Everything They’ve Built Will Fall, And From The Ashes Of Their World; We’ll Build A Better One – X-Men: Apocalypse

21 12 2016

x-men: apocalypse (20th Century Fox - 2016)

“You have no idea who you’re messing with Xavier”; a line spoken by the Mutant Mesmero in the X-Men: Evolution episode; Mindbender. An insignificant line to those who may not have seen X-Men Evolution, but to me, it is a line that took me on a journey of discovery. It was the beginning of a story Arc involving the resurgence of a powerful Mutant Villain in the X-Men World. A villain, who since the first time I heard speak of his name, I would become besotted by, and looked for any and all opportunities to find out more about him. It’s been maybe 13+ years since I first came across his name, and I know so much; and upon learning of his upcoming movie debut, I could not wait and anticipated the arrival of this film and more importantly the movie debut of APOCALYPSE.

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Released in 2016 by 20th Century Fox, produced by Lauren Shuler Donner, and directed by Bryan Singer; X-Men: Apocalypse is a super hero movie where the Uncanny X-Men attempt to save the world from an ancient Mutant who wishes to destroy Humanity. X-Men: Apocalypse is the direct sequel to Days of Future Past and stars the cast of the First Class series of X-Men Films, but which also looks to introduce new stories in the long-term and introduce and also reintroduce both old and new characters. At the same time it looks to introduce the arrival of the first major super villain for the series, and attempts to do this with the insertion of the first mutant; Apocalypse. The story is based on the X-Men comics Apocalypse Story Arc, as well as the X-Factor Story; Fall of the Mutants.

In Ancient Egypt, the Mutant En Sabah Nur (Oscar Isaac) rules the land with 4 followers dubbed his Four Horsemen. While performing a transferral ritual, he is entombed in his pyramid where falls into a deep sleep. In 1983, kid Scott Summers (Tye Sheridan) discovers he is a mutant while at school, and his brother Alex (Lucas Till) takes him to Xavier’s School for mutants run by Professor Charles Xavier (James McAvoy) and Dr. Hank McCoy (Nicholas Hoult). In Berlin, shape shifting mutant Mystique (Jennifer Lawrence) helps rescue teleportation mutant Nightcrawler (Kodi Smit-McPhee) from an underground fight club and takes him to Xavier’s school; where he meets Scott, Jean Grey (Sophie Turner) and Jubilee (Lana Condor). Meanwhile in Egypt, CIA Agent Moira MacTaggart (Rose Byrne) is on the lead of a mysterious organisation, who are searching for something underground, and there she comes across the remains of En Sabah Nur’s pyramid, which wakes him up, sending a vivid dream to Jean Grey who foresees the end of the World.

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Upon leaving his underground tomb; En Sabah Nur walks through the streets of Cairo, to discover that the world is under the rule of Humans. He finds street urchin Ororo Munroe (Alexander Shipp) who is a mutant capable of controlling the weather and recruits her into his team, enhancing her powers in the process. En Sabah Nur then goes on to hire mutants Psylocke (Olivia Munn) and Angel (Ben Hardy), while still searching for a fourth. In Poland, Erik Lehnsherr (Michael Fassbender), also known as Magneto, has found himself with a job at a steel factory, and lives with his wife Magda (Carolina Bartczak) and daughter Nina (T.J. McGibbon). One day at the factory, he rescues someone with the use of his powers, but this tips off the authorities. After an accident in an attempt to capture him results in the death of his family, Magneto kills the militia and then goes to kill the steel mill workers who tipped them off. When he arrives though he is found by En Sabah Nur who kills the steel workers, then takes Erik to Auschwitz where his powers were born. En Sabah Nur informs Erik that he cannot escape his past, and says that he was sorry for not being there when Erik needed him most, finally recruiting him and enhancing his powers.

Back at the school, Mystique wishes to talk to Charles, who has gone to see Moira McTaggart to talk to her about some of the research she has been conducting about the history surrounding a mysterious mutant called Nur. Upon returning to the mansion and talking to Mystique, Charles uses Cerebro to locate and talk to Erik, but En Sabah Nur uses this connection to tap into Charles’s mind, and use Xavier’s Telepathy to get into the minds of everyone around the world, and to launch the world’s entire arsenal of Nuclear Weapons. Alex helps destroy Cerebro to turn it off, but En Sabah Nur arrives at the mansion and kidnaps Charles. Alex tries to stop them, but accidentally causes an explosion that rips through the mansion killing him. Quicksilver (Evan Peters), a super-fast mutant; shows up in time and manages to rescue everyone inside the mansion as the explosion tears through it. With the Mansion in pieces, a military helicopter arrives which disables most of the mutants unconscious. The men on board the helicopter led by Colonel William Stryker (Josh Helman) kidnap Moira, Mystique, Quicksilver and Hank. Before they leave however, Nightcrawler, Jean and Scott sneak on board the aircraft as it takes them to a mysterious base in the Canadian Mountains.

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In Cairo, En Sabah Nur informs Charles of his plans to destroy the world of Humans, and how he plans to possess Charles’s body with the same ritual as earlier. Charles broadcasts En Sabah Nur’s message to the world, while also sending a secret message to Jean. At the base in the Canadian mountains, Jean, Scott and Nightcrawler discover a savage mutant who has been experimented on (Hugh Jackman) and release him on the men in the base. Upon rescuing the others being held by Stryker; the team travel to Cairo where En Sabah Nur has rebuilt his pyramid; and while Magneto uses the world’s magnetic fields to destroy major cities, Nur’s other recruits attack the X-Men team. Nightcrawler is able to rescue Charles from the transferral just in time, but it has left him scarred. Quicksilver and Mystique attempt to convince Magneto to join them, as they’re his family too, and Charles uses his connection with Nur to get inside his head and attack him from there, but Nur is just too powerful. Even when Ororo and Magneto join the fight against him, they still struggle, until Jean releases the raw power of the Phoenix Force, which burns Nur to ashes. Back at the school, Magneto helps Jean to rebuild the school, Moira has her memories of Charles returned to her and Mystique with the help of Hank, trains the first X-Men team.

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I was very excited about the release of this film, so much so that I pretty much went to see it as soon as it came out. I was expecting and hoping for so much. I was watching the trailer over and over again, watching cartoon clips of Apocalypse’s Quotes, as well as clips of Apocalypse from the film saying that Amazing line. I was so excited and was hoping for so much. X-Men 2 has always been my favourite, but my hopes and dreams, especially after Days of Future Past, was that this film was going to be glorious and possibly better than X-Men 2. It was my final day of work where I was working at the time, and to sort of celebrate, as soon as I got back to Lancaster, I checked the VUE to see if it was on and if I could pre-order a ticket (just so I could go home, drop my bag off and get changed). When it was true that I could, I did just that and went to the cinema with great excitement.

Upon seeing the film, my overall opinion was: right….? One thing that I have always found with films in the X-Men series is that it’s always best to give them a couple of watches to really get down to the nub of them, and that’s why I have waited until I could see it again before I reviewed it. It’s just the case that in the past when I have seen them again a second time, I have understood them a bit more. In terms of Super Hero movies they are in a class of their own as they deal with more than just guys with powers, as the X-men have other issues to deal with especially that of Mutant Racism that is so entwined within who they are. I think the issue for me was that I finished work that day too; at a job I was enjoying and was hoping that a treat may create some closure, but instead, my head was conflicting as my hopes and dreams for Apocalypse lay dashed on the pavement. Upon seeing it again though with a clearer head, I am a lot more favorable for it.

