Upon thinking of how Armageddon stands out on its own compared to other Disaster films of its kind, it’s really hard to start off. Compared to many other disaster movies of its kind such as the aforementioned Deep Impact, it seems nearly the same. Meteorite comes towards earth, and people go out to destroy it, sounds very similar doesn’t it? Well yes, and it is easier to compare the film to Deep Impact in comparison to the load of straight to DVD releases from companies like The Asylum and many other, cheap knock offs of films like this which attempt to do the same thing. However, Armageddon stands out more. Yes, it is a story of a Meteorite coming to Earth. Yes it will Destroy Earth if it gets here. Yes a Space Agency of particular mention send out a team to destroy it before it gets here. It all sounds like same formula used over and over again, however in the meantime, Armageddon does something different. Usually with science fiction films like this, there is great need for scientists and specialists in astrophysics to do the job, but it’s the case here, that the people asked to do the job instead are blue-collar working class men. People who aren’t geniuses at school, but people who know what good solid hard work is and how well it pays off when done well and right. These guys are not your average heroes, but from their way of life are people to look up to. Armageddon therefore does 2 sort of things at the same time to stand out more. One, it takes real people, real underdogs and puts them in a terrifying situation which they are not trained for to use their craft to save the world. And two, it takes space travel, out of the hands of the experts who started and hogged it for their own needs, and gives it back into the hands of those who on any other occasion would never go up in a shuttle, but provides them with the ultimate dream. It sets up the ground work quite well, and maintains that while the Earth is coming to an end, these working class heroes need to be trained up. It doesn’t ignore the issue; it keeps it in mind to prepare those who are going to solve the issue to be able to do it. It’s sort of like The Hunger Games, the training up of contestants to fight in a horrific battle, but doesn’t automatically start there, first they have to train.

A11

However this is a film; and films are never that simple. This is a full powered, 2+ hour film, and they are not going to fill it with an easy fix. So, things are added to spice up the plot. You have an unapproved relationship taking off; you have the animosity between the trained NASA crews who believe hiring the crew is a mistake, while the crew more sort of admire them, but don’t respect the treatment. Things then just get worse. From this I have this sort of belief as to how Michael Bay makes these films, and it all stems from this film: the idea that things just keep getting worse. This does not really spark until the crews finally go into space, where the space station blows up, one shuttle crashes, the drilling equipment has problems, a platoon of soldiers try to take over the operation in a mindless act, the equipment fails, a storm happens which causes problems for more equipment, someone then has to stay behind to blow up the bomb, and then the shuttle doesn’t take off. It makes everything that happened in the first hour seem easy in comparison. But all of these things, are directed in such a magnificent way that they cause real feelings to the Death of characters, the mindless act of a country leader thinking he owns the world into jeopardising the mission, trying to dig a hole in space (which turns out to be quite suspenseful), to both launching off a rock and then detonating a bomb in space with only seconds left. This film’s synopsis, setting and direction is done with such fluidity that there is always something going on that grabs you by the throat and pulls you ever closer to the screen as the film reaches its ever building climax, even if it’s still 30 minutes away.

A10

Armageddon’s stellar cast of characters carry a lot of the film’s tension and motion too, it’s not just down to the directors action/disaster talent. Some of these though are rather hit and miss. Now I don’t want to necessarily compare the works/talent of Michael Bay with that of Roland Emmerich, that fight will require some real thought. No, all I meant was how much difference there is in the choice of acting talent as to who gets bigger roles than others. With Armageddon though, there is a lot of room for comedy given its early premise and into this fold we do get some comedy acting from people like Owen Wilson delivering some punchy one liners, Michael Clarke Duncan being a real softy despite his size, Ken Hudson Campbell showing how hard he is despite being more of a big teddy bear, and Steve Buscemi being rather daft in a sexual innuendo way. These guys do serve the film’s wit and comedy section while also providing time to show off a more serious and poignant side, however, despite being pretty good at the end, I feel Michael Clarke Duncan could have delivered more early on. Wilson and Campbell I thought were more like comedy fillers, but Duncan was only briefly shown early on, and doesn’t really show much throughout this film until the Shuttle crashes, which think is a shame because he was pretty good in my opinion. But this is a very serious situation, and to this end we need people who are deadpan serious and in no way funny; which we do. This is what I meant when I mentioned Emmerich above.

