With Great Power, Comes Great Irresponsibility – Deadpool

16 03 2016

Deadpool (20th Century Fox - 2016)

Bloke: If only there was a super hero movie that combines the fantastic action and martial arts attributes of The Raid and The Raid 2 with the hilarity and outrageous comedy of Tropic Thunder and Alan Partridge: Alpha Papa?

Me: There is.

Bloke: No!

Me: Yes, it’s called Deadpool.

Bloke: Oh, is it any good?

Me: Yes.

Bloke: Cool.

Deadpool

Me: Released in 2016 by 20th Century Fox, Directed by Tim Miller and Produced by Lauren Shuler Donner; Deadpool is a super hero comic book movie (of sorts) starring everyone’s favourite comic anti-hero (at least by the time they have watched it) Deadpool. For those of you who are not fully aware as to whom this Deadpool is; here is some brief info:

“Deadpool is a fictional antihero appearing in American comic books published by Marvel Comics.” – Wikipedia

Me: Understand?

Bloke: NO!

Me: Too Bad. Anyway, Deadpool is a comic book character belonging to Marvel Comics, and is mostly associated with the X-Men comics in particular. Deadpool is the latest spin-off in the X-Men film series and sets out as well as hopes to do something no other comic superhero film has done to date, which mostly involves being as outrageous and as funny as possible while also being incredibly profane and violent at the same time.

Wade Wilson (Ryan Reynolds) is a mercenary who stands up for the little guy. One evening at the mercenary bar attended by bar man Weasel (T.J. Miller), Wade meets Vanessa (Morena Baccarin), and the two very quickly get into a relationship, one which gets off the ground quite quickly. But as soon as things start going well, Wade gets a very late stage form of Cancer. One night at the bar, he is approached by a recruiter (Jed Rees) for a secret organization who says that they can cure his cancer. Initially turning down the offer, Wade eventually agrees, fearing more for losing Vanessa. Wade however soon discovers that the organization he has joined is seeking mutants to experiment on. The project is led by mutant AJAX (Ed Skrein) and his assistant Angel (Gina Carano) who torture Wade and those around him. Eventually Wade’s mutant genes explode and cause his skin to deform, instantly curing him of his cancer, but Wade discovers that what is really going to happen is that he is to become a slave of Ajax. Wade causes an explosion in the labs and brings down the building, escaping the wreckage.

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Upon escaping, he means to return home to Vanessa, but upon seeing how people see his disfigured face, Wade believes Vanessa will feel the same about him, so he decides not to return. Wade moves into the house of elderly blind lady Al (Leslie Uggams), and with help from his best friend, goes in search of Ajax, real name Francis, in the hope of curing his disfigurement. He creates a costume and calls himself Deadpool, before going round the area, killing anyone who does not give him the information he needs on the location of Francis. After a year or so of searching, and making a new friend in cab driver Dopinder (Karan Soni), Deadpool intercepts a convoy of bad guys, kills most of them in some really horrific ways before finally getting his hands on Francis. Unfortunately, his antics grab the attention of X-Men team members Colossus (Greg LaSelle and Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand) who are desperate for him to join them. After their arrival however, the distraction allows Francis to vanish, and Deadpool escapes the clutches of the X-Men by cutting off one of his own limbs.

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With a threat on Vanessa being made, Weasel and Wade go to the strip club she works at, but before they can get to her, Francis and Angel take her away. With the help of Al, Weasel, Dopinder, and extra help from the X-Men team, Deadpool goes to the scrapyard (where a near-familiar looking aircraft carrier is being wrecked) where Francis and Angel are keeping Vanessa. Immediately Deadpool and the team of Negasonic Teenage Warhead and Colossus get into a fight with soldiers and Angel. While Negasonic Teenage Warhead and Colossus deal with Angel, Deadpool climbs the aircraft carrier to where Ajax is preparing to torture Vanessa in a similar way to how he tortured Wade. Deadpool and Ajax fight in hand to hand combat, until Negasonic Teenage Warhead destroys the carrier from the inside. Once rescuing Vanessa from the collapsing ship, Deadpool has one more fight with Ajax, quickly gaining the upper hand. Ajax then informs Wade that he cannot be cured. Despite urging from Colossus not to, Deadpool kills Ajax. Wade then reveals himself to Vanessa, who says she is ok with how and who he is now, and they rekindle their relationship.

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Bloke: Does this mean I don’t need to see it now.

Me: Are you still here?

Bloke: Apparently?

Me: Well in that case; yes, you should.

Bloke: I thought this was a review?

Me: Yes it is, but more in the form of an analysis.

Anyway; Deadpool is a very interesting film. It’s one that is hard to spring up what exactly it’s about. Ok, plot wise it’s about a guy who becomes a super hero to save himself from his illness but who then has to save his girlfriend (which is far easier to connect to on a personal level than the standard ‘Save the World’ plot of most other superhero movies). That’s the simple plot, but as to what this film does and involves is another thing entirely. In basic terms, what we have here is something of an adaptation, to Understand Deadpool; we need to understand who he is. Once we know that then we can really look into him.

Bloke: Then why don’t you?

Me: Because it will take too long.

What we have here in essence is more of an adaptation in terms of the characters creation and portrayal, but is then put into a situation that goes on to explain how such a character can come into being, while not bringing down the audience nor boring them. It sort of reminds me of Batman Begins, it talks about the early life of the character but brings it to a point where then said character becomes a figure-head and something other than who he is, and incorporates and embraces that entity to do the right thing, although in Deadpool’s case that is somewhat questionable. In this case we are provided with a character that is somewhat questionable from the start, but the things he does he does for the right people, and as an audience we come to connect and feel for him, and as he grows in a relationship, we come to support and care for him. But then things go wrong, and while what he does is (as previously mentioned) questionable, we believe in the cause to support him well enough. It’s something that feeds into a primal instinct, that of revenge, and while it may be the wrong path, the way he does it stands out enough, and in a form as human beings we may believe and feel is the rightful way of doing it, we support it. That aside though, Deadpool is not your average super hero either. He is something of a character. He is a wise cracking comedian who pulls a comedic line whenever he can, continuously breaking the fourth wall in the process. This makes him not just a super hero, but also someone who makes you as an audience member laugh. Add to that though the level of profanity in his voice, however despite what an older more mature audience member would think of such language, the language used by Deadpool when used with his comic nature just makes you laugh as he is using said language in such a funny way. Added to this level of comedy and profanity, you cannot ignore the amount of violence in this film. It’s violence that grabs your attention, as for one part it’s very gory and sickening, but on the other hand is just so outrageous and crazy, that it creates its own essence of humor to be enjoyed alongside what is already so funny. Ok, I admit it’s kind of broad and a hard one to explain. To quote the late great Lemmy Kilmister:

“Trying to understand. Why? You can just enjoy it at face value that’s what I do.” – Heavy Metal Britannia

In essence, it’s not something that should be analyzed or explained, because what we have here is something very special, very different, and something trying to stand out in the biggest way possible. And it achieves this. So less analyzing and more enjoying is what should be done here; because well, it works and is Awesome.

Bloke: So why did you bother trying then?

Me: Because, I didn’t think it through…?

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Understanding the character of Deadpool to one side, the film incorporates a relatively yet still outspoken cast of characters. Ryan Reynolds of course the returning star of Deadpool; by saying that I realize I have brought up bad memories about a certain other X-Men spinoff, but this time it’s a good form of acting from Reynolds. Not forgetting that he is no stranger to comic book super hero movies, mostly bad ones; here Reynolds excels as the verbal assassin. Without wanting to get bogged down in more but possibly pointless analysis, portraying Deadpool for me makes this his best role to date. Not really much of a fan of Reynolds in his other films, here he provides a really good portrayal of a character who was always going to be a hard one to do, but I think he has done quite well.

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The other film’s characters are not like one offs, or people with brief mentions, no. The small cast has enabled everyone to have a part and really stand out in their part. Negasonic Teenage Warhead for instance is a character I have no real knowledge of, but the portrayal of a 21st century teenager being an incredibly powerful mutant provides a very believable and connectable character while also providing the theme of not judging a book by its cover, even if me mentioning that sounds rather cliché. The addition of lesser characters in a supporting role continues throughout with people like the recruiter, Blind Al, Weasel, Angel and Dopinder. Most of these provide something more of a comic relief, but really work, not just as their roles suggest, but as well as being supportive characters also. Blind Al for instance provides an interesting viewpoint connecting once again to the aforementioned cliché, while also being as outrageous and profane as Deadpool, acting like a human counterpart to him suggesting that he is more human than he seems, and Blind Al is something of his human opposite. Dopinder meanwhile has a small role, but one which separately acts like a feeder to Deadpool’s jokes, but in the process becomes a character in his own right. Angel is more of a muscle like character to Ajax and proves that she is less a comedy character, nor one with a speaking part, but becomes Ajax’s assistant and body-guard of sorts near reminding me of Chyna. She is a pretty cool bodyguard though and one who brings an incredible fight with her. The recruiter doesn’t have much of a part but is relatively enjoyable, but is nothing in comparison to Weasel who acts like a friend to Deadpool, and becomes his assistant of sorts in helping him take down those responsible for his suffering, and much like Dopinder is a joke feeder, but also provides his own witty spin also.

