It’s The End – Logan

15 03 2017

logan (20th Century Fox - 2017)

Whenever I finish something, or feel like something is coming to a close; something big and has taken me a long time to do, my mind always jumps to the scene of the fourth Doctor Who regenerating into the fifth. I don’t know why, but it’s a nice poignant scene which carries the incredible line; it’s the end, but the moment has been prepared for”. It’s that line that comes to mind when I can feel like something is the end, or that I have reached the end. But knowing what I am like, I will have prepared for it, so like when I finished reading the GONE book series, I found something to read to replace it with for instance. Well, in the case of this film, the moment has been prepared for, but the hardest hit is that it truly is The End!

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Released in 2017 by 20th Century Fox, Produced by Lauren Shuler Donner and Simon Kinberg, and Directed by James Mangold; Logan is a superhero film starring Hugh Jackman returning for what is intended to be his last portrayal of Wolverine, a role he has held for 17 years. When the film was first announced on the heels of The Wolverine, I was really excited as I really loved The Wolverine. Come 2015 however with Jackman announcing his retirement from playing Wolverine, I was very sad, and had begun chasing my mind around for replacement actors (if there were any), forgetting of course that before that bridge is crossed, Jackman would still provide us with one last glorious hurrah.

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The year is 2029; all mutants are supposedly dead except for a small group, and a now aging Logan (Hugh Jackman) works as a chauffeur on the border with Mexico and lives with friend Caliban (Stephen Merchant) and former mentor Charles Xavier (Patrick Stewart) at an old smelting plant. Xavier is now growing old and senile with his psychic powers now grown beyond control with devastating effect and has to take medication to control it. One day Logan is approached by a lady called Gabriella (Elizabeth Rodriguez) who asks him to give her and a young girl called Laura (Dafne Keen), escort to a location in North Dakota. Logan reluctantly accepts the job as the money provided will allow him to buy a luxury yacht he wants to purchase. As he comes to collect them though he finds Gabriella has been murdered. Laura stows away in his car though and goes to the Smelting Plant where she becomes friends with Charles. Just as they arrive though, a platoon of soldiers led by Donald Pierce (Boyd Holbrook) arrive having captured Caliban, and are demanding that Logan hand over the girl. As men try to capture her though, she quickly attacks them in a very savage and brutal way, with steel claws coming out of her hands, decapitating and amputating several limbs.

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Logan, Laura and Charles escape, and using Gabriella’s phone, discover that Laura or X-23 as she was designated; was one of several young children born and bred by the Transigen Program headed up but surgeon Zander Rice (Richard E. Grant). The kids are injected with Mutant DNA and are bred to become mindless and dangerous soldiers, however unable to control the children’s souls, they all don’t want to do what they’re told anymore and most of them escape including Laura. Because she was made from Logan’s DNA, it is deduced that he is her father. Pierce with the help from the Reavers, use Caliban’s ability to locate other mutants to find Logan, and while staying at a casino in Oklahoma City the trio are nearly captured, but Xavier has one of his moments and near paralyzes everyone in the city except Laura and Logan. Logan is able to get them out of the city, but does not believe in the mythical Eden of North Dakota where they are going, especially when he finds the co-ordinates referenced exactly in an X-Men comic. The trio are eventually given shelter by a family they help out on the road and the group bond together, as Laura discovers more of the outside world, one she never experienced having been locked up all those years. During the night however, Xavier is murdered by X-24, the final project of Transigen to replace the children, who also happens to be a copy of Logan, claws and all. X-24 captures Laura placing her in very restrictive shackles and takes her to Rice, but Logan arrives just in time to face himself having found the murdered family and the dead Charles. With some help, X-24 is pinned down, and Caliban uses a grenade to blow up rice’s van. Logan saves Laura and the two head out in the night, burying Charles in the morning.

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Beside himself, and with his healing still failing, Logan agrees to take Laura to Eden, still not believing it. Eventually they arrive at a mountain range with a community filled with the other surviving experimented children all run by Rictor (Jason Genao). There Logan learns that the children will be making an 8 mile hike across the Canadian border. Logan is ready to send Laura on her way, but Laura wants to know him as a father, although he is still down and out about losing his own friends, and sees himself less as a father, and more of a threat, and just wants to die. The kids attempt to make the hike, but are soon surrounded and chased by the Reavers. Using a healing serum from Transigen, Logan takes in the full dose knowing it will kill him but should give him strength to save the kids. The kids are soon rounded up and shackled except for Laura who gets surrounded, but rescued by Logan. The serum though begins to ware off just as he meets Rice, who happens to be the son of the man behind the Weapon X Program. X-24 is set loose on Logan, but Laura is able to free the other kids who kill Pierce. Logan is impaled on a tree during the fight, but using an Adamantium bullet, Laura kills X-24, which Logan had kept for years. Eventually succumbing to his wounds, Logan dies, unable to heal and the kids bury him before crossing the border.

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In 2007; the German heavy metal band known as Scorpions released a single called Humanity. It is a song which poignantly depicts the destruction and downfall of the human race through its own acts and nothing more. It is a very heavy track and whose lyrics basically suggest, as delivered in the music video with a young boy simply saying “It’s The End!” Now this track does not appear in Logan I should point out, but that is what comes to mind as I think on this film. It’s the end of Hugh Jackman playing this part. This is an actor who has played a movie role for 17 years now. During that time there have been 3 American Presidents, 4 UK Prime Ministers, 4 (technically 5) Doctor Who’s. It is an incredible amount of time to play a film role, most WWE Wrestlers don’t even last that long, but here is Hugh Jackman still playing this role, now deciding he wants to leave. He deserves it rightly so, he is allowed to walk away given the energy, passion and devotion he has put into just one character. He has played other parts which help prevent typecasting, but possibly for the rest of his life, will be best remembered for being The Wolverine, you do not forget 17 years of the same thing in a flash. So, yes, it’s the end of Jackman as Wolverine; but not just that. It’s also the end of 2 major characters in a film series that has become one of the most critically and financially successful franchises in movie history. The X-Men film series is not ending, No! There are still more films to come including Deadpool Sequels (YES!). No, what we have here is something of what could be best described as a tragic ending, which is sad for Xavier, but more so for Wolverine as he has led a pretty tragic life.

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The story of Wolverine is a tragic one as it’s the life of a genuinely good person who has led a rough life. He is very old given that his healing prevents aging on a grand scale. Over the years he is going to meet people and see people die, a lot of people die if you live that long and that is not good for the mental soul. As life has passed by, something horrid happens to him, something so dark and miserable, but something that he has only partial memories of. So as life ticks by he has to remember these things not knowing entirely what it was, and spends life running instead of facing. Eventually though good things happen for him, he gets friends, and a family, and can care for people again, and have a proper life, but given as to who he is and what he is, none of this could possibly last, and as the years have gone by, and seen more people die, some by his own hands for the good of others, he resigns to a wishful death, and waits for it. It is a very sad story for someone who is not a bad man, someone who is actually a very good man, a caring man, a protective man. Yes, he is prone to a little bit of violence, but only when it is called for; doing what must be done, because without him to protect his friends, no-one can. Into this, we find ourselves confronted with the final act of The Wolverine. But it’s not really a super hero movie, more of a personal journey as one man reaches his eventual end, but has one last thing to do.

Logan is actually a rather small film. It’s not a mega big one like other super hero films of note, as this is not a character trying to save the world, but those around him, and as such we go less on a journey to save the world, but a more personal one. As such he is not referred to as The Wolverine, but because it’s a personal story is known better as just Logan. Logan starts off in a similar vein as does The Wolverine, with Logan having to live and come to terms with his life and the death by his own hand of someone he loved. Now coming into this film we are told something similar has happened, but we don’t know exactly what. But just like before, Logan is beat up and ruined and has resigned to live as much a recluse as possible while caring for Xavier who has become rather senile. Eventually though he is given a duty he does not want, that of looking after a little girl very much like him. He is meant to be the father, but has no care for her, caring for his friends than her; something which falters in the mind of Laura who wants to know who she is and know her father too. As the story continues and things happen as usual, the similarities between the two emerge as Laura is very much like he was in the first first X-Men, with Logan now having grown up. Logan is still resigned to wishing death upon himself, but knows that once more, he needs to do the right thing to help those that need his help resulting in one last blood bath for those who deny him and others peace. His Death though is not nice, nor peaceful, but more brutal for someone who has earned better. It is a film that makes you think deeply upon issues such as the harsh and sometimes quick deaths of others while others get a more natural one. It looks into how people desire Death, and how Death actually comes. It features a brutal end which dies just like death is a final stop. It really makes you think on if you believe that the world is a better place without you, how can you be certain of this? How do you not know that life right now is in fact better, because ‘you’ are around!

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Logan is a small film and bolsters a small but pretty strong cast. Stephen merchant I find was actually pretty good as Caliban. Caliban has featured sort of twice in the past with his most recent piece being in Apocalypse as some garish and camp clown; here instead we see what he is truly like and capable of but also what kind of person he is given his history as one of the Morlocks. Gabriella’s part is small but sweet and shares some backstory light on some of the films major issues and themes including who Laura is and why we should care. One thing though I find the film lacks is a strong villain. There are some good villainy characters and others who help fill in those parts like a few extras. Pierce himself has the nice sinister mechanical arm and some god talking points but feels more like a hindrance than a villain. Same can be said for Rice, who while is a deceptive schemer with a good voice, again just feels plain. I am not saying he’s bad, it just feels like the villains are strong because they are many, but not because of whom they are. I mean X-24 feels like a wasted opportunity and a mistake being rewritten. His appearance as Logan is a bit like the Undertaker vs Undertaker match at SummerSlam 1994; kind of surprising, but still rather silly. It feels like a wasted opportunity to bring in a new monster. I thought maybe an enhanced Sabretooth, or Maverick, or someone big and scary to introduce. With a double Wolverine, it felt more like Weapon XI in Origins all over again, and we know what happened there don’t we!

