A Big Red Right Hand – Hellboy

7 09 2016

Hellboy (Revolution Studios - 2004)

A few weeks ago while dining at a church fellowship meal, someone on the table remarked at how everything on TV and at the Cinema all involved Super Heroes. Now while this is something more of a cliché possibly or more likely an over exaggerated statement, there is a lot to be said about the number of Super Hero based things on TV and at the Cinema at the moment. Things like Supergirl, The Flash and Arrow on TV, whereas cinema this year has had several comic book related films like Captain America: Civil War, Batman vs Superman: Dawn of Justice, X-Men Apocalypse and of course Deadpool. The reason for all of these of course is that right now they are very popular franchises, plus more importantly..…they make money. Super hero/comic book/graphic novel based movies are nothing new, they have been around for a while, its only in the last 8 years or so that they have really gained much in the way of traction; however, it should be noted that not all comic book/graphic novel interpretations are about super heroes, I mean, would you call V for Vendetta a Super Hero Movie?

V for Vendetta (Warner Bros. - 2006)

Released in 2004 by Revolution Studios, Produced by Lawrence Gordon and Directed by Guillermo Del Toro; Hellboy is a comic book adapted movie based on the Dark Horse Comics character of the same name by Mike Mignola and released by Dark Horse Comics. This is by no mean Del Toro’s first foray into making movies based on comics, as 2 years previously he directed Blade II.

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In 1944, The Nazi’s with the help of Grigori Rasputin (Karel Roden), build a machine off the coast of Scotland to create a portal in the hope of releasing a group of monstrosities called the Ogdru Jahad to aid them in winning the war. Rasputin opens the portal with help from Ilsa Von Haupstein (Biddy Hodson) and Thule Society member Obersturmbannführer Karl Ruprecht Kroenen (Ladislav Beran), who is also Hitler’s top assassin. A group of allied soldiers arrive just in time guided by Trevor Bruttenholm. The German team is defeated and the portal is closed, sucking Rasputin in, in the process. As the allied soldiers search the grounds however, they discover that an infant demon with a big right hand-made of stone did travel through the portal. Bruttenholm decides to adopt him, and the soldiers call him Hellboy. Sixty years later, in the mountains of Moldova, Kroenen and Ilsa resurrect Rasputin, while in America, young FBI agent John Myers (Rupert Evans) is transferred to the Bureau of Paranormal Research and Defense (BPRD) at the request of Bruttenholm (John Hurt), where he meets the amphibious humanoid Abe Sapien (Doug Jones) and the now grown up adult Hellboy (Ron Perlman), who has grounded off his horns. As soon as he meets Hellboy though, they get a shout that something is going on at a local Museum. Inside the Museum, Rasputin has unleashed the monstrous Sammael (Brian Steele) and bestowed upon him the power of reincarnation. Hellboy fights with Sammael, defeating him after a long lengthy fight, before then disappearing to see Liz Sherman (Selma Blair), a former BPRD member who is now residing in a mental hospital hoping to gain more control of her pyrokinetic abilities. After Hellboy is gone however, Rasputin visits, and mentally activates her powers which in turn burns down the hospital.

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Back at the BPRD HQ, the team discovers that a creature from Sammael laid eggs into Hellboy while it was attached to his arm. Whilst John goes off to visit Liz and encourage her to return to the BPRD, Hellboy, Abe and a team of guards including Agent Clay (Corey Johnson), head to the subways to find and destroy a nest of eggs belonging to Sammael, into which Hellboy discovers has come back to life, while Abe fights with another. Abe is severally injured in the fight while Hellboy dispatches with the other. Several BPRD Agents are killed however by Kroenen, who then shuts down his clockwork body so he can be taken into BPRD HQ. FBI Director Tom Manning (Jeffrey Tambor) is not too pleased with Hellboy’s actions. John takes Liz out for Coffee, while Hellboy who has romantic feelings for her, stalks them. In the Bureau HQ, Kroenen re-animate himself, and both he and Rasputin make themselves known to Bruttenholm. Rasputin reveals to him, that Hellboy is the agent that will reopen the portals and destroy the world. Bruttenholm who is dying of Cancer, and who has raised Hellboy like a son, believes that Hellboy in the end will make the right choice, and Kroenen stabs him in the neck.

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Manning takes over the BPRD after Bruttenholm’s funeral, and leads a team consisting of agents, John, Liz and Hellboy to Russia in hope of finding Rasputin’s Mausoleum. With help from a local cemetery corpse resident Ivan (Guillermo Del Toro), they find the mausoleum, but get separated once inside. Hellboy and Manning find the lair of Kroenen and quickly defeat him, while Liz and John find Sammael’s eggs, where there are no quite a few of them. Hellboy arrives and does battle, but its Liz who saves them as she sets fire to the lair, killing all of the Sammael’s and his eggs, meaning he can no longer be resurrected. The group though is captured by Ilsa and Rasputin. Using Liz’s soul as a bargaining chip, Hellboy reveals his true power as Anung un Rama, with his horns growing back and begins the ceremony to release the Ogdru Jahad. Myers quickly breaks from his restraints and reminds Hellboy of what Bruttenholm brought him up to be. As such Hellboy breaks his horns, and kills Rasputin before the creatures could be finally released. Rasputin, revealing to have had one of the Ogdru Jahad possessing him, releases the tentacled monster. Hellboy defeats the creature by blowing it up from the inside. He then returns to Liz, whispering into her ear, threatens to go to the other side unless her soul is returned to her, as such Liz is revived instantly and the two share a kiss.

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Hellboy isn’t what you would exactly call a Super Hero Movie. It definitely shares traits and themes to films of this Calibre, but in all perfect honesty, Hellboy is not really a Super Hero, he is more an Anti-hero. He saves the day and the world on a regular basis from threats and monsters from the other side, but when he goes back home, he doesn’t live a life of obscurity or simply puts some glasses on, he returns home and does what he wants when he wants. In a way, he is more a mirror image of the human condition and what most of us are likely to do if we were super heroes, and want we would want out of it, not what is right, but what is desire. He wants fame, he wants fortune, he wants food, he wants love, don’t we all deep down? Yes, he is a super natural force from a world that is not this one and is employed to defeat the forces from beyond, to protect this world from the greatest threats not of this world or even this reality, but he is given a pampered life to make up for the life he simply cannot have as to who he is. If you look at other super heroes (except for maybe Deadpool), and what they do, and how it drives them, Hellboy is not in it for that, and when he does go in for a fight, he makes it as big, as loud and as exciting as possible, just because it allows him to go outside once in a while. He is less a Super Hero, more just like you or me, in it for a kick, but secretly desiring more.

