Top 10 Godzilla Films

29 06 2016

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It should come as no surprise that my favourite film series is of course Godzilla. I don’t know how many times I must have mentioned it to people I know, people passing by, or the number of posts I have written on the subject on this very blog that you are reading now (speaking of which, did you know this is my 500th post?). Yes, I love Godzilla movies! Ever since I was a young boy to right now and probably beyond, I have had a craving fascination for a film series starring a Giant Nuclear Irradiated Japanese Monster. While there are a lot of really great movies out there not including/starring Godzilla, it should come as no surprise that my Top 10 absolute favourite films are all Godzilla films. But which ones though? You see back in 2014, after the release of the 2014 Godzilla film, I thought I would finally work it out. What do I mean by that, well, you see the thing is that for many years I had always said which ones were likely and which ones would be high up but I never actually had a defined list of which were my top 10 favourites, just an idea. So with the 2014 film out of the way and to sort of celebrate I thought I would work it out.

Godzilla 2016

To zone in and find for definite which ones are my favourite and then order them was always going to be trivial. How I actually did it was like this:

  1. I ordered the films in order of when they were released starting from the original 1954 film, to the 2014 film.
  2. I then picked out the ones I thought were terrible (and there are 3 I can think of) and deleted them off the sheet.
  3. Even after cycling through some bad ones, I still had near 25 to choose from, so I just worked through them from there, picking out ones I did not feel strongly for until I get to a more definitive list (between 15 and 20) to then think more carefully about.
  4. As the process continued, some of the remaining films became obvious as to being ones I absolutely loved, so I then began to order those ones around a little.
  5. From there it became a process of difficult elimination as I analysed the films in my head and said to myself; “Is that one better than that one?”
  6. In the end it came down to 12 films and a difficult choice to get to specifically 10, so I worked hard and finally whittled it down to just 10 films.
  7. I then repeated step 5 to put the surviving 10 in order from 10 to 1.

Making this list was actually rather fun and interesting experience, and one I look forward to doing again in the future, but to which series I do not know (probably Studio Ghibli once I get more head on into it). There is a little bit of an issue with the choosing process, and that is I have not actually seen Invasion of Astro-Monster or Son of Godzilla. Invasion of Astro-Monster is on my shelf, and just haven’t got round to watching it yet, whilst I do remember seeing something of Son of Godzilla from when I was about 4 years old, but as I cannot currently get a copy of it, I am pretty much stuck. If anything, the only other one I have not seen is Godzilla Resurgence…..which has not been released yet. As this list goes though, there are still plenty of surprises…possibly. Some surprises for me as some films I was sure of being on here are not, and some surprises for you my wonderful readers as to where some films have been placed, however, being the Godzilla fan that I am, I will not have put it in that position unless I thought that it deserves to not only be on this list, but also in that position. Anyway, introduction’s over, I hope you enjoy this post as much as I have enjoyed working it all out. So sit back, relax (not unless you are like me and have to lean in on a computer to read something), and find out what my Top 10 Favourite Godzilla films are.

Godzilla vs Mechagodzilla (Toho Co. Ltd. - 1974)

10. Godzilla vs Mechagodzilla – An Ancient prophecy begins to come to fruition when a dark cloud in the shape of Mount Fuji appears in the sky. The prophecy states that a Giant Monster will come along to destroy the land. Things take a confusing turn however when the Monster that appears turns out to be Godzilla. Things take an even bigger twist when another monster, who also looks a lot like Godzilla appears also. With everyone by this point really confused, the first one decides to shed its skin and reveals itself to be a cybernetic clone.

Mechagodzilla

The 1970’s were not a great time for the Godzilla series. From the start of the decade the series was already beginning to slump with the mediocre release of Godzilla vs Hedorah. Things then got even worse as the two films that followed were mostly made up of Stock Footage and very little were actually filmed. This landslide from Great films to terrible films appeared to be unending, until veteran director Jun Fukuda returned. Having previously done three Godzilla films in the past, and being one of the most important directors in the series, it came down to him to turn Godzilla’s fortune’s around; which he did spectacularly. Out with the stock footage; back in with actual film making. This film in the series was also made up with a lot of firsts: While Godzilla and Anguirus make an appearance in the film, both King Caesar and the now legendary MechaGodzilla both made their debut in this film. The film manages to cram a lot of human story and character elements into it also, with the characters having to help the Monsters as best they can; because otherwise, the green-skinned ape aliens would win. With a very jazzy soundtrack from Masaru Sato and also showing how fun a night time chase around a ferry cruise could be, Godzilla vs MechaGodzilla remains one of the series most stand out and thoroughly enjoyable entries into the series.

