Godzilla News – Bad News

20 05 2016

Godzilla 2014 (Legendary Pictures - 2014)

In June last year, I put up a minor post that was just a teaser for Godzilla 2. I basically put up an old poster for the film and just said coming soon or something along those lines, and posted it for the same day as the planned release day for Godzilla 2 in 2018. Well, on Sunday evening I just went online to remember that day to possibly plan a new little teaser once again, and I got an immense shock!

Godzilla 2014 Nuclear

What I discovered is that Godzilla 2, which is still on course and is still going to be produced, has been pushed back. Not by a month or so, but to March 2019. Yes, the film has been moved back by nearly an entire year. The reason for this though was not apparent until I discovered another shock: that of the loss of the film’s Director; Gareth Edwards.

Gareth Edwards

To cut a long story short, back in 2014, after the release and success of Godzilla, Legendary Pictures announced plans to create a sequel, and possibly an entire trilogy starring the big nuclear Lizard. However, before they could sign him, Edwards signed a deal with LucasFilm to direct the first stand-alone Star Wars film. With Legendary wanting to keep the Director, they decided to give him some time to go away and make that ‘Space Movie’, and then once complete, for him to then start work on Godzilla 2. Now while this would mean a 4 year wait (again) for this next Godzilla film; I was sort of ok with waiting in the meantime as it would allow the studio to get the next one right, especially with the announcement of the possibility of Rodan, Mothra and King Ghidorah making an appearance in it. Anyway, it was announced that Edwards decided to split from the project to make his own smaller films after the release of Rogue One later this year.

Rogue One

This is a major loss for the studio and series as Edwards did a fabulous job and now with no current news of a director, it is going to be rough period as the studio goes looking for one. It makes sense in a way that the release be pushed back as a new director is found. In all honesty it’s rather more annoying than that. It means, that if Edwards had not signed on to do Godzilla 2, we could have had it by next year at the latest, but now we have to wait an agonising -3 more years for the new film. To be honest, part of me wondered if this might happen, if Edwards would be dropped, just so production could finally get going. To be honest, it’s also good news, in one respect. You see, last year, after the release of Jurassic World, a sequel to World was also announced, and the date was within the same month and same year as Godzilla 2. So, this sort of comes as good news for Godzilla 2 also as it does not have to compete alongside another movie involving big monsters.

Jurassic World (Universal Pictures - 2015)

So far, the news is just shocking and sad. I am finding hard to cope, but will have to as it is not going to come any sooner. So far, still no news on how it is going to differ or connect as a sequel, and even more terrifying, no news as to whom will direct it either. Already I am having a few ideas, including Bong Joon-Ho, Guillermo del Toro and Jordan Vogt-Roberts. It’s yet another bad piece of news regarding the future of Monster Movies; especially more so after what is going on with Pacific Rim. Hopefully soon, things will happen, and in the end, I am sure I may be able to wait another 3 years. It could be an exciting time, who knows?

Pacific Rim (Legendary Pictures - 2013)

GENEPOOL

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Godzilla Resurgence News –Trailer

18 04 2016

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Within a few months of the release of the 2014 Godzilla film, and after the announcement of a sequel to that one; TOHO, the owners and original home of Godzilla announced that they were going to make a new film too, making it the first Japanese Godzilla film to be released since Final Wars in 2004.

Godzilla Final Wars Poster (Toho Co. Ltd. - 2004)

Now when I first heard this announcement, I was very excited, and confused. I did not know what this new one meant to the already announced sequel to 2014, but it appears that this new one and 2014 would have no relation and that the sequel was still going ahead, of which I was very happy, as I absolutely loved the new one. I was also rather worried too, as I had no idea whether or not I would get to see it given the historical issues with Japanese Godzilla films being shown in the UK, especially since the Millennium, as most of the showings appeared to have dried up except for that 1998 film and more recently of course the 2014 film. Anyway, I had no idea originally what to think other than excitement and worry as whether or not I will get to see it. That reason alone has restricted my excitement for the new Japanese film, and put it very bottom of my top 10 films to look forward to in 2016; because, well, why should I pour so much excitement into a film’s release if in the end I don’t get to see it?

