The Strain (Should Be) Back (Soon)

24 08 2016

The Strain

Over the last few months, I have steadily begun to grow weary of nearly everything on TV. Since about April for me it’s sort of been about recording and re-recording shows on Playback, of which many shows that I do indeed like, but have grown a little weary of as I watch them while doing stuff on the laptop and have only been able to truly appreciate them when I have a Nano-second to sit down and watch them on TV while doing nothing else. I have been trying to get back into other shows on my own like Arrow, while also watching the last episodes of Castle, re-watching old episodes of Rizzoli & Isles, trying to get more involved with the good but rather cheesy Quantico, The sometimes hard to find funny when doing something else Bob’s Burgers; the enduring but still relatively light Deadliest Catch, The odd repeat of The Bill, the yet to be watched Containment, and the thankful repeats of Rookie Blue. I have watched maybe 20 minutes’ worth of the new Top Gear, but that was 20 minutes too long in my opinion, while really enjoying the new Robot Wars which continues to deliver (at time of writing). There are some shows that gather my interest such as The Closer and Major Crimes which my Mam has been recording, but altogether, the current state of TV for me is pretty bleak and near boring. All I can really hold onto is that soon or later The Strain will be back.

TS2

For those not in the know, The Strain is a TV Series based on the book trilogy of which the first book is named written by Guillermo Del Toro and Chuck Hogan. The series (Produced by Carlton Cuse) is about a virus: a Vampire Virus. It brings vampires back to their roots as scary villains and not love icons. Basically, an ancient entity known as The Master (Robin Atkin Downes), has brought a curse upon the city of New York as he has willingly caused Vampires to return. Very quickly many people in New York have begun to turn into what are known as The Strigoi. Being vampires they can only come out at night, however, the Master has a group of major servants in the form of Eichhorst (Richard Sammel) and Eldritch Palmer (Jonathan Hyde) who work for him during the day to help push and instigate his plan, that being of eventual domination. In his way however are a group of vampire hunters led by Holocaust Survivor Abraham Setrakian (David Bradley), Scientists Ephraim Goodweather (Corey Stoll) and Nora Martinez (Mia Maestro), rat exterminator Fet (Kevin Durand) and computer hacker Dutch Velders (Ruta Gedmintas). That’s not all standing in The Master’s way however as he also has to contend with another batch of Hunters in the form of former convict Gus (Miguel Gomez), and his estranged half-vampire supposed son Mr. Quinlan (Rupert Penry-Jones). It is a losing battle however as more Strigoi are being turned and New York begins to fall further into darkness, aided further by Kelly Goodweather (Natalie Brown), Eph’s former wife, who has since been turned into a vampire herself and is busy stalking Eph and their son Zach (Max Charles).

TS1

Now I wasn’t so sure about this program when I first heard about it (much like Blade: The Series), but I thought I would give it a go, I watched the Pilot and not only found it very riveting, but also rather terrifying and chilling. The first season pretty much just revolved around the initial spread of the Vampire Plague and the gathering of some heroes, while the second season went more into the public perspective as the plague gained more ground and became majorly noticeable, while the Master starts conceiving new ways to keep things going, whilst other characters begin to question their lives and place within this new world, and as such history and backgrounds of the events and characters begin to get more explored. Since then more characters have become more defined and brand new characters have been introduced. My favourite from pretty much the outset has been Dutch Velders, the group’s complete outsider, and whose character I have come to love and enjoy well.

Dutch Velders

Another character that has also begun to get traction is that of The Born. Better known as Mr. Quinlan, he is the missing link of the series as he is half vampire and possibly the son of the Master, and is out to kill him. His scenes so far have turned out to be rather fruitful and really enjoyable, and as given his position as become to stand out as something of the shows version of Blade, the hunter who is of himself of the species he is hunting, he also has a rather impressive voice.

I have no idea where the show is going to head next, but Series 3 is now on the horizon, having nearly waited a whole year with the Season 2 DVD yet to come out. I know this because I have been following the show’s progress, mostly from the accounts (on Twitter and Instagram) of Ruta Gedmintas. No idea what the show is going to involve other than the episode count going down from 13 to 10 annoyingly. Having not read the books, only reading a brief synopsis I can see some direction of its path, but as of yet, still no clue. Sorry to be so anti-climactic, but it’s true; however I am certain that it should be worth the wait, the show has done this to me once previously but has done more than just deliver, and so I am hopeful it will do so again. I am hopeful it will return within the next couple of months, and will in turn make TV exciting for me, at least for a little while and maybe a bit beyond that.

