It’s Showtime – The Running Man

29 03 2017

Have you ever considered appearing in a Game Show? Like many kids of the 1990’s, I used to dream of appearing in shows like Gladiators, The Crystal Maze, Virtually Impossible, and the biggest one of them all; Fun House. As time went on it became obvious that me appearing in any kind of Gameshow was probably not going to happen, but I kept some tiny day dreams for shows like Cross-Fire, Raven, Bamzooki, Jungle Run and of course Robot Wars (which given its return to TV has got me thinking about it once more). While I may not have been a contestant, many people have as is the point of game shows, many of them striving to achieve the grand prize of money, a holiday or maybe a boat. Win or lose though, many of them should be thankful that they were not competing for the right to stay alive.

Released in 1987 by TriStar Pictures and directed by Paul Michael Glaser; The Running Man is a Dystopian Action Thriller based on the book of the same name written by Stephen King (under the pseudonym Richard Bachman) where a wrongly convicted man is forced to compete in a gladiatorial style TV game show known as The Running Man. The film is set in America between 2017 and 2019, where after a worldwide economic collapse; the country has become a police state and the government soothes the population with the airing of game shows where convicted criminals have to fight for the right to stay alive with a chance of being pardoned by the state.

Former cop Ben Richards (Arnold Schwarzenegger) is wrongly convicted for the mass shooting of civilians at a food riot after he refuses to follow an order to kill the civilians in the first place, and is now dubbed the Butcher of Bakersfield. He along with a few other inmates including William Laughlin (Yaphet Kotto) and Harold Weiss (Marvin J. McIntyre) escape from a labour camp, with Ben going to his brother’s apartment to hide out only to discover that it is now occupied by Amber Mendez (Maria Conchita Alonso); a composer for ICS who are the broadcaster of The Running Man. Taking Amber as a hostage, Ben intends to leave the country for Hawaii, but while at the Airport, Amber informs the authorities and Richards is captured. Taken to ICS, Richards meets the host and producer of The Running Man; Damon Killian (Richard Dawson) who tries to persuade Ben into competing in the show. When he refuses, Killian threatens to enter Laughlin and Weiss instead; upon learning this Richards agrees to take part.

The next day the show begins with people all over America and from different backgrounds tuning in to watch. Backstage, Amber; who is working on the show that night discovers some evidence that some of the news made about Richards maybe untrue and goes in search to find out more. As the show begins and Richards is introduced, Killian reveals that he has entered Weiss and Laughlin into the show anyway. Richards threatens to return for Killian, before he and his other inmate pals are sent on their way through large tunnels on strange rocket powered sledges. The Idea of the Running Man is that the contestants are forced to run through a large area of urban wasteland while being chased by an elite team of Killer Stalkers; if they survive, they are pardoned for their crimes. The Audience though love all this brutality and cannot wait for the first stalker to be introduced; that stalker being a very large hockey player dressed character called Sub Zero (Professor Toru Tanaka). The three runners are penned into Sub Zero’s own specially designed area and are toyed with endlessly until Richards uses a barbed wire fence to strangle him, killing him in the process, the first time that has happened in the history of the show. With the audience in shock, the three runners use this advantage to get away. While in the game zone, Laughlin and Weiss use this opportunity to find the network’s uplink for the benefit of the resistance. Amber meanwhile has been caught, and is forced to enter the Running Man also; she arrives just before two more stalkers enter the game zone in the form of chainsaw wielding Buzzsaw (Gus Rethwisch) and arc electricity user Dynamo (Erland Van Lidth). Buzzsaw fatally wounds Laughlin, while Weiss is shocked to death by Dynamo. Richards kills Buzzsaw with his own chainsaw, but spares the life of Dynamo after his electric suit stops working. Richards agrees to carry out Laughlin’s last request of getting the uplink node information to the resistance within the game zone. Off camera; Killian sends a message to Ben offering him a job as a stalker, but he refuses, and Killian sends out the next stalker; the flamethrower wielding Fireball (Jim Brown). In the studio and outside however, the audience starts cheering for Richards given his unstoppable killing streak. While being chased around by Fireball; Amber discovers the decaying bodies of the supposed winners of the last series of the show, discovering that their victory was faked. Richards then kills Fireball by blowing him up.