Godzilla Against Mechagodzilla (Toho Co. Ltd. - 2002)

9. Godzilla Against Mechagodzilla – In 1954, the monster simply called Godzilla attacked Japan and left Tokyo in ruins. Over the next 40+ years; several more Giant Monsters including Gaira, Mothra and a monster that looks a lot like Godzilla attack the nation. Having had enough, the country of Japan launches a new weapons program to build a machine specifically designed to defend themselves from these attacks. The machine code-named Kiryu is built on the fossilized skeleton of the original Godzilla. When Godzilla suddenly reappears, Kiryu is sent into action. After hardly any battle, Godzilla leaves, but Kiryu runs amok in Tokyo, but why?

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Since the release of Godzilla vs Mechagodzilla, MechaGodzilla has been redeployed in a film sense on several occasions. But the 2 times between this and the original did not fare so well and did not impact all that greatly. By the Millennium, and with the new series in full swing, Toho brought MechaGodzilla back, and created one of the Millennium Series most stand out films. In comparison to the above mentioned film, this one is not crammed full of characters, with instead only 3 really appearing as leads; but in this instance they are worked on in a great deal. The story and setting produce an initially terrifying but also heart-warming story telling of the connection between man and machine while also creating an initial yet terrifying plot twist, with not Godzilla necessarily running amok, but the weapon. Still providing the best in monster mash-ups, and up to date special effects as well as terrific pieces by Michiru Oshima for an unforgettable main movie theme, Against is an absolutely superb film and is easily Mechagodzilla’s best film appearance to date (not unless Legendary have plans).

Godzilla (Legendary

8. Godzilla 2014 – In 1954; something is discovered by the American navy; this thing is quickly covered up and supposedly destroyed. Nearly 50 years later, a nuclear power plant is destroyed supposedly in an earthquake. Sometime later, the husband of a scientist who died in the power plant goes mad trying to prove it wasn’t an accident, and he was right, as inside the power plant is a Giant Monster which escapes it’s confines and goes on the rampage.

Godzilla Beach

In 2010, Legendary Pictures announced it was going to make a brand new American Godzilla film, even though in the end we had to wait 4 years for it to be released. I went to see it on opening night, and absolutely loved it. It was near perfect, Godzilla himself was perfect, and the new MUTO’s were amazing creatures, all combined into a very human story (that seemed strangely similar to Gamera: Guardian of the Universe) supported by a terrific selection of cast, special effects and heart pounding music (composed by Alexandre Desplat), all brought together by Director Gareth Edwards. I enjoyed it so much that I went to see it another two times at the cinema. But for me, the real proof of the pudding came the Saturday after it was released. I had the night off, and really wanted to watch a Godzilla film for some reason, so I watched Ghidorah, the Three Headed Monster, one of my favourite Showa films and one I have always enjoyed. But right there and then, I was struggling to enjoy it as much as I used to…..I wonder why?

Ebirah, Horror of the Deep (Toho Co., Ltd. - 1966)

7. Ebirah: Horror of the Deep – A young man who is looking for his brother lost at sea, finds a couple of people at a dance contest who take him to see some boats. They go aboard one, and the following morning the young man steals it, which ironically has already been stolen. After several days at sea, they get caught in a storm and the boat is destroyed by a giant claw. They all wash up on shore and discover that the giant claw belongs to a giant Lobster called Ebirah. Yet more nightmares are to be realised however as the island is the base for a terrorist group called the Red Bamboo, and the island boasts yet another secret.

Ebirah

With the Godzilla film series now in full swing, directing duties were handed over to hot up and coming director Jun Fukuda. Most of his previous work involved comedy and mystery, but in all fairness, Ebirah wasn’t any normal Godzilla film. It was originally intended to be made as a King Kong film, but Toho decided to make it a Godzilla film instead; such is why Godzilla does not smash-up a city, as well as show off several un-Godzilla like traits including attacking Mothra after supposedly now being friends. Any who; as a young boy, this one stood out for me a lot as for quite a while it was the only Godzilla film I had VHS access to, until the collection grew. As time has passed and other films have come that I prefer to it, this remains one of the films I have enjoyed the most. It’s not just a connection to my youth, but also a film that I have come to love with a great deal of memory and passion with many scenes, quotes and a heart thrilling caper like soundtrack being many a highlight. It’s place on this list always a guarantee; more than any other Godzilla film, it’s possibly the most enduring and one that I have conceivably the most memories of just watching it over and over again, even remembering specific times and days of watching it.

The Return of Godzilla (Toho Co. Ltd. - 1984)

6. The Return of Godzilla – In 1984, it’s been 30 years since Godzilla attacked Japan, but has not been since. His presence has still cast a shadow over the nation even as it progresses into a modern high-tech future. Out at sea, a fishing boat is discovered where only one member of its crew survived. He talks about seeing a Monster and as time passes, more incidents get reported, and it’s all revealed to be true, that Godzilla has indeed returned.

