It’s The End – Logan

15 03 2017

logan (20th Century Fox - 2017)

Whenever I finish something, or feel like something is coming to a close; something big and has taken me a long time to do, my mind always jumps to the scene of the fourth Doctor Who regenerating into the fifth. I don’t know why, but it’s a nice poignant scene which carries the incredible line; it’s the end, but the moment has been prepared for”. It’s that line that comes to mind when I can feel like something is the end, or that I have reached the end. But knowing what I am like, I will have prepared for it, so like when I finished reading the GONE book series, I found something to read to replace it with for instance. Well, in the case of this film, the moment has been prepared for, but the hardest hit is that it truly is The End!

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Released in 2017 by 20th Century Fox, Produced by Lauren Shuler Donner and Simon Kinberg, and Directed by James Mangold; Logan is a superhero film starring Hugh Jackman returning for what is intended to be his last portrayal of Wolverine, a role he has held for 17 years. When the film was first announced on the heels of The Wolverine, I was really excited as I really loved The Wolverine. Come 2015 however with Jackman announcing his retirement from playing Wolverine, I was very sad, and had begun chasing my mind around for replacement actors (if there were any), forgetting of course that before that bridge is crossed, Jackman would still provide us with one last glorious hurrah.

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The year is 2029; all mutants are supposedly dead except for a small group, and a now aging Logan (Hugh Jackman) works as a chauffeur on the border with Mexico and lives with friend Caliban (Stephen Merchant) and former mentor Charles Xavier (Patrick Stewart) at an old smelting plant. Xavier is now growing old and senile with his psychic powers now grown beyond control with devastating effect and has to take medication to control it. One day Logan is approached by a lady called Gabriella (Elizabeth Rodriguez) who asks him to give her and a young girl called Laura (Dafne Keen), escort to a location in North Dakota. Logan reluctantly accepts the job as the money provided will allow him to buy a luxury yacht he wants to purchase. As he comes to collect them though he finds Gabriella has been murdered. Laura stows away in his car though and goes to the Smelting Plant where she becomes friends with Charles. Just as they arrive though, a platoon of soldiers led by Donald Pierce (Boyd Holbrook) arrive having captured Caliban, and are demanding that Logan hand over the girl. As men try to capture her though, she quickly attacks them in a very savage and brutal way, with steel claws coming out of her hands, decapitating and amputating several limbs.

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Logan, Laura and Charles escape, and using Gabriella’s phone, discover that Laura or X-23 as she was designated; was one of several young children born and bred by the Transigen Program headed up but surgeon Zander Rice (Richard E. Grant). The kids are injected with Mutant DNA and are bred to become mindless and dangerous soldiers, however unable to control the children’s souls, they all don’t want to do what they’re told anymore and most of them escape including Laura. Because she was made from Logan’s DNA, it is deduced that he is her father. Pierce with the help from the Reavers, use Caliban’s ability to locate other mutants to find Logan, and while staying at a casino in Oklahoma City the trio are nearly captured, but Xavier has one of his moments and near paralyzes everyone in the city except Laura and Logan. Logan is able to get them out of the city, but does not believe in the mythical Eden of North Dakota where they are going, especially when he finds the co-ordinates referenced exactly in an X-Men comic. The trio are eventually given shelter by a family they help out on the road and the group bond together, as Laura discovers more of the outside world, one she never experienced having been locked up all those years. During the night however, Xavier is murdered by X-24, the final project of Transigen to replace the children, who also happens to be a copy of Logan, claws and all. X-24 captures Laura placing her in very restrictive shackles and takes her to Rice, but Logan arrives just in time to face himself having found the murdered family and the dead Charles. With some help, X-24 is pinned down, and Caliban uses a grenade to blow up rice’s van. Logan saves Laura and the two head out in the night, burying Charles in the morning.

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Beside himself, and with his healing still failing, Logan agrees to take Laura to Eden, still not believing it. Eventually they arrive at a mountain range with a community filled with the other surviving experimented children all run by Rictor (Jason Genao). There Logan learns that the children will be making an 8 mile hike across the Canadian border. Logan is ready to send Laura on her way, but Laura wants to know him as a father, although he is still down and out about losing his own friends, and sees himself less as a father, and more of a threat, and just wants to die. The kids attempt to make the hike, but are soon surrounded and chased by the Reavers. Using a healing serum from Transigen, Logan takes in the full dose knowing it will kill him but should give him strength to save the kids. The kids are soon rounded up and shackled except for Laura who gets surrounded, but rescued by Logan. The serum though begins to ware off just as he meets Rice, who happens to be the son of the man behind the Weapon X Program. X-24 is set loose on Logan, but Laura is able to free the other kids who kill Pierce. Logan is impaled on a tree during the fight, but using an Adamantium bullet, Laura kills X-24, which Logan had kept for years. Eventually succumbing to his wounds, Logan dies, unable to heal and the kids bury him before crossing the border.