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What villain’s lack, heroes make up. The Transigen kids are a nice addition although faint on the film’s radar, mostly as people to get into trouble and allow a moment of heroism, but for this film, it really comes down to Logan, Laura and Xavier. Xavier’s part in this film is still pretty similar to past films but does do a lot more and shows what Stewart can do when allowed to do something very different. He is in some sense the comedy side kick and delivers some incredibly funny moments, but it’s through his disorientated new life that shows how bad things have become. He remains something of a hindrance to Logan after all these years, but one Logan has come to care for, as rightly he should, as Xavier is practically his last and now only friend. His death in the film is a big shock, but not a sincere one, as don’t forget we have seen him die before in more dramatic circumstances with this one more lost in the moment, but you do see his life pass in his eyes.

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Laura spends most of the film rather quiet, does not say a single word until just before the final Act. Yes there are shouts, yells and screams, but no words. This form of silence allows retention of mystery as to who she is, but also allows expressing more deeply the life she had and the new world she is experiencing. Silence can be golden at times and really works in her favour, as we see this young girl come face to face with new things, not knowing what they involve or how to interact, but when finally realising who she is and where she is, she finally speaks, knowing that she needs to for the sake of Logan, but also so she can be heard. Her desperation to get to Eden comes more as a cross between hope and instruction from others, not necessarily her own entire belief, but somehow knows it’s there even if Logan doesn’t. Her skills as a fighter are incredible and are very similar to Wolverine, but she has some heart too, not a lot as this is crowded with the same anger Logan once had too, but as things come to a close, she knows that she must carry on, even though her father; something she wants and desires cannot help her, but in some way knows that still lives on inside her, respecting his death, and making his legacy live on in more ways than one.

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Logan’s design and perception of being much older and on the verge of death is an interesting one. We have seen him go through emotions before, but then he was not on the ultimate verge of giving up, more just conflicted. Now though he desires it, more than anything else. It’s kind of hard to speak on his performance after 3 or so paragraphs of detailing his character, but one thing stands out more than most; his Death; His final hurrah. Coming into this film, I was thinking his last stand was going to be like in The Wolverine, one last heroic but still cynical fight to the death where he would come out on top but now no more energy left to continue. No, this time his death is more personal. It wasn’t a long lasted blood bath, more one which required others to save him and take on his role, and one that required others to do the work, while he acted as a decoy, once again being more of a team member than a loner. But his death does have something else in it though. Going into this I thought it would be like The Wolverine, but in that, he was The Wolverine, now he is just Logan. Calling him The Wolverine, it’s like a promise (like The Doctor), you know what he is, who he is and what he can do, but by putting ‘the’ before it he becomes a thing, not a person; this film is a much more personal one, so in this case it’s not the death of The Wolverine, it’s the death of Logan. That carries a more significant weight to it; it’s not the death of a thing, but the death of somebody. Laura in a future film could become the New Wolverine, or someone else could take on that name; but you can’t replace or take on the identity of Logan.

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The film does come packed like many other X-Men films with a cavalcade of special effects. These of course include ‘very’ detailed claws including spots of graphic detail and blood splatter; especially when piercing through the heads of some people. The mechanical hands are a nice treat showing off some more blood and limb coverage than usual. The film uses its special effects department in other ways too to create visions of the future including a scene involving driverless, but dangerous trucks. The film also comes with a soundtrack once again produced by Marco Beltrami featuring quite a few slow pieces which are used to heighten the level of reality but more a sense of realisation than anything else possibly to state that this is the end! Pieces like Old Man Logan, Don’t Be What They Made You and Goodnight Moon cover this pretty well, but the soundtrack does of course know when to get busy though and of course creates action packed pieces for when a fight is on especially in a scene like the Forest Fight at the end and also when Logan is facing X-24. The one thing though that really stands out about this soundtrack though is the inclusion of several classic pieces by Johnny Cash. Logan’s first trailer of course famously features the song Hurt, which really shows the direction the film intends to take so that the audience can really see how the film is likely to turn out but also more likely what it is all about. This piece though does not actually feature in the film, what does feature though is not a slow grim song, but a rather pleasant, peaceful and also happy song that really turns around the film’s great tragedy and helps you gain some perspective.

A few months ago I went to see the film Ethel and Ernest based on the book of the same name written by Raymond Briggs. The film has a very sad ending, but turns this around in a sense by featuring a piece of music and images within the credit roll that suggest that while the ending was sad, it does not mean that everything was as there was some really happy moments. Here we have the sad ending and conclusion to the story of Wolverine (in film), but, while he has had great tragedy in his life, and it ended as such, there is some peace we can look back on. For one Logan has attained a peace from the devastation of his dark history, but also in that history there was also, happiness, joy, peace and of course love. This is held by the film playing The Man Comes Around in the credits, a light fluffy as well as casual piece, signifying not an entirely sad ending, but shows that there has always been another side to the coin, that in the misery, there was joy, and in the darkness there was also light; and so while Wolverine does bow out, we can take a moment of knowledge and recognition about the life he had, and the legacy that he leaves behind, not just in story, but also in the entertainment and joy he has given us as cinema goers.

Logan is a pretty sad point. I know the series will continue and new stars are appearing to take the helm and the future such as Ryan Reynolds, Sophie Turner and hopefully Dafne Keen too, but it is a sad point, more so when I think that there could have been more. When X-Men Origins came about and really failed like it did, that is the series lowest point, so when The Wolverine came along and excelled so much, it felt like a new beginning, like that is what Origins should have been, forgetting that film and becoming the first a Wolverine Trilogy. But now it has come to an end, it feels like only the surface was being scratched, and that more was on the way. It’s like when Castle was cancelled last year; it was in it’s prime, there was more to be told, and it just ended. That’s what we have here, like something more could have come, but now we may never see that. You can only play a character for so long though, and an end would have come eventually. The end of something is exciting because you don’t know how it’s going to end, but eventually realization sets in, and you realize that it truly is the end. So even if it did continue, it would eventually end: but what an ending it was! Logan does not disappoint in providing one last fight, one last match, one last scene of steel claws, blood curdling action, eye grossing violence, but also one last moving scene as the great hero finally comes to rest in peace. Logan is a sad and tragic little film, but shows off plenty of emotion and heart in a film series that has defined just that in the super hero genre; and now Hugh Jackman can now go do something else, leaving a legacy that will live on in cinema forever, and one that no-one can match. There is only one true Logan, and only one true, Wolverine.

GENEPOOL





Everything They’ve Built Will Fall, And From The Ashes Of Their World; We’ll Build A Better One – X-Men: Apocalypse

21 12 2016

x-men: apocalypse (20th Century Fox - 2016)

“You have no idea who you’re messing with Xavier”; a line spoken by the Mutant Mesmero in the X-Men: Evolution episode; Mindbender. An insignificant line to those who may not have seen X-Men Evolution, but to me, it is a line that took me on a journey of discovery. It was the beginning of a story Arc involving the resurgence of a powerful Mutant Villain in the X-Men World. A villain, who since the first time I heard speak of his name, I would become besotted by, and looked for any and all opportunities to find out more about him. It’s been maybe 13+ years since I first came across his name, and I know so much; and upon learning of his upcoming movie debut, I could not wait and anticipated the arrival of this film and more importantly the movie debut of APOCALYPSE.

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Released in 2016 by 20th Century Fox, produced by Lauren Shuler Donner, and directed by Bryan Singer; X-Men: Apocalypse is a super hero movie where the Uncanny X-Men attempt to save the world from an ancient Mutant who wishes to destroy Humanity. X-Men: Apocalypse is the direct sequel to Days of Future Past and stars the cast of the First Class series of X-Men Films, but which also looks to introduce new stories in the long-term and introduce and also reintroduce both old and new characters. At the same time it looks to introduce the arrival of the first major super villain for the series, and attempts to do this with the insertion of the first mutant; Apocalypse. The story is based on the X-Men comics Apocalypse Story Arc, as well as the X-Factor Story; Fall of the Mutants.

In Ancient Egypt, the Mutant En Sabah Nur (Oscar Isaac) rules the land with 4 followers dubbed his Four Horsemen. While performing a transferral ritual, he is entombed in his pyramid where falls into a deep sleep. In 1983, kid Scott Summers (Tye Sheridan) discovers he is a mutant while at school, and his brother Alex (Lucas Till) takes him to Xavier’s School for mutants run by Professor Charles Xavier (James McAvoy) and Dr. Hank McCoy (Nicholas Hoult). In Berlin, shape shifting mutant Mystique (Jennifer Lawrence) helps rescue teleportation mutant Nightcrawler (Kodi Smit-McPhee) from an underground fight club and takes him to Xavier’s school; where he meets Scott, Jean Grey (Sophie Turner) and Jubilee (Lana Condor). Meanwhile in Egypt, CIA Agent Moira MacTaggart (Rose Byrne) is on the lead of a mysterious organisation, who are searching for something underground, and there she comes across the remains of En Sabah Nur’s pyramid, which wakes him up, sending a vivid dream to Jean Grey who foresees the end of the World.

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Upon leaving his underground tomb; En Sabah Nur walks through the streets of Cairo, to discover that the world is under the rule of Humans. He finds street urchin Ororo Munroe (Alexander Shipp) who is a mutant capable of controlling the weather and recruits her into his team, enhancing her powers in the process. En Sabah Nur then goes on to hire mutants Psylocke (Olivia Munn) and Angel (Ben Hardy), while still searching for a fourth. In Poland, Erik Lehnsherr (Michael Fassbender), also known as Magneto, has found himself with a job at a steel factory, and lives with his wife Magda (Carolina Bartczak) and daughter Nina (T.J. McGibbon). One day at the factory, he rescues someone with the use of his powers, but this tips off the authorities. After an accident in an attempt to capture him results in the death of his family, Magneto kills the militia and then goes to kill the steel mill workers who tipped them off. When he arrives though he is found by En Sabah Nur who kills the steel workers, then takes Erik to Auschwitz where his powers were born. En Sabah Nur informs Erik that he cannot escape his past, and says that he was sorry for not being there when Erik needed him most, finally recruiting him and enhancing his powers.