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Anyway, forgetting the above issues, it is something to feel genuine excitement for. It’s a new Godzilla film from not an outside company, but by the company that gave birth to this creature over 60 years ago. It was going to be interesting to see where this one would go and what the film would involve. Would it be a sequel to a previous film, would (like the Millennium series of films) be a direct film on from the original 1954 film, what would this film be about? Over the past few months, news has been limited, but some pieces of info have been revealed over that time including a title (and one of 2 films to be released with the word Resurgence in the title this year), images of Godzilla, and even a small teaser trailer. We know that Attack on Titan director Shinji Higuchi and Neon Genesis Evangelion creator Hideaki Anno are both co directing this film. We know that Hiroki Hasegawa, Satomi Ishihara and Yutaka Takenouchi are starring in it. Plus we know who is producing the film’s score in Shirō Sagisu. We also heard the plan that this Monster was going to be the Biggest Form of the Big G to date. Well now we have a proper trailer, and it is both exciting, but also rather worrying……….again.

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This new trailer does have a good look to it. it looks a lot different to previous Godzilla films, looks much bigger in content and detail, it shows pictures of the cast, as well as the obligatory running away scenes and moments with Tanks in it. The plot is still relatively unknown, but information suggests that this may be a sort of Japanese Reboot, a sort of modern retake on the original, presenting the Arrival of this new monster as being the first attack and nothing to do with any event (whether anything happened in the 1950’s), or at least that is the way I am understanding it. This trailer though, while devoid of detailed sound suggests such a thing too. The film makers did announce that it was their plan for this one to be a lot like the original film and info has suggested that too, but part of me in writing this thinks I may be skimming over a bigger issue.

But yeah, this film does look interesting, and makes me think a lot of the Gamera Heisei Trilogy in it’s current presentation, like they are going down that route and trying to pull off something with a detailed story and plan something of a series from it. The effects look pretty good, and show scenes of imagery similar to that I think of Godzilla vs Biollante, plus also some effects that look like well detailed uses of CGI, especially when you see Godzilla’s tail swing over-head.

Burning Godzilla

But as said before, I feel there is a major issue with Godzilla, in his image. It’s a widely known fact that Godzilla’s skin is shown in such a way that it looks like he is scarred, scarred from the brutal testing of the Nuclear Weapons that woke him up, scarred for life. However, his image still looks smooth, he is not a shrivelled up abomination, like an enlarged zombie from a horror movie. He has always looked reptilian. In this trailer, his in-depth image I think is very similar to that of his appearance in Godzilla vs Destoroyah in the level of red on show. Similarly I think he also looks a bit like the creature Nemesis in the Jeremy Robinson book; Project Nemesis.

Project Nemesis (Smashwords Edition - 2012)

However, his general image I think is overdone. He looks like a shrivelled up abomination, like something taken out of a horror film. He just looks awful, off-putting, not the sleek reptilian giant we all know and love. He just looks hideous and off-putting. Was this the intention? Because I sure hope not! From a distance it does not look too bad, but a close-up on his face just looks horrid. What have they done to him? When he roars, he looks like the killer Teddy Bear out of Krampus. The roar is still the same thankfully, no sign yet of a Deathray, but, what else can I say…..?

Godzilla 2016

Avoiding that point for now and secretly hoping that the design and current look is currently unfinished, it’s nice to see this film going somewhere and this recent showcasing sort of brings me back into the fold with it. Whether or not I get to see it is still hanging out there, but now I am a little bit more desiring to see it (but not for Godzilla’s appearance).