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In 2007; the German heavy metal band known as Scorpions released a single called Humanity. It is a song which poignantly depicts the destruction and downfall of the human race through its own acts and nothing more. It is a very heavy track and whose lyrics basically suggest, as delivered in the music video with a young boy simply saying “It’s The End!” Now this track does not appear in Logan I should point out, but that is what comes to mind as I think on this film. It’s the end of Hugh Jackman playing this part. This is an actor who has played a movie role for 17 years now. During that time there have been 3 American Presidents, 4 UK Prime Ministers, 4 (technically 5) Doctor Who’s. It is an incredible amount of time to play a film role, most WWE Wrestlers don’t even last that long, but here is Hugh Jackman still playing this role, now deciding he wants to leave. He deserves it rightly so, he is allowed to walk away given the energy, passion and devotion he has put into just one character. He has played other parts which help prevent typecasting, but possibly for the rest of his life, will be best remembered for being The Wolverine, you do not forget 17 years of the same thing in a flash. So, yes, it’s the end of Jackman as Wolverine; but not just that. It’s also the end of 2 major characters in a film series that has become one of the most critically and financially successful franchises in movie history. The X-Men film series is not ending, No! There are still more films to come including Deadpool Sequels (YES!). No, what we have here is something of what could be best described as a tragic ending, which is sad for Xavier, but more so for Wolverine as he has led a pretty tragic life.

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The story of Wolverine is a tragic one as it’s the life of a genuinely good person who has led a rough life. He is very old given that his healing prevents aging on a grand scale. Over the years he is going to meet people and see people die, a lot of people die if you live that long and that is not good for the mental soul. As life has passed by, something horrid happens to him, something so dark and miserable, but something that he has only partial memories of. So as life ticks by he has to remember these things not knowing entirely what it was, and spends life running instead of facing. Eventually though good things happen for him, he gets friends, and a family, and can care for people again, and have a proper life, but given as to who he is and what he is, none of this could possibly last, and as the years have gone by, and seen more people die, some by his own hands for the good of others, he resigns to a wishful death, and waits for it. It is a very sad story for someone who is not a bad man, someone who is actually a very good man, a caring man, a protective man. Yes, he is prone to a little bit of violence, but only when it is called for; doing what must be done, because without him to protect his friends, no-one can. Into this, we find ourselves confronted with the final act of The Wolverine. But it’s not really a super hero movie, more of a personal journey as one man reaches his eventual end, but has one last thing to do.

Logan is actually a rather small film. It’s not a mega big one like other super hero films of note, as this is not a character trying to save the world, but those around him, and as such we go less on a journey to save the world, but a more personal one. As such he is not referred to as The Wolverine, but because it’s a personal story is known better as just Logan. Logan starts off in a similar vein as does The Wolverine, with Logan having to live and come to terms with his life and the death by his own hand of someone he loved. Now coming into this film we are told something similar has happened, but we don’t know exactly what. But just like before, Logan is beat up and ruined and has resigned to live as much a recluse as possible while caring for Xavier who has become rather senile. Eventually though he is given a duty he does not want, that of looking after a little girl very much like him. He is meant to be the father, but has no care for her, caring for his friends than her; something which falters in the mind of Laura who wants to know who she is and know her father too. As the story continues and things happen as usual, the similarities between the two emerge as Laura is very much like he was in the first first X-Men, with Logan now having grown up. Logan is still resigned to wishing death upon himself, but knows that once more, he needs to do the right thing to help those that need his help resulting in one last blood bath for those who deny him and others peace. His Death though is not nice, nor peaceful, but more brutal for someone who has earned better. It is a film that makes you think deeply upon issues such as the harsh and sometimes quick deaths of others while others get a more natural one. It looks into how people desire Death, and how Death actually comes. It features a brutal end which dies just like death is a final stop. It really makes you think on if you believe that the world is a better place without you, how can you be certain of this? How do you not know that life right now is in fact better, because ‘you’ are around!

