This Is Just Ridiculous!

27 04 2016

Gorgo (King Brothers Productions - 1961)

I like Monster Movies, that is a pretty well-known piece of information about me, and one I have discussed many a time here on this blog. I absolutely adore Giant Monster movies from works such as the obvious Godzilla, to the lesser known Gamera, and a whole host (pun not intended) of independent and mainstream Movie Monsters, I have a great passion for the subject. I will happily admit however, that I have not seen every Monster Movie; in fact I bet there are still some I have yet to hear of…..I think.

The Host (Showbox - 2006)

Of the films I know I have not seen include classic films like The Giant Claw, Reptilicus, Garuda, Yonggary and Gorgo to name but a few. It’s the case that some of these are not shown on TV all that much and some are hard to get on Home Media. Some of the time; such films do require a relative amount of interest and reminding myself about them when looking into what films to get for my collection, but on occasion, you will also get instances such as the Godzilla films not being readily available in the UK due to DVD region codes and International movie distributors. It is really annoying, especially when you are such a fan of these films, and it makes you wonder whether or not you’ll actually ever get to see them. One of the above mentioned films however I have discovered is similarly hard to get in a UK home media format, but saying that alone is just the chip of ridiculous.

Gorgo Monster

Released in 1961, Gorgo is a Giant Monster movie originally created to be a homage to the original Godzilla film. It was originally set in Japan, but eventually just got set in Britain. It features the storyline ideas of Sea Monster gets discovered and is put on display, only for that creature’s Mother to show up and cause a significant amount of damage. The film was produced using similar techniques to the Godzilla series including the use of Monster suits and miniature buildings. It is something of an icon to the Monster Movie genre as it is something very different, but also very standout, as the film’s effects and setting suggest a very realistic setting and monster (but that is about as far as my knowledge on the film goes). Even when you look at pictures of the Monster or even in the trailer, you see similarities to the Original Godzilla in the creature’s arrival, bobbing out of the water and rampaging through a yet to be polluted skyscraper skyline. Plus it’s also interesting to see a city other than one in Japan or America get trampled on for a change.

For the most part, my knowledge on this film only comes to the point of things I have seen and read. My first real attention came a few years ago when it was suggested that Hot Fuzz director Edgar Wright was considering doing a remake. While anything has yet to come out, it did sound interesting enough to take a deeper look into the film. I still don’t know much, but that is likely to change once I have actually seen it, which is also why I am writing this post; because well, you’d think that a film made and set in Britain would be ready available in Britain wouldn’t you? Well, it’s not!

Godzilla 1954 DVD

When I looked on Amazon.co.uk a couple of weeks ago for a copy, all I could find were a bunch of American imported DVD and Blu-ray copies. While this may not be an immediate issue for me as I am capable of watching such formats; I just found it absolutely ridiculous that a film set and made in this country, is somehow not readily available in this country. I was expecting this film to live up to a classical form, live up to being something you’d maybe find a rare copy of in HMV, something that you could find in nearly all major DVD shops in the UK of some size. I thought it would be a in a classic section with copies of the original Godzilla and The Beast from 20,000 Fathoms nearby. You know what I mean? I just thought that all being well, such a film that is considered a classic Monster Movie, would have a status big enough for copies to exist in the country it was made in…..but it turns out that the answer to that is NO (or at least unknown)! And then there is the language issue. Despite once again being made in Britain, for some reason, the DVD copy of the film only comes in French Dubbing. It has English Subtitles, but in order to experience the English Dubbing (which I thought would have come as standard for a British Film), you have to buy the Blu-Ray copy. Why can’t it be the case with both, that both languages are available in both options? How bad must a DVD copy be that only one language is dubbed? Not saying there is anything wrong with the French language, I just don’t understand why the DVD copy does not come with English as well, if Amazon is to be believed!

Mini Rant over (I was originally writing this really tired at 2am in the morning after a celebratory night after being a runner-up in a story competition I entered), so, what to do? If I was really desperate to watch this film, I would probably just allow this one to slide, but due to how ridiculous this feels, I thought that as a British Monster Movie Fan, that it was something of a duty of mine to point out this near if not completely stupid situation…..then end up buying it in its current form eventually under the knowledge that my words are highly unlikely to change a thing, and just suck it up and give up! Why this film does not receive simple air-time in its own country is beyond me, surely this thing must’ve been shown on Film 4 or something at least once since it was made? Well, you can’t blame me for trying. In the end, I may like it when I get round to it, in the meantime though, it’s just a sad situation that when Britain does get its own Giant Monster, it has to live a life mostly outside his own country of birth, and speak a language not his own, it’s presence and existence relatively unknown to that country’s residents.