Super-X

After nearly a decade since Godzilla’s last movie appearance (Terror of Mechagodzilla), Toho finally decided to bring the monster back during the ever-growing tensions of the cold war. It was perfect, with the monster having lost his terrifying persona over 20 years of film making, they brought him back to his terrifying self in a movie that ignored all events of the films in between this and the original. This was also only the second time in the series that Godzilla attacked a city and did not fight another monster. Yes, while we all love a good fight, Toho showcased how terrifying, realistic and enjoyable a Godzilla film could be when he is not surrounded by other Monsters. This film would go on to kick-start the best era of Godzilla movies to date: the Heisei series; and while Godzilla the hero would come out to play a couple more times, the producers worked really hard to maintain Godzilla’s terrifying position and persona throughout. More than any film, this one ensured Godzilla’s long lasting cinema presence, one that is still being seen to this day.

Destroy All Monsters (Toho Co. Ltd. - 1968)

5. Destroy All Monsters – The year is 1999 (hypothetically), and all the monsters of the world have been collected and made to live together on an island decidedly called Monster Land. All of a sudden communications with the control station nearby is lost, and the supposedly ‘contained’ monsters all start attacking the Major Cities of the world, all except Tokyo?

Mothra, Gorosaurus, Rodan, Kumonga, Anguirus, King Ghidorah, Varan, Godzilla, Manda, Baragon, Minilla

What was originally intended to be the final Godzilla film, and as such was given a much bigger budget, remains one of the most popular in the series. Having just done some research, I have discovered that this is one of only a few Japanese Godzilla films to have a fresh rating on Rotten Tomatoes. In fact, for about 11 years, this was my favourite film. What sets this film apart from others is its large cast of Monsters. Loads of Monsters appear in this film, some remaining real favourites and some of the most endearing monsters in the series. Plenty of city destruction takes place, with others than Tokyo being hit for once, all the while setting the early instigations into an alien conspiracy. Expect some of the most memorable pieces of music, and some of the best military vs monster scenes to date as Godzilla leads the charge of the Monsters (which includes but is not limited to: Gorosaurus, Rodan, Varan, Manda and Baragon).

Godzilla vs. King Ghidorah (Toho Co. Ltd. - 1991)

4. Godzilla vs King Ghidorah – In 1992, over the sky of Tokyo, a UFO is spotted. It is eventually tracked, where it turns out not to be aliens, but people from the future. These people go on to talk about the future non-existence of Japan as a nation and that the country is to be finally destroyed by Godzilla. They send a team back in time to an island battlefield in World War Two, where the Dinosaur that would become Godzilla first appears; sending it to the bearing sea, preventing it from evolving into Godzilla. Returning to the present day, rumours of a new monster begin to circulate.

MOTHER

This film easily remains one of the most beloved films in the series by fans. After struggling to get Godzilla going with the release of Godzilla vs Biollante, it was decided that for their next film that Godzilla would fight his arch-nemesis for the first time in nearly 20 years: the three-headed golden dragon; King Ghidorah. This new film in essence is based on the popularity of the time travelling element in the recently released Back to the Future films while also combining it with a story that focusses on how Godzilla became Godzilla. Its story; while basic does achieve quite a bit, with the implication that with Godzilla removed from history, King Ghidorah takes his place and is under the control of people with vengeance on their mind, only for their plans to eventually backfire. Godzilla vs King Ghidorah in the process creates some terrific scenes of city destruction, as well as not one but two incredibly well fought battles as Godzilla goes one on one with his Greatest Nemesis, in a battle that leaves one monster horribly scarred for life.

Godzilla (Toho Co., Ltd. - 1954)

3. Godzilla 1954 – Out at sea, several fishing boats are mysteriously destroyed. On a nearby island, the village is destroyed a few days later. A team is dispatched to investigate, and make a chilling discovery, one that will bring repercussions for the country of Japan for decades to come.

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1954 was a big year for Japanese cinema, especially more so for Toho. A few months earlier they released the Akira Kurosawa masterpiece Seven Samurai, but on set; apparently everyone was talking about something called Gojira. After trying to produce a film in Jakarta which ultimately fell through, Toho producer Tomoyuki Tanaka took two pieces of inspiration: the Lucky Dragon 5 fishing boat incident and the Ray Harryhausen film; The Beast from 20,000 Fathoms and in the process created Japan’s first movie Monster. Taking into account the destruction dealt upon Japan at the end of World War 2 by not one, but two Nuclear Bombs, Tanaka created a creature born of the forces of Nuclear Power and Nature’s answer to humanities destructive attitude and set this new monster loose in Japan’s Capital. Backed up with a terrifying soundtrack by composer Akira Ifukube, and the latest in Special Effects by Eiji Tsuburaya, all under the direction of Ishirō Honda; I believe they say: “The rest is History!”