A2

Disaster movies carry a lot of characters because big disasters affect a lot of people; and while the big stars get the big roles, you also get lesser known actors (or at least of the time) who become stars in their own right, despite that here they fill rather small roles. For starters there is someone like Quincy played by Jason Isaacs. A competent scientist who for most of the film acts like a bumbling fool, but given a shot gives off his own small but still powerful performance not as an expert or fool, but as a very serious and intelligent specialist. We then have Jessica Sheen as Jennifer Watts. Watts acts like a trainer before doing a more pilot role later in the film. She shares very little dialogue compared to those around her, however she is a very strong and likeable character. She is very serious about her job and works hard, but she is not bullish like Sharp or Kimsey, she is rather likeable on the whole suggesting a nice person deep down if it wasn’t for her job. Keith David meanwhile plays something of a secondary antagonist as Kimsey, someone who doesn’t believe in the plan and wants to be as bullish as possible. He talks like a man without a conscious and thinks the way he talks and acts, in the process becoming someone who is very unlikable. This comfortably leads onto Sharp. Sharp is something of a side antagonist until the later parts of the film. Much like Kimsey he is rather bullish and believes he can do anything by himself and his own techniques. He is rather miserable to watch as he feels more like a hindrance than a help, but deep down he has genuine worry and feelings towards the mission, and it’s not simply through being a grunt that he acts this way, but from his own personal worry. In the third act he comes out as a really likeable character as he comes to trust those around him instead of trusting just himself. Even in the last few moments, he worry’s but has more faith in someone who began as his enemy.

A8

Armageddon does also carry a lot of tertiary characters who only get a few fleeting appearances, but who’s acting in their self is still pretty good fun to watch. You have people like the NASA flight director (Chris Ellis), the bloke at the end saying “1 Minute” as he watches the meteorite coming ever closer to earth (unfortunately could not find out what he is actually called), then there is people genuinely on the mission and more upfront with the cast like Noonan, and the NASA communications guy (Matt Malloy). To this we get someone like Lev. Lev is more of a comedy character but with a serious bite. He is more human than anyone else in the film and serves as both light relief and a human connection to the audience creating terrific moments such as how an ordinary person would react up in space, and how too they would fix a busted space shuttle.

A5

I don’t really know what to think about Willis in this film. He lays a working class hero and is obviously a man to respect, it’s just he seems not to be in the depth of his more action based roles. Here he plays something specialist and organiser, but still with the vocal range of an action star. He definitely carries that level of respect the role carries, and also the commanding presence, but for me just doesn’t feel like it works, or at least stand out enough. He does of course make the final stand and ultimate sacrifice, but I just don’t know what to really say about him (sorry Bruce). Billy Bob Thornton stands out a little more as he is both a very respectful guy and is something like Bruce’s equal in an opposite way of life. He however carries something of a burden on his shoulders, as he is a man who has worked hard to get where he is, but at the same time regrets the direction he has taken, and so feels the need to work harder to prove that his chosen direction is as worth it, but more for him than anything else. As a role, he was one to look out for and enjoy, not necessarily a man of action, but more a man with a brain to bring it. Ben Affleck is in a similar situation to Willis I think. He stands out as being more of a rogue or maverick, to Willis’s tough but serious and professional way. But much like Willis, I just don’t find that he stands out all that greatly to be enjoyed fully. It’s probably more the dynamics and confrontations between the two that really make both parts work and the earlier situations between the two are really funny. However, it’s more of a father son relationship story, with the Son seeking guidance and acceptance from the father who considers him something of a disappointment, but then grows to liken him, and accepts as well as love him, and the same the other way round, with the son, showing a higher level of faith in the dad upon his acceptance. Liv Tyler meanwhile plays a more adult based role compared to the two people flanking her. She plays a more professional, more knowledgeable based role to that of Willis, while also having a rebellious youthful side to allow her to fall for Affleck. Her moods change quite a bit though. Sometimes she can be very feisty, and angry, while others are very emotional. It’s hard therefore to recognise what age she is supposed to be playing as she seems to get younger and older consistently in different scenes throughout. This constant change can be quite annoying as you see someone’s character change; however her emotions and strength are what really make her.

A6

For me however, the film’s best character is that of Chick played by Will Patton. I have seen Patton in a variety of TV shows, but for me, this is his best performance. He plays something of a sidekick and loyal worker/companion to Willis throughout, and would be fair to say would probably even die for him. Patton though has a different backstory compared to everyone else. He has a major gambling addiction which has completely separated him from his wife, to whom he feels eternally guilty, and still loves and cares for as well as his son. Out of everyone, he receives the higher redemption, doing something which gives him a second chance at his family. He delivers strength, he delivers wit, he delivers emotion, he carries more than anyone in this film and has some of the film’s best lines, including the high-powered one which I used for this review’s title. A fantastic actor and an incredible performance.