Back at the school, Mystique wishes to talk to Charles, who has gone to see Moira McTaggart to talk to her about some of the research she has been conducting about the history surrounding a mysterious mutant called Nur. Upon returning to the mansion and talking to Mystique, Charles uses Cerebro to locate and talk to Erik, but En Sabah Nur uses this connection to tap into Charles’s mind, and use Xavier’s Telepathy to get into the minds of everyone around the world, and to launch the world’s entire arsenal of Nuclear Weapons. Alex helps destroy Cerebro to turn it off, but En Sabah Nur arrives at the mansion and kidnaps Charles. Alex tries to stop them, but accidentally causes an explosion that rips through the mansion killing him. Quicksilver (Evan Peters), a super-fast mutant; shows up in time and manages to rescue everyone inside the mansion as the explosion tears through it. With the Mansion in pieces, a military helicopter arrives which disables most of the mutants unconscious. The men on board the helicopter led by Colonel William Stryker (Josh Helman) kidnap Moira, Mystique, Quicksilver and Hank. Before they leave however, Nightcrawler, Jean and Scott sneak on board the aircraft as it takes them to a mysterious base in the Canadian Mountains.

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In Cairo, En Sabah Nur informs Charles of his plans to destroy the world of Humans, and how he plans to possess Charles’s body with the same ritual as earlier. Charles broadcasts En Sabah Nur’s message to the world, while also sending a secret message to Jean. At the base in the Canadian mountains, Jean, Scott and Nightcrawler discover a savage mutant who has been experimented on (Hugh Jackman) and release him on the men in the base. Upon rescuing the others being held by Stryker; the team travel to Cairo where En Sabah Nur has rebuilt his pyramid; and while Magneto uses the world’s magnetic fields to destroy major cities, Nur’s other recruits attack the X-Men team. Nightcrawler is able to rescue Charles from the transferral just in time, but it has left him scarred. Quicksilver and Mystique attempt to convince Magneto to join them, as they’re his family too, and Charles uses his connection with Nur to get inside his head and attack him from there, but Nur is just too powerful. Even when Ororo and Magneto join the fight against him, they still struggle, until Jean releases the raw power of the Phoenix Force, which burns Nur to ashes. Back at the school, Magneto helps Jean to rebuild the school, Moira has her memories of Charles returned to her and Mystique with the help of Hank, trains the first X-Men team.

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I was very excited about the release of this film, so much so that I pretty much went to see it as soon as it came out. I was expecting and hoping for so much. I was watching the trailer over and over again, watching cartoon clips of Apocalypse’s Quotes, as well as clips of Apocalypse from the film saying that Amazing line. I was so excited and was hoping for so much. X-Men 2 has always been my favourite, but my hopes and dreams, especially after Days of Future Past, was that this film was going to be glorious and possibly better than X-Men 2. It was my final day of work where I was working at the time, and to sort of celebrate, as soon as I got back to Lancaster, I checked the VUE to see if it was on and if I could pre-order a ticket (just so I could go home, drop my bag off and get changed). When it was true that I could, I did just that and went to the cinema with great excitement.

Upon seeing the film, my overall opinion was: right….? One thing that I have always found with films in the X-Men series is that it’s always best to give them a couple of watches to really get down to the nub of them, and that’s why I have waited until I could see it again before I reviewed it. It’s just the case that in the past when I have seen them again a second time, I have understood them a bit more. In terms of Super Hero movies they are in a class of their own as they deal with more than just guys with powers, as the X-men have other issues to deal with especially that of Mutant Racism that is so entwined within who they are. I think the issue for me was that I finished work that day too; at a job I was enjoying and was hoping that a treat may create some closure, but instead, my head was conflicting as my hopes and dreams for Apocalypse lay dashed on the pavement. Upon seeing it again though with a clearer head, I am a lot more favorable for it.

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The film has its issues, and the issues are a few. It’s not that they are generally bad; they are just issues that it doesn’t help, and could have with more development or better execution. The major issue it has is that it has a lot to fill in. In the past the series has orientated itself by keeping the team strong but the cast relatively low. The X-Men are a team and it’s important that they remain like that, but the more effective team is better than the biggest, if you get my drift; they’re not an army. The issue here is that, we have one big villain that of course has his own minions to do his bidding, but in order for it to make sense, it needs to be made up of new but still popular characters, so we therefore have a team of five people vs another team, but this time made up with characters that were being reintroduced to the series, important characters that needed to be introduced sooner than later as they have not been seen for a while (except for clips in DoFP of course). With so many characters to introduce, not to mention other characters taking some spotlight, it was going to be hard to fit them all in the allotted time, so what did the film makers do: extend it, but then again it doesn’t really work! It introduces, and well I will say, characters like Nightcrawler, Scott and Jean Grey, plus allow some development time if not a lot. However, on the other hand Apocalypse’s team is hardly introduced at all. They are sort of sacrificed for the benefit of other characters, which is actually a big shame as some of his team are made up of X-Men Superstars who have been members of the comics longer than most.

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Due to this issue of extra time, the film commits some faux pas that only goes to confuse the viewer rather than enhance the film. It has characters to introduce and a lot to show; what it ends up doing is showing scenes (scenes that are very interesting I might add), making you want to see more, and basically changes scene to another perspective which is OK, but then does it again, and does not return to that original perspective for a while, say between 5 and 10 minutes. With that out of your head, you feel like you have walked in to a scene from a TV Drama completely unawares as to what is going on and with no way of finding out. It’s got all these really good bits, but doesn’t put them together close enough for them to really take you anywhere: if the gap was quicker or shorter, then it would probably be alright. You can actually see how long it feels in reality as you realize that even 47 minutes of the way through, it still feels like it’s the first act, and is still introducing people, and not creating an incidental moment that takes it to the next big thing (at least not until the end of the first hour). What does not help this further is Apocalypse’s plan to destroy several major cities at once. You just don’t feel it. You feel it when you’re there; the final battle takes place in Cairo which is not necessarily a bad thing, but if you’re trying to show global devastation it would be better if you focused on one city then moved out. Put one city in peril, for the sake of everywhere else. The images of destroyed cities are very vivid and visionary, but because the scene is not there, it does not feel like anything. If the final battle was in say Washington, New York, maybe even Tokyo or London; these are big major cities of the world, but have the final battle there, and show the expanding devastation there, so those who go to see this film can at least connect more strongly and really feel for the destruction. I don’t like Part 1 and 2 films that are being done all the time right now, it’s a motive by the studio to make more money, not really for the film’s sake to have a stronger/better story, here however I can see an argument for a film that should have a Part 1 and 2. It’s trying so hard to cram so much into what is already a very long film, if it spread things out a bit more, and split into 2 films, then at least we could have a much better developed story and things could happen quicker and better.

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Much like said above, X-Men: Apocalypses cast can be in spots feel a little wasted. They really pushed the boat out with mutant characters and have featured an all-star cast of X-Men Comic mutants which include single appearances from mutants like Blob (Giant Gustav Claude Ouimet) and Caliban (Tomas Lemarquis) as well as small appearances from Apocalypse’s original Horsemen (Warren Scherer, Rochelle Okoye, Monique Ganderton, Fraser Aitcheson), but it is rather sad that strong characters and re-introductions to this series like Angel and Psylocke are once again pretty much shoved to one side despite how much their images were used to promote the film. I am especially a big fan of Angel and was hoping his new role would be a strong one, much like Psylocke, but again it was very little and he pretty much died a quick death. Psylocke for what time she was given did provide some strong moments, and I would like to see more of her in the future. Like previous films in the series, some major guest actors were brought in to play big but still very short parts, but their inclusion does help ripen the roles of senior characters where required, with the use of such actors as Zeljko Ivanek. But these roles are meant to be one shot spots, whereas major villains or even hero characters should have more. For instance, I thought it was rather odd, that the filmmakers go some distance to include Jubilee in the story, but leave her appearances to the very minimal, especially to introduce her in such a well-developed fashion and not include her in the final battle of which the same could be said for Havok, who was a major introduction in First Class, but not really used beyond, despite how well he is played either way.

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The uses of other characters are just weird though; for instance: I genuinely believe that Hugh Jackman has no point of being in this film other than to make a small appearance. The whole scene in the Canadian mountains shows no real major point, except maybe to introduce the post credits scene, in which case, why not create a very different post credits scene? Everything is going well and Ok, then they just slam this scene in there for no real major story point. What is a real shame though I find is that the film’s major cast (who have since become major stars since their first appearances in this series), seem to be underused. They are there, and feature prominently, but given that Days of Future Past has shown what power they can give in these roles, it’s a shame that they aren’t used to perfection. Most of this could be as an after effect of the convoluted scene by scene irritation I mentioned above, and all the while they still provide goodish performances, it just feels like they have lost effect. James McAvoy for instance seems to have returned to a docile past and feels like he needed to get younger over a 10 year period. That welcoming friendliness is still there, but the power from the previous film has gone. Jennifer Lawrence (who I consider to be my favourite actress) seems to have lost passion as Mystique, she seems to talk more than do more, and does not really deliver any reason for being there, other than maybe for being Jennifer Lawrence. Nicholas Hoult just doesn’t swing it for me much in this film, and just appears to fade into the background mostly while at the same time minutely trying to provide the emotional instability between his character of Beast and Lawrence’s character of Raven/Mystique. I know these films take place 10 years apart from each other, but I didn’t know the actors not the characters had to age in between! As for Fassbender, while he is still very capable of getting very emotional which is a very good trait of his, I think it’s getting rather clichéd that he has to get low and emotional. Why couldn’t he be the big bad strong villain that he is supposed to be playing, only to be enslaved by Apocalypse rather than just join him. Why can’t Magneto just be Magneto? Rose Byrne has a waste of a performance. She was fantastic in First Class, but due to a lack of appearance in Days of Future Past, she is brought in here, and sort of reconciles with Charles really too quickly, not allowing their relationship to really blossom, and so for the most part serves as a double-edged joke and not as the inspired cast choice that she once was.