GENEPOOL





Godzilla News – Giant Apes and Big Insects

4 11 2015

King Kong vs Godzilla

Yes I saw it too. A few weeks ago I heard exciting news regarding the future of the new American Godzilla series. The news being that in 2020, the King of the Monsters will be going toe to toe with the King of Skull Island; King Kong. This is will not be the first time that these 2 Behemoths of the silver screen will have met in combat before. Back in 1963, Toho in Co-operation with Universal released King Kong vs Godzilla. This featured two clashes between the monsters, one which Godzilla won nearly setting Kong on Fire, and the other which ended with Kong swimming away and no sign of Godzilla. The film itself though was not much of a Godzilla film as Godzilla featured characteristics very un-Godzilla like and was portrayed as more a big dinosaur akin to American Monster Movies, than the Japanese Monster. This time around though, things should be different all thanks to Godzilla’s resounding, triumphant return to America in last year’s film. So all being well, Godzilla won’t be all that messed around with in this new battle between the two. This is not the first time since 1963 either that another fight between these 2 has been suggested with plans for films dating back to 1963 (and one I remember seeing on the same site planned for some time in the 90’s).

News of this film comes nearly a year since the announcement that Legendary Pictures plan to release a King Kong spinoff/prequel in form of Skull Island. Originally planned for a 2016 release, this date was pushed back to 2017 (the film itself currently in production, as in right now). Plans for the film were tossed around a bit though since its original announcement and come as part of a plan to create a shared universe (another one) with classic and new giant monsters in them, possibly due to the success of Godzilla last year, plus the acquisition of the rights to classic Toho Monsters including Rodan, Mothra and King Ghidorah.

Godzilla v.s Mothra and King Ghidorah

Things though are a little confusing about this announcement. When you compare the sizes of both creatures, Godzilla in the recent film is about 110 meters tall, King Kong’s height has been measured to be no higher than 25 feet which when run through a converter comes to about 7.62 metres. Therefore Kong is definitely the smaller of the 2, a lot smaller. Still big enough not to be entirely squashed underfoot, but still too small to cause any real damage to Godzilla. Plus, if Kong is really that hairy, Godzilla’s Atomic Deathray will easily cause the ape to catch fire. So for this new film, Kong is really going to need to be rescaled. Because well, you can’t down size Godzilla to 7.26 metres as that will be very inaccurate (reminds me of something once said on Vidzilla over 15 years ago).

Godzilla vs King Kong 2020

Supposed plans for this film at the moment suggest that at some point the 2 Goliaths will face each other in battle, but will together face a mutual threat. No idea what this threat is at the moment, we are still waiting for Godzilla 2 to come out (which is a little delayed with the Director moonlighting over at LucasFilm). Hopefully though once that and Skull Island are out of the way news will come in thick and fast (although I am a little worried for Godzilla 2 as Universal have announced that the sequel to the best film this year: Jurassic World is going to be released the same month as Godzilla 2) regarding what will be happening. Who knows, Maybe Godzilla will finally get a match against Desghidorah or a long overdue rematch with Battra. With a little bit of time still to go though (about 5 years of it) until this film gets released, there is still plenty to look forward to with both Kong and Godzilla getting outings until they finally meet in 2020.

Desghidorah

Quickly I just want to mention something completely un-Godzilla related. I found out news last week (after buying 3 classic Michael Crichton books for £5) that a film of Crichton’s last book: MICRO is planned. DreamWorks are the ones pursuing it with input from Producer Frank Marshall and a close friend of Crichton’s; Steven Spielberg. While there is no real news of when it will be coming out, I am really excited by this news. Micro was the second best book I read last year, I preferred it to Jurassic Park and to hear that Spielberg is helping in the production of the film is great news. So expect insects galore as Micro will hopefully be released sooner or later. But until that happens, you have plenty of time to read the book. So head down to your local chain of Waterstone’s and pick it up……….”NOW!”

Micro (Harper Collins - 2012)

GENEPOOL





Godzilla News – The Return Of Toho

9 12 2014

Godzilla 1954 - Present

After the critical and box-office success of the Legendary Pictures Godzilla film, a sequel was green lit. With the director busy with his own Star Wars film, the production of the sequel is currently small at best while they wait for the director to return.  So, the sequel, instead of being released in a couple of years, is going to be released in 2014; almost 4 years away from now, similar amount of time from Legendary acquiring the rights, to the film being released. But between now and then there are a string of films to entertain us until the King of the Monsters returns. But, it was announced just yesterday that Toho, the original home of Godzilla, have announced that they are making a new Godzilla film, the first to be made in Japan for 10 years now with a projected release of 2016.