Will Patton

Like many science fiction disaster movies that have come before and after; Armageddon boasts an incredible level of special effects. Effects ranging from the Meteorite, shots in space, explosions, the lot. There’s not much that can be said much than that, given the level of reality that the film is set in and the low-level of need for space based science fiction. Well, if you are going to have scenes on the ground you may as well use real stuff. However, for the lack of special effects other than the use of space, Armageddon does great work in all forms of its effects, and in particular creates one of the best pieces of movie magic in the history of cinema. Space based movies have been made before of course, however not many of these films have really shown the launch of a space ship. The only one previous I can think of is Apollo 11, and that Launch is pretty cool, but what Armageddon does has not been done before or since. The space program has always been seen as something special and exciting, and the space shuttle’s none-the-less. The point of this film is that ordinary blue-collar working class hero types go into space to save the world, but right now they are on the ground, so eventually, they will need to actually go into space, and so, to mark this moment, the film goes all out to capture the moment, to capture the feeling, to capture the excitement of both being there, watching it, and being in the space shuttle. Using great levels of effects that are either models or real shuttles, combined with camera cuts or repositioning’s it makes the launch themselves something proud to behold. But then, the launch is not enough, the ships then need to actually get into space. This is the moment when the shuttle’s become CGI models, but made with such great detail that they look near copies of the models used during the actual take-off moment. But it’s not just the special effects; Music plays a great detail in the scene. It begins with a sort of operatic vocal back track and a tune of awe and wonder, slow, like the initial launch. This then cuts just as it builds to go slow again just to show the significance of the opening launch. The music then builds one more time into a very patriotic, and heart wrenching guitar solo that just takes over from the start. It really does make you feel emotional, because you are witnessing a great moment here, one that is really hard to explain if you have not seen it before. Then as the tone changes from the launch to the flight, the guitar and mixers take over to produce less a slow operatic performance, to something more modern, but still delivering power. It sounds less like a wonder, and more like a mission. It still drives the tension and worry, but still packs in a level of action and power that on the one hand still brings a near tear to your eye, while also just enjoying the spectacle of a space shuttle launching. The Space Shuttle program may be over, but it has given us one pure moment of Movie Magic that will be cherished for decades to come.

The rest of the soundtrack (composed by Trevor Rabin) delivers quite well too. Yes while the film is known for the inclusion of the Aerosmith song I Don’t Want to Miss a Thing, I think it is over used a little bit. I like Aerosmith, but this is not a favourite of mine, although that could be me preferring more a form of heavy rock than melody. There is another track of theirs in this film that I do like and does sort of prove the above point, but it’s nice to see Aerosmith in film form either way. Their song sort of provides a backbone however to most of the films melodious moments. My joy with the soundtrack (other than the above mentioned launch scene) though comes in the form of the films way of delivering a scene in the right way, by building huge levels of tension in strong tense scenes. The one that stands out is the last scene where the final few seconds tick by, and Harry Stamper tries to reach for the bomb detonator with very little time left. Yes there are other good pieces of soundtrack, including the scene at the Armadillo Testing area, the recruitment scene (which also happens to be another piece by Aerosmith), and the inclusion of the ZZ Top song La Grange; but simply picking up the score is hard to do, and can only be achieved through the really memorable moments, and this is one of those scenes.

Armageddon is a power packed Disaster movie that really works hard to put you in the situation and works hard to make it apply to you as much as possible. It delivers a realistic and believable setting for an end of the world scenario, and works really closely to the time limit to make it as tense and as action packed as possible. It features scenes of beauty and scenes that you will not be able or want to forget. It provides a cast of minor’s, majors and absolute stand outs and comes with effects and sound to boot. While maybe not likely to win awards despite being more popular at the cinema than those that do, Armageddon is in no way bad, rubbish or pants. It is an incredibly enjoyable film that packs a consistent punch that will have you gagging for more and more while also hoping for a breath of fresh air. Armageddon is as powerful as the name suggests and deserves a spot in the Disaster Movie Hall of Fame (if one exists?) as much as its peers and contemporaries.

GENEPOOL





With Great Power, Comes Great Irresponsibility – Deadpool

16 03 2016

Deadpool (20th Century Fox - 2016)

Bloke: If only there was a super hero movie that combines the fantastic action and martial arts attributes of The Raid and The Raid 2 with the hilarity and outrageous comedy of Tropic Thunder and Alan Partridge: Alpha Papa?

Me: There is.

Bloke: No!

Me: Yes, it’s called Deadpool.

Bloke: Oh, is it any good?

Me: Yes.

Bloke: Cool.

Deadpool

Me: Released in 2016 by 20th Century Fox, Directed by Tim Miller and Produced by Lauren Shuler Donner; Deadpool is a super hero comic book movie (of sorts) starring everyone’s favourite comic anti-hero (at least by the time they have watched it) Deadpool. For those of you who are not fully aware as to whom this Deadpool is; here is some brief info:

“Deadpool is a fictional antihero appearing in American comic books published by Marvel Comics.” – Wikipedia

Me: Understand?