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Logan is a small film and bolsters a small but pretty strong cast. Stephen merchant I find was actually pretty good as Caliban. Caliban has featured sort of twice in the past with his most recent piece being in Apocalypse as some garish and camp clown; here instead we see what he is truly like and capable of but also what kind of person he is given his history as one of the Morlocks. Gabriella’s part is small but sweet and shares some backstory light on some of the films major issues and themes including who Laura is and why we should care. One thing though I find the film lacks is a strong villain. There are some good villainy characters and others who help fill in those parts like a few extras. Pierce himself has the nice sinister mechanical arm and some god talking points but feels more like a hindrance than a villain. Same can be said for Rice, who while is a deceptive schemer with a good voice, again just feels plain. I am not saying he’s bad, it just feels like the villains are strong because they are many, but not because of whom they are. I mean X-24 feels like a wasted opportunity and a mistake being rewritten. His appearance as Logan is a bit like the Undertaker vs Undertaker match at SummerSlam 1994; kind of surprising, but still rather silly. It feels like a wasted opportunity to bring in a new monster. I thought maybe an enhanced Sabretooth, or Maverick, or someone big and scary to introduce. With a double Wolverine, it felt more like Weapon XI in Origins all over again, and we know what happened there don’t we!

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What villain’s lack, heroes make up. The Transigen kids are a nice addition although faint on the film’s radar, mostly as people to get into trouble and allow a moment of heroism, but for this film, it really comes down to Logan, Laura and Xavier. Xavier’s part in this film is still pretty similar to past films but does do a lot more and shows what Stewart can do when allowed to do something very different. He is in some sense the comedy side kick and delivers some incredibly funny moments, but it’s through his disorientated new life that shows how bad things have become. He remains something of a hindrance to Logan after all these years, but one Logan has come to care for, as rightly he should, as Xavier is practically his last and now only friend. His death in the film is a big shock, but not a sincere one, as don’t forget we have seen him die before in more dramatic circumstances with this one more lost in the moment, but you do see his life pass in his eyes.

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Laura spends most of the film rather quiet, does not say a single word until just before the final Act. Yes there are shouts, yells and screams, but no words. This form of silence allows retention of mystery as to who she is, but also allows expressing more deeply the life she had and the new world she is experiencing. Silence can be golden at times and really works in her favour, as we see this young girl come face to face with new things, not knowing what they involve or how to interact, but when finally realising who she is and where she is, she finally speaks, knowing that she needs to for the sake of Logan, but also so she can be heard. Her desperation to get to Eden comes more as a cross between hope and instruction from others, not necessarily her own entire belief, but somehow knows it’s there even if Logan doesn’t. Her skills as a fighter are incredible and are very similar to Wolverine, but she has some heart too, not a lot as this is crowded with the same anger Logan once had too, but as things come to a close, she knows that she must carry on, even though her father; something she wants and desires cannot help her, but in some way knows that still lives on inside her, respecting his death, and making his legacy live on in more ways than one.

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Logan’s design and perception of being much older and on the verge of death is an interesting one. We have seen him go through emotions before, but then he was not on the ultimate verge of giving up, more just conflicted. Now though he desires it, more than anything else. It’s kind of hard to speak on his performance after 3 or so paragraphs of detailing his character, but one thing stands out more than most; his Death; His final hurrah. Coming into this film, I was thinking his last stand was going to be like in The Wolverine, one last heroic but still cynical fight to the death where he would come out on top but now no more energy left to continue. No, this time his death is more personal. It wasn’t a long lasted blood bath, more one which required others to save him and take on his role, and one that required others to do the work, while he acted as a decoy, once again being more of a team member than a loner. But his death does have something else in it though. Going into this I thought it would be like The Wolverine, but in that, he was The Wolverine, now he is just Logan. Calling him The Wolverine, it’s like a promise (like The Doctor), you know what he is, who he is and what he can do, but by putting ‘the’ before it he becomes a thing, not a person; this film is a much more personal one, so in this case it’s not the death of The Wolverine, it’s the death of Logan. That carries a more significant weight to it; it’s not the death of a thing, but the death of somebody. Laura in a future film could become the New Wolverine, or someone else could take on that name; but you can’t replace or take on the identity of Logan.