Godzilla vs Mothra (Toho Co. Ltd. - 1992)

2. Godzilla vs Mothra – Out in space, a meteor strikes earth, and a Typhoon ensues revealing a giant egg. A team is dispatched to investigate the island where they find the egg and are told a harrowing tale of how an ancient battle was fought between Earth’s guardian Mothra, and another monster similar in design called Battra, who might have reawakened.

Battra

For over 11 years or so, Destroy all Monsters was my favourite film, until by chance I was able to get a copy of this film, and within one showing I knew this was my new favourite film. What is basically a film telling something of a lesson of the importance of keeping earth clean, and what is renowned as being rather rushed, is also a fantastically enjoyable film. It is rife with elements of tension; lots of city based destruction, and so far the only film in the series to contain one of the series best creations, the creature known as Battra. Containing some great acting, a fully thriving in-depth story and some amazing Monster Powers to create a full on power play of a Monster Battle climax, Godzilla vs Mothra in sense recreates the story of Mothra vs Godzilla, but ultra-charges it into the early to mid-nineties, and in the process creates one of the series best films to date.

Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (Toho Co. Ltd. - 2001)

1. Godzilla, Mothra and King Ghidorah: Giant Monsters All Out Attack – Across Japan, several incidents take place, in each one a Monster being spotted. It has been nearly 50 years since Godzilla attacked and has not been seen since, and his print on Japan’s history is slowly being forgotten. Meanwhile a young Science Fiction TV Presenter goes on the trail of an ancient legend concerning the reawakening of several monsters, monsters determined to make sure Japan does not forget its history, but more importantly, make sure Japan is defended from the return of the King of the Monsters.

Baragon (2001)

During Christmas 2007 (I think it was 2007), I received a couple of Godzilla DVD’s from my parents. One of them was this, with the other being Godzilla: Tokyo S.O.S. I was certain that Tokyo S.O.S. was going to be the better of the two, boy was I wrong. I had no real clue as to what this film was going to be like, but boy did I enjoy it. Directed by the man behind the Gamera Heisei Trilogy: Shusuke Kaneko and including a mystical based soundtrack from Kow Otani, Godzilla, Mothra and King Ghidorah: Giant Monsters All Out Attack is a very different film to its predecessors. What we have here is less a modernistic take on Godzilla, but more one that relies on the myths and legends of Japan’s history and combining it with the terror that Godzilla should stand for; and that’s what we get. We get three Monsters teaming up to take on Godzilla which includes Baragon, while Godzilla himself shows off his real power. He has bare white eyes, and can create an atom bomb like explosion from the power of his atomic breath. The monsters are relatively smaller than before, but their power isn’t by far. Its story of a Mystical history is addictive, its cast is effective, its soundtrack is enchanting, its effects are magical and its ending is terrifying. I watched this film many a time before I finally realised that this was my favourite film, and my favourite film it remains. To me at least (how long this will last is yet to be seen, but for now), of this I am certain; this is the best of the best, My Favourite Godzilla Film.

GENEPOOL

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The Tortoise And The Bird – Gamera: Guardian Of The Universe

10 06 2013

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In 1954, a Japanese film studio released a film that would change cinema. It would inspire many around the world and today its name still resonates through the minds of people all around the world. The film was called Gojira, later Americanised to Godzilla. The huge successes of the film led the film studio to create an entire series of Monster Movies starring the film’s central character. In 1965 a challenger to Godzilla’s throne emerged in the form of a Giant Turtle named Gamera. While he too would become a hit in Japan, particularly with children, he was not able to upset Godzilla’s position in the slightest. 30 Years later though (15 years after the last film); Gamera re-emerged in a film of truly magnificent proportions.

“Gamera finally has a film to rival Godzilla” – Popcorn Pictures

The above statement rings true on practically all levels throughout the film. The special effects, the soundtrack, the acting, the direction and most importantly, the story. Directed by Shusuke Kaneko (who later directed The Best Film In The World), this film is not just any Monster Movie, It is one of the Best Monster Movies as well as the first film in an incredible Trilogy.

Gamera Heisei 2

The film opens up with a tanker and patrol boat out at sea, the tanker reports running aground. After a quick inspection it turns out that it has been run aground on an atoll, which is moving. An inspection into the incident begins lead by Naoya Kusanagi (Akira Onodera) along with marine officer Yoshinari Yonemori (Tsuyoshi Ihara who would later star in 13 Assassins). Meanwhile on an island in the Goto Archipelago, a fisherman and a cop are running from some unknown attacker, they try to get off the island but are both unlucky. Ornithologist Mayumi Nagamine (Shinobu Nakayama) is called to the island by a police Inspector Osako (Yukijiro Hotaru) after he received a call from someone from the island stating he was attacked by a Giant Bird. After a brief look at the damage, Nagamine believes the damage is of a man-made origin, this is however until a Giant Bird pellet is discovered and inside it contains an item belonging to a scientist friend of hers. After a brief search of the island the bird creature appears and looks more like a pterodactyl. It attacks and eats people on another island close by before being chased back to its own island by the air force, it is here that it is also revealed that there is more than one. A plan is put in motion to capture the creatures.