Gorgo Blu-ray

GENEPOOL





Godzilla Resurgence News –Trailer

18 04 2016

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Within a few months of the release of the 2014 Godzilla film, and after the announcement of a sequel to that one; TOHO, the owners and original home of Godzilla announced that they were going to make a new film too, making it the first Japanese Godzilla film to be released since Final Wars in 2004.

Godzilla Final Wars Poster (Toho Co. Ltd. - 2004)

Now when I first heard this announcement, I was very excited, and confused. I did not know what this new one meant to the already announced sequel to 2014, but it appears that this new one and 2014 would have no relation and that the sequel was still going ahead, of which I was very happy, as I absolutely loved the new one. I was also rather worried too, as I had no idea whether or not I would get to see it given the historical issues with Japanese Godzilla films being shown in the UK, especially since the Millennium, as most of the showings appeared to have dried up except for that 1998 film and more recently of course the 2014 film. Anyway, I had no idea originally what to think other than excitement and worry as whether or not I will get to see it. That reason alone has restricted my excitement for the new Japanese film, and put it very bottom of my top 10 films to look forward to in 2016; because, well, why should I pour so much excitement into a film’s release if in the end I don’t get to see it?

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Anyway, forgetting the above issues, it is something to feel genuine excitement for. It’s a new Godzilla film from not an outside company, but by the company that gave birth to this creature over 60 years ago. It was going to be interesting to see where this one would go and what the film would involve. Would it be a sequel to a previous film, would (like the Millennium series of films) be a direct film on from the original 1954 film, what would this film be about? Over the past few months, news has been limited, but some pieces of info have been revealed over that time including a title (and one of 2 films to be released with the word Resurgence in the title this year), images of Godzilla, and even a small teaser trailer. We know that Attack on Titan director Shinji Higuchi and Neon Genesis Evangelion creator Hideaki Anno are both co directing this film. We know that Hiroki Hasegawa, Satomi Ishihara and Yutaka Takenouchi are starring in it. Plus we know who is producing the film’s score in Shirō Sagisu. We also heard the plan that this Monster was going to be the Biggest Form of the Big G to date. Well now we have a proper trailer, and it is both exciting, but also rather worrying……….again.

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This new trailer does have a good look to it. it looks a lot different to previous Godzilla films, looks much bigger in content and detail, it shows pictures of the cast, as well as the obligatory running away scenes and moments with Tanks in it. The plot is still relatively unknown, but information suggests that this may be a sort of Japanese Reboot, a sort of modern retake on the original, presenting the Arrival of this new monster as being the first attack and nothing to do with any event (whether anything happened in the 1950’s), or at least that is the way I am understanding it. This trailer though, while devoid of detailed sound suggests such a thing too. The film makers did announce that it was their plan for this one to be a lot like the original film and info has suggested that too, but part of me in writing this thinks I may be skimming over a bigger issue.

But yeah, this film does look interesting, and makes me think a lot of the Gamera Heisei Trilogy in it’s current presentation, like they are going down that route and trying to pull off something with a detailed story and plan something of a series from it. The effects look pretty good, and show scenes of imagery similar to that I think of Godzilla vs Biollante, plus also some effects that look like well detailed uses of CGI, especially when you see Godzilla’s tail swing over-head.

Burning Godzilla

But as said before, I feel there is a major issue with Godzilla, in his image. It’s a widely known fact that Godzilla’s skin is shown in such a way that it looks like he is scarred, scarred from the brutal testing of the Nuclear Weapons that woke him up, scarred for life. However, his image still looks smooth, he is not a shrivelled up abomination, like an enlarged zombie from a horror movie. He has always looked reptilian. In this trailer, his in-depth image I think is very similar to that of his appearance in Godzilla vs Destoroyah in the level of red on show. Similarly I think he also looks a bit like the creature Nemesis in the Jeremy Robinson book; Project Nemesis.

Project Nemesis (Smashwords Edition - 2012)

However, his general image I think is overdone. He looks like a shrivelled up abomination, like something taken out of a horror film. He just looks awful, off-putting, not the sleek reptilian giant we all know and love. He just looks hideous and off-putting. Was this the intention? Because I sure hope not! From a distance it does not look too bad, but a close-up on his face just looks horrid. What have they done to him? When he roars, he looks like the killer Teddy Bear out of Krampus. The roar is still the same thankfully, no sign yet of a Deathray, but, what else can I say…..?