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The film has its issues, and the issues are a few. It’s not that they are generally bad; they are just issues that it doesn’t help, and could have with more development or better execution. The major issue it has is that it has a lot to fill in. In the past the series has orientated itself by keeping the team strong but the cast relatively low. The X-Men are a team and it’s important that they remain like that, but the more effective team is better than the biggest, if you get my drift; they’re not an army. The issue here is that, we have one big villain that of course has his own minions to do his bidding, but in order for it to make sense, it needs to be made up of new but still popular characters, so we therefore have a team of five people vs another team, but this time made up with characters that were being reintroduced to the series, important characters that needed to be introduced sooner than later as they have not been seen for a while (except for clips in DoFP of course). With so many characters to introduce, not to mention other characters taking some spotlight, it was going to be hard to fit them all in the allotted time, so what did the film makers do: extend it, but then again it doesn’t really work! It introduces, and well I will say, characters like Nightcrawler, Scott and Jean Grey, plus allow some development time if not a lot. However, on the other hand Apocalypse’s team is hardly introduced at all. They are sort of sacrificed for the benefit of other characters, which is actually a big shame as some of his team are made up of X-Men Superstars who have been members of the comics longer than most.

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Due to this issue of extra time, the film commits some faux pas that only goes to confuse the viewer rather than enhance the film. It has characters to introduce and a lot to show; what it ends up doing is showing scenes (scenes that are very interesting I might add), making you want to see more, and basically changes scene to another perspective which is OK, but then does it again, and does not return to that original perspective for a while, say between 5 and 10 minutes. With that out of your head, you feel like you have walked in to a scene from a TV Drama completely unawares as to what is going on and with no way of finding out. It’s got all these really good bits, but doesn’t put them together close enough for them to really take you anywhere: if the gap was quicker or shorter, then it would probably be alright. You can actually see how long it feels in reality as you realize that even 47 minutes of the way through, it still feels like it’s the first act, and is still introducing people, and not creating an incidental moment that takes it to the next big thing (at least not until the end of the first hour). What does not help this further is Apocalypse’s plan to destroy several major cities at once. You just don’t feel it. You feel it when you’re there; the final battle takes place in Cairo which is not necessarily a bad thing, but if you’re trying to show global devastation it would be better if you focused on one city then moved out. Put one city in peril, for the sake of everywhere else. The images of destroyed cities are very vivid and visionary, but because the scene is not there, it does not feel like anything. If the final battle was in say Washington, New York, maybe even Tokyo or London; these are big major cities of the world, but have the final battle there, and show the expanding devastation there, so those who go to see this film can at least connect more strongly and really feel for the destruction. I don’t like Part 1 and 2 films that are being done all the time right now, it’s a motive by the studio to make more money, not really for the film’s sake to have a stronger/better story, here however I can see an argument for a film that should have a Part 1 and 2. It’s trying so hard to cram so much into what is already a very long film, if it spread things out a bit more, and split into 2 films, then at least we could have a much better developed story and things could happen quicker and better.

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Much like said above, X-Men: Apocalypses cast can be in spots feel a little wasted. They really pushed the boat out with mutant characters and have featured an all-star cast of X-Men Comic mutants which include single appearances from mutants like Blob (Giant Gustav Claude Ouimet) and Caliban (Tomas Lemarquis) as well as small appearances from Apocalypse’s original Horsemen (Warren Scherer, Rochelle Okoye, Monique Ganderton, Fraser Aitcheson), but it is rather sad that strong characters and re-introductions to this series like Angel and Psylocke are once again pretty much shoved to one side despite how much their images were used to promote the film. I am especially a big fan of Angel and was hoping his new role would be a strong one, much like Psylocke, but again it was very little and he pretty much died a quick death. Psylocke for what time she was given did provide some strong moments, and I would like to see more of her in the future. Like previous films in the series, some major guest actors were brought in to play big but still very short parts, but their inclusion does help ripen the roles of senior characters where required, with the use of such actors as Zeljko Ivanek. But these roles are meant to be one shot spots, whereas major villains or even hero characters should have more. For instance, I thought it was rather odd, that the filmmakers go some distance to include Jubilee in the story, but leave her appearances to the very minimal, especially to introduce her in such a well-developed fashion and not include her in the final battle of which the same could be said for Havok, who was a major introduction in First Class, but not really used beyond, despite how well he is played either way.

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The uses of other characters are just weird though; for instance: I genuinely believe that Hugh Jackman has no point of being in this film other than to make a small appearance. The whole scene in the Canadian mountains shows no real major point, except maybe to introduce the post credits scene, in which case, why not create a very different post credits scene? Everything is going well and Ok, then they just slam this scene in there for no real major story point. What is a real shame though I find is that the film’s major cast (who have since become major stars since their first appearances in this series), seem to be underused. They are there, and feature prominently, but given that Days of Future Past has shown what power they can give in these roles, it’s a shame that they aren’t used to perfection. Most of this could be as an after effect of the convoluted scene by scene irritation I mentioned above, and all the while they still provide goodish performances, it just feels like they have lost effect. James McAvoy for instance seems to have returned to a docile past and feels like he needed to get younger over a 10 year period. That welcoming friendliness is still there, but the power from the previous film has gone. Jennifer Lawrence (who I consider to be my favourite actress) seems to have lost passion as Mystique, she seems to talk more than do more, and does not really deliver any reason for being there, other than maybe for being Jennifer Lawrence. Nicholas Hoult just doesn’t swing it for me much in this film, and just appears to fade into the background mostly while at the same time minutely trying to provide the emotional instability between his character of Beast and Lawrence’s character of Raven/Mystique. I know these films take place 10 years apart from each other, but I didn’t know the actors not the characters had to age in between! As for Fassbender, while he is still very capable of getting very emotional which is a very good trait of his, I think it’s getting rather clichéd that he has to get low and emotional. Why couldn’t he be the big bad strong villain that he is supposed to be playing, only to be enslaved by Apocalypse rather than just join him. Why can’t Magneto just be Magneto? Rose Byrne has a waste of a performance. She was fantastic in First Class, but due to a lack of appearance in Days of Future Past, she is brought in here, and sort of reconciles with Charles really too quickly, not allowing their relationship to really blossom, and so for the most part serves as a double-edged joke and not as the inspired cast choice that she once was.

