They Were Trying To Kill It (Part 2) – Godzilla 2014

2 07 2014

Godzilla 2014

Following on from last week of my review of what is at the moment The Best Film this year, which by all counts is going to be hard to beat, at least to me, but the previous post looked at the human side story of the film, cast and soundtrack, but really this is the big one as I will be looking at the BIG G himself. From special effects to both Godzilla and his new companions to comparisons in story with another monster movie series as well as how this new film compares in not too much detail with the original monster and also why I think it is not just the best film this year, but one of the best film’s in the series, and that comes with evidence.

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The film’s special effects are really well done, and I mean really well done at that. The film’s producers have obviously taken great time and effort into not just making Godzilla look like, well himself for a start, but also both believable and naturalistic as in the viewer being able to see what is in front of their very eyes and believe that the creature could exist, like your eyes do not deceive what you are seeing. But the detail is also in the close up. For several parts of this film, Godzilla is seen to be in the state of minimalistic. So you may not see his entire shape or size for the most part, but even those scenes show a level of detail that is perhaps not as explored. I mean these are giant monsters, obviously and the film takes the standing point of the viewer on the ground, the human element, seeing it through their eyes. So you naturally jolt your head back to look up at them, but because of their size and depending on how far away you are from them, you may not see all of them, but when you are close up the little details are not forgotten, they are included. Godzilla’s hands on the Golden Gate Bridge (anyone else notice that it’s not the first time the same bridge has been attacked by a Giant Monster in less than a year?), close up details of the MUTO’s when on the ground and really close for comfort, Godzilla’s irradiated damaged flesh, and the detail in the shape, form and material of all three monsters from head to toe. Not only does all of this exist, and in such great detail, but it is also terrifying; and if the special effects achieve such a thing on something that (as far as we know) does not exist, then the effect has been achieved.

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The monsters themselves have been beautifully crafted, but there is more to a monster than just what meets the eye to which the filmmakers and the audience have an unfair advantage over the people in the film who are too busy running away. The Muto’s are the newest edition of a long line of monsters to tangle with the king, so let’s start with them. The Muto’s are nicely well designed and have essences of real life animals in them presenting themselves as creatures that are definitely of the world and not from space. I do like how there are major differences between the two. The male is smaller and can fly and whose body structure makes him look like a praying mantis on the ground and a bat in the air. Whilst the female is much larger and while exhibiting the same mantis like look, has more in common I would say with a spider as in she is reliant on walking and so perhaps needs to walk as such. They of course share the same features in the face and the look of the MUTO’s is nicely made to make them look sinister. During the night shots this works to their advantage and when the let out the under voice almost clucking, it sounds like a measurement of laughter but it could just be more the sound of the wind passing through their immense bodies. Little things such as the facial features really help to cement their positions as the real villains of the film. this idea also is used to great effect by having them the first monster that truly gets revealed. TO begin with you believe that Godzilla is the one responsible for the attack on the power plant, so far he’s the only creature been mentioned, but by revealing that it was actually the MUTO’s not Godzilla, it adds that emotional connection and presents them as the actual ones to do the damage and as such become the villain and it means that you as an audience member want and need a hero, and it cements Godzilla’s role in the film from the moment he is fully seen for the first time, to the point that he leaves. It is interesting use of both perception and suggestion from the film makers that gives a very big surprise early on and one that hooks you as you wonder, If that is a MUTO, what is Godzilla?

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The thing is though, look and sound and abilities are not enough and the thing that makes the monsters in a Godzilla film stand out is personality. Godzilla as a monster and as a series has survived on several key structures and points but one of those core elements is personality of the monsters themselves. If you look at other past American Monster Movies, they have all been referred to as “it” or “the”, they are all things. But if you give something a name, its presence means a whole lot more. You could just call your family pet (if you have one) “the cat” or “the dog” but you give it a name and refer to it by name and as such it feels more like a friend and part of the family and as such you discover the pet’s personality. The same is true for Monsters. By referring to Godzilla by it or the, it could be any one of a number of things but because of the description, it requires an explanation every time it is talked about. But now that you have labelled him, given him right to a personality, you just need to say the name, and people know who he is. For the MUTO’s it really is more of an it or a thing as MUTO is technically a designation for Massive Unidentified Terrestrial Organism. While the word does sort of become a name as the film goes on, they are still these things and even though they show signs of care towards each other and their young as well as a level of passion, they are just still designated creatures or animal. So while they definitely have a level of passion and character for such well-designed and thought out animals, they are unable to come out of their shell fully due to their possibility for personality restricted, which is a general shame because I really liked them.