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It really comes down to the rest of the cast to sort of make up for the casting and performance mess; and some of them do more than any other. The X-Men are a team (already made this point), and as such the characters should have more of a part in the overall battle instead of leaving it to single players to do the job. Scott Summers for instance carries attitude, but not much of anything else to make his part worthwhile. After the death of Alex, he really should have more drive, but he sort of confidently hides in his shell. The same could be said for Nightcrawler who is just there to oppose Angel, and rescue Charles, but nothing much of anything else. And even though she is not part of the team, Storm is a major character in all X-Men related media, and just to be given a few speaking roles and some small appearances, it just again feels like a waste. Quicksilver does get another appearance and a much bigger one plus uses the knowledge of Magneto being his father to increase his position within the film. His rescue of the people in the mansion plus his fight with Apocalypse are two very good and well done scenes and really help to get the final half of the film going. The film’s cast though really does come down to two amazing actors delivering Fantastic Performances. I had never heard of Oscar Isaac when I first heard he had been put in this role, but I absolutely loved his performance. On the one hand I do think Apocalypse was too well held down to begin with and was very much just used to provide philosophy and theory, we didn’t get much of a chance to see his powers until the Nuke Scene and of course the final battle. I was a bit disappointed that his comic book essence, his true powers were not really put on show, but they were minor in reference. However, much like Apocalypse in Comics and Cartoons, his performance, his voice, his presence, were powerful. They were really good scenes, and ones I could both look forward too and much enjoyed. While he did take time to be seen, he was still the main villain and presented as such. I really feel like he should make a future appearance again, a villain like that does not die-hard, but I hope that if it were to be done that Isaac be brought back to play him again and that he is more like his-self in the comics, rather than filmmaker philosophy, but here and now, still well done, and also has the best quote of not just the film, but of any film released this year.

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But for me, there was one person who was better than all the rest. From start to finish her role was pretty mysterious, but the performance provided was unlike any other in the whole film and for her to become the real hero, it was wonderful to see. I absolutely loved Sophie Turner as Jean Grey, she was just epic, and for hours and days after seeing the film, I could still see Sophie Turner whenever I thought of this film. A perfect casting in my opinion that is one I definitely want to see more of in the future (please be cast again in the future).

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The film like its previous series entries does feature a bewildering level of Special Effects, which help to not only show special powers, but also help create scenes and scenarios that cannot be made but are asked of. Some of these sections I feel could have helped in other sections where they may have helped either sped up or at least not slow down the pace of the film. The destruction of cities is very visionary, and the film works hard to create its more iconic big effects like Quicksilver’s running scenes, to destruction on a large scale, to even launching the entire world’s Nuclear Arsenal. But as I have always found, no matter how great the effect is, the soundtrack always delivers more. The soundtrack (composed by John Ottman and Michael Louis Hill) once again features that incredible X-Men opening theme and titles, but does not hold itself down to just that, as it creates some amazing pieces for some of the film’s more outstanding moments, moments such as the launch of Nuclear Missiles (which is played to Beethoven’s Symphony No. 7), Ancient Egypt, Quicksilver’s Mansion Run (Sweet Dreams by Eurythmics), and of course the final battle with Apocalypse, especially the rise of the Phoenix. These two things while considered maybe separate never fail to impress or provide great moments for the series, always delivering, always enjoyable, and always powerful.

I wouldn’t consider X-Men: Apocalypse to be a disappointment, nor a bad film (it’s better than at least 2 X-Men films I can think of). It’s more like an unpolished attempt leaning on the edge of greatness. Even with its issues, it has its scenes and moments; although while largely separated for long periods of time, these scenes still deliver really fun enjoyable and powerful moments that give you a good surge of pleasure. The characters may be hit and miss and mostly underused; doesn’t mean that they still can’t bring the pain; they just need to get out of their personal pain to begin with. Apocalypse might not be the same as he usually is, but he still makes a great villain and his introduction let’s open the gates for other major super villains such as, oh I don’t know, Mr. Sinister perhaps? What I would class this film as, is a good attempt. It’s something that throughout is working ok, but never gives the final push it needs to truly breakout and be what it really can be. I had high hopes, and while it did provide hours of real enjoyment, it just wasn’t enough to truly be. Maybe it’s just that I am a fan of X-Men: a fan of the comics, cartoons, (nearly) all the films, maybe that is why it did not fully work for me? Maybe, but even still, I enjoyed X-Men: Apocalypse to a large degree.

GENEPOOL





With Great Power, Comes Great Irresponsibility – Deadpool

16 03 2016

Deadpool (20th Century Fox - 2016)

Bloke: If only there was a super hero movie that combines the fantastic action and martial arts attributes of The Raid and The Raid 2 with the hilarity and outrageous comedy of Tropic Thunder and Alan Partridge: Alpha Papa?

Me: There is.

Bloke: No!

Me: Yes, it’s called Deadpool.

Bloke: Oh, is it any good?

Me: Yes.

Bloke: Cool.

Deadpool

Me: Released in 2016 by 20th Century Fox, Directed by Tim Miller and Produced by Lauren Shuler Donner; Deadpool is a super hero comic book movie (of sorts) starring everyone’s favourite comic anti-hero (at least by the time they have watched it) Deadpool. For those of you who are not fully aware as to whom this Deadpool is; here is some brief info:

“Deadpool is a fictional antihero appearing in American comic books published by Marvel Comics.” – Wikipedia

Me: Understand?

Bloke: NO!

Me: Too Bad. Anyway, Deadpool is a comic book character belonging to Marvel Comics, and is mostly associated with the X-Men comics in particular. Deadpool is the latest spin-off in the X-Men film series and sets out as well as hopes to do something no other comic superhero film has done to date, which mostly involves being as outrageous and as funny as possible while also being incredibly profane and violent at the same time.

Wade Wilson (Ryan Reynolds) is a mercenary who stands up for the little guy. One evening at the mercenary bar attended by bar man Weasel (T.J. Miller), Wade meets Vanessa (Morena Baccarin), and the two very quickly get into a relationship, one which gets off the ground quite quickly. But as soon as things start going well, Wade gets a very late stage form of Cancer. One night at the bar, he is approached by a recruiter (Jed Rees) for a secret organization who says that they can cure his cancer. Initially turning down the offer, Wade eventually agrees, fearing more for losing Vanessa. Wade however soon discovers that the organization he has joined is seeking mutants to experiment on. The project is led by mutant AJAX (Ed Skrein) and his assistant Angel (Gina Carano) who torture Wade and those around him. Eventually Wade’s mutant genes explode and cause his skin to deform, instantly curing him of his cancer, but Wade discovers that what is really going to happen is that he is to become a slave of Ajax. Wade causes an explosion in the labs and brings down the building, escaping the wreckage.

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Upon escaping, he means to return home to Vanessa, but upon seeing how people see his disfigured face, Wade believes Vanessa will feel the same about him, so he decides not to return. Wade moves into the house of elderly blind lady Al (Leslie Uggams), and with help from his best friend, goes in search of Ajax, real name Francis, in the hope of curing his disfigurement. He creates a costume and calls himself Deadpool, before going round the area, killing anyone who does not give him the information he needs on the location of Francis. After a year or so of searching, and making a new friend in cab driver Dopinder (Karan Soni), Deadpool intercepts a convoy of bad guys, kills most of them in some really horrific ways before finally getting his hands on Francis. Unfortunately, his antics grab the attention of X-Men team members Colossus (Greg LaSelle and Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand) who are desperate for him to join them. After their arrival however, the distraction allows Francis to vanish, and Deadpool escapes the clutches of the X-Men by cutting off one of his own limbs.

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With a threat on Vanessa being made, Weasel and Wade go to the strip club she works at, but before they can get to her, Francis and Angel take her away. With the help of Al, Weasel, Dopinder, and extra help from the X-Men team, Deadpool goes to the scrapyard (where a near-familiar looking aircraft carrier is being wrecked) where Francis and Angel are keeping Vanessa. Immediately Deadpool and the team of Negasonic Teenage Warhead and Colossus get into a fight with soldiers and Angel. While Negasonic Teenage Warhead and Colossus deal with Angel, Deadpool climbs the aircraft carrier to where Ajax is preparing to torture Vanessa in a similar way to how he tortured Wade. Deadpool and Ajax fight in hand to hand combat, until Negasonic Teenage Warhead destroys the carrier from the inside. Once rescuing Vanessa from the collapsing ship, Deadpool has one more fight with Ajax, quickly gaining the upper hand. Ajax then informs Wade that he cannot be cured. Despite urging from Colossus not to, Deadpool kills Ajax. Wade then reveals himself to Vanessa, who says she is ok with how and who he is now, and they rekindle their relationship.

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Bloke: Does this mean I don’t need to see it now.

Me: Are you still here?

Bloke: Apparently?

Me: Well in that case; yes, you should.

Bloke: I thought this was a review?

Me: Yes it is, but more in the form of an analysis.

Anyway; Deadpool is a very interesting film. It’s one that is hard to spring up what exactly it’s about. Ok, plot wise it’s about a guy who becomes a super hero to save himself from his illness but who then has to save his girlfriend (which is far easier to connect to on a personal level than the standard ‘Save the World’ plot of most other superhero movies). That’s the simple plot, but as to what this film does and involves is another thing entirely. In basic terms, what we have here is something of an adaptation, to Understand Deadpool; we need to understand who he is. Once we know that then we can really look into him.

Bloke: Then why don’t you?

Me: Because it will take too long.

What we have here in essence is more of an adaptation in terms of the characters creation and portrayal, but is then put into a situation that goes on to explain how such a character can come into being, while not bringing down the audience nor boring them. It sort of reminds me of Batman Begins, it talks about the early life of the character but brings it to a point where then said character becomes a figure-head and something other than who he is, and incorporates and embraces that entity to do the right thing, although in Deadpool’s case that is somewhat questionable. In this case we are provided with a character that is somewhat questionable from the start, but the things he does he does for the right people, and as an audience we come to connect and feel for him, and as he grows in a relationship, we come to support and care for him. But then things go wrong, and while what he does is (as previously mentioned) questionable, we believe in the cause to support him well enough. It’s something that feeds into a primal instinct, that of revenge, and while it may be the wrong path, the way he does it stands out enough, and in a form as human beings we may believe and feel is the rightful way of doing it, we support it. That aside though, Deadpool is not your average super hero either. He is something of a character. He is a wise cracking comedian who pulls a comedic line whenever he can, continuously breaking the fourth wall in the process. This makes him not just a super hero, but also someone who makes you as an audience member laugh. Add to that though the level of profanity in his voice, however despite what an older more mature audience member would think of such language, the language used by Deadpool when used with his comic nature just makes you laugh as he is using said language in such a funny way. Added to this level of comedy and profanity, you cannot ignore the amount of violence in this film. It’s violence that grabs your attention, as for one part it’s very gory and sickening, but on the other hand is just so outrageous and crazy, that it creates its own essence of humor to be enjoyed alongside what is already so funny. Ok, I admit it’s kind of broad and a hard one to explain. To quote the late great Lemmy Kilmister:

“Trying to understand. Why? You can just enjoy it at face value that’s what I do.” – Heavy Metal Britannia

In essence, it’s not something that should be analyzed or explained, because what we have here is something very special, very different, and something trying to stand out in the biggest way possible. And it achieves this. So less analyzing and more enjoying is what should be done here; because well, it works and is Awesome.