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The film does come packed like many other X-Men films with a cavalcade of special effects. These of course include ‘very’ detailed claws including spots of graphic detail and blood splatter; especially when piercing through the heads of some people. The mechanical hands are a nice treat showing off some more blood and limb coverage than usual. The film uses its special effects department in other ways too to create visions of the future including a scene involving driverless, but dangerous trucks. The film also comes with a soundtrack once again produced by Marco Beltrami featuring quite a few slow pieces which are used to heighten the level of reality but more a sense of realisation than anything else possibly to state that this is the end! Pieces like Old Man Logan, Don’t Be What They Made You and Goodnight Moon cover this pretty well, but the soundtrack does of course know when to get busy though and of course creates action packed pieces for when a fight is on especially in a scene like the Forest Fight at the end and also when Logan is facing X-24. The one thing though that really stands out about this soundtrack though is the inclusion of several classic pieces by Johnny Cash. Logan’s first trailer of course famously features the song Hurt, which really shows the direction the film intends to take so that the audience can really see how the film is likely to turn out but also more likely what it is all about. This piece though does not actually feature in the film, what does feature though is not a slow grim song, but a rather pleasant, peaceful and also happy song that really turns around the film’s great tragedy and helps you gain some perspective.

A few months ago I went to see the film Ethel and Ernest based on the book of the same name written by Raymond Briggs. The film has a very sad ending, but turns this around in a sense by featuring a piece of music and images within the credit roll that suggest that while the ending was sad, it does not mean that everything was as there was some really happy moments. Here we have the sad ending and conclusion to the story of Wolverine (in film), but, while he has had great tragedy in his life, and it ended as such, there is some peace we can look back on. For one Logan has attained a peace from the devastation of his dark history, but also in that history there was also, happiness, joy, peace and of course love. This is held by the film playing The Man Comes Around in the credits, a light fluffy as well as casual piece, signifying not an entirely sad ending, but shows that there has always been another side to the coin, that in the misery, there was joy, and in the darkness there was also light; and so while Wolverine does bow out, we can take a moment of knowledge and recognition about the life he had, and the legacy that he leaves behind, not just in story, but also in the entertainment and joy he has given us as cinema goers.

Logan is a pretty sad point. I know the series will continue and new stars are appearing to take the helm and the future such as Ryan Reynolds, Sophie Turner and hopefully Dafne Keen too, but it is a sad point, more so when I think that there could have been more. When X-Men Origins came about and really failed like it did, that is the series lowest point, so when The Wolverine came along and excelled so much, it felt like a new beginning, like that is what Origins should have been, forgetting that film and becoming the first a Wolverine Trilogy. But now it has come to an end, it feels like only the surface was being scratched, and that more was on the way. It’s like when Castle was cancelled last year; it was in it’s prime, there was more to be told, and it just ended. That’s what we have here, like something more could have come, but now we may never see that. You can only play a character for so long though, and an end would have come eventually. The end of something is exciting because you don’t know how it’s going to end, but eventually realization sets in, and you realize that it truly is the end. So even if it did continue, it would eventually end: but what an ending it was! Logan does not disappoint in providing one last fight, one last match, one last scene of steel claws, blood curdling action, eye grossing violence, but also one last moving scene as the great hero finally comes to rest in peace. Logan is a sad and tragic little film, but shows off plenty of emotion and heart in a film series that has defined just that in the super hero genre; and now Hugh Jackman can now go do something else, leaving a legacy that will live on in cinema forever, and one that no-one can match. There is only one true Logan, and only one true, Wolverine.

GENEPOOL

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Everything They’ve Built Will Fall, And From The Ashes Of Their World; We’ll Build A Better One – X-Men: Apocalypse

21 12 2016

x-men: apocalypse (20th Century Fox - 2016)

“You have no idea who you’re messing with Xavier”; a line spoken by the Mutant Mesmero in the X-Men: Evolution episode; Mindbender. An insignificant line to those who may not have seen X-Men Evolution, but to me, it is a line that took me on a journey of discovery. It was the beginning of a story Arc involving the resurgence of a powerful Mutant Villain in the X-Men World. A villain, who since the first time I heard speak of his name, I would become besotted by, and looked for any and all opportunities to find out more about him. It’s been maybe 13+ years since I first came across his name, and I know so much; and upon learning of his upcoming movie debut, I could not wait and anticipated the arrival of this film and more importantly the movie debut of APOCALYPSE.