GENEPOOL (I am assuming and Hoping that it’s still going to be on Watch, even though it has since changed its name to W).

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Starting Over

27 07 2016

Rizzoli and Isles

Back in May, I hit a low point. For personal reasons I will not discuss what exactly was making me low, but in order for me to give this blog some meaning, I just needed to point that out. Anyway, I got low, one day I was really, really down, ended up wasting the whole day, not accomplishing or doing anything. There were games on my Laptop that I just did not want to play. There was some writing I just did not want to write, and on TV, there was nothing I wanted to watch. I had a whole load of shows to watch on catch-up, but just did not want to watch anything, even the shows I was really enjoying. Since then I have managed to reach up and get out of my low point, but one consistency remained; that of me not wanting to watch anything I had recorded on TV.

Quantico

I have come to the point that currently, there is nothing worth watching on TV. I have sort of grown out of Holby City, I am several seasons behind Arrow, The Strain is not back until roughly September, Top Gear is Dead!, and Robot Wars has no start date yet (at time of writing). Even though there are still shows on that I enjoy such as Castle, and a little bit of Quantico, I just have no interest in watching anything on TV at the moment. Basically I am bored and disinterested. I suppose I could watch Game of Thrones but first I need to get permission off my Dad to watch them.

I do not know if it’s just that time of year or something, but right now, there just appears to be nothing on TV. Perhaps it’s my mood or disinterest, but right now TV just feels empty, if it wasn’t for Rizzoli and Isles repeats, new episodes of Bob’s Burgers and new episodes of The Big Bang Theory (and apparently New Girl is to return soon too). A few weeks backs though I got some help from a new friend at church. I told him all about the above, and he told me what I needed to do. That was to find something new. Well, I think I have found it, but I wouldn’t exactly call it new.

Breaking Bad Season 1 Poster

A few weeks ago, I took some old DVD’s and games into CEX in Lancaster and got some stuff in return. My plan there was to look out for something in particular. I got some Bill Bailey Stand up DVD’s, some PS3 Games, a copy of the fifth season of Breaking Bad (having trading in the previous 4), but most of all, I got he first season of Arrow. Arrow is not exactly new to me, I have in fact been something of a fan of the show since it first started, but there was a complication. You see, when it first started I did manage to watch the first whole series and I really enjoyed it. So, I waited for and watched the first few episodes of season 2, then something bad happened. I don’t remember the full way round of the details, but the episodes were recorded on a machine, but then I think the machine got corrupted (possibly thanks to some episodes of The Tudors), and the machine was swapped, therefore I lost all the episodes of Arrow season 2 I had not watched yet. I put on a record for the other episodes, but after a while it became obvious I was not going to catch up effectively. So I deleted them and instead planned to purchase season 2 when it got released on DVD. Then however, when it did get released, it was pretty expensive, so I decided to wait until it dropped in price. Meanwhile season 3 had begun, and by the time that I did get a copy of Season 2 (nearly a year ago now), Season 3 was done with 4 on the way. As you can see I have fallen really far behind. In the meantime, season 2 on DVD has remained unwatched while over the last few weeks I have gazed too and throw at season 4’s episodes.

Arrow

It’s always been a plan of mine to get back into it, but I never could work out how, until I came up with a plan. The plan was to start from the beginning. Get a copy of Season 1 on DVD, watch that, then Season 2 and beyond. And so far (at time of writing), it appears to be working. I have watched the first episodes of season 1 and am able just to sit down and enjoy them one after another, no worrying about what will happen or anything like that, just plain old enjoyment of a TV program. Currently I do not know if it will last, if I will be able to enjoy Arrow to the full, or if I will hit another low point and not want to watch it anymore. But, I may as well enjoy it while it lasts, and then find something else to watch when it is all over.

GENEPOOL (suppose it will keep me going until the rumoured X-Men TV Series comes along, not unless it turns out to be like Agents of S.H.I.E.L.D.; Uninteresting).