Running out of options (and stalkers), Killian asks the help of retired and champion stalker Captain Freedom (Jesse Ventura). Freedom however refuses as he does not like the way the show has become compared to what it was like when he used to do it. Using body doubles, Killian fakes the death of both Richards and Amber by the hands of Captain Freedom. Ben and Amber meanwhile are still in the game zone and have been found by the resistance and their leader Mic (Mick Fleetwood) and learn of their faked deaths. Using the transmitter info acquired by Weiss earlier, the resistance launches a two-pronged attack on ICS. First they show footage of what really happened at the Bakersfield riot and present details that Killian has been lying to the audience for a very long time. Then resistance fighters led by Ben and Amber break into the studio fighting the guards. Amber succeeds in killing Dynamo while Ben confronts Killian. Killian’s bodyguard Sven (Sven-Ole Thorsen) shows up, but decides not to fight Richards as he has had enough of his boss and walks off. Killian tries to convince Richards that he was only doing what the audience were asking for; saying that they love reality TV and televised violence. Richards decides to give the audience what he thinks they really want and sends Killian off in one of the rocket powered sledges down the same tunnel that Richards went down. Killian crashes into a sign on the way out bearing his image and dies, while Richards and Amber leave the studio sharing a kiss on their way out.

One thing that stands out about The Running Man is that while it may not be the first among discussed films of the same genre, or even not as frequently mentioned as other Arnold Schwarzenegger films of note; it is still a very entertaining and enjoyable film. While maybe not Schwarzenegger’s best film or performance, this does not distract from how enjoyable the experience this film delivers. The Running Man is one of those films that is guaranteed to entertain an audience whether it be a seasoned viewer, or even those who are watching it for the first time. Saying that though is pretty simple, as explaining why is even harder. While I could immediately jump on saying that the film has a certain je-ne-sais-quoi about it, I think that could be considered cheating. From an action point of view, The Running Man delivers plenty of it. It does what any quality action film does, which is always having something going on, and never too slow. It has lots of running around, plenty of fights, death, explosions while also allowing the use of drama to give those scenes purpose. It’s swift and uneasy, but does not lose sight from its main plot or setting. It’s very basic levels of action uses its scene and scenario to ramp it up and create more meaning, providing the audience with a continued reason to watch. The film’s setting, while not being fully represented, still presents an idea of what it is like to live in a dystopian America, really representing the lives of rich and poor, but also presenting an idea of how a police state could soothe tensions within the populace to keep it under a better form of control than with strong levels of violence. One thing though that probably helps a lot in its film making is how that while you are watching a film; you are also an audience member of this TV Gameshow. The Running Man is presented like many classic American game shows with the charismatic host and big budget effects, to produce the best show they can. In the case of The Running Man the show has its charismatic and popular host; it has music, dancers, merchandise as well as a reality TV effect to it which always grabs an audience. Another thing in the shows profile is how it incorporates what Pro Wrestling was like around the time of the film’s release with a cavalcade of wrestling gimmicks. While said gimmicks are pretty much non-existent to a point these days, back then it was all the range, and with the show’s Stalkers; while they are blood thirsty killers, they are taking on personas with a detailed and strong gimmick. This combination of reality TV and Pro Wrestling along with everything else makes The Running Man Gameshow the kind of show people could actually get into to, even nowadays as it’s a perfect formula conjured up from some of television’s most popular programming. While you are indeed watching a film, you are still watching a Gameshow as presented in the fictional scenario. With the films level of action, small but basic plot, and unique presentation style; creates a very entertaining and enjoyable film. That does not mean though that everything is plain sailing, or perfect.

The Running Man is actually a very small film; not necessarily in length, more in the form of detail. There is a lot going on in the background and a very strong setting is implied, but not delved into. The film says that America is a dystopian police state, but the only evidence of that is a strong police force that could be considered more as security rather than peace keepers. There are a lot of city scenes, some showing a more privileged sector, and that of a down trodden and poor area too, but there are only two scene shots of this, one on a small street area, and the other on the outskirts with the city in the background, but it does not suggest police state, just city and slums; like many a large city. We are told there is a resistance movement but because we have no grounding as to how bad this police state is, there is no real building of reasoning as to why a basic resistance movement is required or needed. That’s the major problem with this film’s setting; that while we are told this stuff, there is no visual evidence to back it up with, other than some scenes with police forces casually walking around. The only thing we have is this TV Show, and that too causes a major plot problem in that supposedly bringing down the TV Station is all that matters. The resistance works hard to bring down a game show and TV channel; but if you are living in a police state where the political elites have control, why would bringing down a TV channel solve the problem? It’s a big foot hole in the plot, because the more you watch it, the more you want to tell everyone that it really doesn’t matter, it does not really solve much, if anything; it’s just going to get worse from here on out. So the ending is a bit unhooked. It’s a real shame really, because the city from a visual perspective looks really good.