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It really comes down to the rest of the cast to sort of make up for the casting and performance mess; and some of them do more than any other. The X-Men are a team (already made this point), and as such the characters should have more of a part in the overall battle instead of leaving it to single players to do the job. Scott Summers for instance carries attitude, but not much of anything else to make his part worthwhile. After the death of Alex, he really should have more drive, but he sort of confidently hides in his shell. The same could be said for Nightcrawler who is just there to oppose Angel, and rescue Charles, but nothing much of anything else. And even though she is not part of the team, Storm is a major character in all X-Men related media, and just to be given a few speaking roles and some small appearances, it just again feels like a waste. Quicksilver does get another appearance and a much bigger one plus uses the knowledge of Magneto being his father to increase his position within the film. His rescue of the people in the mansion plus his fight with Apocalypse are two very good and well done scenes and really help to get the final half of the film going. The film’s cast though really does come down to two amazing actors delivering Fantastic Performances. I had never heard of Oscar Isaac when I first heard he had been put in this role, but I absolutely loved his performance. On the one hand I do think Apocalypse was too well held down to begin with and was very much just used to provide philosophy and theory, we didn’t get much of a chance to see his powers until the Nuke Scene and of course the final battle. I was a bit disappointed that his comic book essence, his true powers were not really put on show, but they were minor in reference. However, much like Apocalypse in Comics and Cartoons, his performance, his voice, his presence, were powerful. They were really good scenes, and ones I could both look forward too and much enjoyed. While he did take time to be seen, he was still the main villain and presented as such. I really feel like he should make a future appearance again, a villain like that does not die-hard, but I hope that if it were to be done that Isaac be brought back to play him again and that he is more like his-self in the comics, rather than filmmaker philosophy, but here and now, still well done, and also has the best quote of not just the film, but of any film released this year.

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But for me, there was one person who was better than all the rest. From start to finish her role was pretty mysterious, but the performance provided was unlike any other in the whole film and for her to become the real hero, it was wonderful to see. I absolutely loved Sophie Turner as Jean Grey, she was just epic, and for hours and days after seeing the film, I could still see Sophie Turner whenever I thought of this film. A perfect casting in my opinion that is one I definitely want to see more of in the future (please be cast again in the future).

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The film like its previous series entries does feature a bewildering level of Special Effects, which help to not only show special powers, but also help create scenes and scenarios that cannot be made but are asked of. Some of these sections I feel could have helped in other sections where they may have helped either sped up or at least not slow down the pace of the film. The destruction of cities is very visionary, and the film works hard to create its more iconic big effects like Quicksilver’s running scenes, to destruction on a large scale, to even launching the entire world’s Nuclear Arsenal. But as I have always found, no matter how great the effect is, the soundtrack always delivers more. The soundtrack (composed by John Ottman and Michael Louis Hill) once again features that incredible X-Men opening theme and titles, but does not hold itself down to just that, as it creates some amazing pieces for some of the film’s more outstanding moments, moments such as the launch of Nuclear Missiles (which is played to Beethoven’s Symphony No. 7), Ancient Egypt, Quicksilver’s Mansion Run (Sweet Dreams by Eurythmics), and of course the final battle with Apocalypse, especially the rise of the Phoenix. These two things while considered maybe separate never fail to impress or provide great moments for the series, always delivering, always enjoyable, and always powerful.

I wouldn’t consider X-Men: Apocalypse to be a disappointment, nor a bad film (it’s better than at least 2 X-Men films I can think of). It’s more like an unpolished attempt leaning on the edge of greatness. Even with its issues, it has its scenes and moments; although while largely separated for long periods of time, these scenes still deliver really fun enjoyable and powerful moments that give you a good surge of pleasure. The characters may be hit and miss and mostly underused; doesn’t mean that they still can’t bring the pain; they just need to get out of their personal pain to begin with. Apocalypse might not be the same as he usually is, but he still makes a great villain and his introduction let’s open the gates for other major super villains such as, oh I don’t know, Mr. Sinister perhaps? What I would class this film as, is a good attempt. It’s something that throughout is working ok, but never gives the final push it needs to truly breakout and be what it really can be. I had high hopes, and while it did provide hours of real enjoyment, it just wasn’t enough to truly be. Maybe it’s just that I am a fan of X-Men: a fan of the comics, cartoons, (nearly) all the films, maybe that is why it did not fully work for me? Maybe, but even still, I enjoyed X-Men: Apocalypse to a large degree.

GENEPOOL





Sometimes We All Need A Little Help – X-Men: Days Of Future Past

25 10 2015

X-Men: Days of Future Past (20th Century Fox - 2014)

The subject of time travel in the movies is a difficult one to work around. Due to the level of Sci-fi fans out there, if you get it wrong, you’re doomed. The issue with time travel though for the most part is changing the future, a subject that has been used time and again. But what if changing the future for the better was possible; what if you could change the lives of many by one quick trip into the past; would you do it?

Released in 2014 by 20th Century Fox, produced by Lauren Shuler Donner and Directed by a returning Bryan Singer; X-Men: Days of Future Past (or DoFP if you want) is the seventh and most recent film in the X-Men film series. Based on the Days of Future Past storyline from the early 80’s; the film sees the return of both the main cast from X-Men: First Class as well as the cast from the original trilogy, as both have to work together in separate timelines in an effort to change the world from its current grim reality.

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In the future, the world the X-Men inhabit is a broken world. Giant robots called Sentinels patrol seeking, capturing and eliminating mutants and anyone else who dares help them. A band of mutants including Kitty Pryde (Ellen Page), Iceman (Shawn Ashmore), Colossus (Daniel Cudmore), Bishop (Omar Sy), Warpath (Booboo Stewart), Blink (Bingbing Fan) and Sunspot (Adan Canto) continually evade capture from the Sentinels thanks to Kitty’s ability to send someone’s mind back in time a few days and warn them about the upcoming attack. The group eventually gets in contact with Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and Wolverine (Hugh Jackman) at a monastery in China. Xavier tells them how the world came to be this way; that it was through Mystique who tried to bring mutant rights forward by killing Sentinel creator Bolivar Trask. She is however captured, and Trask’s death causes public outcry for a response to the mutant threat. Xavier and Magneto have a plan to send someone back in time, and try to warn the past about what is to come in the hope of changing it. The only one able though to make the trip is Logan, who has his mind sent back to his younger self in 1973. During this period, Trask (Peter Dinklage) has already started to try and get support for his Sentinel Program, but is constantly refused. In Vietnam; Mystique (Jennifer Lawrence) helps some mutants escape from being tested on.

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Logan heads for the X-Mansion where he meets young Hank McCoy (Nicholas Hoult) who tries to make Logan go away. Eventually, Charles Xavier (James McAvoy) appears. The school has been closed for a number of years after the students and teachers were drafted into the Vietnam War. Charles, having lost his legs, his pupils and Raven in the previous film is a broken man. He is able to walk thanks to a serum provided by hank, but his powers are sacrificed. Xavier just wants to be left alone, but Logan tells Xavier and Hank about the future and persuades them to help him change it. He also says they need Erik Lensherr (Michael Fassbender), who is being kept in The Pentagon basement. With the help of mutant Pietro Maximoff, aka Quicksilver (Evan Peters), are able to break Magneto out of his Plastic Prison. The atmosphere between Erik and Charles though is less than happy. In Paris, at the Vietnam War peace talks, Trask tries to get the support he needs for his Sentinel Program only to discover Mystique is masquerading as a Vietnamese General. The group of Logan, Hank, Charles and Erik arrive just in time, but things go awry as Logan sees the younger self of Stryker (Josh Helman), Magneto tries to kill Mystique and in the process both along with Hank are revealed to the world on TV. With the world now horrified as to their existence, Trask manages to get President Richard Nixon’s (Mark Camacho) approval for his Sentinel Program for a public demonstration. Erik meanwhile regains his helmet and manages to lace the plastic sentinels with metal. Back at the mansion, Xavier is persuaded by Logan to try using his powers to find Mystique. Initially he is unsuccessful, but then he reads Logan’s mind. He sees and meets himself in the future who tells his younger self, that what they need him to do; is to hope again.