Am I A Vampire?

11 05 2016

My Week

It has been very hot recently. I first started to spot it a few weeks ago while walking around the University Campus where I currently work. It was a very hot day, and I struggled with it. Since pretty much birth, Me and the Sun have never really been able to healthily co-exist, but it was not until a few weeks ago that I began to wonder if there was something more wrong with me.

Sun Cream

Since birth, I have been naturally ginger haired. For some reason when I was young, this made me a target for large amounts of sunburn, and embarrassing situations when I was smothered in sun cream and this continued for many years. I remember especially when I went on Holiday to Jersey with my family, and a day at a Castle (Mont Orgueil possibly) near St. Helier where I spent most of the visit in the shade, because I was unable to stand the heat coming from the sun. I was thankful when Sun Lotion came in a spray bottle later on, less embarrassing, but to be honest, I have not applied a blob of sun cream since 2009, I just don’t want to remember the embarrassment that came with it. Plus I had this hypochondria issue at the time where I would then have to go and wash it off just in case if any got in my mouth. These days I would catch the sun, but as I have got older I think I must have been able to stand it enough not to get sunburn; even more so as I wear huge amounts of heavy black clothing even in the summer. But it was not until a few weeks ago, on a hot sunny spring day, that I began to wonder the above question.

Daffodils

I was outside Foster Building after a meeting with a careers officer, walking back to Vernon Building where the office I work in is currently located. As soon as I stepped outside, the sun was on me, I hug close to the building hoping to grab the shade, but when the sun hit me when travelling between shades, I almost needed to dive for cover. I kept on walking, but it felt more hot on me than usual. Now, maybe it was the case it was just a hotter day than usual, but at that moment I began to wonder, if my history, coupled with my adult self, made it all clear, that really I am a Vampire.

The Strain

Now it’s something to jump to the conclusion that you are some supernatural force when most of those things as far as we know are fictional. It’s probably fair to say that I am not, as there are other things that need considering in the case of finding out whether or not you are a Vampire, such as the Teeth, but having canines are probably not enough, I mean look at Cats, they have two pointy teeth and as far as we know don’t want to suck out your blood as the following video showcases.

But you cannot blame me too much into thinking about Vampires…..as recently I have been thinking a lot about Vampires. It comes mostly down to one TV Show and one vampire in particular: The Born.

The Born

I am a big fan of the TV Series; The Strain. A TV Show based on a trilogy of books written by Guillermo Del Toro and Chuck Hogan. The story revolves around a virus strain that turns people into Vampires. It’s a really good show and my favourite after the Loss, Demise and End of Top Gear. During series 2 though, we were introduced to a new character played by Rupert Penry Jones who goes by the name Mr. Quinlan; but is also known as The Born. He is a character I have come to love; he carries a screen presence unparalleled almost by anyone else (possibly with the exception for Dutch played by Ruta Gedmintas). He is a vampire, but more importantly is the son of the big villain; The Master, and has spent centuries looking for him, so he can kill him. He is very much like Blade in his origins story, but I find he is near cooler than Blade; like to say that Blade might have finally met his match. Anyway, for some time now, I have found myself, quoting something the Born says in an episode, so much so that I find it hard to stop. It’s a great set of lines, and one great to speak if you have a throat issue, as it makes you sound like him.

Anyway, It was on that spring day, that when the sun hit me, that I nearly started talking like him, speaking out those lines. I thought about my sun burn issues of the past, I remembered scenes form Blade: The Series where vampires would burn from the touch. I began to think across paths, between Blade and The Born, and scenes they appear in. Now on the one side it might actually be quite cool to be one of those two, who wouldn’t want to be an indestructible vampire that was also generally a cool guy? But on the other, sun burn could still be a great issue, and you would have to live at night, which at times can be ok, but others pretty boring. Anyway, I just wondered if in those cases if I might have been a vampire due to my connection between me and the sun in the form of sunburn.

More than likely I am not a vampire, but have a similar trait to vampires in that I cannot stand the sun. However, if I start to grow pointy teeth and have a desire to suck your blood, or suddenly gain other traits of vampirism, I will let you now. Has all this taught me though that maybe I should wear sun block? No, It keeps you from sun burning your skin, but in the end it does not actually block you out of the sun or cool you down, as what Sun Block should really do, in all fairness; that’s what it’s called. So, I’d say No; still no requirement for me to wear Sun Block!