On the perspective that the producers of the film could not see into the future, the film’s game show does not lend itself to the current modern-day culture that we live in. One thing that stands out with the film’s selection of stalkers is how they are designed not necessarily around practicality, but more around gimmicks and personas of pro wrestling at the time of the film’s release. In that respect when looked at now it could suggest that the film may not have aged well, but this is only in one short way. Yes the Stalkers do look a bit ridiculous now, but back then would have looked pretty impressive, and in honesty, they are not all that bad. This however brings me quite neatly into another of the films major issues, which is that the cast on the whole is a bit shoddy. The stalker gimmicks are nicely made and it’s easy to see where the ideas came from and what the film’s producers were hoping to achieve, but there aren’t many standouts. Dynamo for instance comes packed with a costume which even back then would have probably looked ridiculous with the glowing hair and light up costume, it looks dire. Buzzsaw does not really do much other than show off his teeth, and Sub Zero is rather wasted given that Professor Toru Tanaka is actually a pretty cool big guy actor when given an actual chance to show off. In reality it makes Tanaka’s performance in an episode of the A-Team far more career prestigious than in a big action film starring Schwarzenegger. In the end it does come down to Captain Freedom and Fireball, which in itself is rather sad. For the most part, both characters; while given major credited parts find themselves on the side-lines until necessary. Fireball’s introduction is rather late on, but has a much stronger stalker part than the others. His entrance and intro is one of the film’s best looking and most enjoyable scenes, plus he helps shed some light on the malpractices of the show. Jesse Ventura as Captain Freedom has a similar part as he is played as mainly the retired veteran of the sport who has great memories and respect for what he used to do and how he did it. His passion for the sport shows off well as he does not like the new wave gimmicks and probably would want to take on Richards if it was left to him and not Killian. Much like Fireball, he is a late intro and is only really referenced up to this point, but his veterancy and style portrays a really interesting character that creates an on-screen identity before he even becomes relevant. Both Brown and Ventura give good performances but it’s only worth between 10 and 15 minutes of the entire film; they both deserved well more.

The rest of the cast is pretty much near hit and misses with very few of the headliners actually standing out. I don’t really get much of a feeling for Mick Fleetwood’s character, nor Weiss, and while Amber’s character does improve towards the end of the film, it just feels rather late. There is some interesting cast minors such as Killian’s assistant Brenda (Karen Leigh Hopkins), The Running Man’s director Tony (Kurt Fuller) and of course Sven who sadly could have had more of a part. From there though we do get some cool characters; Laughlin for instance has great on set chemistry between himself and Richards. If it was not the case of these two needing to work together, he could be a really good nemesis for Schwarzenegger, but in this case what we have is a strong ally for Richards. While he does meet a gruesome end at the end thanks to Buzzsaw, he does produce one of the film’s most powerful and poignant moments backed up with that killer soundtrack. It is an interesting but good casting as it’s one that could have worked either way, be it friend or foe. Richard Dawson is an inspired casting for the part of the cold and ruthless game show host. Given his background and history of Gameshow hosting, it comes more naturally to him, as he looks and feels like a game show host, no matter what the context. He is able to draw popularity to himself through a natural form of charisma, but on top of that he is also able to play a character, one who enjoys a level of ruthlessness that comes with the power and joy of presentation and production control, one that also makes himself believe that whatever he is doing is not necessarily selfish, but right. It is an incredible part and one played by a naturally talented persona that produces a real sense of reality to a very fictional product. Arnold Schwarzenegger for me is someone whose career I have known about but have seen him in very few roles. I have seen most of the Terminator’s, Batman and Robin and Kindergarten Cop, and it’s hard not to think of the large brutish character we have come to expect from said roles. He is a big muscle guy, but it’s hard to see him in other light especially with him playing very archetypal roles. This however does allow me to see another side to him. Yes, he is the muscle-bound hero, but there is more to him here. There is compassion to his friends, love (in the end) for him and Amber but also a sense of belief between right and wrong given his introduction and background. While the film makes use of his well-known line from The Terminator (just 3 years earlier), there are more lines to come, including a very daft form of spoken humour when it comes to the stalker deaths. While he does have a very physical role to play, he shows and does more than that, and in the process allows audiences who have only seen one real side of him to see more of what is quite a cool and diverse actor when provided with a chance.