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After an in-depth search, the atoll is found and is investigated. On the surface, several strange beads are discovered as well as a giant slab with some markings on it. After a closer inspection, the slab collapses and the atoll breaks apart. Several of the investigators fall into the water, including Yonemori, who sees a huge eye and tusk while underwater. Back in Fukuoka the plan to capture the birds begins. The birds are guided to the Fukuoka dome where they will be trapped by the closing roof and tranquilized. The plan is initially successful, however Yonemori turns up and reports that a 60 meter long creature is approaching the city, but no-one takes much notice. The plan is initially successful with two of the birds getting captured, the other one escapes towards the harbour before being destroyed by a Giant Turtle. The new monster goes on the rampage (not the only time in 1995 that Fukuoka was attacked) in the direction of the dome, when it reaches it, the two bird creatures manage to escape before they can be destroyed. The new monster ignites its jet boosters and flies off into the sky in pursuit.

GGOTU3 (The film is not in Black and White, it's just that this is a Good Picture)

Back at his house, Kusanagi reveals to Yonemori and his daughter Asagi (Ayako Fujitani) that the inscription on the slab reveals the names of the two monsters, the bird like creatures are called Gyaos and the Giant Turtle is named Gamera. Yonemori then gives Asagi one of the beads discovered on the atoll as a gift, which begins to glow in her hands. Kusanagi, Nagamine and Yonemori are called to an area of Kiso Mountain where a small village is being attacked by one of the Gyaos. Nagamine tries to rescue a little boy but collapses on a bridge, Yonemori goes to rescue them both while a Gyaos bird targets them as its next meal. Gamera then arrives and destroys the Gyaos. Another Gyaos then shows up and attacks the bridge, but Gamera places his hand over the group and gets his hand injured protecting them, he then flies off in pursuit of Gyaos.

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Asagi learns that Gamera is in the Area of Mount Fuji and goes to find him while nursing a strange wound on her hand. The army approach Gamera in preparation to attack and the attack begins just as Asagi arrives to watch. Gamera is then attacked by Gyaos and receives a mortal wound on his arm, at the same time that Asagi receives one too. Gamera manages to fly away. At a hospital later that night Kusanagi arrives to see his daughter who immediately falls asleep.

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Nagamine and Yonemori discover that the Gyaos was created by an Atlantean civilization to wipe out pollution, but the creatures became too powerful and so the civilization created the Gamera’s to destroy them, however the civilization could not repair itself and so preserved the final Gamera for future generations as a defence should the Gyaos reawaken. It is also revealed that the Gyaos only has one pair of chromosomes and is an almost perfect creature and did not evolve. It is also discovered that the creature can have offspring by itself. The final remaining Gyaos has increased in size and attacks Tokyo. The government finally decide to attack Gyaos instead of Gamera and put a plan into action to kill Gyaos. Nagamine and Yonemori try to persuade Kusanagi that the bead necklace that Asagi is wearing connects her to Gamera, which he dismisses until after a long slumber she finally wakes up.

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The following day Gyaos is attacked by a now fully revived Gamera. Kusanagi, Nagamine, Yonemori and Asagi go in pursuit. After a long fought battle, Gamera fights Gyaos in space, before Gyaos cuts its own leg off to survive. Gamera seemingly dies in a huge explosion caused by a power plant beneath him, but revives and fires a huge fire-ball from his mouth destroying Gamera. Using some of his remaining strength, Gamera heals Asagi’s wounds with some unknown power before heading back out to sea in Victory.

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The films cast and characters offer a range of people from the strong to the unique. Many of the main cast like Kusanagi and Yonemori offer a good supporting character as well as a strong main character when one is needed. Many other characters offer a good performance including those of government characters and military personnel. But all these characters are sort of shadowed as it were by the two real lead female characters in Nagamine and Asagi. Nagamine is an understandable person with not much in the way of Ego. She makes her point clear and stands by it despite huge opposition. Her expertise in her field also offer huge insight and guidance in any situation. Asagi meanwhile to me is the real human star. With Great acting from Ayako Fujitani (the daughter of Steven Seagal), she offers a different perspective in situations as a complete outsider only drawn into the situation by those around her. With her connection to Gamera she also offers support to the big turtle as well by being his connection to the human world. For the reasons of this film as well as the two sequels to this film, Fujitani is one of my Favourite Actresses.

Shinobu Nakayama and Ayako Fujitani

But the real stars of this film are of course the Big Monsters in Gamera and Gyaos. Gyaos is a very well designed creature with a personality (like all Good Movie Monsters). The idea that the creature eats people as well is a nice touch which brings the creature down to a more human level, something that is not done all that much in Monster films. Several scenes in the film also help Gyaos’s character by making Gyaos look not only dangerous, but also, incredibly sinister. Gyaos’s design is more of that of a Pterodactyl than a bird but this help with the terror of the creature. The creature’s reveal also helps out this terror by not showing until its second scene but have hints towards how terrifying it is during an early scene.