GENEPOOL





Six Hundred Horsepower…And Leaf Springs…Are You Mad? – Love The Beast

9 03 2016

Love The Beast (Eric Bana - 2009)

I love cars. Cars are one of my big interests in my life along with other interests such as Writing, Films, Godzilla, Board Games, Cooking, Music, TV, Video Games, Technology, Trains, Dinosaurs, and Buildings. OK, so I do have a lot of other interests too that include but are not limited to the things I have just mentioned. But, I genuinely like cars. Yes, it’s been tough since the loss of Top Gear, but as a car fan I have still managed to keep up my love for the things. I may not be able to drive (yet), but I always have a keen eye out for cars when I see them out on the street (and wish I had my camera with me). I even have my fantasy car collection that includes cars produced by companies such as Lamborghini, Pagani and Jaguar (cars which I hope to drive one day providing I can get somewhere with my writing career). So with a love of Cars and Movie’s, you may think that I must love it when the two come together? Well Cars and Video Games yes, Cars and Movies though is something I have not tried until I saw Love The Beast.

LTB2

Released in 2009 and Directed by Eric Bana; Love The Beast is a documentary-film (or docu-film if you prefer) about the love affair Hollywood star Eric Bana has for his first car; a Ford XB Falcon Hardtop, which he’s named ‘The Beast’. My own personal knowledge of this film ends before I saw it. I first heard about it on an episode of Top Gear where Eric Bana was the Star in the Reasonably Priced Car. After that I did not really look into it. But then, after I started working in Barnardo’s; I found a copy of it on the shelves. After a few months passed, I finally got it out of curiosity and thought I would give it a go; which I did.

Eric Bana

Love the Beast begins with Eric Bana talking about his youth, and especially about watching Australian Motor Racing. He remembers seeing something taking place at the Bathurst motor race involving a couple of Ford Falcon’s. From that moment on he was in love with that kind of car. So much so that when he was about 15, he persuaded his Dad to buy one for him. Over the next several years, Bana and his friends work long periods to bring the car back to its original glory. Eventually, Bana and his friends enter the Falcon into the Targa Tasmania: a motor race that funnily enough happened to take place in Tasmania. Hoping to enter every year from his first appearance in 1996, fate gets the better of Bana and he becomes an international Hollywood star.

LTB1

11 Years after his first Targa, Bana decides to enter his Falcon into the 2007 race, after rebuilding his Falcon yet again. He enters with some childhood friends, one of them being his navigator. At first they struggle with the newly built vehicle, but soon they manage to pick up the pace. Things eventually lead to tragedy however, as on the 4th race of the 5 day event, they crash into a tree. Though a little shaken up, Bana has to leave the race and get back to his day job, by attending a New York movie premier and appearing on The Tonight Show With Jay Leno. Upon returning to Australia, he gets to have a proper look at his badly damaged vehicle. From then on it becomes a question as where to go with it next, eventually ending with him covering it up in a sheet in his garage. The film then ends with the suggestion that he will one day return to it and fix it again.

Love the Beast is a film I find hard to really review, this could be though do it being a Documentary film rather than a fictional piece of work, a genre I have only done one other film review before. I suppose, a great place to start would be to talk about what it is. Love The Beast is a film about cars, a documentary about cars specifically. It is a film about a man’s desire to enter a car he loves into a motor race. Now if this was an ordinary man no-one had ever heard of before, it would be a different story. In this instance however it is actor Eric Bana whose movie output includes the film’s Troy and Hulk. In this case it is quite different, as it becomes a film not where he is playing a character, but more one where he is talking about his social and personal life. From the outset, the film talks about his growing up and what part of his young life the car meant to him. The film then goes in the various directions a documentary would go to cover all of its bases. It goes into talking about the Targa Tasmania, the Falcon and its appearance in the original Mad Max; it then goes into talking about Bana’s father’s love affair with his own Ford Thunderbolt. Then in the background of the film, there is a host of interviews of Car Enthusiasts and celebrities including Jeremy Clarkson, Jay Leno and Dr. Phil McGraw. It then talks about the Targa in more detail and includes the style of cars used in the race series and the difference between new super cars, and old muscle classics. It is a film that is definitely about cars and man’s love affair with them. Not in the form of them as tools driven by people who consider them nothing more as tins on wheels, but as symbols that mean something to people growing up and how they become a metaphorical camp fire for people now grown up and how they still need these symbols in order to be themselves.