The Running man does have some interesting and nice effects to it, all be it though come mostly down to some nicely designed and created set pieces such as the tunnels and the main stage of the game show itself. The jumpsuits (I had to at some point didn’t I) are not too putting off; yes they look weird, sort of like how Arnie would look if he was asked to play Wolverine in the iconic spandex (I really don’t think bright banana yellow is his colour), but altogether look ok in different colours. It’s not the best effects of the film but more than most is definitely not the worst. But it’s not really the films effects where I want to look at; more the film’s incredible soundtrack. The Running Man’s soundtrack (composed by Harold Faltermeyer) on the whole sounds very futuristic, but also very low; not sad but grimmer, helping to construct the idea of a dystopian future. It has a lot in common I think to Escape From New York with powerful and hard-hitting keyboards with a sense of fast and light rock. There are four pieces though I would like to make particular mention of; the start of the show, Laughlin’s death, the broadcast attack and the end credits. Mick’s Broadcast attack features this very light siren like sound to begin with which appears rather irrelevant, but quickly builds to include other sounds. It is a pretty light track until the fast repeating drums come in. Before this, they feature the Running Man’s general theme, something which can be heard throughout the film; but once those drums come in, a different piece comes to the stage. It actually breaks the tension and grim sounds of the previous pieces of music and allows a lighter sense of hope as an attack comes its way. It’s in no way optimistic or celebrating, but it gives a lighter more hopeful energy which suggests change in the film’s plot. It’s still dark, low and tense and continues to produce, but it’s a different vision of what once was and is now to come.

A good film plot, as many people will tell you is about change; change from one thing into something else. The Running Man is a film which features a small but dramatic change, the change of a country from one that is cut in half by class, to one united by a common goal, the same could be said for the change in Richards, as he goes from a criminal, to that of a free man. While the broadcast theme suggests change and hope, the end credits (Restless Heart by John Parr), actually present one, as it’s a theme that is much lighter. Gone are the low-toned sounds of a despotic regime raining down on its citizens, in comes the sound of willful change and hope as we see a nation now with hope for a change in attitude, even if it is very much only suggested. It’s a nice light theme for the film to end on in general and has a nice beginning to it, which really helps provide that breath of fresh as it all comes to an end, all the excitement and adrenaline is now over, so remember to breathe.

The ICS Theme for the game show itself is actually pretty light and does not feel as hard-hitting as a game show’s introduction should be. It does not feel catchy or memorable, just light; but mix it in with the dancers, and a different perspective is revealed, that of less a game show, more of an event, and one that requires and deserves a level of build up to get the audience going before the main event begins. It’s a similar idea I think to when in The Hunger Games there is that 1 minute countdown to the bloodbath, the calm before the Storm, but held in a slightly more glorious way as this time the whole nation is backing it, and because it’s the kind of show which gives audience participation, there has to be that level of joy for them too as the show begins. One track in The Running Man that is not joyous is that of when Laughlin dies. The Running Man’s general musical theme is this sort of keyboard based riff which can be heard in several parts of the film, more of an atmospheric track than anything else, but when Laughlin dies it is played a lot heavier. It’s the loss of a good strong friend and his message for Richards, one which Richards agrees too, but also from belief that Richards should have died not Laughlin. It is a pretty funky track and sound, but especially more so at this point when the notes are pretty much being slammed by the soloist. It is a game of life and death, but becomes more real at this point, and the soundtrack goes out of its way to use this point as the most poignant reminder of this, creating the film’s and film’s soundtrack’s best and most memorable moment.

The Running Man critically is a very hard one to judge. Yes it has its issues ranging from a mainly makeshift cast, to a setting and theme which is not really delved into enough to really provide scope. On the other hand though it delivers an incredible soundtrack, some wonderfully designed set pieces, some interesting moments, but on the whole a lot of very enjoyable moments of action. As a dystopian thriller, it definitely does not hold a lot of ground and there are far better ones out there than this. But as a dystopian action film; this is one of the best. While I still prefer the Hunger Games and Battle Royale; I would happily put this up a good level. It has something that every action film fan would enjoy while also using a unique perspective to create something that is truly unique in cinema. Trust me on this when I say that this is a truly enjoyable film; I mean it, give it a go.