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As a film, the tone and ideas are a little bit off-putting, there is no middle ground in explaining, this film is based on subjects about the dark arts, and the grim dark and horrid after life that is in the lead’s name. But through all that though, comes this incredibly well thought out and well created mythology and ethos surrounding the characters, what they do and who they fight. It’s very similar I think to Buffy the Vampire Slayer, as it’s setting and mythologies are all based on well documented ideas and beliefs, but brings them into the here and now rather than through some old age orientated may centuries ago fantasy world. This is the kind of Fantasy that should be explored more often, because it makes it more apparent, believable and interesting to a more modern culture and audience. I can see why Del Toro did this film in the end, it works perfectly to the style of films he started out doing and continues to create (Fantasy Horror). The setting is of course our world, but it goes on to suggest a dark uncertain future, including the possible apocalypse, and through its ideas creates some visually stunning moments. We are not talking Independence Day like scenes here; we are only talking a small fraction of visuals, but still aesthetically pleasing to the eye, but also amazing and horrifying to believe. It all works well into this well created and wonderfully designed setting while also providing everything else a film needs to grab the attention of the audience. It’s visually stunning, with grips of an enchanting and horrifying storyline while also adding a well-researched and believable mythos.

BPRD logo

It’s interesting to note the strong calibre of movie industry veterans cast in major roles in what is really such a small comic book movie, but I bet that comes more from the established director. Jeffrey Tambor is someone I have had little exposure to in the past and before seeing this, the only role I have seen in him was Muppets from Space. In that he had a high seniority role which came with a lot of pressure and a lot of stress, but overall was an incredibly funny role. Here we have something somewhat similar minus the comedy. He comes in as something of a corporate/political nemesis whose only concern is really himself and his position and finds that while the BPRD has its uses, he considers them overall a joke and a waste of resources. From his first appearance onwards he presents himself as someone who does not at all care for Hellboy, and his immediate introduction is shown of someone with a lot of power and whom carries a large level of intimidation. This carries on, showing his more demanding, not necessarily selfish side, but one who wants and demands respect; although how he reached his position could be questionable. He however, like a good scripted character, does show his uses and redeems himself in a flat second by showing his thanks to Hellboy for saving his life, and shows him how to light a cigar. Similarly there is of course John Hurt playing the adoptive father of Hellboy and head of the BPRD. He presents himself on a more caring but still serious note and overall rather than being a head of section comes more across as that chemistry/history teacher that we all come to be fond of and respect. His father figure like stance has its moments and the story of him dying ensures to enrich the plot and reason for Myers existence in the film, all which leads to a revelation point as to the true meaning for Hellboy, but still his ensured faith as to that Hellboy will make the right choice.

Jeffrey Tambor and Ron Perlman

While this film is primarily about creatures/monsters, there is of course a lot of human interaction. Some of these have been allowed very little screen time but are presented enough and are performed brilliantly enough for them to remain a key part. Characters like Ilsa are a good show for this. Someone who is a high officer in the Nazi Party and the key love interest for Rasputin, who, slowly but surely begins to reveal a sort of near psychopathic and heretic side, someone who believes in the cause no matter how it comes. She is very old-fashioned and also en-richly disciplined given her growing up and position, and keeps to this even after 60 years have passed by. Kroenen meanwhile is more a Monster than a human, and becomes a key villain from start to finish, even if he is just a puppet in the end. He too shows an incredible dark side, killing without mercy and has even showed some remains of being human showing traits such as laughing; however his body is less the case. Rasputin is something of a cross between Dracula and Darth Vader I find. He is presented more as a prophet and is unwieldy fiendish, but for him it’s all been planned out, and if it’s not part of the plan, he has no motive for it and will either order it dead, or just not think about it. He uses as much as he can to get what he desires and will maintain a level of control to keep the plan ripe and eventually fruitful at all costs. He is an interesting villain, but you get this feeling though that he is not the puppet master either, like there is someone else pulling the strings, but it’s never really shown (also, he has this weird change of voice before he turns into the monster).

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Myers comes across though as a young man in his prime excelling and desiring to do what is right in what is already a stressful job. He does not get on too well with Hellboy, and it feels like he is side-lining himself just so he can work on/with Liz, either because working with her feels more normal, or because of another reason. He continues to try and work with Hellboy, but while he is supposedly the lead human in this film, it feels like his point or part just gets more and more obscure and less needed other than to help Hellboy make the right decision. Other than that, he has almost served his purpose already. Maybe he is just an Introduction to the world of the BPRD, for the sake of the audience, as while he is a key feature for the first act, and a bit of the second, by the third, it feels like he is not even there. Agent Clay I find is a lot more of an interesting character than Myers, as he comes off a lot more strongly to begin with, and his compatibility with Hellboy comes off immediately as the two respect and care for each other even if their position does not require it. He shares very few scenes, but when he is in them, it feels like he is a much stronger lead in comparison to Myers, and that deep down, Clay should be the lead, but I don’t see how that could work either, as it’s clear he has been around a while.

Corey Johnson

The one theme this film tries to tell and thoroughly resonates, is what it takes for someone to become a Man. It gets mentioned start to finish and in the end becomes the story. This theme though really does work well for Hellboy. You need to remember that Ron Perlman is playing a very demanding and physical role, but in reality is the only real actor who could play the part, as the character needed someone physically big but also who could act, not like hiring an actor who is big but is only hired for physical capability. But despite the experience and wisdom of Perlman, it should be noted that Hellboy is actually a much younger character than Perlman is. In reality, Hellboy is actually very childish; a spoiled brat who gets more than he deserves but still demands more. He is like an over pampered cat, receiving so much food and attention, but still desires and believes he needs more. He is also something of a smitten lover, desiring Liz, even though she would rather lead a more normal life. He shows this by endlessly talking about her and trying to visit her/bring her back to the BPRD then eventually stalk her when she goes out with Myers. Like the average action hero, he does in the end ‘get the girl’, but it’s not through his childish ways, it’s when he grows up, becomes more respectful, and then threatens to fight tooth and nail for how much he loves her, therefore going from a childish brat, to a man, even if he is not human.