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Released in 2016 by 20th Century Fox, produced by Lauren Shuler Donner, and directed by Bryan Singer; X-Men: Apocalypse is a super hero movie where the Uncanny X-Men attempt to save the world from an ancient Mutant who wishes to destroy Humanity. X-Men: Apocalypse is the direct sequel to Days of Future Past and stars the cast of the First Class series of X-Men Films, but which also looks to introduce new stories in the long-term and introduce and also reintroduce both old and new characters. At the same time it looks to introduce the arrival of the first major super villain for the series, and attempts to do this with the insertion of the first mutant; Apocalypse. The story is based on the X-Men comics Apocalypse Story Arc, as well as the X-Factor Story; Fall of the Mutants.

In Ancient Egypt, the Mutant En Sabah Nur (Oscar Isaac) rules the land with 4 followers dubbed his Four Horsemen. While performing a transferral ritual, he is entombed in his pyramid where falls into a deep sleep. In 1983, kid Scott Summers (Tye Sheridan) discovers he is a mutant while at school, and his brother Alex (Lucas Till) takes him to Xavier’s School for mutants run by Professor Charles Xavier (James McAvoy) and Dr. Hank McCoy (Nicholas Hoult). In Berlin, shape shifting mutant Mystique (Jennifer Lawrence) helps rescue teleportation mutant Nightcrawler (Kodi Smit-McPhee) from an underground fight club and takes him to Xavier’s school; where he meets Scott, Jean Grey (Sophie Turner) and Jubilee (Lana Condor). Meanwhile in Egypt, CIA Agent Moira MacTaggart (Rose Byrne) is on the lead of a mysterious organisation, who are searching for something underground, and there she comes across the remains of En Sabah Nur’s pyramid, which wakes him up, sending a vivid dream to Jean Grey who foresees the end of the World.

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Upon leaving his underground tomb; En Sabah Nur walks through the streets of Cairo, to discover that the world is under the rule of Humans. He finds street urchin Ororo Munroe (Alexander Shipp) who is a mutant capable of controlling the weather and recruits her into his team, enhancing her powers in the process. En Sabah Nur then goes on to hire mutants Psylocke (Olivia Munn) and Angel (Ben Hardy), while still searching for a fourth. In Poland, Erik Lehnsherr (Michael Fassbender), also known as Magneto, has found himself with a job at a steel factory, and lives with his wife Magda (Carolina Bartczak) and daughter Nina (T.J. McGibbon). One day at the factory, he rescues someone with the use of his powers, but this tips off the authorities. After an accident in an attempt to capture him results in the death of his family, Magneto kills the militia and then goes to kill the steel mill workers who tipped them off. When he arrives though he is found by En Sabah Nur who kills the steel workers, then takes Erik to Auschwitz where his powers were born. En Sabah Nur informs Erik that he cannot escape his past, and says that he was sorry for not being there when Erik needed him most, finally recruiting him and enhancing his powers.

Back at the school, Mystique wishes to talk to Charles, who has gone to see Moira McTaggart to talk to her about some of the research she has been conducting about the history surrounding a mysterious mutant called Nur. Upon returning to the mansion and talking to Mystique, Charles uses Cerebro to locate and talk to Erik, but En Sabah Nur uses this connection to tap into Charles’s mind, and use Xavier’s Telepathy to get into the minds of everyone around the world, and to launch the world’s entire arsenal of Nuclear Weapons. Alex helps destroy Cerebro to turn it off, but En Sabah Nur arrives at the mansion and kidnaps Charles. Alex tries to stop them, but accidentally causes an explosion that rips through the mansion killing him. Quicksilver (Evan Peters), a super-fast mutant; shows up in time and manages to rescue everyone inside the mansion as the explosion tears through it. With the Mansion in pieces, a military helicopter arrives which disables most of the mutants unconscious. The men on board the helicopter led by Colonel William Stryker (Josh Helman) kidnap Moira, Mystique, Quicksilver and Hank. Before they leave however, Nightcrawler, Jean and Scott sneak on board the aircraft as it takes them to a mysterious base in the Canadian Mountains.