GENEPOOL (The poster is a bit off-putting).






Top 10 Most Exciting Films In 2016

28 01 2016

Film Reel 2016

I don’t know if you saw my Top 7 Films of 2015 post – if you did, thanks for the support, if you didn’t; why not? – but in that post I had a little gripe at the film awards season. It was more of trying to understand why they are held in February, and not January or December, and why was it films released between February and February, and why was it Always films neither me nor the rest of the cinema going audience in general is going to see. But anyway, I had a little gripe at that before going into my Top 7 films. Why 7; well it’s because I was going to do 5 instead of 10 like I did in 2014, but then I saw a film I wanted to mention (Spoiler Alert – something I don’t generally do, but just thought I would include one here); It was Krampus by the way, but then I don’t like the number 6 so I increased it to a number I do like…7. Anyway, had a slight gripe at Movie Awards before presenting my Top 7. It’s sort of like a Movie Award, being my favourite films of the year, and it’s from someone who enjoys telling people what films he’s seen in that particular year. Anyway why am I talking about this now, well, this is also something like a movie award, but not as prestigious, for an entirely different reason.

Joy (20th Century Fox - 2015)

Basically, the year has passed, some good films, others not, and in the time-honoured tradition since 2012, this blog is going to announce what films the blog writer (me), is looking forward to in the coming year. It’s sort of like an award, but not as prestigious as it’s a list of films that look good this coming year, but if the examples of last year are anything to go by, there is no guarantee that the films in this list will feature in the Top 5 (or whatever number I do Next January/December time) of my favourite films of that year, or generally if they are any good or not. Now while all of these films look pretty good (there’s a major issue with number 10…and number 6), there is at least one other film I can think of that I would have liked to have add, but seeing as it was released well before time of writing, I thought I would just briefly mention the Jennifer Lawrence film Joy. The reason for not including it is the same reason why Birdman was omitted last year, because it had already been released. Anyway, Joy Looks good and I thought I would let that one have some promotion. Anyway, enough of all this, let’s look forward to some stuff. So without further ado, here are the Top 10 films I am most looking forward to in the coming year.

Godzilla Resurgence (Toho Co. Ltd. - 2016)

10. Godzilla Resurgence – I know what you must be thinking; “Why is a Godzilla film, let alone a new Japanese Godzilla film only at number 10 in this list?” Good question. Don’t worry, I am still a huge Godzilla fan, but as to why this is so low in the list is simple enough to answer, just rather longer to explain. The simple answer is that I don’t know if I will get to see it or not. The longer explanation is; that when it comes to the release of such films in the UK, let alone anywhere in Europe, The UK and Europe are consistently ignored. Most of my Godzilla collection is American Region 1 Imported DVD’s and one Blu-ray (try to guess which one). The only DVD’s that are not included in that are a BFI release of the 1954 film, King Kong vs Godzilla released in 2006 for the DVD release of the 2005 King Kong…I think, the 1998 film, and the 2014 film. So, as I can get hold of some DVD’s sort of OK, watching the Japanese films themselves on the big screen are close to an impossibility in my home country, so the reason for this being so low is that “Why should I build up my excitement for something that I probably won’t get to see at all this year?” Ok, I do keep up to date with news of it, and like to hear new stuff. Yes there is something of a trailer out for this, plus I have seen the ‘interesting’ poster for the film, so I am not completely against this film (it’s not the new Star Wars). Hopefully I will get to see it sometime, plus apparently overseas markets are being looked into, so there is some, if be it little hope, that I may get to see it after all. So there is some allowance for Excitement (plus it’s also one of two films being released this year with the word Resurgence in the title).

Dad's Army (Universal Pictures - 2016)

9. Dad’s Army – What originally sounded like a bad adaptation of a popular British Sitcom, now looks like a really promising film. I have seen the trailers a few times and it does look rather funny. Set to star Toby Jones, Bill Nighy, Catherine Zeta-Jones and Michael Gambon, expect laughs galore for what so far looks like a faithful rendition to an old TV favourite.