Gyaos (1995)

Gamera is well presented; this is a character that has not had the best history when it came to Monster Movies. But many years later it turns its fortunes around in a fantastic way. The Atlantean origins give a good and understandable origin instead of the usual and gives Gamera more of a purpose than simply being a Giant turtle. The connection with Asagi is mysterious and reveals itself in time, and at the end of the film almost bonds like a friendship with Asagi by healing her wounds. Gamera does have a sort of super hero look and identity in this film but does not get silly with it and so therefore does not spoil the entertainment value of the film.

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The film’s special effects are fantastic. Many Japanese Monster movies, in particular Godzilla do involve a lot of work with miniatures and maybe some close ups for detail. Gamera on the other hand, it’s like the producers have really tried to stand up to Godzilla, to rival it and used mainly the real thing. There are several scenes in this film involving close-ups of army tanks moving across the landscapes, and they are real tanks too. How they did the shots is one question, but the effect works. When you use something real, it looks far better than trying to make something real with CGI. You can’t beat the real thing. Most of the vehicles used in this film for certain shots are the real thing, and it looks Fantastic. Scenes including the opening scene with the ships, the scene with the tanks amassing to attack Gamera, the Missile loading scene, scene involving helicopters with their lights on the Gyaos, It is very tempting to stick the film on just to watch those scenes again and when music is added, Its Fantastic. The only time that military equipment is not real is when missiles are fired and these scenes make great use of early but still magnificent CGI.

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The Monsters are magnificent. Compared to the effects used for the monsters when Gamera first appeared in the 1960’s, you could easily tell it was a suit and looked poor. The suits used in this film look real, as if a Giant Turtle was used to shoot those scenes. The Monster attack scenes on cities look terrific, and the fight scenes look intense and realistic. It is hard to really say how great the effects are without showing you. Not only did this film rival Godzilla in a story sense, but also a special effects sense, when you look at the Gamera scenes where he is either rampaging through a city or in a fight with Gyaos, it’s magnificent.  To me the effects beat those of several other monster films I can name including some Godzilla films. It’s not too much of an overstatement for me to say that the special effects used in this film, are some of the best I have seen in the whole of cinema, and some of the most realistic too.

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The film’s soundtrack (provided by Kow Otani)  is incredible; there is almost a piece of music for each scene. The opening scene has large parts where they help show the size of a scene, and possibly importance, while on the other hand there are great mystical sounds for the parts talking about the origins of the creatures depicted in the film. Some of my favourite pieces though are the military scenes as stated above. Scenes like when the tanks are amassing to attack Gamera or one scene where Gyaos is flying and the piece works well with the seriousness of the situation but adds tension. Gamera’s theme is good also as it depicts him not like a hero as such but as someone coming to save the day and so when he arrives or leaves the scene it sounds incredible. One thing of note to point out about the soundtrack is the sometimes apparent use of native Japanese instruments for some scenes, while the film does also use non-native equipment in its soundtrack; the use of them adds to the film culturally and also adds to the mystical properties of the films story too.

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On the whole, as you may be able to see, this film is incredible. Great Cast, Brilliant Story, Amazing Special Effects, Wonderful Music and Amazing Directing from Shusuke Kaneko to bring all this together and create one of the absolute Best Monster Movies to date. While I could go on some more, I don’t want to ruin it for everyone else. While this film may not be able to compete with some Godzilla films, I can think of some that this film easily beats. Whatever tastes in film you fancy there is something in this film for everyone, I guarantee it.  Godzilla finally had a rival, and what a rival he was.

GENEPOOL (To think that if this film did not happen or was not to achieve the success it gained, we wouldn’t have Gamera 3).





The Best Film In The World – Godzilla, Mothra and King Ghidorah: Giant Monsters All Out Attack

29 06 2011

Godzilla, Mothra and King Ghidorah: Giant Monsters All Out Attack (Toho Co., Ltd. - 2001)

I don’t really have to say where this film is in My Top 10. It is how interesting how it all happened though. In 2008 I asked for a couple of Godzilla Films for Christmas. One was this one and the other was Tokyo S.O.S. When I got them and before I watched them I thought Tokyo S.O.S. was going to be the better film but after watching Giant Monsters All Out Attack I thought that one was the better one. The more and more I watched it the more and more it went up my Top 10. My favourite film before this was held by 3 films; Godzilla 2000, Godzilla: Final Wars and Transformers: Revenge Of The Fallen but Right now I am unsure of several films in my Top 10 so I am trying to think where each film goes (Both Transformers films are currently at the Top in my Non-Godzilla Top 10). It was not until about last year that I realised that Godzilla, Mothra and King Ghidorah: Giant Monsters All Out Attack is my Favourite Film.