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Abe Sapien I find is something like a rabbit in a field of cats. This film’s ideas and premise surrounds a demonic identity, then in the meantime there is this character who is not that in anyway shape or form. He is less an alien, nor a demon, he is more in fact a natural mutation with a human life. He is more a book work than a man of action, less likely to get into a fight and more read his way out of a battle than throw a fist. He however though carries the trait of a group counsellor. He carries a lot of wisdom even if he could be considered a little young; he comes packed with knowledge, but still packs a little attitude. But in the end knows his place and where he belongs and knows the importance and vitality of the groups function and works to act as a mediator in-between the heat. He may feel less than respected or a part of the group, but he believes in it. Liz Sherman for me though is the one who stands out the most. She comes across as this shy, and vulnerable character, who is scared as to who she is and what she can do. She carries a real fear for it, and though while not a monster in appearance, feels on equal footing to the others in what she is. She desires a more normal human life, feeling more like an outcast in all walks of life. She has power but looks human. She wants to be human, but knows that humanity won’t give her credit as to what she looks like given as to what she can do. I do feel this really affection for the character, and really come to know who she is and how that affects what she desires. She then starts to build confidence thanks to Myers and receives the opportunity to lead a more normal life thanks to him, but then, upon the death of Bruttenholm comes to the knowledge that the ‘freaks’ need to stick together, and that Hellboy needs her support in what is a hard time for him. She grows and grows, becoming a tough fighter in the final battle escapades and even something of a leader, showing great deals of professionalism while also still coming to terms with whom she is and what she can do, which she then discovers, and comes to less fear it, more embrace it. Selma Blair plays what is for me, a very identifiable role and one whom I somewhat can’t get enough of, and come to anticipate with joy her next appearance.

Selma Blair (I know it's from Hellboy 2)

The film being one that is filled with many marvellous and very imaginative creatures will of course come packed with the not so original assortment of special effects to make these things come to life. It should be noted however that a great deal of special effects in this film are not necessarily the work of CGI or Computer Generated Imagery, in fact for the most degree, many of the needed special effects more take the form of make-up, masks and costumes. It should be noted that in his early life, Del Toro actually studied and worked for 10 years in special effects and even started his own company. It is obvious to note then that when it came to Special Effects needed for this film, that he already had it planned out early one. For the actual shoot and filming of scenes, Hellboy, Abe, Sammael and Kroenen are actually costumes and or models when needed. CGI is only brought in when they needed to use them for a scene that would require CGI and when a Suit/Mask/Makeup would not work. Scenes such as creatures in Water, Sammael’s resurrecting, and the giant portals and monsters. This allowance but also reduced requirement for Computer Graphics means that there is a lot more involvement between characters in certain scenes, and makes the fighting look more fluid and dynamic, because the fighting is real. The other thing is though, that you can actually see the difference, as when the costumes are in shot, because the physical entity is living you can see it interact, but also, it looks fresher. When the computer animated imagery is in place, there is a feel that some of it is rather unfinished. Don’t know if you saw my review on the film Mimic (also by Del Toro), but in that the CGI was easy to be seen as not good or possibly unfinished, there was a direct correlation between real life and fake quality. In this you get a similar feeling, and it only really works for the CGI when things are happening quickly, like a fight scene or a chase as it blurs in and you don’t spot it, but then when you get it standing still, it’s very noticeable, that more could have been done in that department.

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Special effects are not everything in a film like this, because in order to convey the right feel to such an imaginative thing, you need a good quality soundtrack (composed by Marco Beltrami) to back it up. Hellboy does have a sort of strange mix of pieces of music, ranging from the dark and mystical, to the old-fashioned with a bit of attitude. Pieces of music in those areas include when the portal is opening near the end, when Liz’s power is awakened in the hospital, to pieces like the BPRD theme when Myers turns up, Bruttenholm’s funeral, to the more modern sounding music as Myers and Liz go for a ride, then intermixed you also have the one of piece that sounds just sort of added and silly, but not in a bad way. But for me I want to highlight 3 distinct pieces of music. Now the third one I should note is only available really with the Director’s Cut of this film, but I would like to point out here and now (if I have not already) that this film’s Director’s Cut is where this film is at. It really enhances and includes and builds on from the original cut and though while its original cut is pretty good; to get the full experience, watch the DC. Anyway; the first piece is really this film’s main theme and you hear it the minute the credits are about to roll. It’s sort of twisted and sinister, that’s how it comes across anyway; and intermixed has a romantic track line, but for the most part is this dark and twisted tone that really sets up what you have been watching for the last 2+ hours and sort of puts it into a level of context, while also providing a mystical identity.

The next two pieces are more sort of added as to enrich the soundtrack but by adding pieces that were already made but not necessarily for this film. The first is Red Right Hand (I wonder why) by Nick Cave and the Dark Seeds. It only gets played after Hellboy’s introduction to Myers as the gang go to the museum in a bin lorry. However, well in the film plays as a really groovy soundtrack that just dominates most of the sound and works well to present the scene as best it can, especially when you see the agents marching in front of the bin lorry as the doors open. It’s a dark, twisted tune, but comes with a sort of light listening punch that you can’t help but sing a long too (much like the third song). The piece is actually very different in presentation to how the film puts it in, but either way, it’s still good.

Then you have this song by a band called Forseps. It’s just called Hellboy, but that is something of a lyric. It’s very different to everything else as it’s more heavy rock with a twist of a groove packing mystery and excitement as the song builds, explaining who Hellboy is, but then it hits this Lyric ‘HELLBOY’ and into that we get a lashing of attitude, the attitude this film has included, but only really feels now is the time to unleash. It’s mainly just a nice, interesting, but also levelly piece of fun on which to end the film on.

I really like Hellboy, both as a film and as an idea, especially the character. I consider him definitely worthy of equal footing in comparison to the other big super hero movie boys out there, if not a greater footing than them, it’s definitely more interesting and fun than the Marvel Cinematic Universe. Here you have very human like characters, even if some of them aren’t. You have these well thought out and researched ideas, enriching a really cool but also big plot and it comes packed with everything in between to male what is a very enjoyable film. While its mythos and ideas will put some people off, for everyone who does (‘dare’) to see it, there is a lot to like and a lot to enjoy, and in the end while such ideas are present, they are not the be all and end all of the tale, in fact it sort of goes beyond that and goes into other ideas and mythology, springing out-of-bounds to other locations and interests. Packed up with an incredible cast, touch-able-worthy special effects, and a mystically dark soundtrack that packs a punch, altogether Hellboy is a very magical film, and while I would not necessarily consider it a Super Hero Movie like the other adaptations of this sort, when you do think about it in league with those films and series: While it may currently only have 2 films in a potential trilogy, it still packs more and is generally more entertaining than many others. Yes, there are a lot of Super Hero Movies and TV Shows right now, but spare a quick thought for those that dare to do something different.