Bloke: So why did you bother trying then?

Me: Because, I didn’t think it through…?

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Understanding the character of Deadpool to one side, the film incorporates a relatively yet still outspoken cast of characters. Ryan Reynolds of course the returning star of Deadpool; by saying that I realize I have brought up bad memories about a certain other X-Men spinoff, but this time it’s a good form of acting from Reynolds. Not forgetting that he is no stranger to comic book super hero movies, mostly bad ones; here Reynolds excels as the verbal assassin. Without wanting to get bogged down in more but possibly pointless analysis, portraying Deadpool for me makes this his best role to date. Not really much of a fan of Reynolds in his other films, here he provides a really good portrayal of a character who was always going to be a hard one to do, but I think he has done quite well.

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The other film’s characters are not like one offs, or people with brief mentions, no. The small cast has enabled everyone to have a part and really stand out in their part. Negasonic Teenage Warhead for instance is a character I have no real knowledge of, but the portrayal of a 21st century teenager being an incredibly powerful mutant provides a very believable and connectable character while also providing the theme of not judging a book by its cover, even if me mentioning that sounds rather cliché. The addition of lesser characters in a supporting role continues throughout with people like the recruiter, Blind Al, Weasel, Angel and Dopinder. Most of these provide something more of a comic relief, but really work, not just as their roles suggest, but as well as being supportive characters also. Blind Al for instance provides an interesting viewpoint connecting once again to the aforementioned cliché, while also being as outrageous and profane as Deadpool, acting like a human counterpart to him suggesting that he is more human than he seems, and Blind Al is something of his human opposite. Dopinder meanwhile has a small role, but one which separately acts like a feeder to Deadpool’s jokes, but in the process becomes a character in his own right. Angel is more of a muscle like character to Ajax and proves that she is less a comedy character, nor one with a speaking part, but becomes Ajax’s assistant and body-guard of sorts near reminding me of Chyna. She is a pretty cool bodyguard though and one who brings an incredible fight with her. The recruiter doesn’t have much of a part but is relatively enjoyable, but is nothing in comparison to Weasel who acts like a friend to Deadpool, and becomes his assistant of sorts in helping him take down those responsible for his suffering, and much like Dopinder is a joke feeder, but also provides his own witty spin also.

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Along with them we have the more stand out members of cast alongside Reynolds. Colossus is one character you can’t but help keep an eye on. As a character, Colossus is a man who can turn his skin into an organic metal. No stranger to the film series, Colossus has previously been played by Daniel Cudmore, who I find sad did not return to the role in this film. I quite like Cudmore as Colossus, but am happy to say that Colossus here is presented well. While I find the special effects used to make him look not exactly crisp, his dialogue usage; something of a near first in the film series, is delivered well and crisp and tries to provide the role that would normally be delivered by Professor X. Ajax meanwhile is a character I find hard to see or realize. As he is not necessarily as stand out as other X-Men characters that come to mind, in this film he seems more like muscle than mind. His sinister side does not really come out all that well I feel, but the disgust towards him as a villain still works and it is in what he does, not how he acts that help him come into the fray, plus he comes packed with a mutant ability that helps to be a good first rival for Deadpool. This brings us nicely to Vanessa. Vanessa is not necessarily a supporter, nor is she a lead. She is not a hero, nor a comedy inclusion, but throughout this film provides to be a story element and a character who much like Wade, as an audience member; you become to care very much about. She becomes more of a plot element as the story goes on and an end goal to be reached. And even when that is not happening, she becomes a very enjoyable character, and towards the end not necessarily a damsel in distress but a hero in her own light, as well as providing an emotional and common sense anchor for which the character of Deadpool both needs personally, and in his career.

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Special effects are always a feature in super hero movies, as the need to show super powers usually does require some element of special effects in order to pull them off. In Deadpool though the use of CGI is pretty lack luster and only really used for colossus and the odd effect here and there. For the most part Special effects come down to clever camera tricks, stunts and fight choreography, all of which work quite well to pull off some really awe-inspiring scenes. It makes the film less of a blockbuster and more of an independent action film in a similar vein to the above mentioned Raid films. It just makes it all a nice change from films that require and are defined by how much CGI they use and the people who think CGI is better than real skin.

Bloke: Are you referring to me?

Me: “Hey, Yeah – I wanna shoop baby”

Bloke: Sorry, are you singing?

Me: Yeah, I can sing in my own post can’t I?

Bloke: Well sure…

Me: Well thank you, now please leave!

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Back in October, I did a series of film of reviews, all of which were the X-Men films to date released before this one. In that one thing I highlighted quite a bit was the rather grand, high-powered and exciting soundtracks used in the main series of films. Most of these were of course produced for the films especially with use of a composer. For the case of Deadpool however it seems like that idea was thrown out of the window to be replaced with a soundtrack composed of pieces from the popular domain, or better known as popular or pop music. This not necessarily a bad thing I find however as the pieces of music work really well to the scenes they are attached to. Most of these though I have accidently forgotten. One piece though I cannot forget so easily though is of course the sort of movie theme in Shoop by SALT ‘N’ PEPA. Quite a fun little song that works nicely with the ideas of the film, especially as it sounds like shoot, but for the most part is a fun one to sing to…..once you know the lyrics of course.

Deadpool is an incredible film, and interesting one at the same time. It tries to introduce a new, lesser known character to a more mainstream audience while also making it both as funny, profane and as violent as possible, and make it stand out more than any other super hero film out there, which it succeeds at. It more than makes up for the faults of the past, and in return creates a film that instead of being shunned by everyone in years to come will be talked positively by an even larger audiences for years to come. Add to this the strong and excelling cast, the well written story, cool soundtrack as well as all the other stand out points of this film that are hard not to notice; and you have an incredibly fun and enjoyable experience that has been delivered so early in the year, it’s going to be interesting to see if any other film this year can match or even excel beyond it. Also; it has quite possibly the best opening and post credits scenes in the history of cinema.

Bloke: What? Even better than the post credits scene from Age of Ultron?

Me: That was hardly anything; and I thought I asked you to leave – and what’s with the fake moustache?

GENEPOOL





Top 10 Most Exciting Films In 2016

28 01 2016

Film Reel 2016

I don’t know if you saw my Top 7 Films of 2015 post – if you did, thanks for the support, if you didn’t; why not? – but in that post I had a little gripe at the film awards season. It was more of trying to understand why they are held in February, and not January or December, and why was it films released between February and February, and why was it Always films neither me nor the rest of the cinema going audience in general is going to see. But anyway, I had a little gripe at that before going into my Top 7 films. Why 7; well it’s because I was going to do 5 instead of 10 like I did in 2014, but then I saw a film I wanted to mention (Spoiler Alert – something I don’t generally do, but just thought I would include one here); It was Krampus by the way, but then I don’t like the number 6 so I increased it to a number I do like…7. Anyway, had a slight gripe at Movie Awards before presenting my Top 7. It’s sort of like a Movie Award, being my favourite films of the year, and it’s from someone who enjoys telling people what films he’s seen in that particular year. Anyway why am I talking about this now, well, this is also something like a movie award, but not as prestigious, for an entirely different reason.

Joy (20th Century Fox - 2015)

Basically, the year has passed, some good films, others not, and in the time-honoured tradition since 2012, this blog is going to announce what films the blog writer (me), is looking forward to in the coming year. It’s sort of like an award, but not as prestigious as it’s a list of films that look good this coming year, but if the examples of last year are anything to go by, there is no guarantee that the films in this list will feature in the Top 5 (or whatever number I do Next January/December time) of my favourite films of that year, or generally if they are any good or not. Now while all of these films look pretty good (there’s a major issue with number 10…and number 6), there is at least one other film I can think of that I would have liked to have add, but seeing as it was released well before time of writing, I thought I would just briefly mention the Jennifer Lawrence film Joy. The reason for not including it is the same reason why Birdman was omitted last year, because it had already been released. Anyway, Joy Looks good and I thought I would let that one have some promotion. Anyway, enough of all this, let’s look forward to some stuff. So without further ado, here are the Top 10 films I am most looking forward to in the coming year.

Godzilla Resurgence (Toho Co. Ltd. - 2016)

10. Godzilla Resurgence – I know what you must be thinking; “Why is a Godzilla film, let alone a new Japanese Godzilla film only at number 10 in this list?” Good question. Don’t worry, I am still a huge Godzilla fan, but as to why this is so low in the list is simple enough to answer, just rather longer to explain. The simple answer is that I don’t know if I will get to see it or not. The longer explanation is; that when it comes to the release of such films in the UK, let alone anywhere in Europe, The UK and Europe are consistently ignored. Most of my Godzilla collection is American Region 1 Imported DVD’s and one Blu-ray (try to guess which one). The only DVD’s that are not included in that are a BFI release of the 1954 film, King Kong vs Godzilla released in 2006 for the DVD release of the 2005 King Kong…I think, the 1998 film, and the 2014 film. So, as I can get hold of some DVD’s sort of OK, watching the Japanese films themselves on the big screen are close to an impossibility in my home country, so the reason for this being so low is that “Why should I build up my excitement for something that I probably won’t get to see at all this year?” Ok, I do keep up to date with news of it, and like to hear new stuff. Yes there is something of a trailer out for this, plus I have seen the ‘interesting’ poster for the film, so I am not completely against this film (it’s not the new Star Wars). Hopefully I will get to see it sometime, plus apparently overseas markets are being looked into, so there is some, if be it little hope, that I may get to see it after all. So there is some allowance for Excitement (plus it’s also one of two films being released this year with the word Resurgence in the title).