Giant Monsters All Out Attack has several Monsters in it. As you can see from the title Mothra and King Ghidorah are in the film alongside Godzilla. Mothra and King Ghidorah are 2 of Toho’s Top Monsters but there is another monster in this film, Baragon. Baragon is one of the most uncommon Monsters in the series. Originally appearing in Frankenstein Conquers the World (Non-Godzilla Film) he has not had much of a major part in the Godzilla Film Series. This being his first major part in the series. Baragon has appeared in The Godzilla Film Series before but has really only appeared for small parts and shots. Even though this is his first Major Part in the series it is strange that his name is not in the title. Originally the film was to have Varan, Anguirus and Baragon but Toho decided that Varan and Anguirus were not bankable to guarantee box office success. So they put in King Ghidorah and Mothra. Costume Designer Fuyuki Shinada was disappointed that his Favourite Monster Varan was not in the film so he put some facial features on King Ghidorah. I am a bit disappointed that Anguirus was not in the film, Anguirus is one of my Favourite Monsters but the Monsters Baragon, Mothra and King Ghidorah do not disappoint.

Baragon (2001)

The Director is an interesting choice. This is the first time that Shusuke Kaneko has made a Godzilla Film but not the first time he has made a Japanese Monster Movie. He is the director of the Heisei Gamera Series. Gamera is the main movie rival to Godzilla. Both Godzilla and Gamera are Movie Icon’s and Japanese Icon’s. It is an interesting idea for Toho to hire a director who made 3 films in a Rival Film series which are owned by a Rival Company (Kadokawa Pictures). However I am Happy Toho did hire him because it is my favourite film.

The film starts out with a Navy Commander talking to several military officials about the tragedy that occurred in 1954 when Godzilla attacked the country of Japan. Since then there have been several sightings including an attack on New York in 1998. Then he gets word of a Nuclear Submarine being destroyed and a submersible vessel is sent to investigate. The pilot then spots Godzilla’s back swimming away. A reporter for a TV Channel called Yuri is reporting at a village and sees a bizarre man in the forest. That night a motorcycle gang gets trapped in a tunnel and a witness sees a monster moving through the tunnel. Later on Yuri discovers that the cause of an earthquake which is said to have trapped the bikers in the tunnel has moved. Yuri’s adviser Teruaki Takeda shows her a book which talks about Three Guardian Monsters. It turns out that Yuri is the daughter of the Navy Commander Taizo Tachibana. That night some noisy teenagers lose their lives at Lake Ikeda when a bizarre creature comes out of the water.

Yuri travels to a police station and finds the bizarre man she saw a few days earlier. He is called Isayama and tells her the story of the Three Guardian Monsters. He says that Godzilla was the result of Nuclear Weapons he is also the combination of tormented souls from World War 2. He tells Yuri to go to the shrine of the Three Headed Dragon Ghidorah. When she gets there she thinks she notices something strange that shows up in a photograph but cannot be seen by her own eye. That night an island in the Bonin Islands is devastated by a heavy storm and another unknown force.  The government puts out a warning of Godzilla related activity and Taizo reveals to his daughter that he lost his parents when the monster attacked Tokyo in 1954.

The Police Station where Isayama is at is in chaos when Baragon as Baragon surfaces and attacks the police station. Then at Yaizu Harbor Godzilla rises out of the sea and starts goes on the rampage in the direction of Tokyo. He destroys several buildings and then releases his atomic breath on the town; some distance away a school teacher sees a large mushroom cloud. Both Baragon and Godzilla meet at a cable car station where Yuri and Takeda are. Baragon fights hard but Godzilla Annihilates him. Yuri is injured at the scene; Despite Takeda warning her Yuri follows Godzilla on bicycle and filming at the same time as the monster moves towards Tokyo.  The Army sends in an Air Strike to kill Godzilla but it fails. At Lake Ikeda Mothra comes out of her Giant Cocoon and flies towards Godzilla. Meanwhile King Ghidorah Awakens from his tomb as Isayama watches.

Mothra (Giant Monsters All Out Attack)

Taizo creates a defense line in Yokohama and he and the military watch as Godzilla and Mothra fight each other. King Ghidorah then arrives and attacks Godzilla. Godzilla tries to Kill Ghidorah but Mothra gets in the way. With both Ghidorah and Mothra knocked out the army attacks Godzilla. Mothra reawakens but Godzilla destroys her; however her essence reawakens King Ghidorah who then attacks Godzilla. Godzilla is blasted into the sea with an open wound on his shoulder.