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Along with them we have the more stand out members of cast alongside Reynolds. Colossus is one character you can’t but help keep an eye on. As a character, Colossus is a man who can turn his skin into an organic metal. No stranger to the film series, Colossus has previously been played by Daniel Cudmore, who I find sad did not return to the role in this film. I quite like Cudmore as Colossus, but am happy to say that Colossus here is presented well. While I find the special effects used to make him look not exactly crisp, his dialogue usage; something of a near first in the film series, is delivered well and crisp and tries to provide the role that would normally be delivered by Professor X. Ajax meanwhile is a character I find hard to see or realize. As he is not necessarily as stand out as other X-Men characters that come to mind, in this film he seems more like muscle than mind. His sinister side does not really come out all that well I feel, but the disgust towards him as a villain still works and it is in what he does, not how he acts that help him come into the fray, plus he comes packed with a mutant ability that helps to be a good first rival for Deadpool. This brings us nicely to Vanessa. Vanessa is not necessarily a supporter, nor is she a lead. She is not a hero, nor a comedy inclusion, but throughout this film provides to be a story element and a character who much like Wade, as an audience member; you become to care very much about. She becomes more of a plot element as the story goes on and an end goal to be reached. And even when that is not happening, she becomes a very enjoyable character, and towards the end not necessarily a damsel in distress but a hero in her own light, as well as providing an emotional and common sense anchor for which the character of Deadpool both needs personally, and in his career.

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Special effects are always a feature in super hero movies, as the need to show super powers usually does require some element of special effects in order to pull them off. In Deadpool though the use of CGI is pretty lack luster and only really used for colossus and the odd effect here and there. For the most part Special effects come down to clever camera tricks, stunts and fight choreography, all of which work quite well to pull off some really awe-inspiring scenes. It makes the film less of a blockbuster and more of an independent action film in a similar vein to the above mentioned Raid films. It just makes it all a nice change from films that require and are defined by how much CGI they use and the people who think CGI is better than real skin.

Bloke: Are you referring to me?

Me: “Hey, Yeah – I wanna shoop baby”

Bloke: Sorry, are you singing?

Me: Yeah, I can sing in my own post can’t I?

Bloke: Well sure…

Me: Well thank you, now please leave!

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Back in October, I did a series of film of reviews, all of which were the X-Men films to date released before this one. In that one thing I highlighted quite a bit was the rather grand, high-powered and exciting soundtracks used in the main series of films. Most of these were of course produced for the films especially with use of a composer. For the case of Deadpool however it seems like that idea was thrown out of the window to be replaced with a soundtrack composed of pieces from the popular domain, or better known as popular or pop music. This not necessarily a bad thing I find however as the pieces of music work really well to the scenes they are attached to. Most of these though I have accidently forgotten. One piece though I cannot forget so easily though is of course the sort of movie theme in Shoop by SALT ‘N’ PEPA. Quite a fun little song that works nicely with the ideas of the film, especially as it sounds like shoot, but for the most part is a fun one to sing to…..once you know the lyrics of course.

Deadpool is an incredible film, and interesting one at the same time. It tries to introduce a new, lesser known character to a more mainstream audience while also making it both as funny, profane and as violent as possible, and make it stand out more than any other super hero film out there, which it succeeds at. It more than makes up for the faults of the past, and in return creates a film that instead of being shunned by everyone in years to come will be talked positively by an even larger audiences for years to come. Add to this the strong and excelling cast, the well written story, cool soundtrack as well as all the other stand out points of this film that are hard not to notice; and you have an incredibly fun and enjoyable experience that has been delivered so early in the year, it’s going to be interesting to see if any other film this year can match or even excel beyond it. Also; it has quite possibly the best opening and post credits scenes in the history of cinema.

Bloke: What? Even better than the post credits scene from Age of Ultron?

Me: That was hardly anything; and I thought I asked you to leave – and what’s with the fake moustache?

GENEPOOL

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Sometimes We All Need A Little Help – X-Men: Days Of Future Past

25 10 2015

X-Men: Days of Future Past (20th Century Fox - 2014)

The subject of time travel in the movies is a difficult one to work around. Due to the level of Sci-fi fans out there, if you get it wrong, you’re doomed. The issue with time travel though for the most part is changing the future, a subject that has been used time and again. But what if changing the future for the better was possible; what if you could change the lives of many by one quick trip into the past; would you do it?

Released in 2014 by 20th Century Fox, produced by Lauren Shuler Donner and Directed by a returning Bryan Singer; X-Men: Days of Future Past (or DoFP if you want) is the seventh and most recent film in the X-Men film series. Based on the Days of Future Past storyline from the early 80’s; the film sees the return of both the main cast from X-Men: First Class as well as the cast from the original trilogy, as both have to work together in separate timelines in an effort to change the world from its current grim reality.

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In the future, the world the X-Men inhabit is a broken world. Giant robots called Sentinels patrol seeking, capturing and eliminating mutants and anyone else who dares help them. A band of mutants including Kitty Pryde (Ellen Page), Iceman (Shawn Ashmore), Colossus (Daniel Cudmore), Bishop (Omar Sy), Warpath (Booboo Stewart), Blink (Bingbing Fan) and Sunspot (Adan Canto) continually evade capture from the Sentinels thanks to Kitty’s ability to send someone’s mind back in time a few days and warn them about the upcoming attack. The group eventually gets in contact with Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and Wolverine (Hugh Jackman) at a monastery in China. Xavier tells them how the world came to be this way; that it was through Mystique who tried to bring mutant rights forward by killing Sentinel creator Bolivar Trask. She is however captured, and Trask’s death causes public outcry for a response to the mutant threat. Xavier and Magneto have a plan to send someone back in time, and try to warn the past about what is to come in the hope of changing it. The only one able though to make the trip is Logan, who has his mind sent back to his younger self in 1973. During this period, Trask (Peter Dinklage) has already started to try and get support for his Sentinel Program, but is constantly refused. In Vietnam; Mystique (Jennifer Lawrence) helps some mutants escape from being tested on.

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Logan heads for the X-Mansion where he meets young Hank McCoy (Nicholas Hoult) who tries to make Logan go away. Eventually, Charles Xavier (James McAvoy) appears. The school has been closed for a number of years after the students and teachers were drafted into the Vietnam War. Charles, having lost his legs, his pupils and Raven in the previous film is a broken man. He is able to walk thanks to a serum provided by hank, but his powers are sacrificed. Xavier just wants to be left alone, but Logan tells Xavier and Hank about the future and persuades them to help him change it. He also says they need Erik Lensherr (Michael Fassbender), who is being kept in The Pentagon basement. With the help of mutant Pietro Maximoff, aka Quicksilver (Evan Peters), are able to break Magneto out of his Plastic Prison. The atmosphere between Erik and Charles though is less than happy. In Paris, at the Vietnam War peace talks, Trask tries to get the support he needs for his Sentinel Program only to discover Mystique is masquerading as a Vietnamese General. The group of Logan, Hank, Charles and Erik arrive just in time, but things go awry as Logan sees the younger self of Stryker (Josh Helman), Magneto tries to kill Mystique and in the process both along with Hank are revealed to the world on TV. With the world now horrified as to their existence, Trask manages to get President Richard Nixon’s (Mark Camacho) approval for his Sentinel Program for a public demonstration. Erik meanwhile regains his helmet and manages to lace the plastic sentinels with metal. Back at the mansion, Xavier is persuaded by Logan to try using his powers to find Mystique. Initially he is unsuccessful, but then he reads Logan’s mind. He sees and meets himself in the future who tells his younger self, that what they need him to do; is to hope again.