Teenage Mutant Ninja Turtles: Out of the Shadows (Nickelodeon Movies - 2016)

8. Teenage Mutant Ninja Turtles: Out of the Shadows – The sequel to the surprise film of 2014. Ok, it wasn’t much of a surprise, in the end it was alright and Fun, and did get into my Top 10 (just) for 2014. It was a funny film and at least for me was faithful to its original material, particularly the character of Raphael. So far the new film looks like it will improve over the first film, which I felt was rather quick and got bogged down too much in the origins story of the Turtles. The first trailer released a couple of months ago makes a good first impression and already looks like a major improvement. Don’t get me wrong I am looking forward to this film; I just think this film needs to accomplish more than the first and get the series on the proper track. So far it looks like the main cast is returning, along with some new cast members (including WWE wrestler Sheamus) to play old favourites. Who knows, Teenage Mutant Ninja Turtles could turn out to be the big surprise of the year, or not as the case may become.

Kung Fu Panda 3 (Dreamworks Animation - 2016)

7. Kung Fu Panda 3 – It’s been nearly five years since the last Kung Fu Panda was released, and the reasoning as to why this has happened is rather sketchy as I thought DreamWorks would have been more pro-active in releasing the next film sooner. Good news however, it is a sequel and in no way a reboot. Original cast are back along with new cast members Bryan Cranston, J.K. Simmons and Kate Hudson in a story that so far sounds like an adaptation of Seven Samurai, which pings my excitement a little more. Kung Fu Panda 3 so far looks like good old Kung Fu Panda fun, and all being well should be good enough to plug up the hole that it has created since the release of its predecessor. The trailer also looks really funny.

Gambit

6. Gambit – The first of three X-Men films to be featured in this list. Gambit is of course a standalone film about my Favourite X-Men character. The film is set to star Léa Seydoux and Channing Tatum, an actor whose career I am not familiar with, but already sounds like a promising choice (as does the casting of Lea Seydoux). Thankfully the film appears to be in no way connected to the events of Origin’s, however as far as my knowledge goes, it appears the film is yet to begin filming, so right now does not sound all that promising for a release this year, and if it does; the relevant quality also. However, given the quality of the X-Men series recently, I am hopeful that when the release date finally arrives, be it this year or not, that it should be worth the wait in the end.

The Divergent Series: Allegiant (Lionsgate - 2016)

5. The Divergent Series: Allegiant – What began as a film series that was worthy of a chance has grown into a series to be looked at. Divergent was a really fun film; Insurgent meanwhile was a vast improvement over the first with plenty of enjoyable quirks to make it stand out as one of my Favourite films of 2016. Now I am more and more looking forward to the next film in the series, and see where it goes. So far all I know of this film is what I have seen from the trailer, which just looks weird. I don’t get it at all. Ok, maybe the books will highlight some of the more weird bits the trailer is showing, but as I have not read the books, it’s kind of hard. Also, I don’t fully understand the casting of Jeff Daniels in a film like this, he just looks like someone who walked onto the wrong set, well as a far as the trailer goes. I am just worried that the high quality walls that Insurgent built, are just going to be flattened, just as the series is finally making some good headway. No matter, we’ll see what we’ll see. I mean so far it does look interesting and fun, and includes previous cast members in Shailene Woodley, Theo James, Zoe Kravitz and Naomi Watts (one of the big standouts of Insurgent). So while it is a mad looking trailer, the promises and successes of previous films in the series are good enough for me to put this high on my list.

X-Men: Apocalypse (20th Century Fox - 2016)

4. X-Men: ApocalypseApocalypse is a character I have been fascinated by since I first heard mention of his name in an episode of X-Men Evolution. Since hearing that name I have for many years been researching his character, and waiting for my opportunities to experience him in some manner of speaking. Either be it in the comics, cartoons or films. So upon hearing what the plan for the next X-Men Film was going to be after Days of Future Past, I could not wait. Since after the release of DoFP, I have been checking in and out with the news of X-Men Apocalypse. I have looked into casting, filming, and even saw a rough copy of the trailer that was filmed at Comic-Con. But it’s only recently I got to see the actual trailer. The film is set to star the main cast of the First Class series so far, with returning actors including James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult and the return of Rose Byrne who was sadly not in DoFP. Also in the spotlight for the next film includes classic comic characters Nightcrawler, Archangel and Psylocke to name a few, with rising actor Oscar Isaac taking the coveted role of the film’s lead villain. Also set for a return is the winning team that started the whole series from the word go, in producer Lauren Shuler Donner and director Bryan Singer (with any luck the X2 theme will return as well). As is the case though with the X-Men film series, the trailer does not show much in what is likely to be happening and appears to be a bit mad on the whole, and so it’s hard to see what the film is going to be about, however as this is the next film in a long line of extremely good films, I am hopeful that come release day, everything is going to be great.