Godzilla 2016

Avoiding that point for now and secretly hoping that the design and current look is currently unfinished, it’s nice to see this film going somewhere and this recent showcasing sort of brings me back into the fold with it. Whether or not I get to see it is still hanging out there, but now I am a little bit more desiring to see it (but not for Godzilla’s appearance).

GENEPOOL





Tonight’s Main Event: It’s Monster Madness As Mechagodzilla, Takes On Godzilla, Takes On Mothra In A Triple Threat Match For The Supreme Heavyweight Championship – Godzilla: Tokyo S.O.S.

17 02 2016

Godzilla: Tokyo S.O.S. (Toho Co. Ltd. - 2003)

I don’t know if you watch Professional Wrestling; oh you do, OK. Well in that case, for those of you who may not watch Professional Wrestling, in Pro-Wrestling there is a kind of match called a Triple Threat Match. Now this pretty similar to a singles match, except that it involves three competing athletes instead of the usual two. It brings an extra level of tension and jeopardy to a match as the athletes have to worry about not one, but two athletes. It’s the kind of match that is not wheeled out as much as it might have done once upon a time, but imagine for a second, that there is a Triple Threat Match, and competing in it, are the three of the best Pro Wrestlers in history (something like Triple H vs Sting vs The Undertaker). Well, we have something like that here in this film, as Three of Japan’s best loved Giant Monsters fight it out in a Triple Threat Match.

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Released in 2003 by Toho, Produced by Shogo Tomiyama and Directed by Masaaki Tezuka; Godzilla: Tokyo S.O.S. is the 28th film in the Godzilla series, and serves as a direct sequel (as in it follows where the last film left on, instead of a sequel in the generic form of just happening to be made after a film) to the previous film: Godzilla Against Mechagodzilla. The film also serves as continuity to both the original Godzilla film and Mothra back in 1961. While the previous film was entirely about the confrontation between Godzilla and Mechagodzilla; this film also sees the welcome return of Mothra, whose only other appearance’s in the millennium series include Godzilla, Mothra and King Ghidorah: Giant Monsters All Out Attack and Godzilla: Final Wars (which came after this).

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Set about a year after the Events of the previous film; Mechagodzilla is undergoing repair after his confrontation with Godzilla, while Japan is rebuilding after both the fight, and Mechagodzilla’s rampage. In Karuizawa, Airman Yoshito Chujo (Noboru Kaneko) and his nephew Shun (Kenta Suga) are staying with Yoshito’s father; Dr. Shinichi Chujo (Hiroshi Koizumi). Suddenly, two tiny twin fairies (Masami Nagasawa and Chihiro Otsuka) appear to Dr. Chujo, who remembers them well, as he has met them before. The twin fairies warn the three of them, that if they do not return the original Godzilla’s bones (the same ones used to build Mechagodzilla) to the bottom of the ocean, then Mothra will declare war on the human race. Yoshito argues with them saying MechaGodzilla is Japan’s only real defense against Godzilla, but the Twin’s tell him that if they return the bones to where they belong, Mothra will take Mechagodzilla’s place. Upon returning to the base where MechaGodzilla is being rebuilt, Yoshito has mixed feelings to what he has heard. Meanwhile a new set of Mechagodzilla pilots arrive, one of whom; Azusa Kisaragi (Miho Yoshioka), is an old friend of Yoshito’s. Meanwhile, the news and press are all wrapped up in wondering why so much money is being poured into the MechaGodzilla project, especially after the robot’s accidental rampage. Back at his home; Dr. Chujo tells Shun about what how he met the twin fairies and Mothra’s attack on Tokyo back in 1961. Dr. Chujo makes an appointment to see Japanese Prime Minister Hayato Igarashi (Akira Nakao), and tells him of Mothra’s warning and that they should end the project. Out at sea, the carcass of a strange giant turtle like creature called a Kamoebas washes ashore dead, with a scar in its neck, believed to have been done by Godzilla, who is also responsible for the destruction of an American Nuclear Sub too.

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With news of Godzilla possibly heading for Japan, Mechagodzilla’s repairs are fast tracked as a new weapon is added to replace the defunct Absolute Zero weapon that was destroyed in the previous fight. Wind of Dr. Chujo’s talk with the Prime Minister reaches hot-shot pilot Kyosuke Akiba (Mitsuki Koga) who gets into a fight with Yoshito. A short time later however, Godzilla reappears, and is attacked by the military, soon landing ashore. The city is evacuated, but Shun goes missing. Dr. Chujo goes to find him at the school, where he discovers that Shun, using the tables and chairs within the school, has made the sign for Mothra in the playground. This instantly summons the appearance of Mothra who quickly sets to attacking Godzilla. Shun and Dr. Chujo run from the scene while Mothra and Godzilla engage. Mechagodzilla is ready and waiting, but the command to attack has not been given yet. On Infant Island meanwhile, the twin fairies start singing to an egg.