Charles manages to locate Mystique who is on her way to Washington to kill Trask. He tries to convince her not to assassinate Trask, but she refuses. In the future meanwhile, the Sentinels finally find the remainder of the X-Men and go on the attack. In the past at the White House, Nixon unveils the Sentinels while Logan, Charles and Hank try to find Mystique. Erik however has taken control of the Sentinels, uses them to attack the event goers and using a whole stadium he has lifted off the ground, sets up a perimeter to make sure he is not disturbed. In the future, one by one the X-Men begin to fall to the superiority of the Sentinels abilities. In the past, Hank and Logan try to attack Erik, but he uses a sentinel to attack Hank, and manages to throw Logan into the river. After lifting the secure safe room the President and Trask are in, Erik puts on a show trying to announce a future where Mutants are no longer hiding in shame. Mystique however manages to subdue him, and prepares to kill just Trask. Charles makes himself appear in her mind and tries to convince her of a better path; saying “everything that happens now is in your hands. I have faith in you, Raven.” This works on Mystique, and she drops her weapon. In the future, things change instantly. Logan returns to the future, unknowing what has happened other than the future he came from. He wakes up to find himself in Xavier’s School, where everyone who had died from the future he experienced, are alive and well. He walks around seeing a grown up Hank (Kelsey Grammer), Rogue (Anna Paquin), Iceman, Colossus, Storm and Kitty. Not just them though, others who were dead, are now alive too. He meets up with Xavier, who realizes that Logan is finally back helps Logan fill in the pieces of where things left off after he drowned in the river.

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X-Men: Days of Future Past is a very powerful film. It has of course lots of action, fights and what we have come to expect from Superhero films in general, however, it’s also a very emotionally driven film. Many times have I watched this and during specific scenes have felt something deep down and emotionally driven than I have felt in any other super hero film. The film returns to the state of what the first X-Men film was like, but shows: A dystopian vision of the future and how mutants were first revealed to the public light. But on top of that though, this film sort of concludes the story line that started from X-Men 1 too. In that film, Mutants are oppressed by humanity and are fighting for their rights of existence, and then here a future is created that for now better supports mutants in a way they were hoping for. Days of Future Past also deals with themes such as independence not just in the global form, but inside the personal one too, as well as the subject of Hope. The degree of passion in this film from its characters as to what they feel plus see is remarkably strong, and more detail is added with the references to previous mutants, and what has become of them. It’s a nice little story that just keeps plodding along at a nice pace but is not intermixed with minor points. In my opinion, it’s not really a sequel to First Class, but a sequel to both that and Last Stand also. The characters from the original trilogy are a nice addition and means that there is plenty for fans of both trilogies’ to get involved with. Much like recent films in the series, DoFP tries really hard to include more from the comics and expand its own little universe. The way it does this more than most in this film is through setting the story in the Days of Future Past storyline showing the gravity of the situation in the future, from enslavement to suppression of both Humans and Mutants, to of course introducing the Sentinels.

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The Sentinels themselves have been a mainstay of the X-Men franchise through both the comics and cartoons. Their introduction in here is brilliantly done and whose design matches both the sentinels of the past, to their design of the future. Their unstoppable nature is also well presented through how merciless they are plus how cold their killing nature is.

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DoFP has a great cast of characters. While in some places the number of new and old goes near over the top, everyone has a part to play and produces some really memorable characters. From the characters in the future we have old favourites like Iceman, Kitty, Colossus, Storm, Xavier and Magneto; all played as well as they were in the original series. For me though, I think it’s a real shame Rogue doesn’t have much of a part. A central character throughout the original series whose appearances in Last Stand were a bit dwindling, I would have preferred it if she had more a role. While there is the recent Rogue Cut, I probably won’t be buying it. Despite this though, it is just splendid to see these characters played by these actors once again. It’s been a long time coming and I hope they get to return again soon, possibly for a much bigger film.

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As the rest of the future cast go, I like how Bishop is in it. I have been a fan of Bishop for a while now; and even though his Hand Guns aren’t on show, it’s just nice to have him featured. Other characters like Warpath and Blink are a nice little addition too, although I think Sunspot isn’t given as much appearance time. Quicksilver meanwhile is a fun little extra providing some moments of hilarity but also allowing the film to create one amazing set piece. Much like First Class, DoFP features a stellar cast of extras playing significant minor roles. The one standing out for me most though is Mark Camacho as Richard Nixon. I love this portrayal of Nixon. While he does look and sound more like the Futurama head in a jar Nixon than a real picture of Nixon, I like how well he is portrayed. This is all set before Watergate and shows Nixon at a time when he was in power. While he does appear to be dodgy in talking with Trask, he comes to be a good guy in the end closing down the sentinel program after Mystique lowers her weapon. Whatever you think of Richard Nixon, in this film he is brilliant. Alongside Nixon of course is Peter Dinklage as Trask. In what I see as an interesting cast choice for the role of Trask, Dinklage delivers a superbly sinister, villainous role while trying to maintain a level of professionalism too. His short stature also enables him to have some moments of quick scorning wit from other characters too but for the most part is thanks to his style of talking, persuasion and manipulation, coupled with his experimentation on mutants that makes him the central villain of this film. He is not necessarily a dastardly villain with a maniacal laugh, no; he is just a more intelligent one.

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I feel like Magneto is not as good as he was in First Class. In First Class (to me) he was the most important and best character. He had a great build up and some terrific moments, but in this he feels like a much more minor role in comparison. He does have his moments, but I just don’t feel as drawn to him as I did in First Class. In that he was a growing villain, in this he tries to play something of a prophet, particularly during that speech, but it just does not work for me. Other moments like his Pentagon scene with the silver balls, to nearly crashing the plane are really good moments, but they’re just let a bit down. Hank meanwhile has a much larger role I think, but like Magneto doesn’t really stand out for me. It feels like a disappointment. His moments as a tech wizard are cool, but he is missing something, possibly connected with his relationship with Mystique. Hugh Jackman on the other hand is rather good. Now his seventh appearance in the series that made him a star, this time though his role is much, much bigger as he has to change history. He like the series has changed a lot and is now having to be what Xavier was to him in the first 3 films, to a younger Xavier. He is a focal narrative point throughout this film and is constantly having to remain patient instead of lashing out, like he used to.