Deadpool (20th Century Fox - 2016)

3. Deadpool – Since the dawn and for nearly every year in the current century, cinema appears to be awash with movies about Comic Book Superheroes. Now while this is all being well, and most of these are usually fun, there seems to be a level of child-friendly-like-ness to all of these films so far, and very little of the blistering action seen in the comics, as said fights could be considered un-child-friendly. Well in 2016 that is all likely to change with the release of Deadpool. Based on the X-Men Character of the same name, this will be one of two ‘planned’ standalone X-Men films due for release this year. This is not Deadpool’s first time on the big screen, but his last appearance did not go down to well, and was one of the low points of an already bad film. Things have appeared to move on however, and so far Deadpool is beginning to stand out as one of the must see films of 2016. Returning to the role, of which he also played in the bad film; is Ryan Reynolds. Looking at the trailer, the film appears to have Deadpool presented in his correct red and black, sword wielding, gun shooting, breaking the fourth wall…ing self that has become so loved by fans of the character everywhere. The trailer looks fantastic and from what I have seen of images here and there, Deadpool may not be the only X-Men Legend in this film, as the film looks like it will also star Colossus. Deadpool looks Fantastic, and it also looks really funny too, if this film lives up to the hype, this should be one of the best films of 2016.

A Monster Calls (Patrick Ness and Siobhan Dowd - 2011)

2. A Monster Calls – About this time last year, I read a book. Ok, I read many books, but I read a book in the space of just a few days, and at the end of which made me cry, becoming the first book I have read to make me do so. Since then I have looked through bits of it every now and then, and have come to like it as one of my 2 Favourite books. The book is written by the 2 time Carnegie Medal winning author Patrick Ness whose other works include The Chaos Walking Trilogy and More Than This. Anyway, why am I talking about this so far yet un-announced book? Well, in 2016, there is due to be a film release of this book, of which the title is, as the book: A Monster Calls. Not much info is readily available about this film other than Juan Antonio Bayona is directing it, Patrick Ness himself is writing the script for it, and that Felicity Jones, Sigourney Weaver and Liam Neeson are going to be starring in it. Ok, so there is quite a bit of info on it actually, but not as much as other big films of the year, but given from what I experienced in paperback form this time last year, if that is anything to go by, then A Monster Calls already looks very promising.

Independence Day: Resurgence (20th Century Fox - 2016)

1. Independence Day: Resurgence – In 2012, The Walt Disney Company purchased the rights to Star Wars from George Lucas with plans to make some new films. More than likely; 20th Century Fox probably weren’t best pleased by this announcement, especially as it was 20th Century Fox who took the original risk to produce the space film series after practically every other major studio turned down Lucas’s idea. It would be fair to say that 20th Century Fox were probably a bit miffed by this news; if it wasn’t for them having their attention on something else far more promising. You see as far back as 2011, they have had their eyes on the sequel to a film which when released in 1996 cast a shadow over the world’s cinema’s and did so well that all other films to that date were left in its shadow; and now, 20 years later; INDPENDENCE DAY returns. It’s been a long time coming, but the team of director Roland Emmerich, producer Dean Devlin and actors Jeff Goldblum and Bill Pullman return once more to save planet earth from an impending alien invasion. News of this film has been mostly scarce (except for those actively looking for it) but just a few weeks ago, a trailer was finally released, and it looks EPIC (and I don’t use that terminology all that often). Everything I have read to date, plus the number of times I watched the trailer continues to get me excited about the release of this film. This time around it looks like the invasion from 20 years ago was just a Beta test, and things are going to be a whole lot worse for planet Earth. The trailer looks Fantastic, I have not been as excited about a single film trailer since the first teaser for the 2014 Godzilla film in December 2013. I have watched it over and over again since I first saw it, and I simply can’t get enough. It won’t long now until the film gets released, but I am more excited about this film more than any other due to be released this year. I don’t know how it’s going to turnout when it is finally released, but like many other films in this list, it’s one I am going to be keeping a keen eye on in the year to come.

GENEPOOL (2016 will feature a resurgence in the word; resurgence…..possibly).








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