Godzilla: Final Wars (Toho Co., Ltd. - 2004)

Back in 2004, at the time of the release of the 50th Anniversary film; Godzilla: Final Wars, Toho announced that they were going to put Godzilla on a 10 year break in the hope of gaining renewed interest in the series. Now while it was originally thought that they would produce a possible new film in 2014 for the 6oth Anniversary of the series, due to the Legendary project gaining steam and heading for a 2014 collision, it appeared Toho decided to let the new 2014 film to have it’s moment in the spotlight and see what the reaction to it was. The reaction to the new film has been very positive, it grossed over $500 Million at the box office, and with it being the end of the film season, the film has been listed in many sites, top films of the year lists. This announcement though that Toho has decided to bring back the Monster to it’s home turf comes as a bit of a surprise.

Godzilla 1998 (TriStar Pictures - 1998)

Back when the 1998 film was released, and the reception was non-too-pleasing, Japan decided to revive the big lizard for a 1999 film release, Godzilla 2000. When I first read the news that Toho had decided to bring back Godzilla for Japanese cinema’s in 2016, I couldn’t help but wonder if the same thing was happening here. However, that does not appear to be the case. The Legendary film is still going to get a sequel, and Toho have announced that their new Godzilla film won’t be any relation to it but will be an entirely new film to the franchise. The decision to bring Godzilla back to Japanese Audiences, is due to heightened fan support following the critical and positive reception to the Gareth Edwards film. Toho said that “The time has come to make a film that will not bow down to the Hollywood film”, supposedly meaning that they want to produce an even more powerful Godzilla that could beat the 2014 monster in a fight; I mean they’ve done it before……….and won.

Toho have started a Godzilla Conference (“Godzi-con”) to discuss and think of how best to proceed with a strategy of producing future Godzilla related productions. Production on the new film is stated to begin in mid-late 2015 (about the same time that Pacific Rim 2 is supposedly going to start filming) with a release in 2016 (same time that Godzilla 2 should be entering production). A director has yet to be announced but the project is currently being helmed by producer Taichi Ueda. Whether or not this film is going to receive a limited international release or not has yet to be announced, but I am hopeful. While it still comes as a surprise that Toho are proceeding with a new film despite another series is currently going ahead, it is rather exciting news, and if it comes to full fruition, and if it gets more of an international release, it will mean that we won’t have to wait 4 years to see another Godzilla film.

Godzilla 1954

GENEPOOL (Please check out my review of the 2014 film).





It Took The God Out Of Godzilla – Godzilla (1998)

5 03 2014

Godzilla 1998 (TriStar Pictures - 1998)

Yes, it’s true, this is my review of the 1998 Godzilla film. Well I thought that with the new film coming out (which I hope will correct everything that went ‘horribly wrong’ with the 1998 film) I would take the opportunity to review this film. Now, bear in mind, while I could state (over and over again) why this film is not a Godzilla film, I (hopefully) will try to keep it short as not to bore you and aim to delve more deeply into why the 1998 Godzilla is not a Godzilla film in a few weeks’ time.

Godzilla 1954

I was actually very excited back in 1998 to the release of the 1998 Godzilla film (obviously given the date). I remember hearing way back in 1996 on a films programme (I think it was on Channel 4) stating the film was due for release in 1998, and had a picture of the Japanese Monster himself. So I had memorized the date, so come 1998, I was really looking forward to what was coming. BBC TWO even had a one-off night in celebration of the upcoming film called Monster Night with a documentary on the history of Godzilla, monster fights and two amazing films: King Kong (1976) and the Fantastic Godzilla vs King Ghidorah, One of the best. There was lots of clips (including the “It’s Pregnant” scene, revealing a pivotal plot point before the film’s release; Thanks) and trailers for the film being shown on other shows too including Blue Peter. Then came the film itself (directed by Roland Emmerich I should add), and I quite enjoyed it (at first), it had ‘the creature’ and to begin with I thought it was quite good (although to be fair, I was only 9 years old). It is only the intervening years when I read and discovered more in the film series, that I began to discover the flaws, and some recent viewings have also changed my thoughts on the film, greatly, so prepare for a review, 16 years in the making (sounds like Jurassic Park doesn’t it).