Godzilla on the other hand actually looks like Godzilla (something that did not work out at all 16 years ago). Great care and attention has been taken to make him look like the monster we all know and love, but also to have his own spin so that he is not too much like his Japanese self and so this look can be more independent as well and as such does not need to rely on those films and allows this film to work on its own merits. So his size in this film (the biggest to date, and possibly a bit fat) belongs to this film, but attributes such as his scales, dorsal spines, head and tail are like that of the original Japanese monster. One such item is easier to see also now thanks to the film’s point of view and that is of Godzilla’s broken skin which is supposedly caused by the damage done to him by nuclear weapons testing. This goes to show that Godzilla is invincible to man’s most powerful weapons and supports the idea of him being the force of nature and as such unstoppable, but shows a more human element too showing that he still has those scars from long ago battles which on top of that could be emotional ones too but decides to wear them than think about them. His overall look particularly in the facial features when he is first revealed in the Hawaii airport scene makes me think of dragons. You get a brief second or two to look at his face, you get this overall feeling of terror like you are looking at a destroyer, a creature of such great magnitude and ferocity and while his features make him look like a cross between a dog and a lion, the essence of the dragon like nature is there and this helps with the tales of myths and folklore that surround him, and from this he isn’t just a monster, he feels and looks like a dragon too, and this gets your heart racing.

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But while the look of him is amazing and is true to the Japanese Monster, there are more new editions to the creature but these are more in what he does than what he looks like. But at least one of the things he does isn’t new and has been with him since 1954, any guesses as to what they would be? You got it, his Atomic Deathray. Yes, we were promised a Godzilla true to the Japanese monster and a monster that all we wanted to see but come the final fight I was lost wondering where the Deathray was. Everything was perfect but no sign of that. But then, in the darkness, a shadow grew with a long blue light drawing upwards, I was on the edge of my seat, hoping it was what I thought it was going to be, and then, when his Atomic Breath blasted across the screen, I was so happy, I jumped forward (sort of, more like leaned, not much of that can be done in a cinema seat) and thrust my arms and fists forward and down in a hammer like motion in a gesture of celebration. It was great. It’s not that it’s just there, but the characterization of Godzilla with the power rising up through his scales and then also being the right colour meant that I was so happy and the scene was amazing. I really did enjoy the use of the dorsal spines like shark fins as even after the reveal in Hawaii, it meant that Godzilla still had some screen time but in order to keep something’s under wraps, he could keep that mystery about him but also have that extra element of something huge is coming, and it’s sightings in the water have their own power behind them being seen as you know something big is about to happen. The new roar is really good; it really helps to give this new film its own sense of credit, especially to Godzilla himself. Instead of doing what Emmerich did 16 years ago by taking the classic roar and just extending it, the filmmakers here have created their own unique sound. The sound he produces is still very much like how a Giant creature would, it shakes the ground and produces a lot of noise thanks to the huge inner spaces within its own vocal chords and while it kind of makes me think of perhaps an elephant or other large mammals instead of reptiles (which can’t actually roar)and is overall very well produced to make an absolutely great sound.

Godzilla’s personality exists brilliantly in this film but his characterization which adds to this is different in many respects to what he was when he first started but these changes are not a bad thing in any way, shape or form. Godzilla is made out to look like a super predator, the alpha male top dog of the natural world. This is presented with the idea that should a creature like the MUTO’s arise, therefore threatening his turf, the predator comes out to play to reassert his dominance over the natural world. This idea may sound a bit corny in that sense, but it is a great way of bringing Godzilla into the story in a way that actually makes sense. This animal like approach helps him to fit more easily in the position of him still being a creature of nature even if he is definitely more than that. This comes even more into the fray come the battle sequences where; when rises out of the water his body movements represent that of something which is more gorilla like. While he fights and acts more like an animal now or at least something that is believable to the natural world, attention has been made to how such a creature could fight if say a giant lizard could stand on two legs, had a big tail, big head (Atomic Deathray) and large arms. But making him like the world is not the same as placing him in it. While it has been stated that his build up to appearance is like that of Jaws with the Dorsal fins in shot and no major reveal for a while, this idea does work splendidly, so while you can see him, you still have no idea what he looks like. Much like the original 1954 film as described by Enthusiast Tony Luke for a BBC Documentary in 1998 said “As the film progresses over the next hour, you just get hints of something big and dark and evil smashing its way through northern japan”. Now while the creature in this film is not like that in characterization, he is like that in the sense that you know something is coming, but even when it is first spotted, you don’t know what it is, and can only see a small portion of it. Another form of characterization and personality was thanks to the opening screen credits. Now while the 1998 film did something partially similar, this time around, it was very clever how they pulled it off. There was still the connotation with the use of Nuclear Weapons, the extra points of A) seeing Godzilla to begin with if only in his submerged form meant that he is at least mentioned from the start along with that great soundtrack, and B) the relation with sea tales of Giant Sea Monsters including sightings of sea serpents and the Kraken which represents his connection to the sea and world but also shows his connection to mother nature herself for always being there when he is needed to be. This use of old folklore tales is very well done and a nice technique by the filmmakers.