Charles manages to locate Mystique who is on her way to Washington to kill Trask. He tries to convince her not to assassinate Trask, but she refuses. In the future meanwhile, the Sentinels finally find the remainder of the X-Men and go on the attack. In the past at the White House, Nixon unveils the Sentinels while Logan, Charles and Hank try to find Mystique. Erik however has taken control of the Sentinels, uses them to attack the event goers and using a whole stadium he has lifted off the ground, sets up a perimeter to make sure he is not disturbed. In the future, one by one the X-Men begin to fall to the superiority of the Sentinels abilities. In the past, Hank and Logan try to attack Erik, but he uses a sentinel to attack Hank, and manages to throw Logan into the river. After lifting the secure safe room the President and Trask are in, Erik puts on a show trying to announce a future where Mutants are no longer hiding in shame. Mystique however manages to subdue him, and prepares to kill just Trask. Charles makes himself appear in her mind and tries to convince her of a better path; saying “everything that happens now is in your hands. I have faith in you, Raven.” This works on Mystique, and she drops her weapon. In the future, things change instantly. Logan returns to the future, unknowing what has happened other than the future he came from. He wakes up to find himself in Xavier’s School, where everyone who had died from the future he experienced, are alive and well. He walks around seeing a grown up Hank (Kelsey Grammer), Rogue (Anna Paquin), Iceman, Colossus, Storm and Kitty. Not just them though, others who were dead, are now alive too. He meets up with Xavier, who realizes that Logan is finally back helps Logan fill in the pieces of where things left off after he drowned in the river.

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X-Men: Days of Future Past is a very powerful film. It has of course lots of action, fights and what we have come to expect from Superhero films in general, however, it’s also a very emotionally driven film. Many times have I watched this and during specific scenes have felt something deep down and emotionally driven than I have felt in any other super hero film. The film returns to the state of what the first X-Men film was like, but shows: A dystopian vision of the future and how mutants were first revealed to the public light. But on top of that though, this film sort of concludes the story line that started from X-Men 1 too. In that film, Mutants are oppressed by humanity and are fighting for their rights of existence, and then here a future is created that for now better supports mutants in a way they were hoping for. Days of Future Past also deals with themes such as independence not just in the global form, but inside the personal one too, as well as the subject of Hope. The degree of passion in this film from its characters as to what they feel plus see is remarkably strong, and more detail is added with the references to previous mutants, and what has become of them. It’s a nice little story that just keeps plodding along at a nice pace but is not intermixed with minor points. In my opinion, it’s not really a sequel to First Class, but a sequel to both that and Last Stand also. The characters from the original trilogy are a nice addition and means that there is plenty for fans of both trilogies’ to get involved with. Much like recent films in the series, DoFP tries really hard to include more from the comics and expand its own little universe. The way it does this more than most in this film is through setting the story in the Days of Future Past storyline showing the gravity of the situation in the future, from enslavement to suppression of both Humans and Mutants, to of course introducing the Sentinels.

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The Sentinels themselves have been a mainstay of the X-Men franchise through both the comics and cartoons. Their introduction in here is brilliantly done and whose design matches both the sentinels of the past, to their design of the future. Their unstoppable nature is also well presented through how merciless they are plus how cold their killing nature is.

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DoFP has a great cast of characters. While in some places the number of new and old goes near over the top, everyone has a part to play and produces some really memorable characters. From the characters in the future we have old favourites like Iceman, Kitty, Colossus, Storm, Xavier and Magneto; all played as well as they were in the original series. For me though, I think it’s a real shame Rogue doesn’t have much of a part. A central character throughout the original series whose appearances in Last Stand were a bit dwindling, I would have preferred it if she had more a role. While there is the recent Rogue Cut, I probably won’t be buying it. Despite this though, it is just splendid to see these characters played by these actors once again. It’s been a long time coming and I hope they get to return again soon, possibly for a much bigger film.

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As the rest of the future cast go, I like how Bishop is in it. I have been a fan of Bishop for a while now; and even though his Hand Guns aren’t on show, it’s just nice to have him featured. Other characters like Warpath and Blink are a nice little addition too, although I think Sunspot isn’t given as much appearance time. Quicksilver meanwhile is a fun little extra providing some moments of hilarity but also allowing the film to create one amazing set piece. Much like First Class, DoFP features a stellar cast of extras playing significant minor roles. The one standing out for me most though is Mark Camacho as Richard Nixon. I love this portrayal of Nixon. While he does look and sound more like the Futurama head in a jar Nixon than a real picture of Nixon, I like how well he is portrayed. This is all set before Watergate and shows Nixon at a time when he was in power. While he does appear to be dodgy in talking with Trask, he comes to be a good guy in the end closing down the sentinel program after Mystique lowers her weapon. Whatever you think of Richard Nixon, in this film he is brilliant. Alongside Nixon of course is Peter Dinklage as Trask. In what I see as an interesting cast choice for the role of Trask, Dinklage delivers a superbly sinister, villainous role while trying to maintain a level of professionalism too. His short stature also enables him to have some moments of quick scorning wit from other characters too but for the most part is thanks to his style of talking, persuasion and manipulation, coupled with his experimentation on mutants that makes him the central villain of this film. He is not necessarily a dastardly villain with a maniacal laugh, no; he is just a more intelligent one.

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I feel like Magneto is not as good as he was in First Class. In First Class (to me) he was the most important and best character. He had a great build up and some terrific moments, but in this he feels like a much more minor role in comparison. He does have his moments, but I just don’t feel as drawn to him as I did in First Class. In that he was a growing villain, in this he tries to play something of a prophet, particularly during that speech, but it just does not work for me. Other moments like his Pentagon scene with the silver balls, to nearly crashing the plane are really good moments, but they’re just let a bit down. Hank meanwhile has a much larger role I think, but like Magneto doesn’t really stand out for me. It feels like a disappointment. His moments as a tech wizard are cool, but he is missing something, possibly connected with his relationship with Mystique. Hugh Jackman on the other hand is rather good. Now his seventh appearance in the series that made him a star, this time though his role is much, much bigger as he has to change history. He like the series has changed a lot and is now having to be what Xavier was to him in the first 3 films, to a younger Xavier. He is a focal narrative point throughout this film and is constantly having to remain patient instead of lashing out, like he used to.

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It’s Mystique and Charles though whom this film is really about. Both characters complement each other through this film and it’s only through their moments that things change and improve for everyone else. Charles has lost everything, a broken down, depressed man who is finding it hard to simply move on. He is able to pick himself up enough to help, but he needs curing. Mystique meanwhile has become someone pursuing a vendetta, going out to try and save all the mutants who have been persecuted and experimented on by Trask; basically going along similar lines to what Erik did in First Class. Charles though becomes the instigator of both their pain. Reading Logan’s mind, talking to himself in the future, a student asking a guide – my favourite moment of this film. The struggle, passion and pain from Charles to his older self, and what the older, much wiser Xavier has to say. However, Charles is not yet fully healed, he now just needs to move on. He still holds on to the possibility of Mystique coming home, but then discovers what he really needs to do. He gives Mystique her freedom, and this changes her. Mystique supposedly still trying to move on from Charles herself, his control of her, now realising she is free of that, she listens to him. Both the above mentioned Hope scene and the scene between the two at the White House are the two most powerful moments in Days of Future Past and make these two Amazing characters stand out more than everyone else. I love both these scenes and the actors/characters that make them so.

Days of Future Past is in no way toned down in the amount of Special Effects it has. From the mutant powers of its characters, to bold set pieces to some of the biggest uses of Special Effects seen to date. The Sentinels are of course the main use of Special Effects in this film and good detailed care has been taken to make them look outstanding but also rather realistic. From the Jet fans inside their bodies to the weapons. Then to their future stream lined look where they look less robotic, to a more alien lifeform appearance. Then there is their control of superpowers used by the X-Men and how they use this to their advantage. All of them amazing effects. Set pieces are in form too with Quicksilver’s kitchen scene standing out more than most, but also little additional ones like Magneto and his tour of the Pentagon, and Prison cell. One effect for me though stands out more than most. To say that the other films are toned down in large uses of Special Effects would an understatement. I mean, who can remember the Golden Gate Bridge being repositioned, or the sub lifted out of the ocean, or even the Silver Samurai. In this though, they produce one incredible piece of movement, that in the lifting of an entire Stadium. A little destruction and crumbling can be spotted, but it’s not until the Stadium is seen flying through the air, like one of the Spaceships from Independence Day or Daleks’ Invasion Earth 2150 A.D.. It’s an amazing shot, terrifying and awe-inspiring. It may only be brief, but just seeing that is something else. Just this large thing approaching before it drops around the Whitehouse.

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DoFP’s soundtrack is Fantastic. It is a well composed (by John Ottman), brilliantly arranged soundtrack consisting of different styles, sounds and themes. The future is a dark, inconceivable place that has an end in sight. But a fight still rages on. The future is therefore a scene of many battlegrounds, and as fights rage on, the soundtrack compliments the situation. Scenes like the opening fight, the final fight and the moments ticking by as the mutants fate nearly comes. The arrival of the Sentinels is a piece I rather like. One that has this nice smooth drumbeat that starts off rather calm, but sadly I feel like should continue a little bit more. But as the severity of the situation rises, so does the tension in the soundtrack. And then as the first X-Man dies, a more sorrow note comes in, showing what that death means plus how easy it has come in the future. Many of these tunes are shared in the past timeline too and include the White House Attack at the end.