Dad's Army (Universal Pictures - 2016)

9. Dad’s Army – What originally sounded like a bad adaptation of a popular British Sitcom, now looks like a really promising film. I have seen the trailers a few times and it does look rather funny. Set to star Toby Jones, Bill Nighy, Catherine Zeta-Jones and Michael Gambon, expect laughs galore for what so far looks like a faithful rendition to an old TV favourite.

Teenage Mutant Ninja Turtles: Out of the Shadows (Nickelodeon Movies - 2016)

8. Teenage Mutant Ninja Turtles: Out of the Shadows – The sequel to the surprise film of 2014. Ok, it wasn’t much of a surprise, in the end it was alright and Fun, and did get into my Top 10 (just) for 2014. It was a funny film and at least for me was faithful to its original material, particularly the character of Raphael. So far the new film looks like it will improve over the first film, which I felt was rather quick and got bogged down too much in the origins story of the Turtles. The first trailer released a couple of months ago makes a good first impression and already looks like a major improvement. Don’t get me wrong I am looking forward to this film; I just think this film needs to accomplish more than the first and get the series on the proper track. So far it looks like the main cast is returning, along with some new cast members (including WWE wrestler Sheamus) to play old favourites. Who knows, Teenage Mutant Ninja Turtles could turn out to be the big surprise of the year, or not as the case may become.

Kung Fu Panda 3 (Dreamworks Animation - 2016)

7. Kung Fu Panda 3 – It’s been nearly five years since the last Kung Fu Panda was released, and the reasoning as to why this has happened is rather sketchy as I thought DreamWorks would have been more pro-active in releasing the next film sooner. Good news however, it is a sequel and in no way a reboot. Original cast are back along with new cast members Bryan Cranston, J.K. Simmons and Kate Hudson in a story that so far sounds like an adaptation of Seven Samurai, which pings my excitement a little more. Kung Fu Panda 3 so far looks like good old Kung Fu Panda fun, and all being well should be good enough to plug up the hole that it has created since the release of its predecessor. The trailer also looks really funny.

Gambit

6. Gambit – The first of three X-Men films to be featured in this list. Gambit is of course a standalone film about my Favourite X-Men character. The film is set to star Léa Seydoux and Channing Tatum, an actor whose career I am not familiar with, but already sounds like a promising choice (as does the casting of Lea Seydoux). Thankfully the film appears to be in no way connected to the events of Origin’s, however as far as my knowledge goes, it appears the film is yet to begin filming, so right now does not sound all that promising for a release this year, and if it does; the relevant quality also. However, given the quality of the X-Men series recently, I am hopeful that when the release date finally arrives, be it this year or not, that it should be worth the wait in the end.

The Divergent Series: Allegiant (Lionsgate - 2016)

5. The Divergent Series: Allegiant – What began as a film series that was worthy of a chance has grown into a series to be looked at. Divergent was a really fun film; Insurgent meanwhile was a vast improvement over the first with plenty of enjoyable quirks to make it stand out as one of my Favourite films of 2016. Now I am more and more looking forward to the next film in the series, and see where it goes. So far all I know of this film is what I have seen from the trailer, which just looks weird. I don’t get it at all. Ok, maybe the books will highlight some of the more weird bits the trailer is showing, but as I have not read the books, it’s kind of hard. Also, I don’t fully understand the casting of Jeff Daniels in a film like this, he just looks like someone who walked onto the wrong set, well as a far as the trailer goes. I am just worried that the high quality walls that Insurgent built, are just going to be flattened, just as the series is finally making some good headway. No matter, we’ll see what we’ll see. I mean so far it does look interesting and fun, and includes previous cast members in Shailene Woodley, Theo James, Zoe Kravitz and Naomi Watts (one of the big standouts of Insurgent). So while it is a mad looking trailer, the promises and successes of previous films in the series are good enough for me to put this high on my list.

X-Men: Apocalypse (20th Century Fox - 2016)

4. X-Men: ApocalypseApocalypse is a character I have been fascinated by since I first heard mention of his name in an episode of X-Men Evolution. Since hearing that name I have for many years been researching his character, and waiting for my opportunities to experience him in some manner of speaking. Either be it in the comics, cartoons or films. So upon hearing what the plan for the next X-Men Film was going to be after Days of Future Past, I could not wait. Since after the release of DoFP, I have been checking in and out with the news of X-Men Apocalypse. I have looked into casting, filming, and even saw a rough copy of the trailer that was filmed at Comic-Con. But it’s only recently I got to see the actual trailer. The film is set to star the main cast of the First Class series so far, with returning actors including James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult and the return of Rose Byrne who was sadly not in DoFP. Also in the spotlight for the next film includes classic comic characters Nightcrawler, Archangel and Psylocke to name a few, with rising actor Oscar Isaac taking the coveted role of the film’s lead villain. Also set for a return is the winning team that started the whole series from the word go, in producer Lauren Shuler Donner and director Bryan Singer (with any luck the X2 theme will return as well). As is the case though with the X-Men film series, the trailer does not show much in what is likely to be happening and appears to be a bit mad on the whole, and so it’s hard to see what the film is going to be about, however as this is the next film in a long line of extremely good films, I am hopeful that come release day, everything is going to be great.

Deadpool (20th Century Fox - 2016)

3. Deadpool – Since the dawn and for nearly every year in the current century, cinema appears to be awash with movies about Comic Book Superheroes. Now while this is all being well, and most of these are usually fun, there seems to be a level of child-friendly-like-ness to all of these films so far, and very little of the blistering action seen in the comics, as said fights could be considered un-child-friendly. Well in 2016 that is all likely to change with the release of Deadpool. Based on the X-Men Character of the same name, this will be one of two ‘planned’ standalone X-Men films due for release this year. This is not Deadpool’s first time on the big screen, but his last appearance did not go down to well, and was one of the low points of an already bad film. Things have appeared to move on however, and so far Deadpool is beginning to stand out as one of the must see films of 2016. Returning to the role, of which he also played in the bad film; is Ryan Reynolds. Looking at the trailer, the film appears to have Deadpool presented in his correct red and black, sword wielding, gun shooting, breaking the fourth wall…ing self that has become so loved by fans of the character everywhere. The trailer looks fantastic and from what I have seen of images here and there, Deadpool may not be the only X-Men Legend in this film, as the film looks like it will also star Colossus. Deadpool looks Fantastic, and it also looks really funny too, if this film lives up to the hype, this should be one of the best films of 2016.

A Monster Calls (Patrick Ness and Siobhan Dowd - 2011)

2. A Monster Calls – About this time last year, I read a book. Ok, I read many books, but I read a book in the space of just a few days, and at the end of which made me cry, becoming the first book I have read to make me do so. Since then I have looked through bits of it every now and then, and have come to like it as one of my 2 Favourite books. The book is written by the 2 time Carnegie Medal winning author Patrick Ness whose other works include The Chaos Walking Trilogy and More Than This. Anyway, why am I talking about this so far yet un-announced book? Well, in 2016, there is due to be a film release of this book, of which the title is, as the book: A Monster Calls. Not much info is readily available about this film other than Juan Antonio Bayona is directing it, Patrick Ness himself is writing the script for it, and that Felicity Jones, Sigourney Weaver and Liam Neeson are going to be starring in it. Ok, so there is quite a bit of info on it actually, but not as much as other big films of the year, but given from what I experienced in paperback form this time last year, if that is anything to go by, then A Monster Calls already looks very promising.

Independence Day: Resurgence (20th Century Fox - 2016)

1. Independence Day: Resurgence – In 2012, The Walt Disney Company purchased the rights to Star Wars from George Lucas with plans to make some new films. More than likely; 20th Century Fox probably weren’t best pleased by this announcement, especially as it was 20th Century Fox who took the original risk to produce the space film series after practically every other major studio turned down Lucas’s idea. It would be fair to say that 20th Century Fox were probably a bit miffed by this news; if it wasn’t for them having their attention on something else far more promising. You see as far back as 2011, they have had their eyes on the sequel to a film which when released in 1996 cast a shadow over the world’s cinema’s and did so well that all other films to that date were left in its shadow; and now, 20 years later; INDPENDENCE DAY returns. It’s been a long time coming, but the team of director Roland Emmerich, producer Dean Devlin and actors Jeff Goldblum and Bill Pullman return once more to save planet earth from an impending alien invasion. News of this film has been mostly scarce (except for those actively looking for it) but just a few weeks ago, a trailer was finally released, and it looks EPIC (and I don’t use that terminology all that often). Everything I have read to date, plus the number of times I watched the trailer continues to get me excited about the release of this film. This time around it looks like the invasion from 20 years ago was just a Beta test, and things are going to be a whole lot worse for planet Earth. The trailer looks Fantastic, I have not been as excited about a single film trailer since the first teaser for the 2014 Godzilla film in December 2013. I have watched it over and over again since I first saw it, and I simply can’t get enough. It won’t long now until the film gets released, but I am more excited about this film more than any other due to be released this year. I don’t know how it’s going to turnout when it is finally released, but like many other films in this list, it’s one I am going to be keeping a keen eye on in the year to come.

GENEPOOL (2016 will feature a resurgence in the word; resurgence…..possibly).





Checkmate – Independence Day

23 12 2015

Independence Day (20th Century Fox - 1996)

The question of whether or not we are alone in the universe has been tossed around for decades. Since upon discovering that there was an area above the planet, many have wondered if there was life on other planets. These thoughts usually then go onto the thought processes of considering the existence of Aliens, or UFO’s. To date, these thoughts are only theories. Yes, scientist’s get a little bit too excited when patches of liquid are spotted on other planets, but as this data has yet to be connected with proof of the existence of aliens, it should be noted that even if there is life on other planets, that it is a very big sky. But let’s not forget: “The chances of anything coming from Mars are a million to one, but still…..they come” – Jeff Wayne’s Musical Version of the War of the World’s.

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Released in 1996 by 20th Century Fox, Produced by Dean Devlin and Directed by Roland Emmerich, Independence Day is a Science Fiction Epic Disaster Movie involving the subject of a large-scale Alien Invasion on planet Earth. What is one of the most successful, inspiring, influential and most important films of the last 20 years; it helped to re-kick-start the creation, development and release of other big action disaster films, including films like Armageddon, Deep Impact, The Day After Tomorrow and 2012.