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While the use of him being an alpha predator is well done, in story terms, I feel like I have seen this before, in another monster movie starring another Japanese cultural icon; Gamera. Last year, I reviewed Gamera: Guardian of the Universe. The first in the Gamera Heisei Trilogy. Now for those un-aware, Gamera is another giant movie monster, but taking on the guise of a fire breathing, rocket-propelled flying turtle. Gamera first appeared in Japanese Cinema in 1965 and thanks to a growing popularity which particularly after the Heisei series has gone on to become an icon himself (please refer to my What is Gamera post). In Guardian of the Universe (rephrased to GGOTU) an ancient species of bird comes to life and wreaks havoc in Japan (like all other monsters do) only for them to suddenly have to deal with the appearance of a Giant Turtle. The two then fight with Gamera acting like the superior creature being sent out to take care of the appearance of a new threat. While a brilliant film, I can’t help but feel that the same story structure has been applied to Godzilla. Big creature comes out of the woodwork, bigger creature comes to deal with it, they fight, bigger one wins. I am not saying this is necessarily a bad thing but I do feel that it is sort of weird that this new film has been almost based on the story from and even the characterization of the lead monster (and even some of the design of the MUTO’s look a bit like Gyaos) comes from the series biggest competition.  Mean Gamera himself in that film is an ancient creature created by a lost civilization, much like Godzilla’s ancient history. This is more of something that you may need to make your own minds upon. If you have not seen the Gamera Heisei Trilogy, I do highly recommend it (particularly the last one). But for those who have already seen GGOTU, what do you think?

GGOTU3 (The film is not in Black and White, it's just that this is a Good Picture)

As for the main part of the story itself, there is a lot of talk in it about the want and urge of man to control nature. After going to see this a second time with a friend, she mentioned that it is a lot like Jurassic Park which does use a lot of the same elements. I myself recently read the book by Michael Crichton which shows an urgent need to control nature as well as the refusal to admit when you are wrong and the ignorance of man who just wants to continue. This film uses ideas like that a lot of the time but does show the learning side as come the end, at least for now there is no real want to control Godzilla. But knowing how the American Military is usually portrayed in films, I bet there could be the possibility of them wanting to find some means of control over Godzilla in future films. Also on the nature note there is also the amazement and sense of discovery that occurs when something amazing has been discovered and shows that while we do live on this planet there is still a whole lot more that we don’t know about and perhaps our strive to find it and control it could lead to the end. I do find myself thinking a lot about Blake Snyder’s book; Save the Cat!: The Last Book on Screenwriting You’ll Ever Need, which talks about how films are written to connect with the audience through the use of primal urges, and one of those early settings is described by Snyder as “Monster In The House” to which he further describes by stating that “It’s not about being dumb, it’s about being primal. And everyone understands the simple, primal commandment: Don’t… Get… Eaten!”. This is very much true with this film as the point of view of the audience is that of the people on the ground during the events and the urge to survive the power of the super predators. Much like a Japanese Godzilla film as well, there is a lot of mentions about the use of Nuclear weapons, from the beginning to the end and I particularly enjoyed the scene between Stenz and Serizawa when Serizawa shows him his watch which stopped on the day of the Hiroshima Bomb. It showed a sense of understanding from Stenz about the use of nuclear weapons as well as a possible sign of regret showing that the world has moved on and understand such power more and don’t take things so lightly, but connected with that is the lesson of not being able to control nature too and the understanding that comes with that. And much like how stories in cinema work with the characters having to grow and change, the same is applied here while also showing the growth in the human mind over the last 60 or so years with mentions to Nuclear dominance being one of them.