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It’s Mystique and Charles though whom this film is really about. Both characters complement each other through this film and it’s only through their moments that things change and improve for everyone else. Charles has lost everything, a broken down, depressed man who is finding it hard to simply move on. He is able to pick himself up enough to help, but he needs curing. Mystique meanwhile has become someone pursuing a vendetta, going out to try and save all the mutants who have been persecuted and experimented on by Trask; basically going along similar lines to what Erik did in First Class. Charles though becomes the instigator of both their pain. Reading Logan’s mind, talking to himself in the future, a student asking a guide – my favourite moment of this film. The struggle, passion and pain from Charles to his older self, and what the older, much wiser Xavier has to say. However, Charles is not yet fully healed, he now just needs to move on. He still holds on to the possibility of Mystique coming home, but then discovers what he really needs to do. He gives Mystique her freedom, and this changes her. Mystique supposedly still trying to move on from Charles herself, his control of her, now realising she is free of that, she listens to him. Both the above mentioned Hope scene and the scene between the two at the White House are the two most powerful moments in Days of Future Past and make these two Amazing characters stand out more than everyone else. I love both these scenes and the actors/characters that make them so.

Days of Future Past is in no way toned down in the amount of Special Effects it has. From the mutant powers of its characters, to bold set pieces to some of the biggest uses of Special Effects seen to date. The Sentinels are of course the main use of Special Effects in this film and good detailed care has been taken to make them look outstanding but also rather realistic. From the Jet fans inside their bodies to the weapons. Then to their future stream lined look where they look less robotic, to a more alien lifeform appearance. Then there is their control of superpowers used by the X-Men and how they use this to their advantage. All of them amazing effects. Set pieces are in form too with Quicksilver’s kitchen scene standing out more than most, but also little additional ones like Magneto and his tour of the Pentagon, and Prison cell. One effect for me though stands out more than most. To say that the other films are toned down in large uses of Special Effects would an understatement. I mean, who can remember the Golden Gate Bridge being repositioned, or the sub lifted out of the ocean, or even the Silver Samurai. In this though, they produce one incredible piece of movement, that in the lifting of an entire Stadium. A little destruction and crumbling can be spotted, but it’s not until the Stadium is seen flying through the air, like one of the Spaceships from Independence Day or Daleks’ Invasion Earth 2150 A.D.. It’s an amazing shot, terrifying and awe-inspiring. It may only be brief, but just seeing that is something else. Just this large thing approaching before it drops around the Whitehouse.

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DoFP’s soundtrack is Fantastic. It is a well composed (by John Ottman), brilliantly arranged soundtrack consisting of different styles, sounds and themes. The future is a dark, inconceivable place that has an end in sight. But a fight still rages on. The future is therefore a scene of many battlegrounds, and as fights rage on, the soundtrack compliments the situation. Scenes like the opening fight, the final fight and the moments ticking by as the mutants fate nearly comes. The arrival of the Sentinels is a piece I rather like. One that has this nice smooth drumbeat that starts off rather calm, but sadly I feel like should continue a little bit more. But as the severity of the situation rises, so does the tension in the soundtrack. And then as the first X-Man dies, a more sorrow note comes in, showing what that death means plus how easy it has come in the future. Many of these tunes are shared in the past timeline too and include the White House Attack at the end.

In the past though, everything is not so bleak, and so several pieces come to light including music from the time (such as The First Time Ever I Saw Your Face by Roberta Flack and Time in a Bottle by Jim Croce), plus much more cheery tunes. Although many of these change to the serious notes again and music is brought back to compliment them, as well as scenes of high levels of emotion, including the scene between Charles and Charles, and Charles and Mystique. Some of the music from the past though is rather memorable; including a French Song (Stop au nom de l’amour by Claude François) played the night before the peace talks. It strikes out as the scene changes and just grabs the audience’s attention and the scene. Plus it’s rather catchy as a tune and chorus go. The best bit of the theme though, is something I have been wanting and hoping for a return of since X-Men 2. That is the main theme (see top of the post for opening credits……….I put it there thinking it would be a great way to start the post). While it’s a little altered in sound, the tune is exact. I have always thought that the theme from X2 should be used throughout the series as the series theme. Possibly being for the return of John Ottman and Bryan Singer is why this tune has returned. When I went to the cinema to see it, and I heard that track, the tingles drove up my back as I couldn’t believe it. It is a fantastic piece of music and by far my favourite bit of the soundtrack (and top moments of the entire film).

Altogether, X-Men: Days of Future Past is a Fantastic Film. While I do not rate it as highly as others in the series, I absolutely adore it. I love it for its story, characters, themes, soundtrack, effects, all those things, but also for the power it gives off. It provides some highly charged emotional scenes that show more character than most other superhero films do and create such amazing moments between characters that your heart-strings will be plucked and tugged. While it does have its side issues, these are all pretty minor and together create not just one of the strongest films in the series, but one of the absolute best comic book/super hero films to date.

GENEPOOL





Let’s Just Say I’m Frankenstein’s Monster – X-Men: First Class

23 10 2015

X-Men: First Class (20th Century Fox - 2011)

It’s pretty clear to see that the characters featured in X-Men aren’t exactly, human (except for those who are). No, they’re Mutants, mutants with extraordinary powers, ones that allow them to do magnificent things for either the side of good, or that of evil. But have you ever wondered how all this came to pass, how Charles Xavier founded the X-Men and how Magneto came to be his great Nemesis? Neither have I, but for those who do want to know, you have 2 options. Either read the comics which you can find either online or in shops that sell comics, or you can just watch this film.

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Released in 2011 by 20th Century Fox, Directed by Matthew Vaughn and Produced by Lauren Shuler Donner; X-Men: First Class is the fifth film in X-Men film series, and is the second spin-off from the main series. First Class goes in a different direction to the previous three films however, instead going back in time to tell the origins story and early history of the X-Men. The film is loosely based off the X-Men comic series First Class, and introduces several new characters into the series plus recasting a few others.

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In 1944, at one of Hitler’s Jewish prison camps, young Erik Lensher shows off extraordinary powers when he bends a metal gate. This grabs the attention of Scientist Klaus Schmidt (Kevin Bacon) who kills Erik’s mother when he wouldn’t move a coin. This enrages Erik into destroying most of Schmidt’s lab. In New York meanwhile, young Charles Xavier discovers a blue skinned mutant called Raven stealing from his family’s kitchen and invites her to join his family. In 1962, Erik (Michael Fassbender) has now grown up and is pursuing Schmidt leaving a trail of destruction in both Switzerland and later Argentina. In Oxford, Charles Xavier (James McAvoy) graduates from University with a Thesis on Mutation, and lives there with his now fostered sister Raven (Jennifer Lawrence). In Las Vegas meanwhile, CIA Agent, Moira MacTaggert (Rose Byrne) is tracking army officer; Colonel Hendry (Glenn Morshower), when she discovers him talking to Klaus Schmidt, now going by the name Sebastian Shaw, along with his team of mutants Riptide (Alex Gonzalez), Emma Frost (January Jones) and Azazel (Jason Flemyng). Azazel teleports Hendry to the joint war room where he gives his support for placing nuclear weapons in Turkey. Needing more advice on the subject of Mutants, Moira goes to see Xavier in Oxford and invites him to the CIA and convince Director McCone (Matt Craven) that mutants exist, and another CIA officer (Oliver Platt) shows his support for them. Xavier and Moira locate Shaw on his private boat, just as Erik tries to kill him. Shaw escapes, and Erik is rescued by Xavier who jumps in the water to prevent him from drowning. At the CIA’s X Division, the group meet young scientist and mutant Hank McCoy (Nicholas Hoult), whom Raven immediately begins to bond with. Erik tries to leave with documents about Shaw, but Xavier encourages him to stay. Using a machine built by Hank called Cerebro, Xavier and Erik recruit other mutants to the CIA X Division: Alex Summers (Lucas Till), Armando Munoz (Edi Gathegi), Sean Cassidy (Caleb Landry Jones), Angel Salvadore (Zoe Kravitz), and try to recruit one other who is less than interested.