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July 2nd. Above the surface of the moon, something big, black and ominous has arrived and is moving towards the nearby planet of Earth. Down on the planet, a group of scientist’s discover its signal, but don’t know what it is. The object is investigated by Army General Grey (Robert Loggia) who is informed that it is not a meteor, as it appears to be slowing down. He contacts the Secretary of Defence Albert Nimzicki (James Rebhorn), who in turn informs the President (Bill Pullman). In New York City, David Levinson (Jeff Goldblum), an MIT Graduate works for a cable company, who appear to be experiencing technical difficulties. Meanwhile out in the desert, a young family made up of Miguel (James Duval), Alicia (Lisa Jakub) and Troy (Giuseppe Andrews) have to continually contend with their drunk out of control father Russel (Randy Quaid) who supposedly was kidnapped by aliens several years ago. Back in space meanwhile, several large Flying Saucers appear out of another vessel. This is spotted on Radar and the President along with Grey, Nimzicki and Communications Director Constance Spano (Margaret Colin) are told that each one of these objects, 500km wide in diameter are now entering the atmosphere. Sightings are spotted globally, eventually hitting mainland USA. Slowly, one by one, large clouds begin to appear over the world’s major cities, clouds so big they completely shadow everything underneath them. Eventually, the clouds break and out of the come the huge flying saucers, eventually hovering over and plunging several major cities into darkness worldwide.

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In Los Angeles, air force captain, Steven Hiller (Will Smith) and his girlfriend Jasmine (Vivica A. Fox) wake up to see these things and Hiller is told to return to base, despite being given time off for the 4th. Back at work, David discovers a hidden signal and informs his boss Marty (Harvey Fierstein) that they are going to attack. He quickly rushes home to his Dad Julius (Judd Hirsch) and asks him to drive to the White House. The President asks everyone to remain calm while mass hysteria breaks out. Arriving at the White House, David contacts his former wife Constance and tells her that he needs to speak to the President – despite once punching him. He manages to talk to the president, telling him that the ships are planning a coordinated attack. Everyone at the White House rushes to evacuate, but just as they board Air-Force One, the time runs out, and all the spaceships power up their primary weapons, instantly decimating every city they are currently over. Air force one manages to get away, with Jasmine, still stuck in the city hiding in a tunnel.

July 3rd. Captain Hiller leads an air attack on one of the flying saucers near the ruins of Los Angeles. Upon firing their weapons twice, they discover the ships have a protective shield, before then launching their own fighter squadrons. These too are shielded, and slowly all the fighters are lost, except for Hiller who manages to run away. He is chased though by an alien craft, before they both crash and he knocks out the still alive alien creature. Several prime American military installations are then destroyed by alien forces. Hiller is eventually rescued by Russel Casse and an entire caravan of fleeing travellers. On Air Force one meanwhile, after David gets into an argument with the President and his advisors, Julius comes along telling them that the government were not as unprepared as they claim they were, talking about Roswell and Area 51. While everyone else dismisses the legend of Roswell and Area 51, Nimzicki has other knowledge. As a result they all go to Area 51 in Roswell New Mexico. There they meet Major Mitchell (Adam Baldwin) and scientist Dr. Okun (Brent Spiner) who reveal that there is indeed a crashed spaceship along with 3 dead aliens. Out in the remains of Los Angeles, Jasmine and her son (Ross Bagley) manage to get out of the tunnel, and using a truck finds survivors including the President’s Wife (Mary McDonnell). Hiller arrives at the base with the Alien, which Okun takes to dissect. However the Alien wakes up and attacks the scientists. Using Okun as a voice channel, The Alien reveals to the President what all they want is for humanity to Die, before psychically attacking him. The President is saved by his security detail shooting the alien Dead. He uses this as an opportunity to declare a nuclear attack on the Aliens. A nuclear strike team head to Houston Texas to attack one of the spaceships. After what appears to be a successful attack, the ship survives. At his old destroyed base, Hiller finds Jasmine and rescues her and the other survivors, however the First Lady dies, with the President comforting his Daughter (Mae Whitman) saying that she is sleeping now.

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July 4th. After a drunken stress out, David is inspired by his father who talks about getting a cold. That morning; David presents his idea to fight back against the aliens using a computer virus, and reveals that such a virus can bring down the alien shields. The only way of doing this though is flying the old ship into the Mother ship, something that Hiller steps up to do.  The President and his men manage to communicate with all the remaining fighter squadrons around the world, and plan to organise a counter offensive. With pilots low however, pilots have to be recruited from among survivors and refugees, to which end Russell steps up. As night falls, Hiller and David fly into Space and are pulled into the Mother Ship, spotting the large number of aliens inside it. Managing to hide themselves from the aliens, David implants the virus, which in turn brings down the Alien shields, allowing all weapons to penetrate. Flying at the front of the Squadron, The President joins in with the attack, piloting a fighter. They are able to do some damage to the ship, but are then attacked by the smaller alien fighters. With very little damage done to the big ship, it begins to circle over Area 51, planning to fire its primary weapon. With little ammo left, Russell flies in with the only remaining unfired missile, ready to disable the weapon. When the missile jams however, he decided to fly straight into the alien weapon, blowing it up instantly. The ship now destroyed internally, it begins to disintegrate. Inside the Mothership, Hiller and David launch a Nuclear Weapon strapped to the ship, and escape just as an invasion fleet is being launched. Successfully escaping, the Mother ship blows up from inside. The two men crash-land in the desert, as the disintegrated mothership streams into the atmosphere.

If I were to ask someone you to sum up Independence Day in one word, I highly doubt that the word you would reply with would be Tame (not unless you are doing it just for a laugh). It is not a tame film, in reality I can’t find a single word for Independence Day, but I can think of several. It’s Surprising, Hard Hitting, Enormous, Unstoppable, Redeeming, I could go on, but I will finish this bit with the word Fantastic. It’s a big film and does things in a big way, but why shouldn’t it, why should it conform or do things done before when that is not the point of this film. Not in its conception, not in its delivery, nothing about this film is small in any way, but it was designed to be as such. The idea originated with Emmerich’s fascination as to why Aliens fly through space for thousands of Light Years only to arrive at Earth and stay hidden. This knowledge sprouted the idea for a Large Scale Alien Attack, and as much became the case in future films from Emmerich, Nothing is kept down to a small-scale. It’s go big or go home; and everything in this film is big; Big scenes, big action, big surprises, big battles, big alien spaceships and an even bigger mothership. Independence Day delivers all of these things at an incredibly high standard that surpasses its own challengers and competitors. It’s a film with character, but also on that it is a film with a lot of characters.

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Independence Day tells a story, it tells a story of an Alien Invasion and what it could happen if Aliens with large amounts of firepower came to earth and set about wreaking havoc on it. But the destruction of cities and a way of life only for the heroes to find a way to overcome it is only one side to the telling of the tale. The other side is through what the characters are experiencing and how this either drives them apart or brings them closer together; Independence Day for the most part does the latter, but also reveals what drove them apart in the first place. Independence Day therefore contains a lot of subtext. These points are less subplot; and are more background details of characters, but it’s told with such passion and energy that you cannot hope to ignore them. Most of this is shown through the films top billing and the characters supporting them in particular. The President for instance is a hardworking man trying to do the right thing and lead in a rough situation, but at the same time he has a daughter and wife to think about. On top of this though he has past experience and animosity towards someone who rides in on a white horse and eventually helps save the world twice. This coming in the form of David. David is also a hardworking man who loves his job; he however though has a previous divorce with Constance which comes back up to haunt him, and somewhere in the past believing she was having an affair with someone, walked into the white house and punched him, although then he wasn’t the president. Then next to this we have yet a similar position with Captain Hiller. He however though has a girlfriend with a child; he loves them both dearly, and loves his new life, but finds this torn away from him due to current events. These events though ironically help him to find his family plus make a difference by bringing in his own skill set and knowledge. He is something of an outcast to this trio, but without him nothing could be done in the end. It’s a sort of three little pigs who all decide to stand up to the big bad wolf in their own ways; even though they are not pigs but humans, and the big bad wolf is a fleet of Alien Ships.

Bill Pullman, Jef Goldblum and Will Smith

Something that I continue to discover with Emmerich films is how enjoyable secondary and tertiary characters are. While these characters at no point in any of his films share the grand stage with the top billing, they provide so much enjoyment that it feels like they are as important as the top billing even if they don’t share this podium. Russel case’s family shares very little scenes as compared to everyone else, however they produce an important point of view on what these situations and events are to standard civilians, whereas most of the rest of the cast are actively involved in the understanding and activity of the event itself. What we have here is a solid family unit with Miguel having to be a father figure to his brother and sister while their father is not around. Troy and Alicia are at best supporting characters to this, but are involved in some interesting scenes including the cliché of Alicia wanting some love and intimate relationship before the supposed end of the world scenario; with Troy looking on. It’s a nice little addition to the cast while also representing a very important point of view; especially seeing as the rest of that point of view is represented in mass hysteria, and people thinking all these aliens are worth dressing up in ridiculous costumes all for the benefit of a night out (a lot like people who go to watch the Darts live). A lot of work has gone in to include a child cast in this film, but not have them in the background but as important editions. The President’s daughter and Jasmine’s son show much stronger understandings to the situation more than most adults. Add to this the level of emotion they show to the ones they love; it shows a much deeper level of understanding a stronger response to situations from a completely miss-understood point of view. Next to this we also have some interesting additions in the military with characters like officers and commanders. Some of these range from Air Force and Submarine captains, to their aides, plus the level and amount of military officers too. One person who needs mentioning of course is Major Mitchell. A strong caring and understanding character, but still maintains a serious tone. He is supportive of everyone around him and always persists to do the right thing. Easily one of the most enjoyable characters.