Bloke: NO!

Me: Too Bad. Anyway, Deadpool is a comic book character belonging to Marvel Comics, and is mostly associated with the X-Men comics in particular. Deadpool is the latest spin-off in the X-Men film series and sets out as well as hopes to do something no other comic superhero film has done to date, which mostly involves being as outrageous and as funny as possible while also being incredibly profane and violent at the same time.

Wade Wilson (Ryan Reynolds) is a mercenary who stands up for the little guy. One evening at the mercenary bar attended by bar man Weasel (T.J. Miller), Wade meets Vanessa (Morena Baccarin), and the two very quickly get into a relationship, one which gets off the ground quite quickly. But as soon as things start going well, Wade gets a very late stage form of Cancer. One night at the bar, he is approached by a recruiter (Jed Rees) for a secret organization who says that they can cure his cancer. Initially turning down the offer, Wade eventually agrees, fearing more for losing Vanessa. Wade however soon discovers that the organization he has joined is seeking mutants to experiment on. The project is led by mutant AJAX (Ed Skrein) and his assistant Angel (Gina Carano) who torture Wade and those around him. Eventually Wade’s mutant genes explode and cause his skin to deform, instantly curing him of his cancer, but Wade discovers that what is really going to happen is that he is to become a slave of Ajax. Wade causes an explosion in the labs and brings down the building, escaping the wreckage.

D2

Upon escaping, he means to return home to Vanessa, but upon seeing how people see his disfigured face, Wade believes Vanessa will feel the same about him, so he decides not to return. Wade moves into the house of elderly blind lady Al (Leslie Uggams), and with help from his best friend, goes in search of Ajax, real name Francis, in the hope of curing his disfigurement. He creates a costume and calls himself Deadpool, before going round the area, killing anyone who does not give him the information he needs on the location of Francis. After a year or so of searching, and making a new friend in cab driver Dopinder (Karan Soni), Deadpool intercepts a convoy of bad guys, kills most of them in some really horrific ways before finally getting his hands on Francis. Unfortunately, his antics grab the attention of X-Men team members Colossus (Greg LaSelle and Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand) who are desperate for him to join them. After their arrival however, the distraction allows Francis to vanish, and Deadpool escapes the clutches of the X-Men by cutting off one of his own limbs.

D7

With a threat on Vanessa being made, Weasel and Wade go to the strip club she works at, but before they can get to her, Francis and Angel take her away. With the help of Al, Weasel, Dopinder, and extra help from the X-Men team, Deadpool goes to the scrapyard (where a near-familiar looking aircraft carrier is being wrecked) where Francis and Angel are keeping Vanessa. Immediately Deadpool and the team of Negasonic Teenage Warhead and Colossus get into a fight with soldiers and Angel. While Negasonic Teenage Warhead and Colossus deal with Angel, Deadpool climbs the aircraft carrier to where Ajax is preparing to torture Vanessa in a similar way to how he tortured Wade. Deadpool and Ajax fight in hand to hand combat, until Negasonic Teenage Warhead destroys the carrier from the inside. Once rescuing Vanessa from the collapsing ship, Deadpool has one more fight with Ajax, quickly gaining the upper hand. Ajax then informs Wade that he cannot be cured. Despite urging from Colossus not to, Deadpool kills Ajax. Wade then reveals himself to Vanessa, who says she is ok with how and who he is now, and they rekindle their relationship.

D4

Bloke: Does this mean I don’t need to see it now.

Me: Are you still here?

Bloke: Apparently?

Me: Well in that case; yes, you should.

Bloke: I thought this was a review?

Me: Yes it is, but more in the form of an analysis.

Anyway; Deadpool is a very interesting film. It’s one that is hard to spring up what exactly it’s about. Ok, plot wise it’s about a guy who becomes a super hero to save himself from his illness but who then has to save his girlfriend (which is far easier to connect to on a personal level than the standard ‘Save the World’ plot of most other superhero movies). That’s the simple plot, but as to what this film does and involves is another thing entirely. In basic terms, what we have here is something of an adaptation, to Understand Deadpool; we need to understand who he is. Once we know that then we can really look into him.

Bloke: Then why don’t you?

Me: Because it will take too long.