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I absolutely love this film from the ground up. It gives a well-deserved new light onto a character whose reputation was dented back in 1998 and corrects everything that the said film did wrong. It respects the design and meaning of a character that has been on-screen for about 60 years now and is beloved by millions of people all around the world. Using a great amount of new expertise in film making including special effects, lighting, shooting and even a soundtrack of extremely high qualities and added to that a film’s cast who each have their own loveable quirks and then Monsters whose design and characterization is of such a high standard, all coming together to make one fantastic film, a film that I have fallen in love with from start to finish. This is the film that I have been waiting to see and while it may have taken somewhere between 4 to potentially 10 years to produce, in the end it was worth waiting for and the confirmation of a sequel just means there is more to look forward to. In part 1 I said that this film is one of the Best films in the series, a comment I stand by, and while it is not my favourite, I do believe that the quality of this film really does make it so. And one other thing on that. A couple of days after seeing this film for the first time, I watched one of the all-time classic best films in the series; Ghidorah, the Three Headed Monster, one of the ones I like a lot, and I did not enjoy it as much as this one. So while its place in the film series and general cinema is still probably going to be debated; if it is able to make a Godzilla fan as big as me happy and not disappointed, it has succeeded. And that is why I love this film, and shouldn’t that be the ultimate goal of films? To Be Enjoyable. Thank You Godzilla.

GENEPOOL





Top 10 Most Exciting Films in 2012

5 01 2012

2012

As it is now the beginning of the New Year I thought I would share with you Which Films I am most looking forward too.

10. Prometheus: Prometheus is the Prequel to the original Alien. Ridley Scott is directing it with Noomi Rapace in the lead role alongside actors like Guy Pearce and the Fantastic Idris Elba. While I am a kind of Fan of the Alien franchise I am a very sensitive person in the horror genre and find it hard to sit through most Horror Films including most of the Alien Films, so it could be hard for me to watch this (if I watch it at all).

9. Wrath of the Titans: Sequel to the 2010 Clash of the Titans this film is quite Interesting especially seeing as the original Clash of the Titans did not have a Sequel so it is going to be interesting to see how this turns out.

8. Men in Black III: Prepare yourself for more funny Alien Fun in the third film in the series as both Will Smith and Tommy Lee Jones return to make us laugh.

7. The Muppets: The Muppets have had a long film career with amazing films like Muppets From Space, Muppet Christmas Carol and Muppet Treasure Island. This sees the return of the Muppets as they try to make us all laugh once again. You are never too old to enjoy The Muppets.

6. Battleship: This one is probably the strangest of films in 2012. With the success of Transformers Hasbro decided to make a film based on the popular strategy Game. The idea of the film is that you will see the 2 points of view between the Humans Fleet and the Aliens Fleet. Sounds Bizzare but it also looks very Good and it also looks like one of the years strongest Action Films.

5. Iron Sky: In 1945 the Nazi’s fly to the moon in the hope that one day they will return to Conquer the Earth. in 2018 They Return. Basically you can sum this film up as Nazi’s in Space. It looks like a fantastic Idea and it is kind of surprising that an idea like this has not happened yet.

4. Star Wars – The Phantom Menace 3D: Yes Star Wars is being re-released but this time it is in 3D (A format that does not really work). Star Wars is still Fantastic to this day and as a result of that I would really like to see them all again. OK if they are being shown in 2D format I will probably watch them like that. However because this is George Lucas it can be assured that the Film will not get released until he is happy with it. So if the effect is not achievable the film will not be released.

3. The Dark Knight Rises: The Third and Final Nolan Batman Film. This film has both Bane and Selina Kyle as the villains. It is a good thing that this is the last one because then it stops the series from expanding rapidly and ruining it. The Last film is also exciting because you are excited to see how it is going to finish just like the last episode of a TV series.  This is by far the best of the Batman Film series and with Nolan doing it it should be an Amazing Film.

2. The Host Sequel/Prequel: One of the Best Monster Films in Recent Years. Released at a time when there were no Godzilla Films being released The Host stepped into the spot light to become one of the best Monster Movies in Cinema History. Now after six years The Host returns with a sequel. This time it is a prequel and is apparently going to have lots of Monsters. It has also been announced that the film will be in 3D.