GENEPOOL (Also, quick shout out to Ivan).

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Play it Again Philip

22 06 2016

Philips DVD Player

This past Saturday, I bought a brand new DVD player. Not much in the extraordinary I understand: people buy DVD’s and DVD Players all the time; so why is mine so special? Well, I say this, because, the previous DVD Player I had I received all the way back in November 2005. Yes, I have had the same DVD Player for nearly exactly 11 years. Yet again, maybe not the most extraordinary thing out there to talk about, but given the time I had it for and had become acclimatised too, plus the panic and nerves I created in buying a new one, I thought it could be an interesting blog post (if anyone is interested in history of personal items belonging to other people, sort of like those posts I wrote last year about my Bed).

New Bed with Bedding

Back in 2004, I got into watching Pro Wrestling. Every Saturday morning for a time I would watch WWE Smackdown on Sky One. As time passed by, I bought some WWE DVD’s to watch, however the only DVD player in the house was down stairs, and it was hard to watch any WWE event on DVD on the DVD Player as other people were not necessarily a big as a fan of WWE as I was. After several months, I decided to buy my own DVD Player, and put it in my room with my TV. So, the day after my birthday, I bought one from Currys, took it home, hooked it up to my TV and was able to watch programming. I cannot remember much about that player, except the title screen showed bubbles, the manufacturer started with an S and it had this blue streak across the front of the machine. That machine was pretty problematic as it would not play some DVD’s, would majorly struggle with others, and by October (less than 5 months after buying it), the machine packed in and had swallowed one of my DVD’s (WWE Armageddon 2004). My Mam took me to Currys, but they could not fix it, and the following Monday when I returned, they were able to take out the disc, but the machine had already totalled. As I still had the receipt, I was able to swap it though, and under the advice of a store clerk, I bought the Philips Machine, which worked brilliantly for over a decade.

Philips DVD Player 2

The machine was a nice silvery colour, and the controller was short and fat, but easy to control. It was a wonderful machine. I remember the week I picked it up, going to Currys with the old one after College, swapping it over, watching some DVD’s on it, then breaking my Knee Cap the following Saturday. It’s not the DVD Players fault, it just happened within a few days of each other. Anyway, it was good and I liked it. Back then I had an old TV which my family had previously rented before buying which I then utilised for my room. It was perched on a table which I still have, and the DVD Player was next to it. The early history of the machine was tumultuous as there were some scart issues. The old TV had only one Scart Plug, so over the years when I got more items requiring a socket, I would have to switch from one to the other, which weakened the connection, so it was hard for it to sit in the socket properly, which was even harder when the TV would get shoved aside, which would cause colour issues. At one point I bought a multi scart from Comet which I was assured by a store clerk would work well, but did not, and it was covered by those ridiculous small prints that once the package was opened could not be returned; I wasted some good money on that thing. Eventually however, I received the old downstairs TV (a JVC), which was bigger and had multiple scart sockets, so problem solved in the long-term.

The TV

What followed was many more entertaining and wonderful years of watching DVD’s, until just a few weeks ago. I had begun to re-watch the first season of Arrow on DVD. After playing the episodes, the DVD Player would struggle to reload the menu screen. I just thought that may be due to the disc being a previously used copy, but it just got worse. A couple of weeks ago, I decided to watch Hellboy, but the machine really struggled to load the DVD, it took forever. I cleaned the disc best I could, but once again struggled. I was able to watch it in the end, but I decided to run a test, if it was the DVD, or the player. I took out my DVD copy of Pacific Rim, something I had only run in the machine twice, meaning the disc was still relatively new. I put into the machine, and it did not load. The player was really good for loading a disc in less than about 12 seconds, after 30+, it did not load. I tried to empty the machine, but it even struggled with opening the tray. Luckily I was able to get it out. I then took the DVD downstairs and put it into one of the Players down stairs, and the disc loaded in seconds without a hitch (once I put it in the right way). I tried one more time a week or so later, and it was the same result for the Philips. I did not bother trying it down stairs; it was obvious the machine was dying.

Philips DVD Player Controller

In the end, I decided to buy a new machine. The Philips I had for all that time was a very good machine and had served me well, but even I knew it was time to say goodbye. I did some pre-checking in PC World and Currys, before then deciding that this past Saturday would be the day I would buy a new machine. It was quite handy too as I had been in town before purchasing it to get some books, and watch Princess Mononoke at The Dukes. I went into Currys and had a look. It was nerve-wracking as for one I did not want to spend too much, but two, because the TV was old, it would need some form of old connection as standard in order for me to be able to use it (and three, having previously bought a terrible Matsui from Currys many years ago, was hoping to buy something not so terrible). While I was in Currys I did ponder whether it would be best to get a new TV too, but given my current employment status (desperately looking for work) I knew I would have to raid my savings to buy a new one. So for now it was just the DVD Player. In the end and with some help, it came down to 2 machines, a Sony and a LOGIK. Knowing it would be better to get a more trusted brand, or at least one I had heard of, I went originally for the Sony as it had the Yellow White Red connections in the back, but when someone in the shop said that strangely the box might not contain those cables, I thought in that case I would buy the LOGIK as it had a Scart Connection too (although did not come with the cables, but I could still use the one from the Phillips) plus the coloured connectors and USB (and HDMI I think). After purchasing it plus buying some other bits and bobs quickly, I brought the machine home, and soon after set to work plugging it in.

Philips and LOGIK DVD Player Controller's

It was relatively straight forward in the end, just swap out the Philips, plug-in the LOGIK and then test it. Yeah, pretty simple. When it came to testing it which was simple enough, I knew I needed something good and clear to test it with. The TV is not HD, and frankly I do not care about HD, but I still wanted a clear enough picture. So, I chose the film AKIRA. AKIRA is of course the animated Japanese film from the late eighties, and knowing due to the film’s high sophisticated choice of colouring, knew it would be ideal to test it with. And it worked absolutely fine. It loaded very quickly, and it was a clear picture.

Neo-Tokyo

The controller is a lot thinner than the old one, but still easy to use, and unlike the Philips, does have an open/close button. Once I watched a little Akira, I tried it again a couple of times later, watching an episode of The Detectives, and the video diary of Tim Vine (from one of his DVD’s). Altogether, I like my new DVD player. It’s thin and black and fits nicely where the old one used to be. It’s black so fits in with the Virgin Media box sitting comfortably on top (both are very light, but did not fancy placing the player on top the box, as it’s wider), is quick, and very easy to use. So turns out I did not have to worry so much. So, so far so good. Will it last another 11 years, I don’t know, but as long as it lasts a good comfortably long period, I won’t need to worry about buying another one for some considerable time. So, all in all: good.