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What’s always important in high concept disaster moves like this is a sense of light relief in order to retain a level of humanity. So, bring in the clowns, of which there are a lot of in this film. From people like the Joke secretary of defence Nimzicki, to Mad Scientist Dr. Okun (not forgetting of course David’s boss; Marty). But next to that you have characters who start out as something of an off the cuff clown, but grow into very important and serious characters, while also maintaining their bright side. To this end we have the wonderful Judd Hirsch playing David’s father. He is not a clown as such, more someone who has his moments. He is a misunderstanding father to David, and throughout the first third of the film provides moments of laughter as to how a hysterical point of view of the situation is seen. There is another side to him though, a very admirable, and respectable side, one that creates incredibly powerful on-screen moments in the middle of tough, hot situations. Scenes like demanding that the people on Air Force one should be more grateful towards David for saving their lives, or when David is about to go into space. He is a very caring father and a very strong character; less of a clown, but one of the several strong emotional anchors throughout this film.

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Straight after that we have a string of Secondary characters; however some of these I fell are a bit hit and miss. Their part in the story being one of them, and I just feel like it’s more their story rather than themselves that help to make them stand out a bit more.  Jasmine for instance is much like Judd Hirsch’s character in that she is very strong and caring, but her determination proves to be her survival, and her love for Captain Hiller helps to bring them back together. Her attitude mixed with her caring side make her not a clown, but one of those strong characters, another anchor if you will that helps to keep your head in the situation in a situation such as this. The first lady is a weird one; I don’t see how her role is applicable in this film other than being another thing for the President to worry about. That’s not to say she is bad or unneeded, just relatively confusing.  Sort of reminds me of The Raid, where Rama has reason to get out of the building alive, but I think in this instance it just doesn’t really work as well. Mary McDonnell’s performance though is still pretty good. Constance on the other hand is a rather interesting character and helps deliver one of the major, if several subplots; that of the former relationship with David, and an uneasy relationship between David and the President. Constance is a much trusted advisor for the President, and speaks like a voice of calm reasoning in a tense situation. She does though also sport some relative attitude and does not keep herself back in such situations. Her relationship with David is a nice and slow addition providing room for the audience to take a breath for a moment, eventually leading to situations where she tries to keep David back or explain to him certain situations, but in the end is rather futile, all leading to a moment where you realise she is a more a career woman than a lover. While she does present herself as a really strong, warm character, it is hard to keep it up, and eventually she needs to redeem herself in this light. Then there is of course the films accidental hero. Russel Casse spends most of the first third of this film as a drunk crazed lunatic talking about being abducted by aliens. While this is the tale of many others and whether or not this is true, it turns out for the sake of this films plot that it is. He tries to be a good father to his children, but equally fails in this respect too. For the while he remains a clown, but as the film reaches its climax, he completely redeems himself. This could be either for what he believes in or vengeance, but deciding to sacrifice himself commits the ultimate defeat on the aliens by sacrificing himself, but at the same time, notes that he is doing it for his kids too. Thus he becomes not really an accidental hero, but the films real hero, similar in some sense to the ultimate fate of Toshiro Mifune’s character in Seven Samurai. Finally there is the fantastic General Grey. I love this role and character so much. He is played by an excellent, believable and likeable actor in Robert Loggia. He presents the General as a highly experienced and respectable character. He shows real calm and emotion but does not hold back his aggression for when he needs it to be, retaining his stance as a leader.  On the more common occasion though, he becomes and remains one of the Presidents most trusted men and along with Constance a sort of voice for reason. A real treat throughout this film. I don’t know how much more I can say about him other than just say how enjoyable a character he is.

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While not cast members themselves, to be fair The Aliens are characters too. They share some very interesting characteristics about themselves, and a lot of time has been taken in creating them and their ships, but as stated above, in Independence Day its go Big or go home. The looks of these aliens are very stereotypical like, with really thin bodies and really big heads. Shiny eyes, and no moving mouth, however, the detail of such creatures look less Science Fiction like and more Horror like. They are freakish and scary close up, and they are meant to be. They’re first appearance has to look scary as up till that point, only their ships have been seen. So there is no going overboard. We don’t know what aliens look like and it’s important for their first moment to be right, but also freaky and haunting. The big fight in the hospital room which leads to the scary conversation between it and the president is as equally chilling with small scenes of a moving arm, running, screaming, tentacles flying, and close up of the legs and inner bodies. While for the rest of it the aliens don’t show themselves like this except for in the mothership (where I can see a scene that looks either like an alien Call Centre, or the NSA HQ in The Simpsons Movie), their appearance here is enough to get us more involved, and take a brief pause from mass disaster to personal horror.

A lot of work has gone into this film regarding themes. There is a large selection of them. One of the most used themes is the large amount of evidence suggested and supported into the existence of alien life. These are mentioned periodically throughout, thanks in a way to Russell Casse consistently mentioning how he was abducted by aliens, plus people’s views and theories suggested around this. But the one that is used more than most is of course the mention of a crashed spaceship in Roswell and how it is being hidden inside Area 51. It’s a nice little touch which goes on to divert the story in a direction for the heroes to find a way out of the situation and rise up against their space oppressors. There are a couple of additional themes too in the forms of Extinction and Survival also. The theme of extinction is rife in this film. On the first day alone in the film’s narrative, within 20 minutes, an outside force arrives on earth, and soon destroys most of it. You look around the cities, being covered by this unstoppable black cloud, to which reveals a huge flying saucer. Huge cities with massive buildings and people everywhere and in one fell swoop, something much bigger and more impressive shows up (rather slowly to ramp up the tension) and by nightfall destroys 36 cities worldwide. In one day, a load of aliens show up in one ship, immediately separate into several and bring down a civilization that had spent so long fighting each other, rather than helping each other. Then however the theme of Survival begins to grow and come to light. With everyone now facing extinction together, they immediately pull together to help survive as a species than fight as one instead of several nations. It is a strong theme, and though while to begin with this film shows how selfish and weak humanity is not to work together but build to dominancy, it also shows how eventually they will come together to fight a common enemy.

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Independence Day Boasts some of the best Special Effects used in Cinema history to date. It’s been nearly 20 years since it was first released, but the effects produced back then were made to such a great standard, that two decades later they don’t look like they have aged a day. They look as sharp and crisp now as they did then. A lot of hard work has gone into produce such great effects and have as such created some terrific moments and scenes. While it is an Alien Invasion film, the Action Directing style of Emmerich reveals itself more than once, showing scenes of wonder amazement as well as terror and tension. Scenes that are common in action movies like the plane fleeing from the circle of fire, the missiles hitting the alien ship at the end, people running away in mass hysteria (which today would be a lot different as most people would probably take videos, selfies and upload them to twitter way before thinking about running away) as well as the launching of the Nuclear Missile half-way through. Add to this you also have the big near Top Gun like air battles between the planes and the small alien fighters, one of the film’s first surprising moments. However, don’t forget about the great detail and design that went into the spacecraft and how well it was delivered to the big screen. The big city sized vessels are amazing things to look at, especially in their earlier moments in space, and of course hovering coldly over the city. Two images in particular I love include them breaking out of the clouds, and one hovering ominously over New York as David looks on. Then into this, we get the brilliant scene of the weapons powering up. It’s an interesting seen that just speaks “WOW!” This bright light that suddenly appears all over a city plunged into darkness. Like the idea of how Moths are attracted to light, or a bug zapper entices a bug to its death, this long moment of a revel of pure green light, and how it attracts everyone to look, but then too late. Like the Death Star preparing to fire; it builds up and then everyone nearby simply gets destroyed by the Aliens true intentions and power. Then as the counter attack begins early on, the wonderment at how powerful the aliens are and even have a defence which makes them nearly indestructible and can fight back any enemy, no matter how big or small they are. The aliens in this film are Dangerous, and that’s a fact, but as the film carries on, of course they need to be defeated, and so with the defences down, they finally get their comeuppance in a barrage of missiles strikes on their hull. Big, destructive, but so is the ships. Eventually though, they get destroyed at their weakest point, their main weapon systems. But don’t forget, there are other ships worldwide, and that brings us onto the Mothership. Now while the mother ship could look smallish alone in space, don’t forget this thing houses millions if not billions of aliens, plus the city sized spaceships. This ship itself, while not flat like the city ships; is still pretty black and ominous, hidden in space. All this together alone creates an amazing look to this film that still stands out to this day, and let’s not forget the destruction of the cities, particularly the iconic view of the White House getting blown up.

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With all this detail and eye candy on the large amount of special effects, it’s easy to forget about the level of charm Independence carries also. Several scenes with the human interactions, and just moments like images of Air Force One arriving at Area 51, or the world discovering the arriving alien force, there are so many nice scenes that nearly get forgotten about, but are still fun to watch. What helps these additionally is the wonderful score composed by David Arnold. Independence Day has a great mix of pieces, from sounds of incoming death, destruction, big battles and victory, to sounds of remorse, emotion, curiosity, the lot. The music is very Americanised and patriotic in its sound, this includes pieces like the President’s speech, the beginning of the end credits, and when the air force starts winning in combat. These though are reserved more towards the end, and to begin with, instead of a high level of mystery as to what is going on, instead a more serious tone begins almost immediately as the film starts. For example the ominous scary tone as the Mothership arrives and reveals itself. As the discovery stage commences you get a wave of Military style tunes as events unfold all over the place. These tunes don’t stop when the city is initially destroyed, but continue throughout the second act, then developing into the patriotic music to end with. But for me, the real soundtrack is when the aliens arrive over the city.

This sound of terrifying magnificence, deadly wonder and impending doom is just fantastic. It mostly takes the form of something building up, but then, when the ship comes to light, breaking the clouds and hovering over the scared people, backed up with sounds of something roaring just creates another simply “WOW!” moment that gets me every time. The opening credits feature similar dark sounds plus this music does return briefly in the end credits.

Alltogether, Independence Day is a Fantastic film. I love it to bits. It comes packed with action scenes as well as scenes of disaster emotion and moments that just make you want to shout out “WOW” and is backed up with so many brilliant characters and a stellar cast to play them all to back it all. Plus, let’s not forget the terrific soundtrack and beautiful special effects. I am not kidding when I say how much I like this film; it takes the idea of an Alien Invasion and puts it in the here and now, in a very believable setting. To me, I prefer this to Star Wars, I think it’s better than all 6, no 7 (seventh had not been released at time of writing) films put together, I will go on record for saying that…..no wait, better: “This is Better than Star Wars!” it’s a big claim, but I wouldn’t be saying that if I didn’t feel that.

GENEPOOL








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