Godzilla 2014 (Legendary Pictures - 2014)

1. Godzilla: What else do you think was going to top my favourite films list for 2012. Now this is very optimistic because there has been several changes to who is writing the script and so there has not been much updates about when the film is being Shot. It may not come out this year like it is planned but if it does come out it should be an Incredible film and also should show people what Godzilla is all about so they can forget that 1998 (NOT TECHNICALLY A GODZILLA FILM) Godzilla.

Well that is my Top 10 Films I am most excited about. What films are you looking forward to, are any of mine on your list?

GENEPOOL

Statistics:

First 12 for 12: 2 – 10 to go

Last Book I Read: The Bible

Last TV show I watched: Hairy Bikers (I listened to it because the TV was behind me)

Latest Piece of Music I have heard: Saxon – Wheels of Steel

Last piece of Food I ate: Microwaveable Chocolate Pudding with After Eight Ice Cream

Main Colour of Clothing I am Wearing: Black

Web Pages that I have open: WordPress, Saxon – Wheels of Steel (YouTube)

Am I Winning this Challenge: Second Place at the moment.





Godzilla News – Writers and Suits

11 11 2011

Godzilla (Final Wars)

You may remember that in July it was announced that David S. Goyer was doing the script for the New Legendary Pictures Godzilla Film. Well it has been reported by Godzilla2012 that Max Borenstein has been brought in to write the script. Borenstein is relatively new to films and has only written two screenplays (The Seventh Son and Swordswallowers and Thin Men). There has also been reports that TOHO has been monitoring production so that the film does not turn into the 1998 (RUBBISH AMERICAN NOT TECHNICALLY A GODZILLA FILM) Godzilla Film. It has also been reported that TOHO want a man in a suit instead of a CGI Monster. In my opinion that is great News because if it is a man in a suit it is already guaranteed it will be Good. As far as I know Gareth Edwards is still on board to direct the film.

With this news it looks like filming has yet to be started. We have heard news about writers and directors for a while now. As a (GIANT) fan of Godzilla I would like to see some more stuff a bit more often. Possibly a design for Godzilla and if there are any more news on another monster in the film and if so what will it be and what will it look like. I do think though that if you were going to make a series out of this American Film King Ghidorah should not appear in the first film. The first film should show people the Idea of Godzilla and then bring in the Big Guns later on in the series, at least that is my opinion.

King Ghidorah (Heisei)

With all this news it is clear that Legendary Pictures and TOHO are working on it. I don’t want to rush them in Production because it might lower the overall awesomeness of the film but I am really excited about the film and can’t wait to watch it.

GENEPOOL





Godzilla News – Super Heroes to Super Lizards

16 07 2011

Godzilla 2012

It has been some time now since the latest news on Legendary Pictures Godzilla Film. Well yesterday I found out that some Bad News and Good News. The Bad News is that the film may not come out in 2012 and may come out in 2013 or 2014. However the film finally has a Writer. David S. Goyer who wrote the Blade Films, Blade The Series, Batman Begins and the upcoming Man of Steel is now moving from Super Heroes to a Super Lizard.

Godzilla (Heisei - Toho Co., Ltd.)

Now I like Batman Begins it is an Amazing Film but I for this film I still want the Proper Godzilla not just another Monster Movie. America has access to all this amazing CGI Graphics but when it comes to their own remakes they have to do it their way and make something completely different. The 1998 (RUBBISH) was not a Godzilla Film. OK Legendary Pictures has previously stated “Our plans are to produce the Godzilla that we, as fans, would want to see. We intend to do justice to those essential elements that have allowed this character to remain as pop culturally relevant for as long as it has.” Thomas Tull, Chairman and CEO of Legendary Pictures (Wikipedia). So for this film we should get a Giant Lizard who is a Giant Force of Nature with an Atomic Death Ray. Now Gareth Edwards is still on board to direct and he is a fan of Godzilla. With these two components David S. Goyer will have to write something based on the Japanese Godzilla.  So we should get a proper Godzilla Film and with David S. Goyer writing the script it should be an Amazing Film.

Godzilla (Toho Co., Ltd. 1954 - Present)

Also 2014 (60th Anniversary of Godzilla) is the planned return of the Japanese Godzilla. So if Legendary Pictures does release their version of Godzilla in 2014 then we could get two Godzilla Films in one Year, FANTASTIC.