In the past though, everything is not so bleak, and so several pieces come to light including music from the time (such as The First Time Ever I Saw Your Face by Roberta Flack and Time in a Bottle by Jim Croce), plus much more cheery tunes. Although many of these change to the serious notes again and music is brought back to compliment them, as well as scenes of high levels of emotion, including the scene between Charles and Charles, and Charles and Mystique. Some of the music from the past though is rather memorable; including a French Song (Stop au nom de l’amour by Claude François) played the night before the peace talks. It strikes out as the scene changes and just grabs the audience’s attention and the scene. Plus it’s rather catchy as a tune and chorus go. The best bit of the theme though, is something I have been wanting and hoping for a return of since X-Men 2. That is the main theme (see top of the post for opening credits……….I put it there thinking it would be a great way to start the post). While it’s a little altered in sound, the tune is exact. I have always thought that the theme from X2 should be used throughout the series as the series theme. Possibly being for the return of John Ottman and Bryan Singer is why this tune has returned. When I went to the cinema to see it, and I heard that track, the tingles drove up my back as I couldn’t believe it. It is a fantastic piece of music and by far my favourite bit of the soundtrack (and top moments of the entire film).

Altogether, X-Men: Days of Future Past is a Fantastic Film. While I do not rate it as highly as others in the series, I absolutely adore it. I love it for its story, characters, themes, soundtrack, effects, all those things, but also for the power it gives off. It provides some highly charged emotional scenes that show more character than most other superhero films do and create such amazing moments between characters that your heart-strings will be plucked and tugged. While it does have its side issues, these are all pretty minor and together create not just one of the strongest films in the series, but one of the absolute best comic book/super hero films to date.

GENEPOOL





The Cure – X-Men: The Last Stand

21 10 2015

X-Men: The Last Stand

What if there was a medicine out there that could cure something about you. Now I am not talking about flu or a cold, more something that you were born with. Imagine it, something that ailed you since birth could be eradicated and you could therefore do something that everyone else could. Just think, you could walk or see for the first time, or maybe even afflicted by something like what is covered in Scott Westerfeld’s book series Uglies (haven’t read it yet). If such a cure existed, would you take it?

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Released in 2006 by 20th Century Fox, Produced by Lauren Shuler Donner and Directed (this time) by Brett Ratner; X-Men: The Last Stand is the third film in the X-Men Film Series. Like in the previous films, the X-Men as well as other mutants are fighting for survival and freedom from a world that hates them. This time around though, all mutants are proposed a question; a question which if answered yes could mean an end to all persecution of mutants, and if answered no, could continue down the dark path to war. The question being, ‘do you want to be cured of your mutation?’

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Twenty years ago, Charles Xavier (Patrick Stewart) and Erik Lensher (Ian McKellan) go to meet a mutant by name of Jean Grey (Hayley Ramm), to try and invite her to come to their school. 10 years later, Wealthy industrialist Warren Worthington II (Michael Murphy) discovers his son is a mutant who is trying to cut feathers off his back. In the present day at Xavier’s School, Charles and Storm (Halle Berry) get a visit from Dr. Hank McCoy (Kelsey Grammer), a large mutant with blue skin and hair who is on the cabinet and is also a former student at the school. He comes to tell them that a ‘supposed’ cure for mutation has been created at Worthington Labs. An announcement is made at that moment regarding the cure, which Rogue (Anna Paquin) likes the sound of. At a private meeting of Mutants, Lensher (now known as Magneto) and his protégé Pyro (Aaron Stanford) gatecrash the talk to state that the ‘voluntary’ cure will eventually be used on mutants to wipe them out. A group of Mutants at the event take notice of this; one of them, Callisto (Dania Ramirez) who is super-fast and can locate other Mutants is asked by Magneto to find Mystique. At Worthington Labs on Alcatraz Island, Hank meets young mutant Jimmy (Cameron Bright) whose power is to suppress other mutants abilities, and is the source of the cure. With Callisto’s help, Magneto finds Mystique (Rebecca Romijn) and rescues her from her captors. He also releases two other prisoners, Multiple Man (Eric Dane) and Juggernaut (Vinnie Jones). Mystique however gets shot by a gun carrying weaponized cure cartridges, and loses her mutant traits, and therefore gets abandoned by Magneto for no longer being a mutant.

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At Worthington Labs, the cure goes public, but Worthington II wants to start with his Son; Warren Worthington III (Ben Foster). Warren III breaks free from his restraints and shows off his resplendent angelic like wings and tells his father, that it’s what he alone wants, before flying away. Scott (James Marsden) who is still distraught at the loss of Jean (Famke Janssen) leaves the mansion and heads for Alkali Lake where she died, and finds that she has been resurrected. They embrace, but something happens to him, that Charles senses. Storm and Logan (Hugh Jackman) go to the lake, find Scott’s glasses and the body of Jean. At the Mansion, Xavier reveals to Logan that as a young girl something destructive manifested inside Jean calling itself The Phoenix and that he psychically blocked it out. Charles tries to block it out again while Logan questions his motives. Later when Jean wakes up however, Logan discovers that the Jean he once knew is not the one in front of him and realizes she killed Scott. She begs Logan to kill her, but then she knocks him out and heads for her childhood home. Charles goes to her home with Logan and Storm, only to be confronted by Magneto and his new team. Inside the house, Magneto tries to convince Jean that Charles wants to suppress her powers. Charles and Jean have a psychic confrontation in which Jean grows immensely powerful and results in Xavier being killed. Magneto takes Jean away while Logan and Storm breakdown at the loss of the professor.

Back at the school a funeral is held for the loss of Xavier, a loss that everyone at the school feels. Hank suggests that with Charles gone, the school should close down, but Storm decides to keep it open, remembering that Charles suggested that she take over when he was gone. During the night, Bobby Drake (Shawn Ashmore) tries to cheer up friend Kitty Pryde (Ellen Page) who can walk through walls, by taking her ice skating. Rogue however sees them, and seeing Kitty as a romantic rival leaves the mansion to get a cure shot. Bobby tries to stop her, meeting Pyro at a cure protest, who then destroys the cure building. Magneto deliverers a threat to the President (Josef Sommer) who along with secretary Trask (Bill Duke) decide to arm all soldiers with the weaponised cure to combat Magneto’s threat. Logan who still has feelings for Jean goes to Magneto’s camp to try and bring her back. He finds her but gets thrown out by Magneto. The President finds Magneto’s camp thanks to a now transformed Mystique, but it turns out to be a decoy. Logan returns to the school and assembles what X-Men he can; Bobby, Kitty, Beast, Storm and Colossus (Daniel Cudmore) and flies out to Alcatraz Island. Magneto who is already within easy reach of the island moves the entire Golden Gate Bridge so that he and his army of mutants can attack. The X-men shortly arrive after a small skirmish between Magneto and the soldiers.

Magneto sends in the main body of his army. Callisto and Storm engage in a fight which Storm later wins. Juggernaut; who is practically unstoppable, goes inside the labs to kill Jimmy. Kitty runs after him, reaching Jimmy first, but discovers her powers no longer work due to Jimmy’s powers. Using the information, she is able to trick Juggernaut to knock him out, and rescues Jimmy in the process. Inside the labs, Arclight (Omahyra), Psylocke (Mei Melançon) and Quill (or) Kid Omega (Ken Leung) find Worthington II and kill his assistant (Shohreh Aghdashloo). They try to throw him off the lab roof, but he is saved by his son who flies him to safety. Outside, Magneto tries to end the fight quickly. The X-Men decide to use the cure on Magneto. So while Bobby keeps Pyro busy, Colossus, Logan and Hank successfully inject the cure into Magneto, who loses his powers. The battle now won, Logan tells Jean that it’s all over, but then they are attacked by a squad of soldiers. Jean kills them by disintegration. Everyone else tries to escape except Logan who tries to confront her. While Jean disintegrates everything around her, Logan is able to survive due to his healing powers. When asked by Jean if he would die for them, Logan says he would really die for her. Logan then kills her when she asks him to save her. Back at the mansion, graves are constructed for Jean and Scott, and Storm is now headmistress. Rogue returns, having had the cure and can now touch Bobby without hurting him. Hank is appointed ambassador to the United Nations, while in a park somewhere; Magneto sits alone with a chess set. He holds out his hands towards a metal piece, which wobbles slightly.