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One night, the young mutants show off their powers to one another and come up with codenames for themselves becoming; Havok, Darwin, Banshee, Angel respectively, with Raven choosing the name Mystique and giving Xavier and Magneto the names Professor X and Magneto. Believing they are unready to go to Russia to find Shaw with them, Erik, Xavier and Moira go to a senior Russian military officer’s (Rade Šerbedžija) house where only Emma shows up. Desperately wanting to find Shaw, Erik goes rogue, manages to break into the building and confront Emma, breaking her diamond form so that Xavier can read her mind. Inside he discovers Shaw’s plan to create a full on nuclear war and trigger the rise of mutant kind. Back at X Division meanwhile Shaw, Riptide and Azazel, find the young mutants and try to recruit them, successfully recruiting Angel to their side, and killing Darwin in the process. Wanting to avenge the death of Darwin, Xavier takes the others back to his childhood home where they all train and better master their own abilities. Havok gets better control of his thanks to a new suit, and Banshee can now fly. Hank meanwhile is busy trying to create a serum to look normal, which eventually causes a rift between him and Raven. Erik on the other hand is still struggling to get the best out of his abilities, when Xavier unlocks his mind however; he is able to do almost anything.

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With some persuasion by Shaw, the USSR decides to deploy its Nuclear weapons in Cuba. Xavier and his team decide to try and stop it, with Erik only really wanting to do it to kill Shaw. Hank’s Serum to make him look human, fails and his real form, a blue furry Beast comes into full view. In Cuba, the navies of the USSR and the USA are poised ready to fight. Xavier’s team arrive, and using his telepathy, Xavier manages to blow up the Nuclear Cargo Ship halting World War 3. Shaw meanwhile has a backup plan to absorb the nuclear reactor core of his submarine and release it through himself. Using Banshee’s ability underwater, Erik is able to lift the submarine, before crashing it on the beach. Xavier’s mutants fight Shaw’s while Erik goes inside the crashed sub to find Shaw. There the two fight, with Shaw getting the upper hand. Erik manages to remove Shaw’s helmet, which prevented Xavier getting inside his head. Erik however puts it on his own head preventing Xavier from stopping him. He takes out the coin from the day his mother was killed by Shaw, and sends it straight through Shaw’s head, killing him instantly.

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The USSR and USA decide to join forces in ending a potential mutant threat there and then, attacking the mutants on the beach. Erik, now in full control of his abilities, stops their weapons from reaching them, before sending them straight back at the attacking ships. Xavier tries to stop Erik and the two fights with Erik still sending the weapons at the ships. Moira tries to shoot Erik, but a stray bullet hits Xavier in the back. The ships are saved from the oncoming arsenal, and Erik along with Shaw’s team and Raven leave, with Xavier now paralyzed. Back at the mansion, Xavier now in a wheelchair talks about setting up an academy there, and shares a kiss with Moira, wiping her memories to protect them. In the CIA Basement, Erik turns up to rescue Emma, now calling himself Magneto.

OK, this may seem weird, but please bear with me as I quote the back of my DVD copy of the film:

“See how it all began in this thrilling first chapter of the X-MEN saga. Before Charles Xavier and Erik Lensher became Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were enemies, they were the closest of friends and gathered an elite team of mutants to form the X-Men in an attempt to prevent World War III.”

In a nutshell, that is what the film is about basically, two guys who discover they have mutant powers, become friends and prevent yet another World War. In more detail however, it’s a bit more complicated than that. Yes, it’s all the above, but entwined and intermixed together there is a lot more going on than just that. The film’s story is beautifully crafted and is one of the best stories in this series to discover. The film sort of takes the audience back to what the first film was about and concentrates the narrative on two specific characters and what happens to and around them. While the story does lead up to the prevention of World War 3, that’s not its main story. Interestingly, it happens at a time when mutant kind is not necessarily a growing political and social issue. It’s more in the discovery process but only really afflicts those who have visible mutant traits, particularly more so towards Raven. What you get instead is that it’s more of a sub plot, and the concentration is more on the growing possibility of nuclear war and one man’s attempts to start one in order to benefit more himself than anyone else. One thing I rather like about the film’s story telling is how it has combined a fictional setting with real world events. The use of the Cuban Missile Crisis really helps to make the story seem real, like it’s all happening in this world and not just some fantasy or comic book setting. It provides suggestions as to what really happened during that time. It’s not in a fictional world but actually feels like Mutants could be living amongst us. Plus it helps to date the stories and give us perspective as to how far back the film’s plot is set. The setting of the final fight also creates something of a powder keg and shows the moment when mutants first came to public light. It really sets up the scene for future films and stories. Aside from both of these however, is a story that contains lots of interesting elements that come out when characters are looked into. The film contains a lot of characters, some with large backstories for such small roles. While there are some mutants who don’t get this allowance like Riptide or sadly Darwin, others, like Havok, and Angel show an interesting level of character. Havok is so quiet in this film, and is shown as being the kind of person who prefers being alone most of the time, showing this through several insults. However there is a redeeming feature to this. When Darwin dies, Alex does have a sense of regret and sadness inside himself. As the film goes on he opens up more, but keeps his regular side, possibly showing a more vulnerable side to himself. Angel (brilliantly played by Zoe Kravitz) similarly presents a similar character. While when I first saw this film, I was angry at the presentation of Angel, as I was more wanting Archangel (in the comics she’s called Tempest), I grew to her character more and she is an enjoyable addition to the cast. Angel is an interesting character as she so quickly becomes a villain. Not through her wanting to be one, but more through not wanting to hide as a mutant forever, and be accepted for whom she truly is (plus some possible charming from Shaw).

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Other notable cast members on something of a shortlist include Banshee. An interesting part and it wasn’t until I saw this film that I had a proper understanding of what his powers were and what he could do. His costume and look appear to be a lot like they are in the comics. He doesn’t necessarily feel persecuted for who he is and is more open from the start. Xavier’s work with him really helps to grow his confidence too. Azazel I feel is trying to have a big role but I don’t think he works other than for being a hired gun. It sort of feels like an attempt to include a character like Nightcrawler, but have them as a villain. He has a few short scenes of speaking parts which help him out and he is an important part of Shaw’s team, but I don’t feel all that strongly for him. Darwin I do feel rather sorry for as he gets killed off rather quickly, which is a shame because he seemed like genuinely a nice character. Emma Frost however is fantastic. Another brilliantly played part that is both cold as her name plus a lot of fun to follow. She is intelligent and sinister as well as possibly a bit deceptive. She has a lot of loyalty towards Shaw despite having some misgivings as the way he treats her. She wears some fantastic clothing that really do help to represent her status in the film as not a hired gun but an intelligent role, plus match an element of her clothing in the comics and cartoons (minus the cape).