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Mothra begins to lose the fight. Prime Minister Igarashi gives the orders for Mechagodzilla to be launched in order to help out Mothra. Yoshito leaves the base to go and look for his father and Shun, and is given assistance by the twin fairies. Back on Infant Island, the egg hatches to twin Mothra Larvae, which then immediately head for Tokyo. Back in Tokyo, Godzilla and Mechagodzilla engage in battle with Godzilla quickly gaining an upper hand, eventually knocking out MechaGodzilla indefinitely. Yoshito finds Shun and his father, badly beaten and in desperate need of medical attention. Mothra’s twin Larva arrive and distract Godzilla, but just when it looks like they will be destroyed too, the adult Mothra jumps in the way to save them. With MechaGodzilla needing on site repairs, Yoshito volunteers to do on site repair work. With help from his crew back at the base, as well as the twin fairies, Yoshito is able to repair Mechagodzilla, but gets trapped inside. Mechagodzilla comes back online. He is soon able to get an upper hand over Godzilla, and with some help from the Twin Larvae, Godzilla is cocooned in silk. At that moment, the twin fairies singing can be heard all over the city. Yoshito hears it within Mechagodzilla, and takes it as a sign that Mechagodzilla just wants to sleep in peace. The Twin fairies declare that the bones residing within Mechagodzilla should be returned to the sea, and that humans have no right to touch the souls of the dead. Seeing Godzilla lying defenceless on the ground, Prime Minister Igarashi decides that Godzilla should be destroyed, and that then he will cancel the Mechagodzilla project. Mechagodzilla though becomes irresponsive, as the spirit of the original Godzilla wake up inside Mechagodzilla once more. Mechagodzilla wraps itself around the cocooned Godzilla, picks him up, and flies out to sea. Yoshito meanwhile is still inside but is rescued by both Azusa and Akiba. Mechagodzilla then, with Godzilla still attached dives into the ocean.

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Godzilla: Tokyo S.O.S, is an interesting film with a terrific title to boot. It has a lot of interesting ideas and is backed up with lots of Giant Monster action. It’s just a shame that these ideas do not really go anywhere. The film creates ideas and interesting story points, but some of these don’t exactly start out very strong, and in the meantime, the good ones do not really go anywhere either. The film’s plot begins with the arrival of Mothra and a warning to return Godzilla’s bones to the sea. This creates a first good build-up; it’s an ultimatum, not a request; however the consequences sound rather weak. Ok, Mothra will declare war on Humanity, which it does not want; but it feels like a weak consequence, against say something like the monster within Mechagodzilla from the previous film reawakening and going on a similar rampage like it did before, or even worse. It’s not a bad idea; it just doesn’t really feel all that strong a consequence to not heeding to an ultimatum. One thing this film mentions very briefly as well is the political and financial difficulties when dealing with a project such as building a giant robotic form of Godzilla. This idea is touched upon early in the film, but for most part is just ignored…..and it’s a real shame, because it is a really cool idea. If there wasn’t a political, financial or a civilian problem to such a large-scale project, then it would seem ok just to carry on with it, but in this case, there is an overall issue from all sides. You have TV coverage on the general populations view on the financial costs of a project that is only partially successful to date. Why is it then that this side of the story does not go into as much detail? It’s not like this kind of thing has not been done before in film. Gamera 3 deals with political and civilian issues with Giant Monsters in great detail to a high level of realism, so why is it not done here? Part of me thinks this film was done at the wrong time, and that such levels of voice in a hot situation as covered here, should have been done in a film made about now. There were no international monetary problems back then, or at least as bad as they are now. If it was to have been done now, it’s a subplot that could have been weaved in beautifully? But even if it wasn’t, there is a suggestion there that is not worked on, but rather skimmed upon.