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X-Men the Last Stand is a very enjoyable film; however it is a bit weak. I would not class this film as bad, in no way is it bad, it’s just a bit flawed. The film does struggle from several problems and I think has suffered from the loss of the series original Director. Ratner though produces something that is very enjoyable. I get the feeling however that instead of possibly getting involved, Like Bryan Singer did, he just sort of let the film get constructed and then joined in. It looks more like an action blockbuster, than the more thought-provoking approach that the previous 2 films did. The previous 2 were more about persecution and ones place in the world rather than what is offered here, which looks more mainstream, than sticking to its guns. One of the issues I find with this film is lack of main plot. Actually wait, I will re-word that. It has a main plot, in fact it has 2. One that is there for the most part and another which hogs some of the lime light. I can see that they tried to do more than one thing with this film, and because it tried to push stories on an equal footing, it’s hard to actually say what this film is about. As the film starts and talks about the cure for nearly half an hour, that part is solid and enjoyable, it’s going good. But the moment Jean is brought back in; there is no more mention of the cure, for a long time. Every time it becomes about Jean, it’s like that the cure, which is the main plot, suddenly isn’t. There is some sub plot in this such as the relationship and problems between Rogue, Kitty and Bobby, among others, but why they couldn’t either restrict Jeans re-birth to sub plot, or better yet, keep it out, and explore it in a later film possibly involving the Phoenix Saga. And that’s only the start of the film’s several issues. But first, some positive points.

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Last Stand, like its predecessors, has a strong cast. Characters have grown up and developed as the series has progressed and in Last Stand we get to see some of them finally take centre stage. In X-Men 1, Storm was something of a supporting role with a few good words here and there, now she is one of the film’s main characters. Her look has changed with shorter more striking hair, and has grown a lot in confidence becoming someone who stands out more. Her role though grows bigger as she takes over from the professor, and while her old side comes out when talking to Logan about Jean, and in turn gets possibly a bit too serious about it, she doesn’t let herself become that. Instead she grows to be a brilliant character, one of the series finest, one of the most caring, and enjoyable. Logan meanwhile seems to have gotten over his past and is instead dealing with the repercussions of Jean’s death. His character has gone rather quiet I think. He still has his moments where he is just himself, acting the way he does, but because he no longer has that baggage, it feels like he is just there. This is not necessarily bad though, because his amount of on-screen time, plus moments looking for Jean and command in the final battle more than make up for his lack of depth (his final scene with Jean is really good). Charles Xavier on the other hand is still bringing plenty of power and understanding, and comes out a little more this time as he confronts Logan and lets his personal side out regarding what he did to Jean. He is still there to guide and support the film, and does it well. His final moments with Jean provide one of the film’s most powerful moments. A moment, which like Jean’s death in X2 is felt hard by everyone, not just in the film, but those watching it too. It is a fantastic scene well worth watching, but you may feel rather sad afterwards, as one of the series best characters meets his unfortunate end. Jimmy also provides some nice insights into the Mutant world, but could have caused some controversy as he is kept in a white, one small window cell. His accommodation therefore could have caused more political struggle in the film. His scenes with Kitty during the final battle though provide a good situation to spice it up a little. Not forgetting other mutant appearances too like the confrontation between Logan and Marrow/Spike (Lance Gibson) at Magneto’s camp, a really good fight scene, plus the possible appearance of Deadpool (I have discovered that it’s actually Glob Herman), in a character (Clayton Dean Watmough) who keeps growing back his own limbs. Magneto meanwhile is just as sinister as he always has and while took a back seat as main antagonist in X2, he is back to lead the characters to war, becoming the central villainous archetype for this film. I do however think that due to this being something of a trilogy/series, there could have been possibly another villain. Not just Magneto or politics against mutants, but maybe something along the lines of Mister Sinister perhaps, as the genetic side of the film’s plot would greatly support his inclusion.

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The main new feature in the films cast though has to be Kelsey Grammer as Beast. Beast, much like Nightcrawler is an interesting character which due to his appearance carries a lot of character weight and understanding. While most mutants can simply blend into the background, a character such as Beast cannot. Beast however is not just some Monster; he is in fact a genius and a very well-spoken man. His position within the cabinet garners a lot of respect as well as potential animosity to others on it. He is though not afraid to speak his opinions and has a lot of understanding for both sides of the coin, and will not rush to make too big an opinion on a matter without thorough research. Alongside this though, he is still an animal, sort of like Jekyll and Hyde in one person instead of alter egos and proves himself as a worthy fighter, but like who he is inside, he is more of a diplomat than a fighter. To play such a role really does require an actor who can provide it, someone with a wealth of experience and cannot just look the part, but also voice it. Kelsey Grammer does this expertly and is one of the series best castings.

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The cast of characters isn’t without faults, and there are a lot of these. The Big one for me is the part of Warren Worthington III, also known as either Angel or Archangel (whichever you prefer). I really like this character; I have said many times over for several years that Angel is the most beautiful character in that he is the most simple. People dream of flight, and he does this through two angelic wings. On the surface he is such a pure, simple character to understand, and to begin with that’s all you need, there is no need for explanation as to what he can do. In Last Stand however there seems to be a generic lack of him. He is there from the start and is one of the instigators of the films (original) main plot. Without that beginning, we wouldn’t have the cure story. But if he’s there as an instigator, why isn’t he more of a central figure. He only has 6 scenes in the film, and only 3 of them involve vocals. It’s not like he is ignored either, as he continues to appear at moments which help cause decisions, but still, he is not a more major cast member, even though film posters and DVD’s would suggest otherwise. He is shown on the DVD covers, and I think the discs themselves. He is in posters for the film, and pictures of the film series up to this point, suggesting him being a central character. There’s even shots of him wearing an X-Men Leather Uniform, but not once in this film, does he wear one. Were they trying to make him a central character, but just couldn’t do it? Ok, the film is not as long as the previous 2, by about 30 minutes, in which there could have been more appearances for Angel if they had it going for longer, plus other characters too. I just find it a complete mystery. When I heard that he was going to be in this film, I was so happy. He appears in 2 of the best episodes of X-Men: Evolution, and has a place in the comics as a lead character, but despite this push and even showing things that don’t actually happen, he is still somehow here. I am not saying he should be removed from the film, more that, there should be more of him, and for good reasoning. He is a central emotional character which leads to the creation of the cure, and representation of his father’s (who is also played rather well) selfishness and possible disgust to mutants. The moment he is almost given the cure is one of the film’s best dramatic moments and is a fantastic scene. His earlier scene causing self-harm is also a brilliant short scene too. It’s just a shame that there’s not more of him.

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Magneto’s team of Mutants also have issues. No problem with Mystique. Mystique who produced such eye striking scenes in the first film, made a lot of sense in becoming the first victim of the cure, as that scene in itself shows the extent of what it does. However, Pyro is sort of held back until the end, Psylocke, who while having very few lines to speak, is held back and is far more interesting than the others in the group. Quill I find rather annoying as he is just there and doesn’t do much, the same going for Arclight, and Callisto is using someone else’s powers. Callisto is played brilliantly and character traits similar to those in the comics and other media are present including the animosity towards Storm plus attitude; she somehow though has the abilities of both Quicksilver and Caliban. Now while I don’t know all that much about Callisto, I can easily spot that one of Caliban’s abilities is there as well, like there was already too many mutants, no room for an extra one. Multiple Man is recruited, but only used once. Jean, while it is good to have her back, just seems unnecessary as her secondary main plot just slows down the film. She has her moments and the scene where she kills the professor and the one with Logan at the end are really good, it just feels like she is not carrying much of a part. The younger Jean scene though is really good but I think her final moment with Logan just felt like a way to prolong the film by another 4 minutes. It’s like they are trying to copy how they ended X2. The scene did not need to happen, the battle was enough, and it’s just there because it is. I will say however that the scene is done well, so while I find that it is un-needed, it is done well enough to be enjoyed. Why is Vinnie Jones in this film?! I like Juggernaut; an aggressive, angry, unstoppable character, his part in the series if done well, could be magnificent. Instead though we are given a character that is a wise cracking object, something that Juggernaut, in past experience isn’t. His costume looks rather ridiculous, and I think Vinnie Jones was only really cast for his size. Where is the aggression, the anger? Where is The Juggernaut? I will say though his scenes in the lab with Kitty are actually quite fun including his line when stuck in the ground.