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First Class makes great use of big stars for minor roles and includes a stellar cast from people who play small parts, but make a big impact due to them being such famous faces. People of note being Ray Wise, Glen Morshower, Matt Craven, Rade Šerbedžija, Michael Ironside and Oliver Platt. Along with these you of course get Kevin Bacon as Sebastian Shaw (this is not a small role). I really do like the inclusion of the Hellfire Club in this film. It’s a section of my X-Men: The Ultimate Guide I have read on many occasions, but while I have known about Emma Frost for a while, it was only in recent times coming up to the release of this film that I really began to discover who Sebastian Shaw was. It was through reading Essential X-Men a year or two beforehand that I was first properly introduced, followed by an inclusion of the character in Wolverine and The X-Men on TV. In First Class, Shaw is just as sinister and uses his wealth and power to create his grand schemes plus the manipulation of those around him. His early introduction allows the character of Erik to be brought into the story, plus the film’s first goal for a character and plot. His powers make him practically invulnerable to attack and as such require both the abilities of Xavier and Magneto to defeat him. Much like the Hellfire Club, Shaw is a brilliant character to have as a villain in this and his team of mutants works well to his character. His final death puts the film in a position ready for its next important twist plus brings out Magneto for who he is. I think Rose Byrne is somewhat underused in this film as she slowly builds to the want of a relationship with Charles, but while the Mutants train, she doesn’t appear to be there. Unlike the people at the CIA who see Mutants as something else, Moira sees more in them. She is confident and always looking for an opportunity to prove herself, which she finds hard to do. She is sort of a comparison to what mutants feel, as she is a woman trying to do a job in a still male orientated world. Despite this though, I still feel like she is underused, especially for such an actress as good as Rose Byrne; despite this though she remains an enjoyable cast member throughout the film.

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First Class immediately shows Beast, where as he was delayed from being included until Last Stand in the previous trilogy. In this he tries to hide his mutation from others from the start, and is determined to accomplish the goal of being as normal as possible. While to begin with this triggers a bond between him and Raven, this does lead to a rift as the film goes along. He eventually comes to sort of accept who he is, but struggles with it again when Raven leaves. Raven meanwhile is not flaunting her ability as she did in the first 3 films. Either this could be because she is played by a different actress, or it could be because she is struggling with whom she really is. She hates and despises how people like Charles can look normal, while she has to regularly hide. This causes an early rift between her and her foster-brother and just builds and builds. While not necessarily being a major explored relationship in the film, the obnoxiousness and ignorance presented by Xavier shows his real lack of understanding for her and begins to reveal a weak spot in him. It’s not until Magneto talks to Raven that she begins to explore her right to be who she is, and accepts this as the film ends. Xavier meanwhile is one of the key characters explored in this film. From the start he tries to show himself as an understanding person, but shows a weak flaw in that he doesn’t really understand everything, as he thinks he does. Sure, he does help those around him who need it, but his lack of understanding with Raven causes a rift between them and slowly begins to ignore her. It’s like he’s trying to ground her, instead of helping her. Xavier then is not who he will become and is still playing around a little. He tries to stay calm and respectful in the situation. He also shares some real dramatic and emotional moments, and through one of these, which connects to his belief that mutants and humans can live together ends with him losing his legs, (plus the moment when he can feel the coin going through the head of Shaw).

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But it’s Magneto who is the film’s best character. Out of all the characters in the film, it’s Magneto who I connect the most with. While he would grow to become the series greatest villain, it’s interesting to see how it all happened. From his mistreatment at the hands of the Nazi’s, the death of his mother and being experimented on; to the acts that would define and make him the villain that he is today. He has many terrific, enjoyable, memorable and fantastic scenes in this film that are bolstered by his own character traits. But it should be remembered that he does not start out as a villain. While I see other comic villains as being evil just for the sake of being evil, Magneto’s rise to villainy status is shown in a more understanding way. While he will commit atrocious acts against others, it’s hard to say that he is doing it for the wrong reasons, as he has experienced incredible atrocities onto himself. He experienced life in the prison camps, the murder of his mother, and experimentation at the hands of a monster. His life previously can only be imagined, but given what is known about the treatment of the Jews in Hitler’s Germany, it’s only fair to see what was in store for Erik growing up. As the film progresses; he begins to commit those atrocities on humanity, but I find myself rooting for him. First on the Germans responsible for what happened to him, to the eventual scene against the ships. Both that and the scene in Argentina are two of the film’s most powerful scenes, and ones I am rooting Magneto to accomplish. Every time I watch the attack on the ships, I want them destroyed, because I sort of feel Erik’s pain, and it feels like Justice needs to be served. Add to this Magneto’s theme as well as Fassbender’s amazing performance and you have a character that stands out so well, that you can’t help but feel a bond with him every time he is on-screen.

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X-Men First class is beautifully shot and uses combinations of set pieces with real settings plus some cool camera tricks to make it stand out. I particularly like the camera angles used in the fight between Banshee and Angel. Costumes have always been something of a stand out feature in the X-Men films, and First Class is no different. From things like formal and casual attire, to the super suits. Instead though being like the jet black leather suits of the first trilogy, they look more like the suits in the early comics, which I think is a neat little addition. Add to it the personal traits of costumes too; such as Emma’s Suit Dress, Banshee’s wings, Havok’s disk, and the all famous Magneto Helmet, particularly at the end of the film. From there it’s onto the special effects of which there are many. The films have moved on in special effects from the outstanding Golden Gate Bridge scene in Last Stand and include lots of big special effects to just say “WOW!” at. From the Submarine pickup, to the navy’s arsenal, to the giant Warships themselves. I like how the Iowa class battleships get a part in this film, they look so cool. But it’s not just the big stuff. The mutant powers are on show too. Some are on show for the first time like Banshee’s scream and Havok’s ability, plus old favourites too like Mystique’s transformation. It’s not all down to Computer Effects though as some are more realistic and look superb such as the slicing of the statue at X Division, to the point where Shaw picks up an Iron Bar with his hands.

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The film’s soundtrack (Composed by Henry Jackman) is just as incredible as everything else in this film, plus is so memorable too. The film’s main theme (in my opinion) has to be Magneto’s theme. It is featured in the credits which I like, plus, when used in certain scenes shows the growing darkness and aggression that Magneto carries towards those he feels have wronged him. From the Argentinian bar where he grows from a mysterious acquaintance, to the moment he reveals himself and what he thinks about himself. There is just this growing essence of anger inside it which really carries his character for him in those scenes. While in other scenes it’s played around with, it’s still Magneto’s theme and I enjoy listening to it every time I hear it. It’s just so dark and menacing.

The film does have other pieces which stand out too. The film does use pieces of music from well established artists including Love Love by Take That (a really good song) and an instrumental version of Run by Gnarls Barkley used during the recruiting scene. As for the rest of the film’s soundtrack, a lot of pieces use the same piece within them. It’s a sort of calm, joyful and pleasant piece and is used several times as a starter. It begins in the Cerebro scene, the reveal of the mansion at the end of the second act and the lifting of the submarine. It’s a nice piece, just a generally nice piece. It even has a bigger part when the jet appears over the sea above the navies, a grander tone perhaps. Add to this other pieces of note such as the lifting of the submarine which brings more a scene of amazement, or to the Cerebro scene where it quickens and I get tingles down my spine just hearing it increase in speed. There is a definite feel of the period in the film’s soundtrack, and it shows (well hears) and is so pleasant to listen to. A great deal of work has gone into the soundtrack for First Class, and it has not gone to waste.