What we have here in essence is more of an adaptation in terms of the characters creation and portrayal, but is then put into a situation that goes on to explain how such a character can come into being, while not bringing down the audience nor boring them. It sort of reminds me of Batman Begins, it talks about the early life of the character but brings it to a point where then said character becomes a figure-head and something other than who he is, and incorporates and embraces that entity to do the right thing, although in Deadpool’s case that is somewhat questionable. In this case we are provided with a character that is somewhat questionable from the start, but the things he does he does for the right people, and as an audience we come to connect and feel for him, and as he grows in a relationship, we come to support and care for him. But then things go wrong, and while what he does is (as previously mentioned) questionable, we believe in the cause to support him well enough. It’s something that feeds into a primal instinct, that of revenge, and while it may be the wrong path, the way he does it stands out enough, and in a form as human beings we may believe and feel is the rightful way of doing it, we support it. That aside though, Deadpool is not your average super hero either. He is something of a character. He is a wise cracking comedian who pulls a comedic line whenever he can, continuously breaking the fourth wall in the process. This makes him not just a super hero, but also someone who makes you as an audience member laugh. Add to that though the level of profanity in his voice, however despite what an older more mature audience member would think of such language, the language used by Deadpool when used with his comic nature just makes you laugh as he is using said language in such a funny way. Added to this level of comedy and profanity, you cannot ignore the amount of violence in this film. It’s violence that grabs your attention, as for one part it’s very gory and sickening, but on the other hand is just so outrageous and crazy, that it creates its own essence of humor to be enjoyed alongside what is already so funny. Ok, I admit it’s kind of broad and a hard one to explain. To quote the late great Lemmy Kilmister:

“Trying to understand. Why? You can just enjoy it at face value that’s what I do.” – Heavy Metal Britannia

In essence, it’s not something that should be analyzed or explained, because what we have here is something very special, very different, and something trying to stand out in the biggest way possible. And it achieves this. So less analyzing and more enjoying is what should be done here; because well, it works and is Awesome.

Bloke: So why did you bother trying then?

Me: Because, I didn’t think it through…?

D1

Understanding the character of Deadpool to one side, the film incorporates a relatively yet still outspoken cast of characters. Ryan Reynolds of course the returning star of Deadpool; by saying that I realize I have brought up bad memories about a certain other X-Men spinoff, but this time it’s a good form of acting from Reynolds. Not forgetting that he is no stranger to comic book super hero movies, mostly bad ones; here Reynolds excels as the verbal assassin. Without wanting to get bogged down in more but possibly pointless analysis, portraying Deadpool for me makes this his best role to date. Not really much of a fan of Reynolds in his other films, here he provides a really good portrayal of a character who was always going to be a hard one to do, but I think he has done quite well.

D5

The other film’s characters are not like one offs, or people with brief mentions, no. The small cast has enabled everyone to have a part and really stand out in their part. Negasonic Teenage Warhead for instance is a character I have no real knowledge of, but the portrayal of a 21st century teenager being an incredibly powerful mutant provides a very believable and connectable character while also providing the theme of not judging a book by its cover, even if me mentioning that sounds rather cliché. The addition of lesser characters in a supporting role continues throughout with people like the recruiter, Blind Al, Weasel, Angel and Dopinder. Most of these provide something more of a comic relief, but really work, not just as their roles suggest, but as well as being supportive characters also. Blind Al for instance provides an interesting viewpoint connecting once again to the aforementioned cliché, while also being as outrageous and profane as Deadpool, acting like a human counterpart to him suggesting that he is more human than he seems, and Blind Al is something of his human opposite. Dopinder meanwhile has a small role, but one which separately acts like a feeder to Deadpool’s jokes, but in the process becomes a character in his own right. Angel is more of a muscle like character to Ajax and proves that she is less a comedy character, nor one with a speaking part, but becomes Ajax’s assistant and body-guard of sorts near reminding me of Chyna. She is a pretty cool bodyguard though and one who brings an incredible fight with her. The recruiter doesn’t have much of a part but is relatively enjoyable, but is nothing in comparison to Weasel who acts like a friend to Deadpool, and becomes his assistant of sorts in helping him take down those responsible for his suffering, and much like Dopinder is a joke feeder, but also provides his own witty spin also.

D9

Along with them we have the more stand out members of cast alongside Reynolds. Colossus is one character you can’t but help keep an eye on. As a character, Colossus is a man who can turn his skin into an organic metal. No stranger to the film series, Colossus has previously been played by Daniel Cudmore, who I find sad did not return to the role in this film. I quite like Cudmore as Colossus, but am happy to say that Colossus here is presented well. While I find the special effects used to make him look not exactly crisp, his dialogue usage; something of a near first in the film series, is delivered well and crisp and tries to provide the role that would normally be delivered by Professor X. Ajax meanwhile is a character I find hard to see or realize. As he is not necessarily as stand out as other X-Men characters that come to mind, in this film he seems more like muscle than mind. His sinister side does not really come out all that well I feel, but the disgust towards him as a villain still works and it is in what he does, not how he acts that help him come into the fray, plus he comes packed with a mutant ability that helps to be a good first rival for Deadpool. This brings us nicely to Vanessa. Vanessa is not necessarily a supporter, nor is she a lead. She is not a hero, nor a comedy inclusion, but throughout this film provides to be a story element and a character who much like Wade, as an audience member; you become to care very much about. She becomes more of a plot element as the story goes on and an end goal to be reached. And even when that is not happening, she becomes a very enjoyable character, and towards the end not necessarily a damsel in distress but a hero in her own light, as well as providing an emotional and common sense anchor for which the character of Deadpool both needs personally, and in his career.