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It’s not Just Magneto’s bunch either. While the President is played rather well, I feel like Trask is under used. A character that is supposedly named after the creator of the Sentinels and is played rather well too is like others, under used, he just isn’t there at moments when he could be. There’s no subplot either to suggest if he is going to create the sentinels or not. Then we come to Xavier’s School. Colossus, who has more of a part in this film than in X2, has less of a role. He is there to be another character and has at most, 2 lines if not just 1. It’s great to have him in the final battle and in the Danger Room scene, but it feels like he had more of a part in number 2, even if he was on-screen in two scene for less than 5 minutes overall. I am disappointed in Rogue’s part of this film. She starts in X1 as a sort of narrator, now she is just some romantic interest. She could have had more of a physical role and been a surprise appearance/hero during the final battle. It should be more that she learns to deal and live as herself than take the coward’s way out. She forms something of a romantic triangle between Bobby and Kitty. Rogue sees Kitty as a threat, and more likely goes to get the cure, just to secure Bobby for herself. Bobby does not see this though. Bobby does continue to produce good scenes and his character really develops into the Iceman of the comics, including Ice like skin. But he is mostly subjected into being this extra for a sub plot trying to become another main plot. Kitty finally gets an appearance in the series, and has some good scenes including the main battle and with Jimmy, but because of the sub plot is sort of under used. She is played fantastically by Ellen Page; it’s just this additional sub plot sort of holds the characters down. What should have been included is confrontations between Rogue and Kitty, possibly even Rogue watching Kitty and Bobby right next to the ice causing a confrontation. Rogue could have then struggled with her conscience before making a surprise appearance in the final battle, and then Kitty could have grown more towards Colossus as the end of the film approached. Something like that would have improved it greatly and would be a start as to where to direct the characters in later films.

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While there are several negatives, the film does have several positives. For one, it’s use of Special Effects. The film makes great use of big and small effects from the flying of Angel, the hot piercing of Callisto after being shocked by Storm, Mutant Powers, Set pieces, the suits and costumes, and many more. But the big one of course is the movement of the Golden Gate Bridge. I remember how amazed I was by that scene when I first saw it; it’s a scene which still provides that appeal. When the film first came out, it was one of the best pieces of Special Effects to date. While crisper effects have come about since, the scene is still superb and amazing to watch.

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Alongside the special effects, we also have yet another brilliant soundtrack (composed by John Powell). The film carries two main themes. One for the opening credits and the other which is used mostly for the end credits, but has its other moments. Last Stand’s opening credits, while not using the brilliant theme from X2, is nonetheless superb. The animation that goes with it is pulse pounding, exhilarating, and heart stopping stuff. I find myself watching the opening titles over and over again to listen to the soundtrack and watch the brilliant animation and video provided. More recently I have even begun to act like I am a conductor conducting the orchestra playing the piece; you can really get into it.

Other pieces of soundtrack range from the glorious sound of Angel flying through the air, Magneto moving the bridge, Charles’s funeral. Charles confrontation with Jean, as well as Logan’s, both of which are very powerful scenes and need a soundtrack to make them so. It’s a soundtrack that works. It provides a serious note as well as moments of wonder, plus moments of emotion and drama too. It is a soundtrack that really stands out, and while the film may be weak, the soundtrack definitely isn’t (and if you listen carefully sounds like the lyrics for that earthquake song hidden in the tune, or at least I think I can hear it).

X-Men: The Last Stand is an enjoyable film, no doubt about it. I like this film and some of the characters, scenes, SFX, soundtrack and some of its story. But it is a weak one. Out of the 7 films in the series, I would put this in 6th position. It just does not offer what the top 5 do that makes them stand out as really good films. Yes you have got a strong storyline in the Mutant Cure, but then you have 1 or 2 other plots which slow this down and make you forget about it. It’s like, at one point you are talking about the mutant cure, and then a second later you are going “what was I talking about?” The films cast I find are rather under used and in many cases are un-needed. You have other characters that have potential but are forgotten about. This film has a lot of potential, but is under used, and when trying to figure what it’s about, you can’t. The film though does provide enough to be worth watching. It’s a good fun film with plenty of things to enjoy and while it may be toned down in comparison to its 2 predecessors, it still provides those kinds of moments. Plus, it’s 10 times (if not more) better than what comes next.

GENEPOOL





Put The Knives Down! – X-Men 2 (X2)

20 10 2015

X-Men 2 (20th Century Fox - 2003)

Life as a mutant in the X-Men world is tough; you live in a world where everyone hates you because you are a different species to man, although you may look exactly like them. You have gifts, powers and people see you as dangerous, different, and as such humanity isn’t willing to give you a slice of the planet. Many mutants face endless persecution, while humanity comes up with ways to deal with you, going as far as to plan your extinction.

Released in 2003 by 20th Century Fox, Directed by Bryan Singer and Produced Lauren Shuler Donner, X-Men 2 (or X2 as titled) is the second film in the X-Men film series. Like its predecessor, the X-Men are a super hero team of mutants who fight both the forces of Evil (usually in the form of other mutants) as well as fight for mutant freedom from a world that hates them. This time though, they will need to make uneasy alliances, as all mutants face extinction, from a sinister new enemy and a face from the past for one of the X-Men’s most iconic characters. The plot for X-Men 2 is largely based on the graphic novel X-Men: God Loves, Man Kills.

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In Washington DC, during a regular tour of the Whitehouse, a mutant attempts to assassinate the President (Cotter Smith), but fails. Up in Canada at Alkali Lake, Logan/Wolverine (Hugh Jackman), finds an abandoned Military base looking for answers about his past, but nothing is left. Back at the Whitehouse, Colonel William Stryker (Brian Cox) asks the president for authority to accomplish a little mission regarding the mutant problem. The president agrees, and Stryker visits Magneto (Ian McKellen) in his plastic prison to get more information regarding Charles Xavier’s school. At his school, Charles Xavier (Patrick Stewart) tells a returned Wolverine that he will need to find out the answers to his past by himself. Xavier then sends Jean (Famke Janssen) and Storm (Halle Berry) to Boston where he has finally tracked down the mutant that attacked the President, while he and Scott/Cyclops (James Marsden) go to see Magneto. In Boston, Jean and Storm meet the teleporting mutant Kurt Wagner, also known as Nightcrawler (Alan Cumming) and ask him why he attacked the President, to which he cannot remember. At his Prison, Magneto tells Xavier about the frequent appearances of Stryker, but his visit is a trap as Xavier is knocked out, and Cyclops is rendered unconscious when attacked by Stryker’s assistant, Yuriko Oyama (Kelly Hu).

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At Xavier’s school, while Logan gets acquainted to Rogue’s boyfriend Iceman/Bobby Drake (Shawn Ashmore), the school is attacked by armed soldiers under the orders of Stryker. Several of the students escape thanks to the help of Peter Rasputin/Colossus (Daniel Cudmore), although several others are captured. Rouge (Anna Paquin), Bobby and their friend John/Pyro (Aaron Stanford) manage to escape, but go back to help Logan. Logan meanwhile, who has killed a large group of the attacking soldiers, comes face to face with Stryker. He remembers him for some reason, but doesn’t know why, and before he can find out more, he is unwillingly rescued by Bobby and escapes with him and the others. On the jet, Jean and Storm try to contact the school with no answer. Storm talks to Nightcrawler who talks about his past and why he does not fear, but rather pity those who persecute him. In Boston, Logan, Rogue, John and Bobby go to Bobby’s parents’ house and reveal that they are all mutants. Bobby’s parents try to hide past the issue and find it hard to accept his son for who he really is. Bobby’s brother meanwhile calls the police who come to the house and shoot Logan. While Bobby and Rogue follow the police’s orders, John uses his fire manipulation power to attack the police officers before being rescued by Jean and Storm arriving in the jet. At an undisclosed location; Xavier meets Stryker who blames Charles for not being able to cure his son Jason (Michael Reid MacKay) of his mutation and as such plans revenge on all mutants. Xavier discovers that Stryker orchestrated the attack on the President to help achieve this. Back at his Plastic Prison, Magneto manages to escape after sucking all the iron from his prison guard; Laurio’s (Ty Olsson) blood stream, which was put there by Mystique (Rebecca Romijn).

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Back on its way to the Xavier Institute, the jet is attacked by a squadron of fighter jets responding to John’s attack on the police. Storm manages to lose the fighter’s, but one shoots off a couple of missiles. Jean, using some new-found power which she has been struggling to control, destroys one of them, but the other causes a tear in the ship. Certain that they are going to crash; they are all then rescued by Magneto. During a meeting at the camp, Magneto reveals what he knows, that Stryker wants to use Cerebro to kill all the mutants in the world. He says that he told Stryker because he uses a powerful sedative on the back of Mutants necks to control them. He reveals that Nightcrawler too was manipulated by Stryker to attack the president. Through Nightcrawler, the uneasy alliance finds that Stryker’s base is back at Alkali Lake. Xavier is now under the control of Stryker’s son Jason who uses his powers of illusion to make Xavier think that he is back at the school, and that Jason is nothing more than a small girl (Keely Purvis). The X-Men spend the night at a makeshift camp where Logan tries to fall into a relationship with Jean, who keeps saying she is in a relationship with Scott.