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In Cairo, En Sabah Nur informs Charles of his plans to destroy the world of Humans, and how he plans to possess Charles’s body with the same ritual as earlier. Charles broadcasts En Sabah Nur’s message to the world, while also sending a secret message to Jean. At the base in the Canadian mountains, Jean, Scott and Nightcrawler discover a savage mutant who has been experimented on (Hugh Jackman) and release him on the men in the base. Upon rescuing the others being held by Stryker; the team travel to Cairo where En Sabah Nur has rebuilt his pyramid; and while Magneto uses the world’s magnetic fields to destroy major cities, Nur’s other recruits attack the X-Men team. Nightcrawler is able to rescue Charles from the transferral just in time, but it has left him scarred. Quicksilver and Mystique attempt to convince Magneto to join them, as they’re his family too, and Charles uses his connection with Nur to get inside his head and attack him from there, but Nur is just too powerful. Even when Ororo and Magneto join the fight against him, they still struggle, until Jean releases the raw power of the Phoenix Force, which burns Nur to ashes. Back at the school, Magneto helps Jean to rebuild the school, Moira has her memories of Charles returned to her and Mystique with the help of Hank, trains the first X-Men team.

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I was very excited about the release of this film, so much so that I pretty much went to see it as soon as it came out. I was expecting and hoping for so much. I was watching the trailer over and over again, watching cartoon clips of Apocalypse’s Quotes, as well as clips of Apocalypse from the film saying that Amazing line. I was so excited and was hoping for so much. X-Men 2 has always been my favourite, but my hopes and dreams, especially after Days of Future Past, was that this film was going to be glorious and possibly better than X-Men 2. It was my final day of work where I was working at the time, and to sort of celebrate, as soon as I got back to Lancaster, I checked the VUE to see if it was on and if I could pre-order a ticket (just so I could go home, drop my bag off and get changed). When it was true that I could, I did just that and went to the cinema with great excitement.

Upon seeing the film, my overall opinion was: right….? One thing that I have always found with films in the X-Men series is that it’s always best to give them a couple of watches to really get down to the nub of them, and that’s why I have waited until I could see it again before I reviewed it. It’s just the case that in the past when I have seen them again a second time, I have understood them a bit more. In terms of Super Hero movies they are in a class of their own as they deal with more than just guys with powers, as the X-men have other issues to deal with especially that of Mutant Racism that is so entwined within who they are. I think the issue for me was that I finished work that day too; at a job I was enjoying and was hoping that a treat may create some closure, but instead, my head was conflicting as my hopes and dreams for Apocalypse lay dashed on the pavement. Upon seeing it again though with a clearer head, I am a lot more favorable for it.

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The film has its issues, and the issues are a few. It’s not that they are generally bad; they are just issues that it doesn’t help, and could have with more development or better execution. The major issue it has is that it has a lot to fill in. In the past the series has orientated itself by keeping the team strong but the cast relatively low. The X-Men are a team and it’s important that they remain like that, but the more effective team is better than the biggest, if you get my drift; they’re not an army. The issue here is that, we have one big villain that of course has his own minions to do his bidding, but in order for it to make sense, it needs to be made up of new but still popular characters, so we therefore have a team of five people vs another team, but this time made up with characters that were being reintroduced to the series, important characters that needed to be introduced sooner than later as they have not been seen for a while (except for clips in DoFP of course). With so many characters to introduce, not to mention other characters taking some spotlight, it was going to be hard to fit them all in the allotted time, so what did the film makers do: extend it, but then again it doesn’t really work! It introduces, and well I will say, characters like Nightcrawler, Scott and Jean Grey, plus allow some development time if not a lot. However, on the other hand Apocalypse’s team is hardly introduced at all. They are sort of sacrificed for the benefit of other characters, which is actually a big shame as some of his team are made up of X-Men Superstars who have been members of the comics longer than most.