GENEPOOL





A Brief History of Godzilla (100th Post)

25 05 2011

Godzilla 1954 - Present

Godzilla is a Gigantic Nuclear Monster. He is a force of nature that is Indestructible; it is a symbol of nature taking out its revenge on the world. Godzilla is also a Cinema Icon staring in 29 films. I thought that I would give you a brief history of Godzilla and show how one film in 1954 went on to become the Greatest film series in the History of Cinema (I will try to keep this brief, I might go into more detail another time or release it as a book).

Godzilla was created by Japanese film producer Tomoyuki Tanaka in 1954. In World War 2 Japan was hit by 2 nuclear weapons. Japan surrendered and around the pacific the Americans used the area to test new weapons. In 1952 there was a re-release of King Kong and in 1953 Ray Harryhausen released The Beast from 20,000 Fathoms. It was from the inspiration of these 2 films plus the event of weapon testing and 2 nuclear bombs which became the inspiration of a film. The other driving forces behind the film were director Ishiro Honda and special effects creator Eiji Tsuburaya. Tsuburaya would later become known as the Father of Japanese Special Effects.

“I was an actor in a film by Akira Kurosawa –The Seven Samurai. It was a very long job, it took a whole year to shoot but while were working on it, we kept hearing strange rumours. On set we would hear people talking about something called Godzilla. We kept hearing this name and none of us had any Idea what it was but nobody would tell us” – Yoshio Tsuchiya

Tanaka had an Idea for a large creature to come ashore and attack Japan. Eiji Tsuburaya told his Art Director Teizo Toshimitsu and Toshimitsu made many models out of clay and Tsuburaya chose the last one that Toshimitsu made. The name of the Monster came from two words Gojira (Japanese for Gorilla) and Kujira (Japanese for whale). It comes from an interesting story that may or may not have happened where 2 guys at Toho had these names and there was a ring to it. Another Idea is that it was renamed Godzilla when the American Distributor picked it up and edited the film to make it more appealing to an American audience. Another idea is that the name comes from the way that the name is pronounced. Many different ideas but all together the monster is called GODZILLA. Eiji Tsuburaya wanted to use Stop Motion effects like in King Kong but because of the time (3 Months) and budget constraints they decided to use a suit and use models to smash-up. Composer Akira Ifukube was brought in to make the music for the film and something else. Honda gave total control for the film’s music to Ifukube and told him that the music was the final part of the special effects. The monster also had to Roar (Reptiles don’t Roar).

“We all went down to the zoo to look for ideas but that was no use, there was no precedent in the natural world. We tried different bird noises but none of those worked either so in the end we used a double bass. First we fiddled with the peg box on the top of the instrument then we opened up the tail-piece pulled it away to give ourselves more room to move and then put on gloves to protect our hands. Then we played the double bass in a very unorthodox manner by scrapping our hands down the strings” – Akira Ifukube

The film starts out with a ship catching fire followed by many other ships. Then during a storm on a Japanese island, the village island is destroyed by some unknown force. During the time that follows you get this idea of something Big, Bad and Dangerous heading towards Japan and then it Arrives. The film became a huge hit in Japan and was nominated for two awards at the Japanese Academy Awards and won the award for Best Special Effects. It however did not win the award for best film which went to the Seven Samurai. The film was picked up by an American Distributor and was edited with extra scenes included starring Raymond Burr (Perry Mason and Ironside).  Godzilla became a hit around the world. 5 Months later Toho release Godzilla Raids again, this film was the first film to involve monster fights. Godzilla fights an Ankylosaurus type creature called Anguirus. Anguirus would later become one of Godzilla’s most trusted allies (and one of my personal favourites from the series).

At the time of release there was not really an Idea for a film series just an idea to make big monster movies and so Toho later released Rodan in 1956 and Mothra in 1961. It was not until the release of King Kong vs Godzilla was released in 1962 that the film series started due to the popularity of the film. The 1960’s saw many iconic films in the series and introduced several new characters to the series like Mothra and Rodan as well as inventing new characters all together like King Ghidorah. Godzilla also changed in character by becoming the hero of Mankind and saving mankind from monster threats. Baby Godzilla also turned up as well. Suits were still being used and are still used to the present day.

King Ghidorah 1964 - Present

Eiji Tsuburaya eventually left Toho to start his own production company making shows for television. This would lead to the highly successful Ultraman Series. Eiji Tsuburaya sadly passed away in 1970.