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At the base, Mystique manages to gain access to the base allowing everyone else to get inside. Storm and Nightcrawler head off to rescue the captured children from the school, while Magneto, Mystique and Jean head off to Stryker’s Cerebro. Logan meanwhile heads off to find answers. On their way to Cerebro, Jean, Mystique and Magneto are attacked by a brainwashed Cyclops. Jean manages to rescue him, but causes damage to the dam in the process. In an Adamantium smelting room, Logan discovers answers as to what happened to him, but is then found by Stryker. Logan fights Yuriko, who possesses similar powers to him, but he kills her after injecting her with Adamantium. Outside Cerebro, Magneto attacks to gain entry just as Xavier starts the killing process. All the mutants in the world begin to break down, but Magneto manages to stop the machine in time. Once inside though, he switches the machine’s components round and has Xavier do it again, but this time, attacking humans instead. Logan finds Stryker to get more information out of him, but doesn’t get very far, he then finds out that the dam is going to burst, killing everyone inside. At Cerebro, the X-Men discover what Magneto has done. Storm puts her faith in Nightcrawler to get inside and rescue the professor. All the humans in the world begin to break down from the attack, but Storm manages to stop and rescue Charles in time.

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After escaping the dam; the team is rescued by Rogue who flies the jet to them, crashing into the snow in the process. Logan confronts Stryker one last time, deciding to just let his past with Stryker go. On the Jet, Jean discovers that Pyro has gone with Magneto, but also that the water from the dam will kill everyone on the jet before they can take off. She goes out and uses her new powers to stop anyone from leaving, lift the jet out of the snow and hold the water back. Just as it takes off, the waters consume her, and a heartbroken Cyclops can’t believe it. The team travel to the White House to confront the President providing him with information regarding Stryker and warn him about a potential war between Humans and Mutants, and that it is together that they should try to build peace. Back at the mansion, all the pupils have returned and classes have begun again. Xavier consoles both Logan and Scott about Jean and says the reason she went outside the jet was because she made a choice. They leave as Xavier begins his class, with Wolverine telling Scott, that Jean chose him. Back at Alkali Lake, a phoenix like shape appears flying under the water.

Since 2006 when X-Men: The Last Stand came out, I have regarded X-Men 2 as the best film in the series. I have always felt that X-Men 2 is still superior, even when more films have been released. It’s a really good film with lots of plot twists, themes and characters. Much like its predecessor, X2 deals a lot with the themes of racism and persecution, shown through its mutant characters and their desire for freedom. As the film’s narrative goes though, while X-Men used some narratives to strengthen and give the main plot weight, X2 only really uses one major plot, and this time it’s through little stories and characters that help the plot along. X2 also carries the narrative of persecution and freedom of mutants as its main plot, where as in X1 it’s more of a sub plot that leads to a big moment. This is greatly helped along by its characters, some of whom have had something of a re-designation and more of a presence in this film. One that strikes out to me more than others is Jean Grey. After looking at X-Men 1, I kind of get the feeling that she was more of a support character who adds conflict for being the love interest to both Logan and Scott. While she was a good character, it just felt like she was there, for just being there. In this film though, she has gone from that to almost taking over the narration duties of the film from Logan and Rogue. Jean begins the film, experiencing a range of new powers that she cannot seem to control, and as the film develops, so does she. With Scott gone she is finding it hard to cope and to keep Logan away from her, although she may have feelings for him. She takes on more a role of a leader too, although is possibly shadowed a little by Storm. As time goes on she grows more with her new powers, and her sacrifice at the end gives the film one more plot twist. Instead of just escaping; one character that has become a major and enjoyable character, dies. It’s a moment which is so powerful, it almost makes you forget what has happened so far, but it works.

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Due to an increase in characters for this film, some characters are sort of held back, but given that the characters were given a good introduction in the first film, it means that for the most part, they are not having to be revisited a lot, however there is still some tension for them. Rogue for instance is a lot more confidant and outspoken than she previously was, but her powers are still a danger and is finding it hard to fully commit to a relationship with Bobby. I quite liked the scene where she nearly attacked Magneto, but I do think that maybe more could have been done with that scene or with the idea. Charles, whose position in the film is already well founded, is now more a tool of mutant destruction and despite his power level; he does not see what is really going on until he gets captured. His moments when he is both under manipulation, and not, are really good scenes and are some of his best in the series. Logan meanwhile still struggles with his past a great deal, and becomes one of the film’s main sub plots. He being so close to the truth really brings more out of him. Upon rediscovering his past though he is able to let it go, as he has found much better things, including friendship and things to really care about. Mystique, who is now less striking in who she is, as she was well introduced in the first one, has less of those scenes that made her visually striking in X1. This time however, she still has more of a part that reveals who she is and what she can do including her IT talents. Much like the theme/narrative of persecution, she becomes more of a focal point as to the idea of never judging a book by its cover. Magneto meanwhile is up to his usual tricks. To begin with he is sentenced to life imprisonment in his plastic prison, and comes to deal with some of it, but is consistently abused by both Laurio and Stryker. When he does escape, he decides to aid the X-Men in taking down Stryker, but then uses this ploy to do what he wants, and eradicate humanity. This little plot twist is a nice addition to the film. While he could have just destroyed Cerebro, he decided to use it for his own reasons.

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Jean Grey is not necessarily the only character to get more time on-screen; Storm really comes out of her shell in this film. Much like Jean, Storm was not much of an outstanding character in the film other than when talking to Logan and Senator Kelly, and during the final battle. In this film she comes out more as a leader but also a people person. She develops a great bond with Nightcrawler and learns from him. She cares greatly for those around her, and sort of steps in for the professor when he disappears. Given that she receives more on-screen time than in the previous film, plus much more of a role, makes her a rather enjoyable and stand-out character in this film. Scott though is possibly the most interesting. He sort of vanishes for a good bit of the film as he has been captured and manipulated, but when he comes back in, he has some terrific scenes. To begin with, he is much like he was in the first film, rather quiet and maybe a bit cold towards others. During the final act though, something much greater comes out of him, and this, more than anything is shown after Jean dies. While he is on the jet, he struggles with her being in peril and almost can’t control his emotions. It’s like right now, no one else is there it’s all Scott. Then when Jean dies, and the emotion drops to a sudden silence, he can’t control himself as he is physically and mentally heartbroken to her loss. While Logan tries to console him, Scott is not having any of it. It really does carry the emotion both on and off-screen, as someone in all this, is hurt more than anyone. While Scott may not be the film’s lead, or one of the more outstanding characters, for one traumatically and emotionally long scene, he is.

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After the old cast, we get more into the newer members. While Bobby Drake was in the first film, he gets more of a part in the second. A strong mutant who can create and manipulate ice, he starts off being the boyfriend of Rogue, but quickly builds to become a loyal member of the team, plus someone who is very reliable. Bobby’s movie moment though comes when his parents find out what he really is, and while state it’s all complicated, just can’t come to accept the situation or who he is. This then brings us on to Pyro. John is an important character as it builds up a rivalry between him and Bobby. Pyro who can manipulate but not create fire is a good, but possibly basic rival to Iceman, but also provides an interesting similarity in characters. While Bobby is caring for those around him, while also fleeting from the truth, Pyro stands out as someone who is quite possibly selfish. The moment he attacks the police is one of the film’s most emotionally driven moments as it deals with the persecution of mutants and what some will go to, to achieve acceptance and freedom. It’s a scene I rather like and have found myself sometimes dwelling on, even think acting on, as to what I would do in that situation. Pyro really helps to bring out the seriousness of that scene…..and is very destructive.

One character who makes a really great appearance in this film, but is used minutely is Colossus. He appears as the attack on the mansion commences, rescues the children and then is not seen until the very end. Daniel Cudmore plays the character rather well, and is physically striking. It’s a shame he is not used more, as when he appears he makes the scene. Colossus aside, the film does well at showing other small time characters. Laurio for instance is a really good character, as he is sort of depressed for the job he has been given to do, and it’s through this weakness which leads to his end. The President, although a small role, is pretty good too, as he is forced to come to realise the situation, but he seems regretful in what he does, but for the most part appears to not have a clue as to what is really going on. Stryker’s Sergeant (Peter Wingfield) also has some moments too, including his choice of makeup. Jason too does not appear to have much of a part other than to manipulate Charles. When he takes the appearance of a little girl however, a new character comes to light; that of a schemer and a deceiver. His appearance is horrifying and looks like a possible psychopath, and on-screen sort of hogs the screen, even when with other characters. As a little girl though something else comes to light; fear. When he loses against Storm, the girl reveals the mind of Jason who is scared of what his father might do to him and a little bit of empathy comes his way when you fully realise what has been done to him. The film also teases other mutants from the comics like Jubilee (Kea Wong), Siryn (Shauna Kain), Artie (Bryce Hodgson) and Shadowcat (Katie Stuart), and Jones (Connor Widdows) – who as far as I can find is not in the comics – as well as other comic characters in mention including Gambit. While not referenced by her comic name (Lady Deathstrike), Yuriko has a nice sinister look, who looks more like a bodyguard than an assistant. She constantly trails Stryker up until she fights Logan. She hardly speaks at all but remains a key part. Her part comes to more fruition in the second half and in her fight with Logan. Her fight the scene with Logan is pretty cool and her death also, but for every scene she is in, she is a real treat.