D3

Special effects are always a feature in super hero movies, as the need to show super powers usually does require some element of special effects in order to pull them off. In Deadpool though the use of CGI is pretty lack luster and only really used for colossus and the odd effect here and there. For the most part Special effects come down to clever camera tricks, stunts and fight choreography, all of which work quite well to pull off some really awe-inspiring scenes. It makes the film less of a blockbuster and more of an independent action film in a similar vein to the above mentioned Raid films. It just makes it all a nice change from films that require and are defined by how much CGI they use and the people who think CGI is better than real skin.

Bloke: Are you referring to me?

Me: “Hey, Yeah – I wanna shoop baby”

Bloke: Sorry, are you singing?

Me: Yeah, I can sing in my own post can’t I?

Bloke: Well sure…

Me: Well thank you, now please leave!

D6

Back in October, I did a series of film of reviews, all of which were the X-Men films to date released before this one. In that one thing I highlighted quite a bit was the rather grand, high-powered and exciting soundtracks used in the main series of films. Most of these were of course produced for the films especially with use of a composer. For the case of Deadpool however it seems like that idea was thrown out of the window to be replaced with a soundtrack composed of pieces from the popular domain, or better known as popular or pop music. This not necessarily a bad thing I find however as the pieces of music work really well to the scenes they are attached to. Most of these though I have accidently forgotten. One piece though I cannot forget so easily though is of course the sort of movie theme in Shoop by SALT ‘N’ PEPA. Quite a fun little song that works nicely with the ideas of the film, especially as it sounds like shoot, but for the most part is a fun one to sing to…..once you know the lyrics of course.

Deadpool is an incredible film, and interesting one at the same time. It tries to introduce a new, lesser known character to a more mainstream audience while also making it both as funny, profane and as violent as possible, and make it stand out more than any other super hero film out there, which it succeeds at. It more than makes up for the faults of the past, and in return creates a film that instead of being shunned by everyone in years to come will be talked positively by an even larger audiences for years to come. Add to this the strong and excelling cast, the well written story, cool soundtrack as well as all the other stand out points of this film that are hard not to notice; and you have an incredibly fun and enjoyable experience that has been delivered so early in the year, it’s going to be interesting to see if any other film this year can match or even excel beyond it. Also; it has quite possibly the best opening and post credits scenes in the history of cinema.

Bloke: What? Even better than the post credits scene from Age of Ultron?

Me: That was hardly anything; and I thought I asked you to leave – and what’s with the fake moustache?

GENEPOOL





Six Hundred Horsepower…And Leaf Springs…Are You Mad? – Love The Beast

9 03 2016

Love The Beast (Eric Bana - 2009)

I love cars. Cars are one of my big interests in my life along with other interests such as Writing, Films, Godzilla, Board Games, Cooking, Music, TV, Video Games, Technology, Trains, Dinosaurs, and Buildings. OK, so I do have a lot of other interests too that include but are not limited to the things I have just mentioned. But, I genuinely like cars. Yes, it’s been tough since the loss of Top Gear, but as a car fan I have still managed to keep up my love for the things. I may not be able to drive (yet), but I always have a keen eye out for cars when I see them out on the street (and wish I had my camera with me). I even have my fantasy car collection that includes cars produced by companies such as Lamborghini, Pagani and Jaguar (cars which I hope to drive one day providing I can get somewhere with my writing career). So with a love of Cars and Movie’s, you may think that I must love it when the two come together? Well Cars and Video Games yes, Cars and Movies though is something I have not tried until I saw Love The Beast.

LTB2

Released in 2009 and Directed by Eric Bana; Love The Beast is a documentary-film (or docu-film if you prefer) about the love affair Hollywood star Eric Bana has for his first car; a Ford XB Falcon Hardtop, which he’s named ‘The Beast’. My own personal knowledge of this film ends before I saw it. I first heard about it on an episode of Top Gear where Eric Bana was the Star in the Reasonably Priced Car. After that I did not really look into it. But then, after I started working in Barnardo’s; I found a copy of it on the shelves. After a few months passed, I finally got it out of curiosity and thought I would give it a go; which I did.