Godzilla eventually had competition in the form of Gamera made by film company Daiei. Gamera is a Giant Turtle who can breathe fire and fly with Rocket Boosters.

The 1970’s saw a much darker turn in story lines for Godzilla and also some scary films (well I found them scary). In 1971 Godzilla vs Hedorah was released and had a subliminal message in it with Godzilla attacking a monster made of Sludge. Director Yoshimitsu Banno wanted Godzilla to fight not just a monster but also pollution. Tomoyuki Tanaka was in hospital during the production of the film. When he recovered and watched the film he told Banno that he would never direct another film at Toho. Following Godzilla vs Hedorah was Godzilla vs Gigan. A film involving Godzilla, Anguirus, King Ghidorah and new monster Gigan. This film had almost a tag team feel about it with 2 Monsters fighting 2 other Monsters. Godzilla vs Megalon had the same idea but had new monster Megalon instead of King Ghidorah and new monster Jet Jaguar instead of Anguirus. Megalon did not do so well because of the constant use of Stock Footage. Toho followed this up with two Really Good films. Both of which introduced a new character which would go on to become one of the series’ most popular Monsters – Mecha-Godzilla. Mecha-Godzilla would also become one of Godzilla’s most powerful enemies (all 3 versions have come very close to killing the King of the Monsters). Godzilla vs Mecha-Godzilla was released in 1974 and Terror of Mecha-Godzilla was released in 1975. Terror of Mecha-Godzilla was the last Godzilla film directed by Ishiro Honda who sadly passed away in 1993. Terror of Mecha-Godzilla was the last in the Showa Series due to the crash in Japanese Cinema and an Oil Crisis as well.

In 1984 Godzilla returned in The Return of Godzilla (one of my top favourites in the series). This was the first film in the Heisei Series and a few things were changed. Godzilla’s suit was updated to make it much more realistic and more intimidating. Godzilla was no longer the Hero of mankind and returned to being an Indestructible threat. Another difference was that the previous films except the original were forgotten for the purpose of the story. So Godzilla did not fight Monsters in the last 30 years but only appeared in 1954 and has not appeared since – Until Now. The Return of Godzilla did not have any other giant Monsters except Godzilla. OK there was some big Insects but nothing Gigantic enough to fight Godzilla. The film also has some close up shots of Godzilla’s Foot showing some scale size for people wanting to know how big Godzilla is. There is also a brilliant scene where he pushes a Skyscraper so it will fall on top of a Flying Machine sent to attack him.

Following this film came many others in the series like Godzilla vs Biollante (one of only 3 films in the series I have not seen). They also brought back some Popular Monsters from the series like Mothra, Rodan, Mecha-Godzilla and King Ghidorah while also creating some new Monsters for the series like Mecha-King Ghidorah, Space Godzilla, Moguera, Destroyah and (one of my top favourite Monsters from the series) Battra. Baby Godzilla also made a return but had a more dinosaur look about him and the films also showed the life-cycle of Baby Godzilla as well with him starting out hatching from an egg, to becoming a bigger Baby Godzilla to finally becoming a mature Godzilla in Godzilla vs Destroyah. (2 Godzilla’s in one film even though one is a lot bigger).

Mothra 1961 - Present

Gamera films returned to Japanese cinema as well during the Heisei series with a more updated and realistic look. I have only seen Gamera 3: Awakening of Irys which is very enjoyable (it makes me want to watch the previous 2 Gamera Films in the series).

Godzilla vs Destroyah would become the last one in the Heisei Series and only the second film where Godzilla dies. He dies when his Nuclear Heart goes into Meltdown. However instead of destroying the earth as he goes into meltdown all his power goes into Godzilla Junior (who was killed by Destroyah earlier in the film) and brings Junior back to life but now as a fully grown Godzilla. Godzilla vs Destroyah has an interesting Story connection with the 1954 Original Godzilla. Godzilla gets killed in the original and in Destroyah bizarre creatures are found where Godzilla died in 1954. Momoko Kōchi plays the character of Emiko Yamane who was also in the 1954 original. Tokyo is not the only city to be attacked in Godzilla vs Destroyah, Hong Kong gets attacked at the beginning of the film. This was also the last film that Akira Ifukube provided the soundtrack, even though some of his work was used in the Millenium series. Ifukube sadly passed away in 2006. The film ends with a montage of clips from the first film and films from the Heisei series. One year after the release of Godzilla vs Destroyah Tomoyuki Tanaka sadly passed away.