Alltogether; I love this film. I really do. I don’t like it as much I would say as X2 which I still consider my Favourite of the series, but I would say that First Class is a close second. I really do like this film, its story is tense and gripping, its characters are fun, and new, plus connectable, it’s combination of Special Effects and Soundtrack are amazing and most of all; Magneto is Fantastic. While more films have been released since and still more to come, I still absolutely enjoy this film for everything it has. Sure, it does have some shortcomings in some of its characters, but for every minor issue, there are 10 other things that make up for them. You don’t need to know much about X-Men to enjoy this film as it is a complete beginning for these characters without being a reboot. Overall, X-Men First Class is a fantastic film; I really recommend it.

GENEPOOL





A Brief Introduction To The X-Men Film Series

15 10 2015

X-Men: The Last Stand (20th Century Fox - 2006)

I don’t know if you saw my lacklustre, mediocre post on Tuesday (sorry about that, I was pretty tired when I wrote it), but in case you didn’t; all next week (Monday to Sunday) right here on this blog I will be posting the biggest writing project I have undertaken since finishing University. To cut a long story short, it’s an entire week of film reviews, one every day; and to keep it nicely wrapped up altogether it’s going to be all the (current films) in one particular series of films. Now while I could build up the excitement and tension to the eventual reveal, the title of my post pretty much tells you which film series I have decided to review: X-Men. So, before next week’s exciting series begins, I thought I would give you a (hopefully brief) introduction to the X-Men Film Series, along with other little bits of interesting information, but promise to try and not go too deep with explaining what happens in the films themselves, otherwise I have ended up wasting the last 4-5 months writing X-Men film reviews.

The X-Men film series is easily one of cinemas most recognisable film series with currently 7 films released over the last 15 years. Since the release of the first film in 2000, it has become a financial and critical success, and to this day is one of the 15 highest grossing film franchises/series to date having grossed more money than some of the cinemas more recognisable movie franchises including: Terminator, Indiana Jones, Star Trek and Mission Impossible. It is also a series of great critical acclaim with 4 out of 7 films receiving fresh ratings of 81% and higher on Rotten Tomatoes. It is one of the longest running film series this century having not one restart, reboot or remake anywhere in it (unlike other series that come to mind: Superman, Batman, Spider-Man, Fantastic 4, Hulk, James Bond, Terminator and Star Trek), and has turned both growing stars and absolute nobodies into some of the cinemas best known and even household names. X-Men as a series and what it has achieved over the last 15 years is unlike any other in cinema today, and is set to continue with not 1 but 3 films due for release next year, (Deadpool, Gambit and X-Men: Apocalypse) along with a third solo outing for one of its biggest stars in 2017 (third Wolverine film) and even plans for 2 other potential films already underway.

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The X-Men film series is of course based on the Marvel Comics and characters of the same name. The story of the X-Men follows a super hero team made up of a second caste of humanity known as mutants. While they look the same as Humans, Mutants come with special abilities and powers, and the X-Men are made up of some of these mutants. Life for the X-Men though is a tough one, because while they are a super hero team, fighting dangerous threats and saving humanity on a daily basis, humanity isn’t exactly fond of mutants, and sees them as a threat. From the get go, the X-Men have been a different kind of super-hero team, one that while saves the day like all other super heroes, they have to fight those they try to save, and fight for a future where mutants can be free from persecution. Leading them in this charge is Professor Charles Xavier who fights for a future where both humanity and mutants can live in peace together. A difficult thing to fight for, especially when there are other mutants out there who don’t think this kind of future is possible. In step Magneto, a mutant who can manipulate metal and an old friend of Charles Xavier. While remaining as something of a friend to Xavier here and there, Magneto believes only one species can survive and thus begins the battle between the two. As the series continues, new enemies and threats enter the fold with major villains like Apocalypse, Mister Sinister and Onslaught to name but a few. However, Xavier does not have to face such threats alone and with his team of X-Men including (but not limited too) Cyclops, Jean Grey, Storm, Wolverine, Iceman, Shadowcat, Beast, Rogue, Archangel and many more fight both old and new threats on a weekly basis. That’s basically the general idea.

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The comic series itself at one point (if not still to this day) was (or still is) America’s bestselling comic series. Created by the combined might of Stan Lee and Jack Kirby, the comic series originally started back in 1963, but back then was a commercial disaster and by 1970 the series was cancelled. In 1975 the series was resurrected with help from artist Dave Cockrum, Editor-in-Chief Roy Thomas and writer Len Wein. No-one could have seen what would come next as the series became Marvel’s biggest hit. Since then the comic series has gone from strength to strength. During the early 90’s; the X-Men got their own cartoon series on the Fox Network which went on for 5 series between 1992 and 1997. This was then followed up with 2 more separate cartoons in the forms of X-Men: Evolution and Wolverine and the X-Men. The X-Men even got their own video games. While during all this the comics continued to evolve and the X-Men themselves got involved in some of the biggest stories in the Marvel Comics, including being the hosts of the epic ONSLAUGHT Saga, as well as having a war with the Avengers much more recently.

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In 1994, 20th Century Fox bought the film rights to produce an X-Men film after seeing the success of the animated series. Spearheaded by producer Lauren Shuler Donner, the first film; simply called X-Men was released in 2000 by new up and coming director Bryan Singer. It starred well know actors like Patrick Stewart (who was struggling to find work at the time thanks to being on Star Trek for so long), Ian McKellen; growing stars like Anna Paquin, James Marsden, Famke Janssen, Rebecca Romijn and Halle Berry, and even hired an absolute nobody (but who is now a household name) to play the iconic role of Wolverine in Hugh Jackman……….the rest as they say is history. Over the course of the following 14 years, new actors would be appointed, following the previous formula of well-known stars (Kelsey Grammer, Brian Cox, Kevin Bacon) as well as new growing stars (Ellen Page, Peter Dinklage, Michael Fassbender, James McAvoy, Nicholas Hoult) as well as people who were at the time relative unknowns but are now household names (Jennifer Lawrence). Along with them came new characters and stories famous within the comics, plus of course new villains. Origins stories were told, time travelled, new weapons and machines created, plus the never-ending fight for freedom from a world that hates them. The comics quite literally came to life and through its unique perspective and style of storytelling produced one of the most entertaining, emotional, powerful, dramatic and even realistic film series to date.

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The X-Men have come a long way since their first appearances on comic book shelves back in the 1960’s. There have been ups and downs along the way, successes, failures and have even branched out into other forms of media, from Cartoons to Video Games, to of course the big screen. Since making that big leap, it has become one of the highest achieving and most recognisable film series to date and with the series set to continue; the future for the X-Men looks Fantastic.

GENEPOOL (I hope you have enjoyed reading this and enjoy reading my reviews next week as much as I have enjoyed writing this and them too).








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