Eric Bana

Love the Beast begins with Eric Bana talking about his youth, and especially about watching Australian Motor Racing. He remembers seeing something taking place at the Bathurst motor race involving a couple of Ford Falcon’s. From that moment on he was in love with that kind of car. So much so that when he was about 15, he persuaded his Dad to buy one for him. Over the next several years, Bana and his friends work long periods to bring the car back to its original glory. Eventually, Bana and his friends enter the Falcon into the Targa Tasmania: a motor race that funnily enough happened to take place in Tasmania. Hoping to enter every year from his first appearance in 1996, fate gets the better of Bana and he becomes an international Hollywood star.

LTB1

11 Years after his first Targa, Bana decides to enter his Falcon into the 2007 race, after rebuilding his Falcon yet again. He enters with some childhood friends, one of them being his navigator. At first they struggle with the newly built vehicle, but soon they manage to pick up the pace. Things eventually lead to tragedy however, as on the 4th race of the 5 day event, they crash into a tree. Though a little shaken up, Bana has to leave the race and get back to his day job, by attending a New York movie premier and appearing on The Tonight Show With Jay Leno. Upon returning to Australia, he gets to have a proper look at his badly damaged vehicle. From then on it becomes a question as where to go with it next, eventually ending with him covering it up in a sheet in his garage. The film then ends with the suggestion that he will one day return to it and fix it again.

Love the Beast is a film I find hard to really review, this could be though do it being a Documentary film rather than a fictional piece of work, a genre I have only done one other film review before. I suppose, a great place to start would be to talk about what it is. Love The Beast is a film about cars, a documentary about cars specifically. It is a film about a man’s desire to enter a car he loves into a motor race. Now if this was an ordinary man no-one had ever heard of before, it would be a different story. In this instance however it is actor Eric Bana whose movie output includes the film’s Troy and Hulk. In this case it is quite different, as it becomes a film not where he is playing a character, but more one where he is talking about his social and personal life. From the outset, the film talks about his growing up and what part of his young life the car meant to him. The film then goes in the various directions a documentary would go to cover all of its bases. It goes into talking about the Targa Tasmania, the Falcon and its appearance in the original Mad Max; it then goes into talking about Bana’s father’s love affair with his own Ford Thunderbolt. Then in the background of the film, there is a host of interviews of Car Enthusiasts and celebrities including Jeremy Clarkson, Jay Leno and Dr. Phil McGraw. It then talks about the Targa in more detail and includes the style of cars used in the race series and the difference between new super cars, and old muscle classics. It is a film that is definitely about cars and man’s love affair with them. Not in the form of them as tools driven by people who consider them nothing more as tins on wheels, but as symbols that mean something to people growing up and how they become a metaphorical camp fire for people now grown up and how they still need these symbols in order to be themselves.

Mad Max (Village Roadshow Pictures - 1979)

That is what the film is trying to present, well aims to achieve, because on the whole it has a lot of issues. Love The Beast has narration off-screen frequently throughout, but from the start this comes with a level of near boredom. Bana himself I felt is not all that good a narrator, or at least not yet. As he spoke from the beginning away from the camera, it was like he was reading from a pre-prepared script written by someone else. It was not like he was telling a story, nor like he was informing the audience about his past experience. When he is in front of the camera, being in the scene and talking normally/casually with everyone else, his soul and passion for what he loves comes out to the full, but as a voice over it is not really all that believable and can be pretty boring. Bana presents himself as a more straight-up kind of guy; but the way he narrates this neither suggests nor promotes his love and interest for his car.

Ford XB Falcon Hardtop 2

When I first started to watch this film I was constantly near blacking out, like there was not much going on. I like cars, love them in fact. Before lasts years consequences ended it for good; Top Gear was my Favourite show. My Favourite car for many years now has been the Pagani Zonda F. I like cars, but this, a film about cars, is something I am finding hard to like in the least bit. It’s a real case of the Marmite belief. Marmite, some kind of ingredient/spread that you can do edible stuff with has always had the moniker of either you love it or hate it. Well, Love The Beast is something like that, and I myself am not too sure on where I personally stand with it. As a film, it’s more of an informative piece. Something you would watch on an afternoon if there was nothing good on tele, not on a Friday or Saturday evening.

But then, when you reach the 40/50 minutes in marker everything changes. It goes from a half attempted documentary on entering a racing series to an understanding of what this car means to Bana. It’s a different yet interesting point of view of a well-known person in the public light. Instead of gossiping on every element of his personal life with subjects like food, weight, clothes, relationships and all the other garbage gossip; Love The Beast becomes a deep and moving insight into a true passion of his, his car. Up till now it has been a basic documentary with nothing much really to focus on. No theme for the documentary to follow or look into specifically, but then as it finally begins to gain pace, we discover that for Bana, the car is less a tin on wheels tool/contraption for the masses; but an icon of his youth and an important part of his history. It provides him with personal drive (pun not intended). This passion ultimately leads however to tragedy, as while everything was going well at first; in a heartbeat it ends in a collision which brings the star to a halt as fast as the crash itself. At first I thought this sounded like it was planned, but to this though comes the films real story and eventual meaning.