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Due to this issue of extra time, the film commits some faux pas that only goes to confuse the viewer rather than enhance the film. It has characters to introduce and a lot to show; what it ends up doing is showing scenes (scenes that are very interesting I might add), making you want to see more, and basically changes scene to another perspective which is OK, but then does it again, and does not return to that original perspective for a while, say between 5 and 10 minutes. With that out of your head, you feel like you have walked in to a scene from a TV Drama completely unawares as to what is going on and with no way of finding out. It’s got all these really good bits, but doesn’t put them together close enough for them to really take you anywhere: if the gap was quicker or shorter, then it would probably be alright. You can actually see how long it feels in reality as you realize that even 47 minutes of the way through, it still feels like it’s the first act, and is still introducing people, and not creating an incidental moment that takes it to the next big thing (at least not until the end of the first hour). What does not help this further is Apocalypse’s plan to destroy several major cities at once. You just don’t feel it. You feel it when you’re there; the final battle takes place in Cairo which is not necessarily a bad thing, but if you’re trying to show global devastation it would be better if you focused on one city then moved out. Put one city in peril, for the sake of everywhere else. The images of destroyed cities are very vivid and visionary, but because the scene is not there, it does not feel like anything. If the final battle was in say Washington, New York, maybe even Tokyo or London; these are big major cities of the world, but have the final battle there, and show the expanding devastation there, so those who go to see this film can at least connect more strongly and really feel for the destruction. I don’t like Part 1 and 2 films that are being done all the time right now, it’s a motive by the studio to make more money, not really for the film’s sake to have a stronger/better story, here however I can see an argument for a film that should have a Part 1 and 2. It’s trying so hard to cram so much into what is already a very long film, if it spread things out a bit more, and split into 2 films, then at least we could have a much better developed story and things could happen quicker and better.

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Much like said above, X-Men: Apocalypses cast can be in spots feel a little wasted. They really pushed the boat out with mutant characters and have featured an all-star cast of X-Men Comic mutants which include single appearances from mutants like Blob (Giant Gustav Claude Ouimet) and Caliban (Tomas Lemarquis) as well as small appearances from Apocalypse’s original Horsemen (Warren Scherer, Rochelle Okoye, Monique Ganderton, Fraser Aitcheson), but it is rather sad that strong characters and re-introductions to this series like Angel and Psylocke are once again pretty much shoved to one side despite how much their images were used to promote the film. I am especially a big fan of Angel and was hoping his new role would be a strong one, much like Psylocke, but again it was very little and he pretty much died a quick death. Psylocke for what time she was given did provide some strong moments, and I would like to see more of her in the future. Like previous films in the series, some major guest actors were brought in to play big but still very short parts, but their inclusion does help ripen the roles of senior characters where required, with the use of such actors as Zeljko Ivanek. But these roles are meant to be one shot spots, whereas major villains or even hero characters should have more. For instance, I thought it was rather odd, that the filmmakers go some distance to include Jubilee in the story, but leave her appearances to the very minimal, especially to introduce her in such a well-developed fashion and not include her in the final battle of which the same could be said for Havok, who was a major introduction in First Class, but not really used beyond, despite how well he is played either way.

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The uses of other characters are just weird though; for instance: I genuinely believe that Hugh Jackman has no point of being in this film other than to make a small appearance. The whole scene in the Canadian mountains shows no real major point, except maybe to introduce the post credits scene, in which case, why not create a very different post credits scene? Everything is going well and Ok, then they just slam this scene in there for no real major story point. What is a real shame though I find is that the film’s major cast (who have since become major stars since their first appearances in this series), seem to be underused. They are there, and feature prominently, but given that Days of Future Past has shown what power they can give in these roles, it’s a shame that they aren’t used to perfection. Most of this could be as an after effect of the convoluted scene by scene irritation I mentioned above, and all the while they still provide goodish performances, it just feels like they have lost effect. James McAvoy for instance seems to have returned to a docile past and feels like he needed to get younger over a 10 year period. That welcoming friendliness is still there, but the power from the previous film has gone. Jennifer Lawrence (who I consider to be my favourite actress) seems to have lost passion as Mystique, she seems to talk more than do more, and does not really deliver any reason for being there, other than maybe for being Jennifer Lawrence. Nicholas Hoult just doesn’t swing it for me much in this film, and just appears to fade into the background mostly while at the same time minutely trying to provide the emotional instability between his character of Beast and Lawrence’s character of Raven/Mystique. I know these films take place 10 years apart from each other, but I didn’t know the actors not the characters had to age in between! As for Fassbender, while he is still very capable of getting very emotional which is a very good trait of his, I think it’s getting rather clichéd that he has to get low and emotional. Why couldn’t he be the big bad strong villain that he is supposed to be playing, only to be enslaved by Apocalypse rather than just join him. Why can’t Magneto just be Magneto? Rose Byrne has a waste of a performance. She was fantastic in First Class, but due to a lack of appearance in Days of Future Past, she is brought in here, and sort of reconciles with Charles really too quickly, not allowing their relationship to really blossom, and so for the most part serves as a double-edged joke and not as the inspired cast choice that she once was.