LOGIK DVD Player

GENEPOOL (Pop Quiz Hot Shot: What is the above title a line reference too that most people get wrong)?





Don’t Let The Big Bugs Bite – Mimic

30 12 2015

Mimic (Miramax - 1997)

Imagine the scene, there is a terrifying new disease-spreading throughout your home town, killing lots and lots of people…and there is no cure. What do you do? You could hang around and wait for a miracle cure, or you could find a way to stop the disease from spreading/catching further. It’s an interesting plan, and wouldn’t you believe it, it’s possible – just so as long you are sure it won’t come back to eat you in 3 years’ time.

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Released in 1997 by Miramax and Directed by Guillermo Del Toro, Mimic is a Science Fiction Horror Film based on the short story of the same name written by Donald A. Wollheim. Mimic deals with the subject of genetic construction and tampering in a similar theme and style to the written works of Michael Crichton, particularly his book and later film Jurassic Park. This time however it’s for the creation of a new species of bug, which then quite literally bites back when it goes out of control.

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In Manhattan, a deadly disease known as Strickler’s disease has struck, claiming the lives of hundreds of children. The disease has no cure, nor a vaccination; however what people do know is that it’s being carried by the common cockroach. To this end, Entomologist Dr. Susan Tyler (Mira Sorvino) is brought in by the C.D.C. to create a new species of insect (a cross between Termite and Praying Mantis DNA) which she and her husband Dr. Peter Mann (Jeremy Northam) call the Judas Breed. The insects are successful in killing off the Cockroach population, and with it Strickler’s disease. The Judas Breed meanwhile was designed to be unable to live and breed outside the lab for no more than 6 months, and so would die after 1 generation. Three years later, a reverend is chased and dragged underground by a mysterious assailant; the only person to witness it however is a possibly autistic boy called Chuy (Alexander Goodwin) who notices the strange sound the assailant makes, naming him Mr. Funny Shoes (Doug Jones, Bill Lasovich and Roger Clown). The following morning, the church building is cordoned off by C.D.C. agent Josh (Josh Brolin); who notices excrement hanging off the ceiling, inside of which has some buttons.

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Susan, now working at a natural history museum with her assistant Remy (Alix Koromzay), buys some bugs off kids Ricky (James Costa) and Davis (Javon Barnwell). One of the bugs in question is rather big and looks rather weird. Upon closer inspection, Susan begins to realize that the bug is a member of The Judas Breed and is also a baby. But before she can find out more, her office is attacked by an assailant, who only appears to take the bug specimen with him. Susan explains this to her Husband, and with Remy and the kids in tow, they try to get another specimen from a subway locker, but are stopped by Subway cop Leonard (Charles S. Dutton), who demands to see a Permit. Meanwhile, with some information from Susan, and the hope of making quick money, Ricky and Davis journey through the Underground and find an Egg sack, but before they can do anything, both kids are killed by a strange creature. In the subway meanwhile, Susan meets Chuy who is with his guardian Manny (Giancarlo Giannini). That night Chuy hears Mr. Funny Shoes inside the church, and goes looking for him, while Remy and Susan go to a water treatment plant where a large bug, is discovered. Susan’s boss Dr. Gates (F. Murray Abraham) examines the creature and summarizes that the bug is a soldier and part of a colony.

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Manny discovers that Chuy has disappeared, and goes underground to look for him after spotting some clues as to where he might have gone. Upon getting a permit to look in the subway locker, Leonard, Peter and Josh head underground to find another specimen, and find traces of more hanging excrement. Susan meanwhile waits outside in the station, looking through some photographs. In the station though, is one of the assailant figures, who transforms into a large man-sized bug, which then takes her deeper underground. Peter and Leonard fall into an old subway station, and Josh runs off to find help, but is then killed by a large creature. Susan meanwhile comes to, and tries to call for help from the city above, but nobody listens. One of the large insects does however, and comes after her. She is eventually rescued by Manny, who after finding Leonard and Peter asks them for help. They take refuge inside an old Coney Island subway car, but Leonard gets injured by an insect that manages to get inside. Upon killing it; Susan explains that by increasing their metabolism, The Judas Breed were able to both reproduce and mutate very fast, despite being unable to biologically reproduce at all. To this end, the creatures have begun to evolve, and Mimic their main predator: Man. At that moment, the car is swarmed by big insects, smelling the blood coming out of Leonard’s Leg. Using the dead one’s smell glands, Susan coats the windows in the smell of the dead creature insides, causing the other to flee, making the insects think the train is one of them. With the insects gone, the group formulates a plan to move the car down the tracks to a possible escape. Peter is sent to get the power back up, while Manny is sent to switch the tracks.

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Inside the car, Susan believes the Mimic Insects could spread out of the subway system and colonise anywhere they choose. She describes to Leonard that one way of preventing them from doing this would be to find and kill the colony Male, who will be the only one capable of allowing the Judas Breed to reproduce. While out to switch the tracks, Manny finds Chuy but is killed by one of the insects. Peter manages to get the power back on, and finds Chuy, and Susan, who left the car to look for Manny. They are however cornered by a group of Mimic Insects. Knowing he hasn’t got much time left, Leonard uses the smell of his bleeding leg to distract the insects long enough for Susan and Chuy to hop into a dumb-waiter and escape. Peter then sets off to find a way to stop the creatures while they are still down there. He gets chased into a room which turns out to be a colony nest. Using a pickaxe, he quickly releases gas into the room, hoping to use Manny’s lighter to set it alight, but the lighter has stopped working. With next to no time left, he uses the axe to cause a spark on some railings, causing the room to catch fire, killing all the bugs, and sending a fireball throughout the immediate subway area. Escaping from the Fireball, Susan goes to look for Chuy, but runs into the male Bug. Using her own blood to attract it, she has it chase her; just ducking out of the way from an oncoming Subway train, crushing the Male Mimic. On the surface, the area is in Anarchy after the subway fireball. Dr. Gates explains to Susan that after combing the area twice; ensures her that nothing could have survived. Peter meanwhile had a lucky escape diving into a pool of water, and is reunited with both Susan and Chuy on the surface.

If you look through the filmography of director Guillermo Del Toro, particularly at the films he has directed; many films immediately come to my mind and are at the forefront of his directing career. Films of course like Pan’s Labyrinth, the Hellboy films, Blade II, Pacific Rim, as well as a host of films directed in his native Mexico (that I have not yet seen). On this list however you will also find MIMIC. Back when Pacific Rim was due for release, I remember reading inside VUE Cinema’s prevue magazine a piece about Del Toro and his output, and MIMIC stands out in his filmography, but the main reason for this is due to the film not making back its budget, and when compared to the success of his later films; MIMIC is held as being something like a Black Sheep in his career output. I don’t think that kind of statement is very fair however; because I think MIMIC is very good. It’s is Tremendously Terrifying. I have known about this film for years after seeing the beginning once back in between 2005 and 2008 and after finding out what it was have kept on eye on it since, but recently it was the first time I had watched it all the way through. It carries a lot of frights and scares throughout, while also maintaining a level of creepiness, because bugs are creepy, plus the science fiction story genre element works and is explained well. It’s not like 1950 American Monster Movie explanations where it is done rather quickly; MIMIC instead explains it bit by bit by the relevance of it as the characters begin to explore it. The science fiction side also makes a nice break/change from most monster horror fiction too as it goes into talk about the need for the bug species, but then how while science in the lab can be controlled, the real world can’t. The idea of this film being like a Michael Crichton novel was actually something my Lecturer suggested (who as far as I am aware has not seen it, but suggested such when I mentioned it), and when you look into it sort of does. The mention towards Jurassic Park is very apt I feel, as both stories talk about the new future for science, but in the real world, nature cannot be controlled so easily.

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I don’t know if you have watched The Strain or not (I can’t see why you wouldn’t have watched it, since the demise of Top Gear it is officially the best show on TV), but I find that in terms of the handling of its characters, Mimic has some rather similar similarities. The Strain is of course the TV Series adaptation of a book series written by Guillermo Del Toro himself about the release of a Vampire Virus. While Mimic has a similar feature in that sense, that is not what I am going to talk about right now. Mimic has an assortment of characters, all of them in varying different ways of life, the kind of people you wouldn’t necessarily think of associating with each other. Much like The Strain where you have some people who know and work on the Virus but then only to join up with others and create a rag-tag group of people which includes themselves, a pawn shop owner, an exterminator and a computer hacker. This sort of thing happens in Mimic also with characters ranging from an Entomologist, agents of the C.D.C., a subway cop, a shoe shiner, and his Autistic Ward suddenly converge on each other.

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Thankfully the major part of this cast is small so I am not going to get bogged down like the Independence Day review last week. Anyway; Mimic, sort of like Independence Day again, does work hard to incorporate and make good tertiary characters all the way through the film. So automatically within the first 10/15 minutes you get characters like Ricky and Davis who to begin with get a big role, but eventually, and something I feel of as a departure for the film, don’t survive and become early victims to the Mimic Bugs, but they’re not in the background, they are upfront, and so their death scene becomes a big moment for the film. Then you get characters like Josh, characters who meet the true meaning of supporting characters. He is the film’s light relief, a sort of comedy character. Another person who meets a grim end; but lasts longer than most. He spends most of the film complaining about his role/job and you don’t really connect with him, but for the sake of comedic relief he is ok. Next to him you also have characters like Remy and Dr. Gates. Gates presents the moral side of science, the character you need in a story like this. Someone who questions the true motives behind the uses of science to create the Judas Breed. But at no point does he lose his temper, but tries to show a logical understanding of what goes on and does what he can to support Susan. Remy meanwhile is a character I like, and consider an unfortunate casualty, as while she is a good character, and someone you want to see more of, she has very little in the way of appearances. So while she has a very positive start to this film, she does sort of get ignored from the half-way point onwards and I find that rather sad and a bit disappointing.

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Leonard is an odd one. He is a character that is very strong throughout this film and is very good at his job. Compared to most other roles played by Dutton, Leonard stands out more. He is something of a narrator, a historian more like, and who talks about the legends of the Mimic creatures before he even knows about them. Tells the tales of strange people called Long john, but also knows a lot about the underground area. As things begin to take a turn he becomes something of a guardian and a sacrificial hero to the group. He is an enjoyable character, and his singing is rather fun, I just wonder if his death is more a punishment for his unpleasantness, or if he is really needed to die at the end? In something of a similar character to Leonard, you have Manny, the shoe polisher. Much like Leonard he is very down to earth, works hard to both put food on the table and look after his ward in Chuy. He is an interesting character in that he is one of the films very few anchors, one of those people who in the midst of all the science fiction explaining, that brings it back down to a more common human level. He is very caring of Chuy, although finds him possibility a little bit irritating due to his condition, but in a similar vein to Leonard, you wonder if he is really needed as he just gets killed off like everyone else. Chuy meanwhile I find hard to think about it. Much like other characters in this section he has an interesting part, making friends with the bugs, rattling on his spoons, knowing everything about shoes. He has an interesting dynamic, but for the most part; particularly towards the end, he just becomes an alternate character to look out for and for the main characters to save, keep out of harm’s way. He is someone who is good, but as to why is the real question.

Peter Mann, someone who I cannot put my finger on, not in the sense that he is a good character, more in the form of I cannot figure why he is in this film. He starts out as the scientific boss and husband to Susan who then runs on a trail to discover and eventually annihilate the nest of the Judas Breed, but…this turn of character in him does not feel right. He doesn’t seem caring, more a sort of grumpy, he is not a connectable character, more a sort of supportive character that gets some attention. Yes his scenes underground leading to the big bug massacre is good, tense, thrilling and scary, it’s just for the most part, I just don’t get him. Which is entirely the opposite compared to Mira Sorvino’s character. What is a lovely strong female character throughout this film, you have someone who like many of the above loves and enjoys their work, but is the creator of the film’s main antagonist in the Judas Breed. Yes, there was plenty of reasoning to create them, to help wipe out a horrific disease, but just when she thinks they are all dead over, she begins to discover that isn’t necessarily the case. As things develop further, she gets thrusted head first into the situation, eventually meeting the mutated, evolved form of her creation, to then ultimately wiping them out, the one person who needed to do it. She doesn’t raise much of a smile throughout the film’s events, and is embroiled more into the case the more it develops, soon realising the real results of her work, and going from keen professional scientist, to a near nervous wreck at the devastation and death caused by the miracle bugs. So of course she has to end it all with one final, and possibly sacrificial last stand against the creatures, in the end saving humanity once again from the bugs she created to save them once before. Sorvino’s performance is brilliant in Mimic, she stands as the archetype and central figure throughout as a character that stands the rest of the film, not one who becomes a great hero, or an underdog, but someone who stands as a hero to begin with, but ultimately becomes a pre-underdog type character, being brought down to her knees on the result of her creation. A terrific performance by a true; but unfortunately, lesser (at current) titan of cinema.

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Let’s not forget however the film’s other characters. The Mimics. The Mimic Creatures in this film are nicely designed monstrosities made for a purpose but ultimately become a new threat, somewhat similar to a species of creature they were supposed to wipe out. In explanation, they were designed to kill off the common cockroach to aid in the killing of a deadly virus striking down the children of Manhattan Island. The end result of that being the death of the virus, but due to an unfortunate misunderstanding, the Mimic bugs themselves, become a new bug threat. While not a virus, like the one they helped rid the city of, still a very dangerous one. Mimic’s, so named for their ability to imitate their main predator/prey in man is a wonderful idea, one that chills the spine, but sets them up as human like characters until they eventually reveal themselves true and proper, not as humans, but as ferocious bugs. Their design is brilliant, somewhat held back by some dodgy late 90’s CGI, their appearance is still terrifying with a hint of realism, and the fact that the way they are shown of pursuing the humans like Prey adds another detail of character, not in something that is to be ignored or does ignore, but rather a merciless killer.

The special Effects are a bit hit and Miss in Mimic. As stated above, the CGI suffers a bit and doesn’t stand out as well as effects delivered in films of its time including Independence Day one year earlier, and The Lost World: Jurassic Park released in the same year as Mimic. The film’s quick scenes and quick moments of movement on part of the Mimic’s sort of make up for it. Yes; while there is still the odd dodgy bit here and there, for the most part in how they used, they look alright, and still don’t ruin the incredible level of design that went into the creature designs. Sadly though due to the lack of well-done CGI, the effects have not aged too well, and these days it’s only the real in shot stuff that still works, and the CGI looks rookie in vain to today’s standards, it’s just so lucky that everything else pretty much works in terms of the film making. But while the CGI falls a lot short, the close up uses of suits/animatronics/puppets/masks/whatever they are is brilliant. The effect of having something there and visible in camera, with added detail such as odd hairs and prongs on the arms and claws are well done. In a similar style to the Alien creatures in Aliens, if it was just the, whatever it was they used, it would have been superb throughout. Add to this the level of additional props and set pieces, like the underground sections, the cart, and of course the icky sticky, very unnerving egg pods. Those in the final scenes in the nest are really creepy, and add to it the bug like sounds, you have something that while in the main part is a horror film, still has room for moments of a horrible, repulsive, disgusting and off-putting by far, nature. Another addition I would quickly like to mention is the several uses of city skyline shots, there are only really 2 I can think of, but both of them are lovely on-screen shots that help to break up the film, but anyway back to the Bugs.

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But while the Special Effects may fall short, the soundtrack (composed by Marco Beltrami) certainly doesn’t. The film’s early sounds from scenes such as the release of the Mimic’s and attack on the priest present a very mysterious yet monstrous feel to them. The entire soundtrack on the whole sounds more operatic and monstrous more than anything else, especially the opening and closing credits. They present something of a mystery, like something is hiding, then reveals itself, and is a stark, terrifying monstrosity standing in front of you, and all that you can do, is just stare and scream, there is no running. It’s almost setting your eyes upon a Frankenstein like creature, standing in front of you; Ominous not moving, just pure terrifying. And that is just the soundtrack. Yes it works in tandem with the film, but just to provide a sense of that in listening to it, and also being memorable enough to still create a sense of that is remarkable.

Truly Terrifying: that is the best way to describe Mimic. A terrifying experience all worked into one film supported by all directions by horrifying looking creatures, great characters played by a wonderful cast, horrifying soundtrack and a gripping, thrilling story with a mix of Science Fiction to make Mimic not just a Horror Film, but a really spine tingling mystery. While maybe not standing out as much as Del Toro’s other well-known films like Pan’s Labyrinth for instance, that does not mean that it should be overlooked. Mimic is deserving of another chance, I don’t mean a remake (although a TV series could be interesting), I mean having another watch. Sure it has on and offs, and maybe t’s not Del Toro’s greatest piece of cinema art work, but for the sake of watching a horror film that both creeps you out and nearly scares you to death simply from the ideas that it generates I think is worthy of giving it another look. Now when I think of Del Toro, I am going to think of this film more in detail and equality of mention to his other works. So, Night Night, Sleep Tight, Don’t Let The Big Bed Bugs Bite, Hopefully See You In The Morning Light.

GENEPOOL (Happy New Year).





Steel Heroes or Monsters (Part 1) – Pacific Rim

29 07 2013

Pacific Rim (Legendary Pictures - 2013)

It has been consistently evident in Monster Movies that the human race is powerless in attacking Giant Monsters. If you take a look at any Godzilla film (except for the obvious one) that Tanks, Planes and even weapons in general come off second best against the monsters. It is more likely that Tanks will be crushed or in some cases melted against the might of the monsters. In many cases outside the Godzilla series, more ingenious methods have had to be employed in order to achieve victory. Some examples of this include Atomic Isotopes (The Beast from 20,000 Fathoms), Freeze technology (Atragon) and even traffic poles (The Host). One of the more suitable options though would be to build weapons as big and as powerful as the monsters. However, though this idea has not really been implemented as often as you’d think (Except for 5 Godzilla films and 1 King Kong film). However that may change as Pacific Rim does that, and it seems to work very effectively.

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I have known about Pacific Rim as a film for well over a year now, but my discovery of it was mostly by accident as I was looking up the actor Idris Elba. After reading up on the idea, I was hooked but it was not until this past December when the first trailer was released just before the End of the World. The trailer looked Amazing, the scale, the beauty, the machines and the monsters. Every now and again I would watch the trailer again and again until the next trailer was released. As the film approached its big release, more and more stuff was announced, then it came to a point when I saw the film on opening night, in 3D, and the first thing I want to say after you have read that is that this is the first, proper good new wave 3D film. But I also want to say this; Pacific Rim is the best film so far this decade.