Ghidorah Fights Godzilla and Taizo pilots a submersible underwater and plans to use a special Drill Warhead on Godzilla’s wound. Yuri and Takeda broadcast the fight from abridge but the bridge loses its foundations and both she and Takeda fall into the river. However a stone Yuri wears around her neck falls in the river reenergizes Ghidorah and saves Yuri and Takeda falling to their deaths. Godzilla destroys Ghidorah and swallows the submersible. A spirit of Yuri tells her father to not give up and he manages to fire the Warhead into Godzilla’s Shoulder. Godzilla then rises out of the sea and tries to use his Atomic Breath on Yuri and Takeda. It comes out of the hole in his shoulder instead. He tries again but fails. Taizo manages to get out of Godzilla and tries to run away. Godzilla tries to destroy the submersible but self-destructs instead. Taizo surfaces and meets up with Yuri and Takeda. Yuri Salutes her father but he explains it was not just him but everyone in the battle should be saluted as well. Meanwhile a something under water is beating, it is Godzilla’s heart and even though he has no body his heart is still beating. No matter what you do you cannot kill The King Of The Monsters.

The film’s story is told a little different than usual. All the films in the Millenium series except Tokyo S.O.S. are following the same plot line. They are told as the films before them did not happen and the last time Godzilla appeared was in 1954. The story works and sometimes other monsters may have attacked but Godzilla has not appeared for almost 50 years. This one does something else as well, the film is told like an old legend with Guardian Monsters and Prophecies. This makes Godzilla sound more dangerous and the Guardian Monsters more Legendary.

One interesting point is how King Ghidorah looks in this film. King Ghidorah throughout the Showa Series is depicted as a Space Monster and a Villain. In the Heisei Series he is still the villain but when they become Mecha-King Ghidorah he becomes a Hero, he is also made from Futuristic Creatures and Nuclear Weapons. What is slightly different about his character in this film is that he is a Hero and he is from the Earth. In Godzilla Final Wars he is a Space Monster Again (Keizer Ghidorah) but it is slightly odd that Godzilla’s Biggest Enemy is from the Earth and is helping to protect it. It is an interesting plot line which works.

King Ghidorah (Giant Monsters All Out Attack)

Shusuke Kaneko originally intended to use Monsters weaker than Godzilla but when Toho asked him to change them he made both Mothra and King Ghidorah weaker than they usually were. Mothra is different in this film than most films; she is now smaller and looks more like a butterfly and some of her attacks were removed and she was given new ones. Also her tiny twin fairies are not in the film all together but there is a scene with a couple of Human twins who look at Mothra as she flies over head (apparently they were in Gamera 3). The reason the director wanted to use weaker monsters is that he wanted Godzilla to be the most powerful Monster in the film. Godzilla is a little different than usual but some small changes help his character. His eyes are now Menacingly White, no pupil. They make him look Really Evil. Also his Atomic Death Ray has been modified so that it is as powerful as a Nuclear Weapon. His Death Ray has always been Extremely Powerful but by having a mushroom cloud appear in the film it shows a sense of how dangerous he is.

Godzilla (Millenium - 3rd Generation)

The cast (Real People) is very good. Ryūdō Uzaki as Taizo Tachibana is particularly very good as the Navy Commander. It would be interesting to see him later in the series playing similar roles. The roles of Yuri (Chiharu Niiyama) and Takeda (Masahiro Kobayashi) are also well written. Yuri is a strong female character and if she was not the lead character (Human) then her role might be different and not as Good. The supporting cast is also very good and do help in the film, particular mention for cast that play the Army Characters because they are very enjoyable and their scenes are very good to watch. But the best characters are the Monsters. They may be a bit different in this film than previous ones but they are portrayed well and written well.

Akira Ifukube did not do the film score for this film but his previous work in previous Godzilla films was used and it is always great to see Ifukube’s work in Godzilla Films. The music was done by Kow Otani who has also done Music for the Heisei Gamera Series. The music is mystical and sounds like traditional and old-fashioned Asian Music. To date this is Otani’s only Godzilla film but it would be good to see him return and see what he can do for a different styled theme to Godzilla.

The Director has been well picked for this Film. He is a Great Director and is Fantastic in the area of Monster Movies. I would like him to do some more Godzilla Films (and some more Gamera Films as well). With this film he has done an amazing Job, It would be interesting to see him do some stuff with other Godzilla Monsters (Bring Back Battra) and I now look forward to see if he does do anymore and if he decides he would like to I can’t wait to see the results of his Directing Craftsmanship.

Godzilla v.s Mothra and King Ghidorah

This film is Absolutely Fantastically Amazing. I have seen lots of Movies, Lots of Monster Movies and Lots of Godzilla Movies and this one stands on top above all the rest. It is well Written, Well Directed and the Cast are Fantastic. The Monsters have been chosen well and the music is Very Enjoyable. It may be a few years before anymore Godzilla Films get made but Godzilla and Toho have given me and everyone in the world something for us to Enjoy and keep us occupied until they bring back The King Of The Monsters – Godzilla.

GENEPOOL








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