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Nightcrawler meanwhile is the main focus of all new mutants in this film. While other mutants try to hide from persecution, Nightcrawler represents what it’s like to go through it. A man who has lived on the streets, and has faced persecution from everyone, not for really being a mutant but to what he looks like with his blue skin. The film begins and near ends with him as a central character. In the mid parts he is something of a comic/comedy character, trying to fit in with others, and who is helped by Storm. But he becomes an eventual hero, helping to rescue Charles and turn Cerebro off. He feels for those around him, and while they may be shocked or scared by them, he remains headstrong throughout, as he understands what it’s like to be persecuted, and sees more in people. For a story whose main plot is the request and hope for freedom from persecution, it’s important to have a character in it that not only portrays what many people see, but also someone who understands why they act like that, but also pity’s them for it, and reveals that there is more to someone other than just the colour of their skin. The onscreen heavyweight for this film though is Brian Cox playing the part of Stryker. An unpleasant man from first looks, who later reveals and proves himself to be more than just sinister. He has a long history with Mutants, and whose son caused nothing but pain for him and his wife, and wanting revenge for what he truly wanted from Xavier, plans to get rid of all mutants. He cannibalises his own son so as to use him, and plans an attack on the President so as to use the event as an opportunity to get what he needs to complete his plan, which he nearly does. He is a man who also has history with Logan, being the man who gave Logan his steel claws, and for whom is someone Logan wants answers from. Brian Cox plays the role with belief and conviction, providing a character who is a real villain, through and through, and to which is one you want to see get their comeuppance, but also rather enjoy.

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The film like its predecessor uses a lot of special effects to convey the superpowers of its characters. More this time has been given to scenes of powers being used such as the ice wall and Pyro’s fireballs. Magneto also gets the use of SFX when escaping from his prison, and the removal of Iron from Laurio is a pretty cool, yet possibly gruesome scene. Other scenes use SFX in different ways however; including the end scene with Jean holding back the water, and the air battle. Make up is also used a great deal too, particularly for Nightcrawler. Costumes are pretty much the same as last time, with some changes (I think I preferred the green lining on Jean’s costume more than the red), and new ones for Rogue and Iceman, and even Lady Deathstrike gets one. The film also has some pretty amazing sets. These are reserved mostly for the end, the base in particular and Logan’s Adamantium room is terrific. It’s a film that has gone to great lengths to use what SFX they could, but not rely on them, and instead use other, more traditional and real effects to produce a much better look.

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I really do like the soundtrack (composed by John Ottman) for this film and consider it an improvement over the first film, but also one that is astounding. Nightcrawler’s attack on the White House uses a classic piece from Mozart’s Requiem which quickly ramps up tension within minutes of the film starting. It sounds monstrous as the President comes under attack from a mysterious assailant.

The rest of the soundtrack uses similar themes, but ones more in the style of tune of the film’s main theme piece. Storm’s piece inside the church for instance is very operatic and grand, while the attack on the school is grand, perilous and tense. Pyro’s attack on the police achieves something similar but starting with a growing feeling before exploding into a serious note. Jean’s scene holding back the water is like several pieces in one and continues to only get more tense until moment of realisation when the jet is rescued and Jean gets washed away. All of such scenes though are complimented with a nice piece woven everywhere in the film. It’s a piece of joy and resolution and helps sad, angry, emotional scenes recover and provide an element of happiness to the film. The film’s main theme is a piece I absolutely love. It’s a piece which causes tingles down my spine, a piece I can’t get enough of. While most of the films in the series have separate, and good theme pieces, I consider the piece from X-Men 2 to be the series real theme music. Much like how Christopher Nolan’s Batman films all have an associated piece of  music which becomes their theme, this series theme for me is the opening and closing credits from X-Men 2. I was so happy when it was reused for Days of Future Past, as I think the series has needed that returning theme music for a good long time now. This piece of music is one of my favourite things about this film, I love it that much.

Alltogether, X-Men 2 is a great film. My favourite of the X-Men series, and one of my favourite comic/superhero related films. It’s a film of themes and narratives, all surrounding the subject of persecution and racism of mutants. It shows what they go through in their daily lives, how their families react, and humanities cruelty towards them plus what it’s like for them to fear both persecution and who they are. It shows people’s problems with mutants, and histories surrounding them and how bent out for revenge they are. It’s also a story of struggles. Characters like Jean whose powers are growing and she can’t control, or Logan who struggles to live not knowing who he is. It has a great cast of characters who make this film what it really is. A great diversity of characters from Mutants to Humans, heroes to villains. Brilliantly directed and a story so emotionally driven that you feel for protagonists, what they go through and feel a sense of empathy towards them with scenes producing moments of sadness, some happiness but also anger. When including the special effects, set pieces and a fantastic soundtrack, you have one really special film that you won’t regret and not be able to forget. A film with plot twists, things you neither expected nor saw coming, moments of drama, understanding, and sometimes a desire to leap into, not forgetting raw moments of emotion. X-Men 2 is Fantastic Film, one that I remember watching with great fondness, and look forward to watching it again soon.

GENEPOOL





Deadpool Trailer

12 08 2015

Deadpool Comic-Con

Last week a trailer was released for the upcoming X-Men spin-off movie: Deadpool. It was not the first time I actually saw that trailer as I did see a trailer from Comic-Con shown many weeks ago which was filmed by someone with a personal hand-held video camera, or more likely phone. I was a bit annoyed at the time as I didn’t think it was all that fair for lots of news coverage to be made around a movie trailer no-one else would see for several weeks. I did see some of that trailer though, and couldn’t wait for both the movie and a proper trailer release. Well now there is a proper trailer release, so now I can take a much better look at it.

Deadpool Car

I am no stranger to the character of Deadpool. I have known about him for over 10 years now after I first saw him in my copy of  X-Men: The Ultimate Guide book, but back then I did not know all that much about him. It was not really until maybe 2008 that I began to learn more about him thanks to the Wolverine and Deadpool comic series published by Panini Comics. I didn’t read or buy it, but the name sort of began to stick more. My first real sighting of him was in X-Men Origins: Wolverine. I knew he was going to be in it, but despite not reading a single comic with him in it, I knew that wasn’t Deadpool. The Deadpool movie though has been talked about since despite no real progress until last year. My interest in the film was a bit low, until about a year or 2 ago when I found a video of a man dressed as Deadpool gate-crashing the announcement of the Deadpool Video Game. After that, about year ago now, I found more videos from that including Deadpool walking around the Comic-Con convention centre area.

And the numerous videos of him visiting  HQ.

These little videos though made me that little more excited when the announcement of the Deadpool Movie came nearly a year ago now. Well the film’s trailer is here, so let’s have a look.

The trailer begins by looking into the life of Wade Wilson who is dying of severe levels of Cancer and volunteers for a procedure to cure him of it. Things then begin to take a twist as somebody suggests he could become a super hero, to which main star Ryan Reynolds makes a little joke about him being in the Green Lantern movie. It shows him going through the procedure before it changes angle completely to show a man in a red and black costume who loves to hurt people. It pretty much continues from there on with Deadpool himself appearing with the movie title card at the end talking to the audience, or breaking the fourth wall as its known (much like the character does in the comics).

Colossus

I really do like this trailer. It’s funny and has Ryan Reynolds appearing in a similar role to his appearance in Blade: Trinity (but mostly in a verbal sense rather than action). It contains a lot of dramatic and emotional elements plus lashings of action and fighting sequences that make me think of The Raid and The Raid 2, particularly the car fight scene from 2.

The suit looks terrific, and much like all X-Men films since appears to ignore what happened in Origins. The trailer also includes the appearance of X-Men Legend Colossus. I quite like that too, as while he is not to be played by Daniel Cudmore in this film, I think that throughout the X-Men film series, Colossus has been a very underrated and underused character, and it’s nice to see that he will be in this film, in what capacity is unknown (at least to me) at this time. And above all else, it’s actually Deadpool in this film. From the way he talks, to the way he fights, and even a brief glimpse of his powers. But the best thing of all, the trailer; everything in it and about it just looks so violent, awesome, loud and outrageous, makes it one of the most stand out cinema trailers to date and could make Deadpool one of the most stand out films of 2016. It combines comedy with extreme levels of violence. It just looks absolutely Fantastic. Expect it to be a 15 rated film in the UK when it gets released early next year.

Deadpool (20th Century Fox - 2016)

GENEPOOL








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