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The film begins in an old 1950’s/1960’s documentary style video showing something happening in French Polynesia. In time this becomes a video of the test of a Nuclear Weapon (Amazing Scene combined with the soundtrack). After the test dies down, a solitary Iguana’s egg seemingly has survived as the rain arrives. A few decades later a Japanese fish processing vessel is attacked by an unknown entity, with claws and a tail. In Chernobyl meanwhile, a biologist called Dr. Nicko “Nick” Tatopoulos (Matthew Broderick) is playing with Earthworms when two men arrive (one of them being Glenn Morshower) telling him that he has been re-assigned. In Tahiti a group of Frenchmen arrive at a hospital where they talk to a survivor of the vessel accident who is at first reserved to talk to them, but when the lead Frenchman (Jean Reno) manages to get the survivor’s attention, the survivor says “Gojira”. Nick Tatopoulos arrives by military escort in Panama and is introduced to Colonel Hicks (Kevin Dunn) and tries to explain to the Colonel why he was studying worms and is led into a Giant Footprint. He meets Dr. Elsie Chapman (Vicki Lewis) and Dr. Mendel Craven (Malcolm Danare) who are studying the footprints.

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In Manhattan New York, a young woman named Audrey Timmons (Maria Pitillo) who works for a New York News Channel alongside Lucy Palotti (Arabella Field) dreams of being a reporter and asks her boss Charles Caiman (Harry Shearer) if there has been any news on a potential future job, which there appears not to be. In Jamaica the science and military team stumble upon the wreck of the fishing vessel, where the Frenchmen are also. The lead from earlier introduces himself to Colonel Hicks saying he is an insurance agent. Colonel Hicks orders him out of the area, and while doing so, the lead spots Nick briefly before walking off. Off the eastern seaboard meanwhile three fishing trawlers get pulled underwater, this is reported to Colonel Hicks, with Elsie thinking that this thing is some long-lost dinosaur, but nick suggests that the creature is an entirely new species. A fisherman goes down to Manhattan Harbor in the pouring rain, and seemingly catches something big which then robs the man of his fishing rod. Out at sea the man sees a giant wave come towards him, with two big spikes coming out of the water. Out of the water comes a titanic beast which goes on a rampage of the fishing area of Manhattan. During this time, Mayor Ebert (Michael Lerner) and his assistant Gene (Lorry Goldman) are speaking at a rally, as large thuds are heard with mini earthquakes, this is followed by the creature crashing the session. In a Manhattan Café, Audrey, Lucy, and Lucy’s wife Victor “Animal” Palotti (Hank Azaria) are discussing Audrey’s nice attitude before moving onto Audrey’s old boyfriend Nick who she spots on the TV with the Army. The thuds arrive and the creature’s feet are seen moving past the building. Animal grabs his camera and chases after it, only to be almost trodden by it.

The Military and Science team arrive in Manhattan after the creature seemingly vanishes. Hicks is introduced to Sergeant O’Neil (Doug Savant) who states the creature just disappeared, Nick meanwhile doesn’t think so, then there is a report on the incident, with footage from Animal. At the news company, Animal is heralded as a hero, and Audrey steals Caiman’s Press badge. The Mayor meanwhile tries to get a hold of the situation, only for the Lead Frenchman to put a microphone on him. An underground scene of destruction is found, believing the creature went through it. Nick suggests that the creature is just an animal and when a fish is found, a plan is put into place to lure the creature out and kill it. This leads to the creature coming into full view for the first time, and burping at Nick. The creature eats all the fish and is then attacked by the army, who are unsuccessful in dealing with it. Audrey and Nick meet each other for the first time in years and grab a coffee at the base, where nick discovers the creature may be pregnant. As he goes off to do more testing, Audrey steals a tape of confidential footage in an attempt to make a quick name for herself.