LTB3

The film, the events, the interviews; it’s not about Bana learning about the car or its place in automotive history, nor is it about a man entering a race in the hope of achieving sporting glory. You realise that all along from the beginning, that what it’s all really been about is this titan of Hollywood coming to terms with the crash and the damage sustained to his beloved Ford XB Falcon Hardtop. Something that is more of a childhood friend severely injured/disfigured rather than it simply being a gash to a tin with wheels on it. From the moment he sees it in proper in a garage, it changes him, and he goes and talks to the celebrities to talk to them and ask them for some form of guidance or hoping that they may shed light on what has happened and why it has happened. For Bana, it’s less a documentary or film, it’s actually therapy. This is the moment where the film goes from its original aim to a personal struggle. This is true reality and one that is felt deeply. Love The Beast’s true meaning therefore is one of how much symbols and icon’s mean to us personally in our lives from a young age and how these things can hurt when they take a hit…..no matter how old we are.

Ford XB Falcon Hardtop

Ok, I can see I may have gone off track (pun not intended again) with this film as a whole, but in effect, that’s what this film is about, one man’s passion for his car and what it means to him. Now that is not to say the film did not have its issues, but from these issues comes a film (in a similar style to the BMW M5 review on Top Gear) that provides something different. I like documentary films. I really do, and while this one did struggle to begin with from this mediocre/weak start; it became a really passionate story. Add to this the inclusion of top car personalities like Clarkson in particular, and you get this really interesting creation. Yes, there are better things to watch on a Friday and Saturday night slumped in front of the TV, but if you love cars as much as me, and carry a passion for the true monsters of automotive design and engineering; then you will want to see this film.

GENEPOOL





Random Alphabet Animal Quiz – Answers

2 03 2016

Random Alphabet Quiz 4

Last week, I posted up a quick animal themed quiz. Well now less than a week later the answers are available for you. How many did you get right? Feel free to brag your animal knowledge to your friends by posting on social media (and in the comments if you want to). Anyway, hope you liked it, just fancied doing something different with these quizzes for a change.

  1. What is the common name for the mammal species Vermilingua? = Anteater
  2. What animal is the Pokémon Butterfree based on? = Butterfly
  3. A species of Dinosaur named after Jurassic Park author Michael Crichton? = Crichtonsaurus
  4. An Akita is a large breed of what animal? = Dog
  5. A Jellied Animal that is a popular English dish in the east end of London? = Eels
  6. The Beatrix Potter character Jeremy Fisher was this kind of Animal? = Frog
  7. A large species of Shark, known for being in the book and film Jaws? = Great White Shark
  8. A large species of Amphibious Mammal that is known for being rather volatile despite being a vegetarian? = Hippopotamus
  9. A long-legged wading bird of which there is 28 extant and 2 extinct species of? = Ibis
  10. What breed of big cat is also the name of a prominent UK car manufacturer? = Jaguar
  11. A species of large lizard found on 5 Indonesian Islands? = Komodo Dragon
  12. What species of primate sometimes has rings on its tail? = Lemur
  13. It appears in a series of annoying adverts where it markets soft toys of itself? = Meerkat
  14. A species of whale that possesses a fearsome looking tusk? = Narwhal
  15. What species of animal has Zebra pattern like Legs but is more closely related to Giraffes? = Okapi
  16. A black furred species of Big Cat which is closely associated with the legend of the Beast of Bodmin? = Panther
  17. The name of an extinct subspecies of Zebra? = Quagga
  18. The star animal characters featured in the Studio Ghibli film Pom Poko? = Racoon
  19. An animal known for having a Sting in the tail? = Scorpion
  20. The Looney Toons character Taz is one of these? = Tasmanian Devil
  21. A species of Japanese bird whose guano is used in face creams? = Uguisu
  22. A species of scavenging bird of prey of which there are 30 species worldwide? = Vulture
  23. What large species of marine mammal are recognisable for having two large tusks protruding from its mouth? = Walrus
  24. What animal is commonly sued name for the animal known as Pristella Maxillaris? = X-ray Fish or X-ray Tetra
  25. What animal is involved in a skiing based attraction in the Indian Hill resort of Manali? = Yak
  26. What species of Shark share its name with a species of African Equids? = Zebra Shark

GENEPOOL








%d bloggers like this: