I’m Asking You, Just One More MINUTE! – Armageddon

23 03 2016

Armageddon (Touchstone Pictures - 1998)

Throughout the pages of history, there have always been beliefs as to how the world might end. Many of these beliefs come down to religious or cultural beliefs, while there is also the more popular forms of the world ending ranging from the Four Horsemen of the Apocalypse, to historical suggestions such as a meteorite similar to the one believed to have killed the dinosaurs, to ones presented in media forms of recent years suggesting anything from Giant Monsters to freak levels of nature to calendar’s. The thing is, unless founded by a religious belief (like I am), there is no telling what will end the world as we know it, but thanks to many movies over the last 20 years or so, at least we have found a way to entertain these ideas by producing many films that go on to suggest ways as to how it will happen.

Released in 1998 by Touchstone Pictures, produced by Jerry Bruckheimer and directed by Michael Bay; Armageddon is an action/disaster movie depicting a possible end to planet Earth by throwing a massive pebble at it. Funnily enough, Armageddon was not the only film to be released in 1998 depicting the end of the world by a giant meteorite, as Deep Impact was released only 2 and half months before Armageddon, but Armageddon fared much better at the box office even surpassing Saving Private Ryan to become the highest grossing film of 1998.

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During a routine space mission, a space shuttle crew are attacked by a group of rogue meteors. The meteors rain down on New York causing city-wide damage. Under further investigation, NASA discovers that a rogue meteorite is heading to earth. The Meteorite dubbed a World Killer is so big that no matter where it lands will destroy all life on Earth. NASA director Dan Truman (Billy Bob Thornton) and Dr. Ronald Quincy (Jason Isaacs) come up with a plan to blow up the meteorite from the inside. On an oil rig, Oil driller Harry Stamper (Bruce Willis), considered the best of his profession is busy dealing with his mini protégé A. J. (Ben Affleck) who he finds having a fling with his daughter Grace (Liv Tyler). Harry is asked to go to NASA with his Daughter where they discover what is going on, he is asked to go to the Meteorite with a crew, and drill inside to drop a nuclear bomb in it. Unwilling to go with untrained NASA drillers, Harry demands that he takes his own un-trained astronaut crew of drillers. These include Bear (Michael Clarke Duncan), Chick (Will Patton), Rockhound (Steve Buscemi), Oscar (Owen Wilson), Max (Ken Hudson Campbell), Noonan (Clarke Heathcliff Brolly) and A. J.

Harry’s team is put through the ringer by NASA under the guidance of NASA Pilot Watts (Jessica Steen) and Colonel Sharpe (William Fichtner). It’s an uphill battle of wills as between NASA crews and General Kimsey (Keith David) against the oil drilling crew. While on Base, A. J. and Grace’s relationship heats up; rather annoying Harry in the process. As time goes by, the crews get into shape for the flight, but not before time. With just a few days left to go, a rogue projectile from the Meteorite crashes into the South Asia Sea, killing thousands. With the truth out, NASA prepare to launch. The plan is to send up 2 crews in highly modified shuttles, Harry leading the Shuttle Freedom, and A. J. leading the Shuttle Independence. The crews launch and dock with a Russian satellite to refuel, meeting Russian Cosmonaut Lev (Peter Stormare). The refuelling operation goes haywire, with the two vehicles departing as the station explodes, with Lev joining the crew of Independence. The two shuttles, having slingshot around the moon, converge behind the meteorite, however the Independence crash lands with most of the crew dying except for A. J., Bear and Lev. Freedom lands successfully, but miles off course however.

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The Freedom crew begin drilling into the meteorite but already encounter problems as the surface is made out of iron, and the machine is being run by a badly designed drilling program. Harry confronts Sharpe, but their exchange is seen by everyone at NASA who begins to worry that they might fail. Kimsey is ordered by the President (Stanley Anderson) to override the system and to detonate the nuclear weapons even though the hole has not been drilled yet. Truman orders his men to stop Kimsey, but it’s met with unsuccessful results. With the bomb ticking, Harry convinces Sharpe to turn off the weapon. Drilling recommences and gets off to a good start, however Rockhound having gone insane causes yet more problems that lead to the drilling operation failing, meaning that the team has failed overall. In the nick of time, A. J. and his team, having drove the Armadillo drilling vehicle from their crash site to the Freedom drilling site arrive and get back to work. With less than 2 hours remaining, the teams manage to drill the hole.

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With 30 minutes remaining, the team are attacked by a meteor storm, which causes detonation problems for the bomb. The team draws straws to decide who stays on the meteorite to detonate the bomb, with A. J. drawing the short straw. When he goes outside however, Harry pushes him back on the shuttle, taking up the job of staying to detonate the bomb. Harry makes a final tearful farewell to his daughter and says how proud he is of her and his crew, especially A. J. with less than 5 minutes remaining, the Shuttle has problems launching off the Meteorite, but thanks to some quick bodging from Lev, manages to take off. With less than 1 minute to go, Harry slips up, but manages to detonate the bomb with only seconds remaining. The Meteorite explodes into two pieces, which fly and miss earth by miles with the crew back on Earth being hailed as heroes.

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Upon thinking of how Armageddon stands out on its own compared to other Disaster films of its kind, it’s really hard to start off. Compared to many other disaster movies of its kind such as the aforementioned Deep Impact, it seems nearly the same. Meteorite comes towards earth, and people go out to destroy it, sounds very similar doesn’t it? Well yes, and it is easier to compare the film to Deep Impact in comparison to the load of straight to DVD releases from companies like The Asylum and many other, cheap knock offs of films like this which attempt to do the same thing. However, Armageddon stands out more. Yes, it is a story of a Meteorite coming to Earth. Yes it will Destroy Earth if it gets here. Yes a Space Agency of particular mention send out a team to destroy it before it gets here. It all sounds like same formula used over and over again, however in the meantime, Armageddon does something different. Usually with science fiction films like this, there is great need for scientists and specialists in astrophysics to do the job, but it’s the case here, that the people asked to do the job instead are blue-collar working class men. People who aren’t geniuses at school, but people who know what good solid hard work is and how well it pays off when done well and right. These guys are not your average heroes, but from their way of life are people to look up to. Armageddon therefore does 2 sort of things at the same time to stand out more. One, it takes real people, real underdogs and puts them in a terrifying situation which they are not trained for to use their craft to save the world. And two, it takes space travel, out of the hands of the experts who started and hogged it for their own needs, and gives it back into the hands of those who on any other occasion would never go up in a shuttle, but provides them with the ultimate dream. It sets up the ground work quite well, and maintains that while the Earth is coming to an end, these working class heroes need to be trained up. It doesn’t ignore the issue; it keeps it in mind to prepare those who are going to solve the issue to be able to do it. It’s sort of like The Hunger Games, the training up of contestants to fight in a horrific battle, but doesn’t automatically start there, first they have to train.

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However this is a film; and films are never that simple. This is a full powered, 2+ hour film, and they are not going to fill it with an easy fix. So, things are added to spice up the plot. You have an unapproved relationship taking off; you have the animosity between the trained NASA crews who believe hiring the crew is a mistake, while the crew more sort of admire them, but don’t respect the treatment. Things then just get worse. From this I have this sort of belief as to how Michael Bay makes these films, and it all stems from this film: the idea that things just keep getting worse. This does not really spark until the crews finally go into space, where the space station blows up, one shuttle crashes, the drilling equipment has problems, a platoon of soldiers try to take over the operation in a mindless act, the equipment fails, a storm happens which causes problems for more equipment, someone then has to stay behind to blow up the bomb, and then the shuttle doesn’t take off. It makes everything that happened in the first hour seem easy in comparison. But all of these things, are directed in such a magnificent way that they cause real feelings to the Death of characters, the mindless act of a country leader thinking he owns the world into jeopardising the mission, trying to dig a hole in space (which turns out to be quite suspenseful), to both launching off a rock and then detonating a bomb in space with only seconds left. This film’s synopsis, setting and direction is done with such fluidity that there is always something going on that grabs you by the throat and pulls you ever closer to the screen as the film reaches its ever building climax, even if it’s still 30 minutes away.

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Armageddon’s stellar cast of characters carry a lot of the film’s tension and motion too, it’s not just down to the directors action/disaster talent. Some of these though are rather hit and miss. Now I don’t want to necessarily compare the works/talent of Michael Bay with that of Roland Emmerich, that fight will require some real thought. No, all I meant was how much difference there is in the choice of acting talent as to who gets bigger roles than others. With Armageddon though, there is a lot of room for comedy given its early premise and into this fold we do get some comedy acting from people like Owen Wilson delivering some punchy one liners, Michael Clarke Duncan being a real softy despite his size, Ken Hudson Campbell showing how hard he is despite being more of a big teddy bear, and Steve Buscemi being rather daft in a sexual innuendo way. These guys do serve the film’s wit and comedy section while also providing time to show off a more serious and poignant side, however, despite being pretty good at the end, I feel Michael Clarke Duncan could have delivered more early on. Wilson and Campbell I thought were more like comedy fillers, but Duncan was only briefly shown early on, and doesn’t really show much throughout this film until the Shuttle crashes, which think is a shame because he was pretty good in my opinion. But this is a very serious situation, and to this end we need people who are deadpan serious and in no way funny; which we do. This is what I meant when I mentioned Emmerich above.

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Disaster movies carry a lot of characters because big disasters affect a lot of people; and while the big stars get the big roles, you also get lesser known actors (or at least of the time) who become stars in their own right, despite that here they fill rather small roles. For starters there is someone like Quincy played by Jason Isaacs. A competent scientist who for most of the film acts like a bumbling fool, but given a shot gives off his own small but still powerful performance not as an expert or fool, but as a very serious and intelligent specialist. We then have Jessica Sheen as Jennifer Watts. Watts acts like a trainer before doing a more pilot role later in the film. She shares very little dialogue compared to those around her, however she is a very strong and likeable character. She is very serious about her job and works hard, but she is not bullish like Sharp or Kimsey, she is rather likeable on the whole suggesting a nice person deep down if it wasn’t for her job. Keith David meanwhile plays something of a secondary antagonist as Kimsey, someone who doesn’t believe in the plan and wants to be as bullish as possible. He talks like a man without a conscious and thinks the way he talks and acts, in the process becoming someone who is very unlikable. This comfortably leads onto Sharp. Sharp is something of a side antagonist until the later parts of the film. Much like Kimsey he is rather bullish and believes he can do anything by himself and his own techniques. He is rather miserable to watch as he feels more like a hindrance than a help, but deep down he has genuine worry and feelings towards the mission, and it’s not simply through being a grunt that he acts this way, but from his own personal worry. In the third act he comes out as a really likeable character as he comes to trust those around him instead of trusting just himself. Even in the last few moments, he worry’s but has more faith in someone who began as his enemy.

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Armageddon does also carry a lot of tertiary characters who only get a few fleeting appearances, but who’s acting in their self is still pretty good fun to watch. You have people like the NASA flight director (Chris Ellis), the bloke at the end saying “1 Minute” as he watches the meteorite coming ever closer to earth (unfortunately could not find out what he is actually called), then there is people genuinely on the mission and more upfront with the cast like Noonan, and the NASA communications guy (Matt Malloy). To this we get someone like Lev. Lev is more of a comedy character but with a serious bite. He is more human than anyone else in the film and serves as both light relief and a human connection to the audience creating terrific moments such as how an ordinary person would react up in space, and how too they would fix a busted space shuttle.

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I don’t really know what to think about Willis in this film. He lays a working class hero and is obviously a man to respect, it’s just he seems not to be in the depth of his more action based roles. Here he plays something specialist and organiser, but still with the vocal range of an action star. He definitely carries that level of respect the role carries, and also the commanding presence, but for me just doesn’t feel like it works, or at least stand out enough. He does of course make the final stand and ultimate sacrifice, but I just don’t know what to really say about him (sorry Bruce). Billy Bob Thornton stands out a little more as he is both a very respectful guy and is something like Bruce’s equal in an opposite way of life. He however carries something of a burden on his shoulders, as he is a man who has worked hard to get where he is, but at the same time regrets the direction he has taken, and so feels the need to work harder to prove that his chosen direction is as worth it, but more for him than anything else. As a role, he was one to look out for and enjoy, not necessarily a man of action, but more a man with a brain to bring it. Ben Affleck is in a similar situation to Willis I think. He stands out as being more of a rogue or maverick, to Willis’s tough but serious and professional way. But much like Willis, I just don’t find that he stands out all that greatly to be enjoyed fully. It’s probably more the dynamics and confrontations between the two that really make both parts work and the earlier situations between the two are really funny. However, it’s more of a father son relationship story, with the Son seeking guidance and acceptance from the father who considers him something of a disappointment, but then grows to liken him, and accepts as well as love him, and the same the other way round, with the son, showing a higher level of faith in the dad upon his acceptance. Liv Tyler meanwhile plays a more adult based role compared to the two people flanking her. She plays a more professional, more knowledgeable based role to that of Willis, while also having a rebellious youthful side to allow her to fall for Affleck. Her moods change quite a bit though. Sometimes she can be very feisty, and angry, while others are very emotional. It’s hard therefore to recognise what age she is supposed to be playing as she seems to get younger and older consistently in different scenes throughout. This constant change can be quite annoying as you see someone’s character change; however her emotions and strength are what really make her.

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For me however, the film’s best character is that of Chick played by Will Patton. I have seen Patton in a variety of TV shows, but for me, this is his best performance. He plays something of a sidekick and loyal worker/companion to Willis throughout, and would be fair to say would probably even die for him. Patton though has a different backstory compared to everyone else. He has a major gambling addiction which has completely separated him from his wife, to whom he feels eternally guilty, and still loves and cares for as well as his son. Out of everyone, he receives the higher redemption, doing something which gives him a second chance at his family. He delivers strength, he delivers wit, he delivers emotion, he carries more than anyone in this film and has some of the film’s best lines, including the high-powered one which I used for this review’s title. A fantastic actor and an incredible performance.

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Like many science fiction disaster movies that have come before and after; Armageddon boasts an incredible level of special effects. Effects ranging from the Meteorite, shots in space, explosions, the lot. There’s not much that can be said much than that, given the level of reality that the film is set in and the low-level of need for space based science fiction. Well, if you are going to have scenes on the ground you may as well use real stuff. However, for the lack of special effects other than the use of space, Armageddon does great work in all forms of its effects, and in particular creates one of the best pieces of movie magic in the history of cinema. Space based movies have been made before of course, however not many of these films have really shown the launch of a space ship. The only one previous I can think of is Apollo 11, and that Launch is pretty cool, but what Armageddon does has not been done before or since. The space program has always been seen as something special and exciting, and the space shuttle’s none-the-less. The point of this film is that ordinary blue-collar working class hero types go into space to save the world, but right now they are on the ground, so eventually, they will need to actually go into space, and so, to mark this moment, the film goes all out to capture the moment, to capture the feeling, to capture the excitement of both being there, watching it, and being in the space shuttle. Using great levels of effects that are either models or real shuttles, combined with camera cuts or repositioning’s it makes the launch themselves something proud to behold. But then, the launch is not enough, the ships then need to actually get into space. This is the moment when the shuttle’s become CGI models, but made with such great detail that they look near copies of the models used during the actual take-off moment. But it’s not just the special effects; Music plays a great detail in the scene. It begins with a sort of operatic vocal back track and a tune of awe and wonder, slow, like the initial launch. This then cuts just as it builds to go slow again just to show the significance of the opening launch. The music then builds one more time into a very patriotic, and heart wrenching guitar solo that just takes over from the start. It really does make you feel emotional, because you are witnessing a great moment here, one that is really hard to explain if you have not seen it before. Then as the tone changes from the launch to the flight, the guitar and mixers take over to produce less a slow operatic performance, to something more modern, but still delivering power. It sounds less like a wonder, and more like a mission. It still drives the tension and worry, but still packs in a level of action and power that on the one hand still brings a near tear to your eye, while also just enjoying the spectacle of a space shuttle launching. The Space Shuttle program may be over, but it has given us one pure moment of Movie Magic that will be cherished for decades to come.

The rest of the soundtrack (composed by Trevor Rabin) delivers quite well too. Yes while the film is known for the inclusion of the Aerosmith song I Don’t Want to Miss a Thing, I think it is over used a little bit. I like Aerosmith, but this is not a favourite of mine, although that could be me preferring more a form of heavy rock than melody. There is another track of theirs in this film that I do like and does sort of prove the above point, but it’s nice to see Aerosmith in film form either way. Their song sort of provides a backbone however to most of the films melodious moments. My joy with the soundtrack (other than the above mentioned launch scene) though comes in the form of the films way of delivering a scene in the right way, by building huge levels of tension in strong tense scenes. The one that stands out is the last scene where the final few seconds tick by, and Harry Stamper tries to reach for the bomb detonator with very little time left. Yes there are other good pieces of soundtrack, including the scene at the Armadillo Testing area, the recruitment scene (which also happens to be another piece by Aerosmith), and the inclusion of the ZZ Top song La Grange; but simply picking up the score is hard to do, and can only be achieved through the really memorable moments, and this is one of those scenes.

Armageddon is a power packed Disaster movie that really works hard to put you in the situation and works hard to make it apply to you as much as possible. It delivers a realistic and believable setting for an end of the world scenario, and works really closely to the time limit to make it as tense and as action packed as possible. It features scenes of beauty and scenes that you will not be able or want to forget. It provides a cast of minor’s, majors and absolute stand outs and comes with effects and sound to boot. While maybe not likely to win awards despite being more popular at the cinema than those that do, Armageddon is in no way bad, rubbish or pants. It is an incredibly enjoyable film that packs a consistent punch that will have you gagging for more and more while also hoping for a breath of fresh air. Armageddon is as powerful as the name suggests and deserves a spot in the Disaster Movie Hall of Fame (if one exists?) as much as its peers and contemporaries.

GENEPOOL





Film News – Mockingjay and Seventh Son

16 09 2014

Teenage Mutant Ninja Turtles (Nickelodeon Movies - 2014)

It’s been a long time since I did some Film News but recently there has been some exciting developments in the film world regarding one of the most popular film series of the moment, a film that has had a greenlit sequel despite not being released in the UK yet and one film which has become one of the most annoying pieces of film news this year.

The Hunger Games: Mockingjay Part 1 (Lionsgate - 2014

At long last, well yesterday a trailer for The Hunger Games: Mockingjay – Part 1 was finally released after months of waiting. Mockingjay Part 1 is of course the first part in the final part of The Hunger Games trilogy (Quadrilogy now) and is the movie adaptation of the final book in the series Mockingjay. It has been a long time for the trailer to be released as up till now there has only been a few teasers, but even then they were only a few months ago and it is surprising really that Lionsgate have waited this long to release the trailer when Catching Fire last year was released around about March/April time, not two months before the film is due for release. Having finally gotten round to reading the book earlier this year (it was 2012 when I read the first one) due to me being preoccupied with the incredible GONE series, I have been wondering how they were going to show the underground world of District 13 as well as how it was going to look and also wonder where the film would split in half. From watching the trailer I can see that the world has once again been beautifully crafted and from shots alone can see that once again the filmmakers have been true to the books. One thing though that I think works spectacularly is that of the appearance of Donald Sutherland in the trailer. One of the things I have enjoyed most about the series is the casting and acting of both Jennifer Lawrence as Katniss and Donald Sutherland as President Snow and with him in particular having another up front role in the trailer is an added bonus. The trailer though feels very minimalist with most acting pieces going to Snow and Katniss with bits from Peeta and Haymitch, but I suspect that more will be revealed as the release date approaches on November 20th 2014, with the UK getting to see it before the United States; I suppose it makes up for Teenage Mutant Ninja Turtles.

Seventh Son (Legendary Pictures - 2015)

You may remember for some time now I have constant mentions to the film Seventh Son, an upcoming adaptation of the book; The Spook’s Apprentice (which I have also made constant mentions of and even reviewed) by Joseph Delaney. Initially put down for like a late 2013 release and then an early 2014 release with a trailer originally released around about August 2013, the film’s release was pushed back by an entire year due to Universal buying the release rights from Warner Bros. when Universal Studios stepped in as the co-produce and co-finance partner to Legendary Pictures and then deciding to push back the release date to roughly the same time, (give or take a month) one year later. Well, another trailer has been released……….with the date attached (February 6th 2015), so hopefully, we may finally get to see this film. The trailer discloses a lot more than the previous trailer did with still some sections of Comedy from Jeff Bridges (the film also stars Ben Barnes, Julianne Moore and Alicia Vikander), however, much like the first trailer I still get the overall opinion of “I don’t remember that happening in the book” (much like the trailers for the recent film version of Noah as I have heard the real story of Noah). Despite that though some of the trailer looks true to the book and it is still 5 or 6 months until it gets released and so we’ll just have to wait and see. Expect Monsters, witches (not sure about Ninjas or Turtles) and Fantasy galore as Seventh Son (“HOPEFULLY”) gets released next year.

Which finally brings us on too, you guessed it……………………….Hellboy 3. No not really, the constant references to Teenage Mutant Ninja Turtles means that yes I am going to talk about a film that has already had a sequel confirmed for release in 2016 while annoyingly has not been released in the UK yet, and I don’t know why? This is the new live action adaptation of the popular series starring those loveable ninja turtles and their master rat. The film has been in development for a long time and all until roughly last year I was hoping it would be an animated sequel to the 2007 film TMNT. The film however is a live action film, and upon discovering this I have been sort of worried as to what it would look like, but thankfully Michael Bay was producing it. The film looks like it is in fact adopting the look and techniques that were used in producing the Awesome Transformers series and from what I can so far gather, looks really good. Trailers for the film have been hard to come by and have so far been only available on YouTube; there are however been some clips of the film too. From the looks of the film the film will be exploring the first time the turtles met reporter April O’Neil played by Megan Fox as they once again do battle with the villainous Shredder. The films cast include William Fichtner and Tohoru Masamune as the Shredder with Alan Ritchson, Noel Fisher, Pete Ploszek, Jeremy Howard and Johnny Knoxville playing the role of the 4 turtles (confusing I know) and not forgetting Danny Woodburn and Tony Shalhoub as Splinter (again, confusing). The film does look pretty impressive and I am very excited about finally getting to see this film when it gets released October 17th 2014 (10 days before Godzilla gets released on DVD and Blu-ray in the UK), particularly to see how they are going to approach my Favourite turtle, Raphael. So let us finish there with this awesome clip from the new film, and also the best lift music you could possibly want to actually listen too.

And here’s the trailer.

GENEPOOL





Are You Username Ladiesman217? – Transformers

28 05 2014

Transformers (Paramount Pictures - 2007)

In 2005 I saw a poster at the cinema in Morecambe. It was a poster for a new Transformers movie. No date was shown as to when it was being released, or much detail of it would be either animated or live action. These were the days when the Web was still in a state of infancy and only just starting to get widely available. After remembering that poster, in April of 2007 I decide to try and track the film down. I did, it even had trailers and the news that it would be released that year. Come July I was ready for it, and was blown away by it. I absolutely loved it and could hardly think of anything else for several weeks. Well that was seven years ago, and I have finally got round to doing my review of it.

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Based on what started as a toy line by Hasbro and became an international sensation with comics, books, more toys and cartoons and directed by Movie Action Supremo Michael Bay and executive produced by Steven Spielberg in co-operation with both Paramount Pictures and DreamWorksTransformers is the story of a race of Giant Robots who can transform into vehicles in order to hide their secret from the rest of the world.

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The story begins with a brief dialogue about a Cube called the AllSpark which built a world but the power for control of the object started a war which decimated an entire world. The cube drifted in space for millennia before crash landing on planet earth. At an army base in Qatar, Captain William Lennox (Josh Duhamel) and Technical Sergeant Robert Epps (Tyrese Gibson) along with the rest of their platoon arrive back from a supposed mission and are about to go home when a helicopter arrives at the base. The helicopter then transforms into a giant robot and destroys the base. Lennox and his team along with a boy on the base manage to escape but get noticed by the robot who sends out a smaller robot to take care of them.  It then tries hacking into the army system but the lines are cut.

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In the United Sates, a boy called Sam Witwicky (Shia LaBeouf) gets his first car, a Chevrolet Camaro. He goes out for a drive to show it off and runs into Class mate Mikaela Banes (Megan Fox) and gives her a lift home. At the Pentagon, Secretary of Defence Keller (Jon Voight) briefs a bunch of IT Analysts about the hack in Qatar and gets them to try and figure out what it was. On one team is Analyst Maggie Madsen (Rachael Taylor) who while trying to figure it out intercepts the same hack happening again on Air Force One. On board the plane is another robot who stowed away on board as a Music Cassette Player and is the one attempting the hack. The lines are shut again but he finds out about Sam. During the night, back at the Witwicky house, Sam’s car appears to just drive off. Sam follows and discovers that the car is a robot.

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Maggie tries to persuade the secretary of defence that the hack was caused by something organic and metallic, but tells her that she needs evidence first. She takes a copy to hacker friend Glen Whitman (Anthony Anderson) but just as they manage to get into the data, the house is raided and they are both arrested. In the desert, Captain Lennox and his team are attacked by the smaller robot named Scorponok but are able to call in help and manage to defeat it before it escapes. Back at his home, Sam goes for a ride on his mother’s bike, when his car starts stalking him. He runs away bumping into Mikaela and then gets attacked by a police car, who is actually a robot. The robot demands to know if he is Username Ladiesman217 and asks about some visors. Sam manages to get away, runs into Mikaela again who spots the robot, but are then both rescued by his Camaro, who fights and defeats the police car. Using the car radio the robot sort of explains who he is and takes the two of them with him.

That night four large meteorites crash into planet earth and scan some cars, before then all meeting up. Sam and Mikaela are then introduced to the Autobot crew of leader Optimus Prime (Peter Cullen), his first lieutenant Jazz (Darius McCrary), weapons specialist Ironhide (Jess Harnell), medical officer Ratchet (Robert Foxworth) and Sam’s car Bumblebee (Mark Ryan). Optimus explains that they come from Planet Cybertron where a war broke out over the AllSpark and that when he went looking for it; the villainous Megatron (Hugo Weaving) leader of the Decepticons landed on Earth and was discovered by Captain Archibald Witwicky (William Morgan Sheppard), Sam’s ancestor. The glasses he was wearing had the destination of the cube printed on them and Sam had the glasses up for sale on eBay. They all go to Sam’s house where his parents Ron (Kevin Dunn) and Judy (Julie White) are. The Autobots make a mess of the garden while Sam looks for the glasses before parents go to his room and find Mikaela. Sam finds the glasses but then the house is surrounded by Agents from Sector 7 led by Agent Simmons (John Turturro) who take all of them including the family dog into custody. The agents Press Sam and Mikaela for information before Sam finds out that Mikaela has a criminal record. The Autobots rescue them but are then pursued by more agents who capture Bumblebee in the process and take Sam and Mikaela back into custody.

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Back at the Pentagon, a man called Tom Banachek (Michael O’Neill) who is the head of Sector 7 arrives and tells Keller that back in 2003, the Beagle 2 Mars Rover (even though it was neither an American spacecraft, or a planetary rover) landed on Mars and transmitted a few seconds of footage. The footage showed the body of a robot and Sector 7 cut all transmission from the thing before it could go public. The operations team from Qatar took a picture of the thing that attacked the base, and Sector 7 believes they are both of the same origin. The Pentagon is then hacked and Keller is asked to go to the Hoover Dam; he picks up Glen and Maggie on the way. Lennox’s team arrives in the USA and along with Mikaela and Sam also go to the Hoover Dam, the HQ of Sector 7. Sam manages to get Mikaela’s record wiped forever before they are all briefed on a giant robot in the basement called NBE 1, who is actually Megatron. They are also shown the Cube which is the size of a building and are shown that the Cube has the power to turn electronic objects into transforming robots. They are however unaware that Mikaela’s phone had been replaced with the robot from Air Force one who tells the other Decepticons where the cube is who all then head for the base. Inside the dam, Sam is taken to a tortured Bumblebee who makes the cube itself transform into a smaller one. A plan is made to hide it in the city. Keller, Maggie, Glen and Simmons go to try and contact the air force, while Lennox and his team along with Sam and Mikaela and the other Autobots take the Cube into Mission City. Megatron is then freed by the Decepticons and go off in pursuit.

T4

In the Dam, Simmons, Keller, Glen and Maggie are attacked by the smaller Decepticon Frenzy (Reno Wilson). They are able to defeat it and get word out to the air force. In the city Lennox’s team and the Autobots are attacked by the Decepticons Devastator, Starscream (Charlie Adler) and Bonecrusher (Jimmie Wood), including the helicopter Blackout from the attack in Qatar. Sam is press ganged into getting the cube into military hands while Bumblebee teams up with Mikaela driving a tow truck after he loses his legs. The fight intensifies with Jazz getting ripped apart by Megatron and the Decepticons being seemingly unkillable. Sam tries to get the cube into military hands but the chopper is destroyed by Megatron. Sam falls from the building but is rescued by Optimus. Optimus and Megatron fight and along with help from the air force and Lennox’s team manage to defeat the Decepticons with Sam putting the Cube in Megatron chest, killing him instantly. The Decepticon bodies are disposed of and Sector 7 is shut down. The Autobots stay with Sam and Mikaela and Optimus sends a message to all surviving Autobots to come to planet Earth.

T6

Transformers is amazingly well made. It was always going to be a tough film to crack but it is generally an action spectacle that has both terrific action sequences fights and drama.

Jon Voight, John Turturro, Tyrese Gibson, Shia LaBeouf, Julie White and Kevin Dunn

The drama from and between the films human cast is very well done. Sam is a typical teenager with dreams but is over ecstatic when all of the weirdness begins. Shia LaBeouf does this splendidly and even manages to get his head together. He is however more understanding than the old jock characters and is more able to get a friendship going with Mikaela as a result. Jon Voight’s character is great as a leadership character as someone in his position is always trying to stay calm no matter what the situation but will allow himself to get angry and annoyed if he thinks it is justified as well as necessary and appropriate. Simmons meanwhile is a source of light comic relief but whose character is very serious about what he does and that comic nature is more his real world side and his serious professionalism along with a touch of madness is more what he really is. Epps is sort of the other side to that where he is genuinely a very serious guy but those elements of comedy are what the audience is thinking so it allows them to connect with him as well as the cynical sarcastic and surreal nature of what is going on. Sam’s nightmare parents are nicely well-played too with Judy being more of a real nightmare trying to get down with her son making her look embarrassing, while Ron is more of the friendly father figure who is not afraid to make his feelings known but tries to remain calm in saying them. Together they both have great onscreen chemistry but have different as well as very funny responses to certain situations, Judy promotes violence while Ron wants to do things legally. Their response to the sight of Mikaela is brilliant too as they are not disapproving about her, but more interested and pleased about her.

Glenn Morshower, Tom Everett and Brian Shehan

On the human side though, the real standouts are Tom, Lennox, Maggie and Mikaela along with a host of extra cast including Glenn Morshower, Brian Shehan (who really should have had more of a spot in this film), Tom Everett and one bloke who briefly appeared, don’t know what his name is but I think he appeared as the father of a girl Malcolm was going out with in Malcolm in the Middle.

Josh Duhamel, Rachael Taylor and Michael O'Neill

Tom only appears very briefly but he is one of the most interesting characters. He is generally very casual but also very corporate in his character and is a bit easier on his approach, compared to Simmons who goes in all guns blazing. So while he only has a few shots, all those scenes are brilliant and is a real shame, along with someone else in the cast, that he did not appear again in the series. Lennox meanwhile is not your typical soldier. He is not gun hoe or busy barking orders at his platoon, he is more sensible, understands the situation and works to get the best results, as shown when he tells Simmons that he will count to three. Maybe because his platoon is made of a similar bunch of guys is the reason he is more like this allowing him to be more respectful on the battlefield, but when dealing with people as a whole he is both persuasive and calm enough to make sure people know what they need to do and because he is not an average soldier but perhaps a more respectable human being allows him to stand out to the viewer. Maggie meanwhile is almost the films secret main star. She is not exactly a geek or a nerd but is very specialised in what she does. While she pretty much does land herself into FBI custody, her headstrong nature as well as own beliefs and ideals mean that she did it in the best interests and not for herself and because she is not afraid to speak her own mind, she gains a large amount of respect from Keller who does take a professional liking to her. She is also not afraid to get her hands dirty as shown when they take on Frenzy. Her character is very likeable and while Like Tom her scenes are more of a handful of pieces here and there, all of those scenes are brilliant mostly thanks to how such a good actress Rachael Taylor is and as stated for Tom before, I do consider it a real shame that she did not continue to appear in the series.

Megan Fox

Megan Fox is supposedly playing the girl next door character, however she is more than that. While in some respects her part is possibly meant for a bit of eye candy, her character is actually one of the best in the entire film. Mikaela is not a damsel in distress. On the contrary she would be the type to do the rescuing given half the chance. Her character is more of a challenge to the men as she knows so much about cars, but is not respected for as such. She strikes a friendship up with Sam because while he is trying to be like one of the jocks, she sees more to him than that and this allows her to have someone to talk with about her inner feelings which have become hidden by her looks. When he criminal record is revealed, her character comes out more and that inner torment that she has been hiding finally comes to fruition and allows her to do more as a person and connect more with the viewer. She is actually quite caring and can see the best in people despite what her exterior shows and I would easily say that she is very much on par with the Transformers themselves as highlights of this film.

T11

As for the real stars given the name of the film, the Transformers. It is a nice mix of characters. Optimus is very serious and doesn’t pull jokes at all, it’s more in what he is than what he does. The use of the stereo for Bumblebee is a great move as it adds an element of humour to his character without him needing to speak. Megatron is very well-played and both looks bad but also sounds cold and calculating. He shares some of the best speaking parts for the transformers in the entire film and is a joy to be hold. For the most part the other Decepticons play their part by shutting up and letting Megatron do his bit, because well he is the centre piece, but the diversity of the vehicles that they are, as well as some of the speaking parts that they do, primarily Barricade (Jess Harnell) allow them to stand out a little more. So instead of being just ordinary silent villains, they have their own little character bits strung out here and there and are very enjoyable too. For me though, despite Optimus of course being the leader and some bits done by Jazz and Ratchet, they’re not as good as Ironhide. A machine whose part is that of a rough and tough persona, he is actually quite cool and has the best speaking parts of any transformer in the film. While his attitude can get the better of him, he is capable of toning that part down and has a lot of respect for Optimus and some caring nature towards the humans. But for a part of a rough soldier, he is quite capable of more than that and has his own touches of comedy which don’t get boring, as well as scenes that are not comedic which are absolutely brilliant (for more information please refer to my Top 5 posts on the Autobots and Decepticons).

T7

The films special effects are well done. Making such characters appear like that was always going to be hard, but the rustic nature of their design makes them look more realistic, but just to achieve such designs deserve a lot of credit. While such effects have become part of the norm for cinema today, when you take something that was originally a toy, but then put it into a state where it not only looks good but also realistic to the point of the viewer being able to feel like they could touch it requires a lot of work, and if it can be pulled off, like it has done so here, it deserves a lot of credit. I particularly like how the design of the transformers is a lot like how George Lucas envisioned the craft in Star Wars by making the nuts and bolts visible.

T8

The film’s soundtrack is also one of the film’s best components. While the end music of What I’ve Done provided by Linkin Park is very good in its own right; it is the music created for the film itself by composer Steve Jablonsky that gets the real attention. The parts used for the military sequences have a nice tense tone to them but is also catchy for a piece with no lyrics in as well as very memorable. But the piece that comes to my mind is that of the arrival sequence of the Autobots. The piece gives a heroic impression of here comes the good guys about it and starts off very classical but gets a little more intense and brighter as it goes along and ends with this sharp, sort of heavy component when the Autobots meet up and Optimus transforms. That piece in general has all sorts of bits to it with even an operatic tone part way in but for me, the piece does not have a single moment of it being better than the rest. A nice calm feel which intensifies little by little until you reach the terrific ending. Just thinking about that piece sends chills down my spine. I really like that piece.

T10

Transformers is a truly terrific film. To this day I absolutely love this film, my favourite of 2007. With a great sense of action and battle sequences as well as a terrific portrayal of the human side to the conflict from the film’s cast (all of them) with special effects and music to back it all up; Transformers is one Excellent film that is enjoyable from start to finish guaranteed.

GENEPOOL (I do like the reference to the Beagle 2 Spacecraft. It gives it an extra sense of both validity and realism. I just couldn’t find anywhere else in the post to mention that).








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