In 1992 Sony were given the rights to make an American Godzilla film. After the success of Independence Day Sony hired Roland Emmerich and Dean Devlin to make the film, but they only agreed to do so if they were allowed to do what they wanted with the Movie.

In 1998 Godzilla was released and did very well at the box office earning $379,014,294 at the box office. However the fans were not so sure about it. Kenpachiro Satsuma who was in the suit between 1984 and 1997 walked out of a Tokyo Screening and told reporters “It’s not Godzilla; it does not have the spirit”. The film was not really a Godzilla film. Godzilla 1998 was just a monster movie with an Iconic name. Calling it something else might not have drawn the crowds in but giving it a name that people know about will make the crowds come. They were probably trying to make a Godzilla film but the film itself is not a Good representation of the King of the Monsters. Ok some parts of the film is actually quite good but it is no-where near as good as the Japanese Films. The creature in the film was later renamed by Shogo Tomiyama (President of Toho) to Zilla. He felt that the 1998 film took the God out of Godzilla. Godzilla is not some animal that can be harmed by Man Made Weapons. Godzilla is a Gigantic Indestructible Force of Nature. Modern Man Made weapons have no effect on Godzilla.

In December 1999 Godzilla returned but this time it was a Japanese Godzilla film. Godzilla 2000 (my joint second Favorite film) started the Millennium series. Each film in the series (except Tokyo S.O.S.) used the original as a launch point for the film. The idea works well and adds the idea of Godzilla being a legend that happened over 40 years previously. It also brought monster fights with it and once again created new Monsters for the series like Orga and Megaguiras while also bringing back some Monsters from the other series like King Ghidorah, Mothra and Mecha-Godzilla (also known as Kiryu in Godzilla Against Mecha-Godzilla). Also for some Monsters in the Millenium series it was the first time they appeared in Godzilla films in almost 30 years.

Mecha-Godzilla 1974 - Present

In 2001 Godzilla, Mothra and King Ghidorah: Giant Monsters All Out Attack was released. The film involved 3 Guardian Monsters and Godzilla. Even though not mentioned in the Title Baragon makes an appearance in the film. This is Baragon’s first appearance since the Showa Series and is a Good addition to the film. This is my Favorite film in the series and My Favorite film in the world. It is an amazing film. Tokyo S.O.S. is the only film in the Millennium series not to use the 1954 original as a starting off point. Tokyo S.O.S. was a direct sequel to the previous film Godzilla Against Mecha-Godzilla. Tokyo S.O.S. also contains one of the best and most mysterious post credits scenes in cinema history. A possible launching off point for a future film.

In 2004 it was an important year. Godzilla’s 50th Anniversary. So to celebrate Toho released Godzilla: Final Wars. Shogo Tomiyama decided to put the series on a 10 year break following this, but this film was amazing (my joint second Favorite film). It contained many Monsters that have not appeared in the series for 30 years. Some of them with improvements, in particular Gigan who now looked even more dangerous. Zilla also makes an appearance but does not last very long. Directed by Ryuhei Kitamura the film is a lot like Destroy all Monsters with a Giant Monster Battle Royal where all the worlds Monsters fight Godzilla.

godzilla2014_poster2[1]

Since 2004 not much has happened with the series. Yoshimitsu Banno decided to try and release a 3D Godzilla film for IMAX Cinemas called Godzilla 3D to the Max. However this was later scrapped to make a new American Godzilla film. This is a reboot to the American series with Legendary Pictures producing it. The film is based on the Japanese Monster and is not related in any way to the 1998 film. Gareth Edwards has been signed on to direct and he is a fan of Godzilla so we all know it’s going to be what we want to see.  With a 2012 release to the film we will not have to wait long. Not only that it is now 2011 and in 2014 the 10 year break will be over.

“One hopes there is always this same reliable, Death Dealing, Fire Breathing, Mutant Dinosaur. You know so the creative’s just have fun with the humans in the foreground and leave Godzilla to his own devices” – Alex Cox

The future for Godzilla is uncertain at this point. We don’t know what the film makers plans are but Godzilla is not something they will forget about so I think it is more of a certainty that Godzilla will be back and continue to Smash, Crash, Pull Down and Destroy Cities worldwide while always being a Cinema Icon the world over. Godzilla will always be The King of The Monsters.

GENEPOOL (I hope you enjoyed reading this as much as I have enjoyed writing it)








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