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It’s a film of missed opportunities, and one whose list sadly continues. It’s like the writing team were dipping their fingers in a tank of water. They began to submerge the tips, but did not decide to push their entire hands. It’s a film whose points and issues could have been worked on by just dipping their fingers, or even knuckles; in that little bit more. The more they would have done it the more it would have improved, and then could have sprouted out more and produced a work of art that could have found itself in close ranks with the original 1954 film. It’s not bad, just not worked on enough for it to reach the stars. Another issue I have with the film’s story is how quickly it ends. The film’s big battle reaches a climax, but then all of a sudden it just stops. A realization then suddenly hits everyone. The story of Mothra’s Fairies warning comes to a bit of light and suddenly Yoshito learns what the fairies warning was really all about. It’s a subject that should have been constantly touched upon, but is forgotten during the fight, and then suddenly everyone realizes what was really meant? I just don’t understand it. It makes me think that the writing team were running out of printer paper and just decided to end it quickly. There is no build up, or consistent mention of story plot points, or at least not enough for this ideal to change in a good way. It’s just sudden and not understandable. It then ends altogether, very quickly with a change of heart from Mechagodzilla.

GAMG Akane

Tokyo S.O.S. does struggle with casting. For what is supposedly a follow-up to a previous film, I find it weird that while the film does feature the monsters and events, there is very little form the previous films cast of characters. I thought a follow-up would include them in a much bigger form. While the film does boast at least one major character from Against in Koh Takasugi, while also being backed up with Godzilla veterans Akira Nakao and Hiroshi Koizumi, why is it, that the lead character from Against is only in this film for less than 5 minutes. Yumiko Shaku, who played JXSDF Lt. Akane Yashiro in Against appears in about 2 scenes before bowing out for the new lead characters. Surely a direct follow-up would feature her more so why is it then that she disappears? Along with the lack of Lt. Akane are the other 2 major leads in Sara (Kana Onodera) and Tokumitsu Yuhara (Shin Takuma). Where did they go, and why aren’t they mentioned in at least some vain if not given major parts in this film? While the lack of Akane’s character in this film is a real disappointment; that’s not to say that the cast taking her place are also. Some of these characters could have been developed more, but their onscreen appearance is still pretty good and very enjoyable. Hiroshi Koizumi and Akira Nakao for instance are always good value. Koizumi who sadly passed away last year had a prolific career and recorded several major appearances in the Godzilla series. Now providing a similar role to the one he had in Godzilla vs MechaGodzilla in the 1970’s, He is as good here as he has ever been. While his role is more reliant on the past experience of his role in Mothra, his caring side for his family, plus knowledge on the situation, continue to highlight his scientific character, one that Koizumi has practically played in every Godzilla film he has appeared in. His different stance though, that of a grandfather make his role a more active one, and one that takes him into more perilous situations, including being on the ground, very near to Godzilla. These scenes with Shun are pretty good ones to look out for, very enjoyable. Akira Nakao meanwhile continues to play another strong leadership role in playing the Prime Minister. In this role he is a strong character, but also a very believable one, and looks like a real politician/prime minister. He is a very caring one, and carries a lot of weight on his shoulders and continues to battle all sides and everyone around him. His sudden change at the end is a bit swift; much like the script, but throughout he is a character to look out for.

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Alongside them, we have our many side characters. Ok, Azusa and Akiba are more up front, but don’t really have as much air time as Yoshito. Akiba is a prat, and a real one at that, but his character does have some redeeming aspects to it, and one that grows as the film carries on. While Akane might not be in it, her replacement is still very good. Azusa enters as a possible love interest to Yoshito, but becomes more of a supporter to him. It’s not till the end that more of that comes out of her, going so far to rescue him at the end of the film. Shun is a good little character for Yoshito, someone to look after and care for, and whose near death in the film creates a very powerful moment, it’s just sad that it wasn’t strung out or developed a little more. After them we have our collection of Side characters. The Shobijin (or twin fairies) are nicely done once more, but don’t really show much in the way of character other than near replicating every Shobijin performance so far. There are a lot of extra characters of note including military personal and politicians including JSDF Chief Hitoyanagi (Takeo Nakahara), General Dobashi (Koichi Ueda), one character whose name I cannot find…nor an actor’s name, but plays Akiba’s Father, and a fleeting appearance from Shun’s mother (Noriko Watanabe). After that, it really only comes down to Yoshito himself. Yoshito is a good person and a great mechanic. He takes his job seriously, and is very caring of his family. But this man is thrust into a difficult situation, as two twin fairies tell him that he needs to dump Godzilla’s bones in the ocean. This plagues his mind throughout, until eventually he learns what they really mean. They mean it not in the form of getting rid of the Japans only defence against Godzilla, but in letting the original Godzilla’s bones, and history rest in peace. He begins to understand this as the film reaches its conclusion, whereas when it first starts he does not believe that Mothra is a hero given the creature’s past, but now realises that what the twins meant is that Japan had no right to drench up a dead body and mess with its soul. Yoshito is a good lead for a film that has lost its previous main, but he is one that you want to follow, and one whose life you care about. You feel his pain, his emotions and struggle throughout, but all the while he remains strong.