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The military searches the city without much look, Nick tells the Army of his findings just when Audrey’s report comes on, which has been stolen by Caiman and names the creature Godzilla. Nick is kicked off the team, but implores Lucy to get hicks to search for the eggs. Audrey tries to apologize to Nick, who doesn’t want to listen. Nick heads for the airport, secretly followed by animal, which leads to Nick being kidnapped by the lead Frenchman who introduces himself as Philippe Roaché and is taken to an old warehouse full of weapons. The Frenchmen are agents of the DGSE (Directorate-General for External Security), the French intelligence agency. They have been watching the whole incident with a close eye in the hope of covering up their country’s role in the incident. They plan to look for the creature’s nest. Back in New York, Animal convinces Audrey to go with him, and follow the Frenchmen. In the sewers where the fish was found earlier, Godzilla appears to the search team who, after avoiding him, trace the creature’s steps. In Manhattan the military put a new plan into action to kill Godzilla by luring him into the open, this plan seemingly fails and Godzilla is chased into the Hudson river where he is seemingly killed by a couple of submarines.

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In the sewers, the search arrives at Madison Square Garden where over 200 eggs are discovered and when trying to destroy them, they all hatch. The creatures attack the search team and Animal and Audrey thinking they are food. After meeting up with each other (minus several Frenchmen who have all been eaten) the four people send a message to the military and the outside world telling them the building must be destroyed. Fighters are sent and the four just barely get out of the building. Then Godzilla arrives, not dead after all and sees the group next to the dead bodies of his hatchlings. He chases after the group, driving past a military escort who are seemingly going to Madison Square Garden. Nick manages to contact O’Neil and after a couple of minutes in Godzilla’s mouth, they lead the creature to the Brooklyn Bridge where he is entangled in it and attacked by fighters. Godzilla dies, The city celebrates, Audrey quits her job and Philippe disappears. Back in Madison Square Garden, One Egg survives, then hatches.

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Godzilla’s Cast is a bit of an oddball selection of both good and bad. Matthew Broderick’s character is generally quite annoying and rather than being the lead human appears, initially and majority, a piece of comedy relief. While he does make up for it at the end of the film by being more intelligent than his character is meant to be as well as compassionate towards those around him, but it feels a bit too late for him, and I think the running joke that no one can appear to pronounce his character’s last name is a bit overdone. Maria Pitillo’s character on the other hand is actually quite likeable as in her character develops as the film goes on and at least is honest for the majority. While attitude is something that is ‘apparently’ needed in Manhattan, her character is best when she is just herself and there is a nice on-screen presence whenever she is around, even if she is the somewhat combination of the purposed damsel in distress/love interest. In many a sense, she is a tougher character than Broderick’s character. Hank Azaria’s character is seemingly also a Comedy Relief, but deep down he is a good character as in he is more a sense of reasoning among the characters as he is more down to earth than everyone else and is comedic look and acting is more about him being him and not comedic for the purpose of it. Jean Reno’s character though is the top dog of the film’s human main cast. He gives off a great performance as a secret agent and he physically looks intimidating as he does not appear to smile. It’s like he is hiding something and while there are hints here and there, he gets a proper reveal and is a serious man as he does it, not one who takes his position lightly.

Broderick, Pitillo, Azaria, Reno

The main standouts though, are the film’s supporting characters. Sergeant O’Neil has a sense of being comedic as it shows he is a bit clumsy, making his character seem on par or equal with Nick, but as a character, he is far better than Nick as Nick is like a stereotypical Nerd while O’Neil is a professional soldier and much more likeable as a result. Colonel Hicks is well-played and is one of the films standouts. He gives the appearance of a well-trained soldier and officer but deep down has a calm and understandable side to him making him likeable to those around him, and a much more preferable person in dealing in a situation than any ordinary soldier or officer. Lucy Palotti is very likeable despite her wild exterior. While she plays the sort of agony aunt character type wife to Animal, she shows great control over her emotions and can be a calm reassuring person deep down and that’s why she is so likeable.

Savant, Dunn, Field

But it’s not just them; some of the film’s most appealing characters off to the side are the film’s extras. While the French Spies are almost like the Frogs from Flushed Away (ok, it was 8 years later) as in they are almost made fun of as to what they do, they are quite nicely played. Some of the best though are in the military scenes, such as the Utah Submarine Captain (Derek Webster) and his number two, The Anchorage Captain (David Pressman), The Navy Admiral (Richard Gant), The Helicopter pilot in the second attack on Godzilla and also the army man Nick and Philippe encounter as they re-enter New York. Added to that you have Glenn Morshower’s brief appearance and the two Japanese men on the bridge of the fishing vessel when it goes down. In many a sense, it is the little touches or in this cases appearances that help.