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It really comes down to the rest of the cast to sort of make up for the casting and performance mess; and some of them do more than any other. The X-Men are a team (already made this point), and as such the characters should have more of a part in the overall battle instead of leaving it to single players to do the job. Scott Summers for instance carries attitude, but not much of anything else to make his part worthwhile. After the death of Alex, he really should have more drive, but he sort of confidently hides in his shell. The same could be said for Nightcrawler who is just there to oppose Angel, and rescue Charles, but nothing much of anything else. And even though she is not part of the team, Storm is a major character in all X-Men related media, and just to be given a few speaking roles and some small appearances, it just again feels like a waste. Quicksilver does get another appearance and a much bigger one plus uses the knowledge of Magneto being his father to increase his position within the film. His rescue of the people in the mansion plus his fight with Apocalypse are two very good and well done scenes and really help to get the final half of the film going. The film’s cast though really does come down to two amazing actors delivering Fantastic Performances. I had never heard of Oscar Isaac when I first heard he had been put in this role, but I absolutely loved his performance. On the one hand I do think Apocalypse was too well held down to begin with and was very much just used to provide philosophy and theory, we didn’t get much of a chance to see his powers until the Nuke Scene and of course the final battle. I was a bit disappointed that his comic book essence, his true powers were not really put on show, but they were minor in reference. However, much like Apocalypse in Comics and Cartoons, his performance, his voice, his presence, were powerful. They were really good scenes, and ones I could both look forward too and much enjoyed. While he did take time to be seen, he was still the main villain and presented as such. I really feel like he should make a future appearance again, a villain like that does not die-hard, but I hope that if it were to be done that Isaac be brought back to play him again and that he is more like his-self in the comics, rather than filmmaker philosophy, but here and now, still well done, and also has the best quote of not just the film, but of any film released this year.

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But for me, there was one person who was better than all the rest. From start to finish her role was pretty mysterious, but the performance provided was unlike any other in the whole film and for her to become the real hero, it was wonderful to see. I absolutely loved Sophie Turner as Jean Grey, she was just epic, and for hours and days after seeing the film, I could still see Sophie Turner whenever I thought of this film. A perfect casting in my opinion that is one I definitely want to see more of in the future (please be cast again in the future).

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The film like its previous series entries does feature a bewildering level of Special Effects, which help to not only show special powers, but also help create scenes and scenarios that cannot be made but are asked of. Some of these sections I feel could have helped in other sections where they may have helped either sped up or at least not slow down the pace of the film. The destruction of cities is very visionary, and the film works hard to create its more iconic big effects like Quicksilver’s running scenes, to destruction on a large scale, to even launching the entire world’s Nuclear Arsenal. But as I have always found, no matter how great the effect is, the soundtrack always delivers more. The soundtrack (composed by John Ottman and Michael Louis Hill) once again features that incredible X-Men opening theme and titles, but does not hold itself down to just that, as it creates some amazing pieces for some of the film’s more outstanding moments, moments such as the launch of Nuclear Missiles (which is played to Beethoven’s Symphony No. 7), Ancient Egypt, Quicksilver’s Mansion Run (Sweet Dreams by Eurythmics), and of course the final battle with Apocalypse, especially the rise of the Phoenix. These two things while considered maybe separate never fail to impress or provide great moments for the series, always delivering, always enjoyable, and always powerful.

I wouldn’t consider X-Men: Apocalypse to be a disappointment, nor a bad film (it’s better than at least 2 X-Men films I can think of). It’s more like an unpolished attempt leaning on the edge of greatness. Even with its issues, it has its scenes and moments; although while largely separated for long periods of time, these scenes still deliver really fun enjoyable and powerful moments that give you a good surge of pleasure. The characters may be hit and miss and mostly underused; doesn’t mean that they still can’t bring the pain; they just need to get out of their personal pain to begin with. Apocalypse might not be the same as he usually is, but he still makes a great villain and his introduction let’s open the gates for other major super villains such as, oh I don’t know, Mr. Sinister perhaps? What I would class this film as, is a good attempt. It’s something that throughout is working ok, but never gives the final push it needs to truly breakout and be what it really can be. I had high hopes, and while it did provide hours of real enjoyment, it just wasn’t enough to truly be. Maybe it’s just that I am a fan of X-Men: a fan of the comics, cartoons, (nearly) all the films, maybe that is why it did not fully work for me? Maybe, but even still, I enjoyed X-Men: Apocalypse to a large degree.

GENEPOOL








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