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A Godzilla film though is not without its Monsters. Godzilla has changed somewhat from his previous appearance. Detail has been made to his look to include a still healing injury from the previous film. He is still though incredibly powerful, and one whose talents are on great show in this film. His merciless like domination as he kills but does not eat a giant turtle like creature, his destructive underwater power as he destroys yet another submarine in a scene that is very reminding of The Return of Godzilla and Godzilla vs King Ghidorah. Mothra is back in a much bigger way than his/her/its previous performance in GMK. Mothra is represented more as this guardian and caring creature but once again with some strict morals, as per its ideal that it is earth’s natural guardian. The representation of Mothra however I feel is that it relies too much on things Mothra did in previous films. Things such as Twins coming out of the Mothra Egg, like in Mothra vs Godzilla. Mothra does not appear to be as powerful as he/she/it can sometimes be and appears to be somewhat weaker, however, it’s early arrival, flying through the clouds and appearing on a small hill, as well as its appearance near the symbol of its calling make some really good shots though. I just don’t know however the real reason for Mothra’s inclusion in this film, it just does not really appear to fit. It seems more like a small part, like Baragon had in GMK. The lack of strong powers really helps this point, as it seems to be a bit weaker in comparison. Despite this though, it’s always fun to see Mothra in a film, and whose appearance adds an extra level of taste, if not much spicy. Mechagodzilla seems to have changed some level despite it supposedly being a follow-up. In Against, Mechagodzilla was constantly being referred to as Kiryu, a name which I rather like, but now Kiryu has just gone and has been replaced by Mechagodzilla, so it’s all rather confusing. Mechagodzilla is of course being repaired, and scenes from with-in the factory floor, plus its launch are really well made scenes. What I don’t get with it this time though is why the sudden change of heart? In Against, he gets mad and goes on a rampage, now he has a sudden change of heart ad decides to go back to where it belonged? Why is it that it did not want to do that in the first film, why now? What has changed? It is talked about in a form that suggests that it was ok fighting for humanity, but now it does not want to. Something has definitely happened in between the two films that are not getting explained here. It’s just further questions, as all of a sudden; Mechagodzilla has become nearly a different monster. Despite all those points though, he still looks as good as he did in the previous film. This form of Mechagodzilla is definitely my favourite (preferably with the name Kiryu, I just rather like it, it’s a cool name), plus his appearance in this film comes with a much more sinister look.

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One way the film really struggles though with its monsters is the detail of the special effects aimed towards them. Now while the CGI may not be all that great in spots, as this series was built on its pioneering and experienced use of monster suits, I can look over that. It’s more in the suits that this film starts to fail. When an effect is done properly, as in it is worked on hard enough to create the right effect, it is something that as an audience member you don’t necessarily care about while watching the film, as the real looking effect grabs your attention and draws you more into the story. With films like this, one of the things that helps is that because it is a suit, it’s easier to have something look real, as there is actually something real standing in the foreground, instead of having to act or create around something that is not originally there. Suit acting therefore helps with the effect in one important way, that it’s real because it is. As the Millennium series has progressed, more has been done to incorporate suitmation into other forms of special effect creation to create more outstanding moments; an example of this being in Godzilla Against Mechagodzilla, when Godzilla first rises out of the sea above an Aquarium.

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It’s a fantastic shot, and real work has gone in to make Godzilla look both Authentic and Real. When we come to this film though, most of that seems to have been thrown out of the window. In the previous film, Godzilla looked Authentically Real, here; I can look at Godzilla and instantly tell it’s a suit. A level of reality has been thrown out the window, and it does put me off. There are scenes when shots are done properly to make it look as real and astonishing as possible, such as Godzilla walking through a building site, a Fantastic Shot in its own right, but then it cuts to a suit walking through an obviously fake town. The realism is gone, and it is a detracting thing from this film, as it just sort of looks bad; and it’s not just restricted to Godzilla neither. Mechagodzilla and Mothra suffer from this too. Not necessarily Adult Mothra as it has some good scenes such as on-top of the hill and above the school, but more the larvae. The larvae have some nice added bit of detail, and the shots of them crawling round the town are pretty cool, it’s more how much use is made of solid colouring and no real form of shading, they look absolutely solid if it wasn’t for the little added bits of movement around their heads. Mechagodzilla meanwhile has lost some life in his look, and the effect of him looks pretty similar to Godzilla, in that he looks like an obvious suit. It’s a real shame considering the effects of the film before it, but S.O.S. has its moments; mostly from uses of cinematography, such as capturing moments where Godzilla rises out of the sea, Mothra over the school, and Mechagodzilla knocked out on the floor and having people scrambling over him.