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The film’s special effects, well those for Godzilla anyway, are outstanding. As good as Jurassic Park in my opinion, particularly when you include the scenes of the whole creature in full view, such as his initial attack on Manhattan, first full sighting and the second attack on him including the moment when the soldier looks down at him and when he is walking through the streets as well as his close up with the military personnel. The sound effects during this point help too. His roar is that of like Godzilla but he also makes some interesting, more like animal sounds too, giving him a bit of depth. The Eggs though, and most of the CGI Babies though are pretty atrocious, even for then. Godzilla looked Awesome in this film, how come the kiddies did not look the same and are at best when they are animatronics. Ok, while the eggs are not CGI but real, they do look like cardboard (I wonder if the same company worked on Les Miserables).

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The soundtrack (provided by David Arnold and Michael Lloyd) is not too bad either, there are times when the music lacks some depth such as the secret spy/French scenes and is somewhat lack luster, but when you take, the reveal scene of the creature halfway through, the keyboard has a sense of Phantom of the Opera about it, like a grand reveal or realization about it like this is something to behold. Another case is that of the opening titles which add an element of mystery followed by cold realized horror of what was happening, which was then followed by a sense of cold mystery and intrigue as the egg stands alone and then there is the pursuit style theme for the submarine attack also (not forgetting the soundtrack provided by Puff Daddy‘s; Come With Me remix of the Led Zeppelin Song Kashmir).

So now we move on to the down side. While I have stated that I will talk about this in more detail at a later time, I still need to at least cover the basics. The films main problem is that title: “GODZILLA”. With the idea that an American Godzilla film could happen where the biggest budgets could create an amazing film as well as show Godzilla to a potentially wider audience, it doesn’t exactly help when the creature in the film is not Godzilla. Godzilla is a giant monster, a metaphor for the destruction caused by nuclear power, a force of nature itself, Mother Nature putting her foot down and saying “enough” to man destroying the world. In comparison the creature in this film is just an animal, an animal just trying to live, acts like an animal, thinks like an animal and…..reproduces like an animal.  With the hope of big special effects for a legendary monster, what we got instead was a giant Iguana that is also a lot smaller than the original creature. While the destruction and panic caused by him was there, it was not completely there, as while he had the trademark dorsal spines, he was bent over like a T-Rex instead of up straight and without his famous Atomic Breath. This film in this case is ‘not really a Godzilla film at all’; it is just a Monster Movie with a famous name attached to it (sort of like the Karate Kid film a few years ago).

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Despite this though, the film does have some great scenes. The opening credits showing the full force of a nuclear weapon, something that is hardly shown in Cinema at all. The fishing scene is nicely made and the opening rampage is like that of a disaster movie but does not reveal the monster early on and just teases the audience with him (much like the character of Mayor Ebert’s name). then the grand appearance by him followed later on by the appearance by him for the second attack, plus the entire second attack including the scenes with the submarines.

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The Madison Square Garden nest scene though feels to be completely pointless and un-needed except for a reveal that Godzilla was not destroyed by the torpedoes. It just feels completely un-needed for this reason and feels like it is just there to fill up time. It also sort of lowers the tone of the film, the idea that there is something scary in Manhattan, something horrifying, and the idea that this scene’s tone has been lowered to allow some form of Family Friendliness for the whole family, instead of a proper action film if not a complete Monster Film.

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While it is slightly disappointing what has happened to this film due to its name, as a Monster Film it is rather enjoyable and even after 16 years, still looks pretty good. It has an interesting cast, some great scenes, and a good soundtrack. So while I can say that it is enjoyable, I will say this, and it is a bit predictable (by this point), don’t treat it like a Godzilla film, it isn’t, treat it as something different, and Let Godzilla move on from this and enjoy a potential new life in the eye of American cinema.

GENEPOOL








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