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The film does not waste any time getting into the main plot and opens with an introduction from the films lead character Raleigh Becket (Charlie Hunnam) describing what has happened in recent years. The monsters called Kaiju came from a large portal called breach at the bottom of the Pacific Ocean. The first Kaiju appeared in San Francisco and it took 3 days to kill it. But a few months later another one shows up. In response weapons are built to combat the colossal creatures, Giant Robots called Jaegers, giant robotic fighting machines, and eventually the human race starts winning. Raleigh Becket is a co-pilot of one of these machines as the neural processes required to use the machines cannot be done solo. He is dispatched to fight a Kaiju in Alaska in his machine Gipsy Danger. However things don’t work out, he loses his co-pilot (also his brother) and beaches his Jaeger in Alaska. Five years later faith in the Jaegers is starting to dwindle due the experience of the Kaiju with the machines gets better and so a Wall is being built to protect humanity instead. Becket works on a section of the wall when Stacker Pentecost (Idris Elba) who runs the Jaeger Program asks him to return to active duty.

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The Jaeger program and all remaining Jaegers are moved to Hong Kong which has no current Wall section. In Sydney a Kaiju attacks and breaks through the wall in one hour. The creature is subdued by one of the best Jaegers despite it being moved to Hong Kong. Becket is introduced to Mako Mori (Rinko Kikuchi) who is in charge of putting Gipsy Danger back together after what happened. Pentecost has a plan to destroy the rift that the Kaiju use with an “Acquired” nuclear weapon. The only problem for Gipsy Danger is that it needs a co-pilot. Mako really wants to do it but Pentecost does not allow her. While Becket tries to find someone to be his pilot, one of two scientists named Newton (Charlie Day) links up his brain like the drift for the Jaegers with a Kaiju brain to try and work them out. While this angers his colleague; Gottlieb (Burn Gorman) it is somewhat successful. After a lengthy process, Pentecost allows Mako to co-pilot Gipsy Danger and the start-up test sequence for Gipsy Danger appears to go well until one of Mako’s memories goes haywire and almost destroys the base. Gipsy Danger is grounded for the time being.

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Newton goes into Hong Kong looking for the head of the Kaiju Black-market, Hannibal Chau (Ron Perlman) to try and get another Kaiju Brain. All of a sudden, two Kaiju appear to attack Hong Kong. The Chinese and Russian Jaegers are put into action with the better Australian Jaeger put on defence of the city as it is vital to the plan to destroy the rift. Very quickly both the Chinese and Russian Jaegers are knocked out and the Australian machine goes into action only to be disabled. Gipsy Danger is deployed while  Newton goes into a shelter only for the Kaiju to find him thanks to the connection he made with a Kaiju Brain. Gipsy Danger is successful in defeating both Kaiju and Becket and Mako are cheered as heroes. In Hong Kong, Newton and Gottlieb manage to get inside the Kaiju brain and learn more about it and how the plan to destroy the breach needs to happen in order for it to work. Before they can properly relay the information, the plan goes into action with only Gipsy Danger and the Australian Machine. When they arrive at the breach they are attacked by two Kaiju and an even larger Kaiju. The Australian machine sacrifices itself to allow Gipsy Danger to get inside the breach unopposed. Newton and Gottlieb relay the information for the plan to work properly. This is achieved and Gipsy Danger falls through the rift allowing Beckett to set off the nuclear reactor powering the machine to destroy the rift. He along with Mako manage to escape from the machine before the explosion goes off.

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The film is of an epic scale that you just don’t see with many films these days. The size of the content and setting plus the story is huge to say the least and it is all brought together by Legendary Director Guillermo del Toro. He has built an incredible world of Monsters and Robots while also keeping it altogether and not exploding into one big mess. The film contains traits of great monster movies from the past while also doing something completely original also. The film’s special effects also work alongside his artistic style of film making. The amount of detail that has been made for just this one film shows his passion for both cinema and the Monster Movie Genre. Not only would it be interesting to see a sequel to this film, but also see him direct another Monster Movie.

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The film’ cast are an interesting point. In the past, when it comes to mainly American Monster Movies, notable actors of the time would be asked to appear but the acting would be moderate at best with most of the fame and attention going to the monster and little to the personal lives of the films characters. Pacific Rim does not do a reversal of this but more includes them on a more even standing with the monsters. Like the old American films, notable cast members are included in the film such as Idris Elba (The Wire, Prometheus and Luther), Charlie Hunnam (Cold Mountain and Sons of Anarchy), Ron Perlman (Sons of Anarchy, Blade II and Hellboy) and Rinko Kikuchi (Babel and the upcoming 47 Ronin).

Ron Perlman, CHarlie Hunnam, Rinko Kikuchi and Idris Elba

Beckett is someone who is trying to live with the consequences of bad choices made as his time as a pilot, while Mako is trying to distance herself from a horrible memory, one that almost causes chaos. The drift mechanism is a great way to introduce and show characters their personal lives as one thing could expose a horrible past. Pentecost is an amazing leader who is trying desperately to protect Mako, the reason why is later revealed but is trying to do this in a not so strict way becoming her adoptive father, but deep down he too is trying to hide something, he also presents one of the film’s best lines. The other main pilot characters are a nice mix also but it is interesting to see how the Australian pilots almost act like tough, rough Americans but this adds to the tension one poses between him and Becket. While many of the other pilots are pretty much silent throughout the film, they do show their personalities from several different ways including how they walk as well as fight. Newton (who to me looks like J.J. Abrams) and Gottlieb are a couple of stereotypical science nerds who bring a lot of humour to the film but are also an integral part also and not complete jokes. Hannibal Chau is one of my Favourite characters overall. While he holds the stance of a crime lord, Perlman plays the character in a similar style to Hellboy (Directed by Pacific Rim Director Guillermo del Toro) without becoming Hellboy. His scenes offer a sense of humour about them but also allow time to be serious.

Hannibal Chau and Newton

Returning to Mako briefly, her character begins almost like a scientific receptionist but turns into a warrior after she begins to pilot the Jaeger, much like someone growing up, you grow up with her as the film progresses and she becomes one of the best characters in the film. Her flashback scene contains a lot of emotion in her and it is a scary scene and you feel for her during it. While she is younger at the time, the young actress (Mana Ashida) is amazing and shows real human emotion, not just fake screaming or anything of that sort, but actual terror and fear.

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The sets are brilliantly designed with a large amount of scale and size depending on where things are. One of the most detailed set features is the cockpits for the Jaegers which have a lot of similarity in them which show how the machines became standardized in construction techniques over time, but each separate identity of Jaeger has its own independent features. Also when the Jaegers experienced issues inside the control room, you would see the flames and water gushing all over the place and in some cases you would feel the shaking about thanks to clever use of the camera work.

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GENEPOOL (Click Here for Part 2).








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