GTS7

It’s sounding like this is a bad film doesn’t it? It sounds like a film of missed opportunities raising more questions than delivering answers, not providing much in the special effects department and kicking actors out the door. But don’t think that means I don’t like it; because I do. It does have its problems and moments, but for all the things that near disappoint, something pops along which nearly makes up for it. The film’s monster battles contain a few continuity errors, and while it starts out nice and fast, action packed – it does begin to slow down and come to a crawl before eventually just stopping and ending on a weird note. However, when the action is nice and fast, it’s really good and at its best. It’s not too fast neither. Monster battles at speed are always good, but when going to fast just look bad, however in this, they go at a good speed and continue at relative pace for some time, making up for some of the early on monster disappointment, especially when Mechagodzilla is turned on. The film’s miniatures and set pieces are near to perfection, with special note going to the factory floor for Mechagodzilla, as well as his eventual launch. The city destruction scenes are really good, and as well are the scenes of people running away. They are scenes which are frequent of any monster movie for that matter; but these ones are done really well and add their own level of character too. Even the deserted city streets and inside the Tokyo Tower look really good. A lot of work has been put in to make this film as good as it can be no matter what, and it has worked. And while the story has its issues, it also has its moments. From scenes like the near death of Shun, to the scenes inside military command centres. But above all else is the after credits scene (which I might explain in a later post). To back all this up you have film extras who work really hard to make sets believable, but also, let’s not forget the film’s soundtrack, once again composed by Michiru Oshima.

The soundtrack itself is about the same as it were for Against, but with some pieces getting more attention than others. Yes there are new ones, but these take more of a sombre note rather than a militaristic theme like in Against and Megaguiras. These range from the ending credits, to Shun’s near Death. Weaved in is some more heroic pieces for characters like Mechagodzilla, plus scenes towards the end. All the while continuing to incorporate the soundtrack from the previous film, oh and of course, the sounds and songs of Mothra. It’s a nice soundtrack, and though while it may not standout like it did for Against, it’s one that works for the occasion. Oshima still continues to provide for the series in her own way, and one that continues to produce no matter what the outcome of the film turns out to be; creating in the process some of the most memorable pieces in the series to date.

Godzilla: Tokyo S.O.S. in the end is a really nice film. It is a nice enjoyable film combining the things we have come to love in the series while also continuing to create new ideas and moments. While some of its story, characters and even monsters do struggle with the films over broad and under developed points; it provides enough to get you thinking. While maybe not explored in-depth or enough to satisfy completely, there is enough to enjoy. While in its failings it does cause more questions to be asked than answers given, it provides enough to be enjoyed with for now, until something comes along to improve on them. Bolstering meanwhile good cast, monsters, soundtrack, effects, scenes, post credit scene and of course a brilliant title; Godzilla: Tokyo S.O.S. is definitely worth the time and money to watch, and when looking past it’s issues, provides an enjoyable entry to the series and one that every Monster Movie fan should see.

GENEPOOL (It’s not really a Triple Threat Match thinking about it, more of a handicap match, but with some moral issues between 2 members of the opposing team).





To Re-Review, Or Not To Re-Review, Godzilla VS. King Ghidorah

11 02 2016

King Ghidorah (Heisei)

This is a question I have been asking myself for quite some time now. Here’s the history: back in 2010 I started writing and posting film reviews on here. In January 2011 I decided to do a film review for Godzilla vs. King Ghidorah. I thought it was pretty good at the time, but then in 2012, with me posting a review of The Hunger Games; I began to get itchy about the previously mentioned review. It was the case that I thought the review could have been better, and with the current format of blog reviews that I am doing, I begin to regret not waiting to do it another time, as now I think it could be even better than what it was.

Godzilla vs. King Ghidorah (Toho Co. Ltd. - 1991)

Anyway, since then I have been in a constant flux of whether or not I should review it again in the form of a re-review. While it is said that there are others I could re-review, they don’t get to me as much as Godzilla vs. King Ghidorah. One part of my mind thinks I should re-do it, while the other keeps telling me that as a writer I should never look back on old stuff and always go forward and improve forwards not backwards.

Godzilla (Heisei - Toho Co., Ltd.)

Anyway; I was recently writing another Godzilla review (check back next week) and once again began to consider the possibility of re-reviewing Godzilla vs. King Ghidorah. Unable to come up with an actual answer, I decided I would do a quick poll on here. There’s no closing date on it, just something to see where the general idea is going, and whether my readers think I should or should not re-review it. Some point I may come back to it, and see where the general consensus is going and that may help in making up my mind. Anyway, please vote and help me make up my mind.

GENEPOOL (Apologies for the short post, but I think I made up for it with the pictures of cakes and cats I put up the yesterday and the day before that).





Godzilla News – Giant Apes and Big Insects

4 11 2015

King Kong vs Godzilla

Yes I saw it too. A few weeks ago I heard exciting news regarding the future of the new American Godzilla series. The news being that in 2020, the King of the Monsters will be going toe to toe with the King of Skull Island; King Kong. This is will not be the first time that these 2 Behemoths of the silver screen will have met in combat before. Back in 1963, Toho in Co-operation with Universal released King Kong vs Godzilla. This featured two clashes between the monsters, one which Godzilla won nearly setting Kong on Fire, and the other which ended with Kong swimming away and no sign of Godzilla. The film itself though was not much of a Godzilla film as Godzilla featured characteristics very un-Godzilla like and was portrayed as more a big dinosaur akin to American Monster Movies, than the Japanese Monster. This time around though, things should be different all thanks to Godzilla’s resounding, triumphant return to America in last year’s film. So all being well, Godzilla won’t be all that messed around with in this new battle between the two. This is not the first time since 1963 either that another fight between these 2 has been suggested with plans for films dating back to 1963 (and one I remember seeing on the same site planned for some time in the 90’s).

News of this film comes nearly a year since the announcement that Legendary Pictures plan to release a King Kong spinoff/prequel in form of Skull Island. Originally planned for a 2016 release, this date was pushed back to 2017 (the film itself currently in production, as in right now). Plans for the film were tossed around a bit though since its original announcement and come as part of a plan to create a shared universe (another one) with classic and new giant monsters in them, possibly due to the success of Godzilla last year, plus the acquisition of the rights to classic Toho Monsters including Rodan, Mothra and King Ghidorah.

Godzilla v.s Mothra and King Ghidorah

Things though are a little confusing about this announcement. When you compare the sizes of both creatures, Godzilla in the recent film is about 110 meters tall, King Kong’s height has been measured to be no higher than 25 feet which when run through a converter comes to about 7.62 metres. Therefore Kong is definitely the smaller of the 2, a lot smaller. Still big enough not to be entirely squashed underfoot, but still too small to cause any real damage to Godzilla. Plus, if Kong is really that hairy, Godzilla’s Atomic Deathray will easily cause the ape to catch fire. So for this new film, Kong is really going to need to be rescaled. Because well, you can’t down size Godzilla to 7.26 metres as that will be very inaccurate (reminds me of something once said on Vidzilla over 15 years ago).

Godzilla vs King Kong 2020

Supposed plans for this film at the moment suggest that at some point the 2 Goliaths will face each other in battle, but will together face a mutual threat. No idea what this threat is at the moment, we are still waiting for Godzilla 2 to come out (which is a little delayed with the Director moonlighting over at LucasFilm). Hopefully though once that and Skull Island are out of the way news will come in thick and fast (although I am a little worried for Godzilla 2 as Universal have announced that the sequel to the best film this year: Jurassic World is going to be released the same month as Godzilla 2) regarding what will be happening. Who knows, Maybe Godzilla will finally get a match against Desghidorah or a long overdue rematch with Battra. With a little bit of time still to go though (about 5 years of it) until this film gets released, there is still plenty to look forward to with both Kong and Godzilla getting outings until they finally meet in 2020.

Desghidorah

Quickly I just want to mention something completely un-Godzilla related. I found out news last week (after buying 3 classic Michael Crichton books for £5) that a film of Crichton’s last book: MICRO is planned. DreamWorks are the ones pursuing it with input from Producer Frank Marshall and a close friend of Crichton’s; Steven Spielberg. While there is no real news of when it will be coming out, I am really excited by this news. Micro was the second best book I read last year, I preferred it to Jurassic Park and to hear that Spielberg is helping in the production of the film is great news. So expect insects galore as Micro will hopefully be released sooner or later. But until that happens, you have plenty of time to read the book. So head down to your local chain of Waterstone’s and pick it up……….”NOW!”

Micro (Harper Collins - 2012)

GENEPOOL








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