Mad Max (Village Roadshow Pictures - 1979)

That is what the film is trying to present, well aims to achieve, because on the whole it has a lot of issues. Love The Beast has narration off-screen frequently throughout, but from the start this comes with a level of near boredom. Bana himself I felt is not all that good a narrator, or at least not yet. As he spoke from the beginning away from the camera, it was like he was reading from a pre-prepared script written by someone else. It was not like he was telling a story, nor like he was informing the audience about his past experience. When he is in front of the camera, being in the scene and talking normally/casually with everyone else, his soul and passion for what he loves comes out to the full, but as a voice over it is not really all that believable and can be pretty boring. Bana presents himself as a more straight-up kind of guy; but the way he narrates this neither suggests nor promotes his love and interest for his car.

Ford XB Falcon Hardtop 2

When I first started to watch this film I was constantly near blacking out, like there was not much going on. I like cars, love them in fact. Before lasts years consequences ended it for good; Top Gear was my Favourite show. My Favourite car for many years now has been the Pagani Zonda F. I like cars, but this, a film about cars, is something I am finding hard to like in the least bit. It’s a real case of the Marmite belief. Marmite, some kind of ingredient/spread that you can do edible stuff with has always had the moniker of either you love it or hate it. Well, Love The Beast is something like that, and I myself am not too sure on where I personally stand with it. As a film, it’s more of an informative piece. Something you would watch on an afternoon if there was nothing good on tele, not on a Friday or Saturday evening.

But then, when you reach the 40/50 minutes in marker everything changes. It goes from a half attempted documentary on entering a racing series to an understanding of what this car means to Bana. It’s a different yet interesting point of view of a well-known person in the public light. Instead of gossiping on every element of his personal life with subjects like food, weight, clothes, relationships and all the other garbage gossip; Love The Beast becomes a deep and moving insight into a true passion of his, his car. Up till now it has been a basic documentary with nothing much really to focus on. No theme for the documentary to follow or look into specifically, but then as it finally begins to gain pace, we discover that for Bana, the car is less a tin on wheels tool/contraption for the masses; but an icon of his youth and an important part of his history. It provides him with personal drive (pun not intended). This passion ultimately leads however to tragedy, as while everything was going well at first; in a heartbeat it ends in a collision which brings the star to a halt as fast as the crash itself. At first I thought this sounded like it was planned, but to this though comes the films real story and eventual meaning.

LTB3

The film, the events, the interviews; it’s not about Bana learning about the car or its place in automotive history, nor is it about a man entering a race in the hope of achieving sporting glory. You realise that all along from the beginning, that what it’s all really been about is this titan of Hollywood coming to terms with the crash and the damage sustained to his beloved Ford XB Falcon Hardtop. Something that is more of a childhood friend severely injured/disfigured rather than it simply being a gash to a tin with wheels on it. From the moment he sees it in proper in a garage, it changes him, and he goes and talks to the celebrities to talk to them and ask them for some form of guidance or hoping that they may shed light on what has happened and why it has happened. For Bana, it’s less a documentary or film, it’s actually therapy. This is the moment where the film goes from its original aim to a personal struggle. This is true reality and one that is felt deeply. Love The Beast’s true meaning therefore is one of how much symbols and icon’s mean to us personally in our lives from a young age and how these things can hurt when they take a hit…..no matter how old we are.

Ford XB Falcon Hardtop

Ok, I can see I may have gone off track (pun not intended again) with this film as a whole, but in effect, that’s what this film is about, one man’s passion for his car and what it means to him. Now that is not to say the film did not have its issues, but from these issues comes a film (in a similar style to the BMW M5 review on Top Gear) that provides something different. I like documentary films. I really do, and while this one did struggle to begin with from this mediocre/weak start; it became a really passionate story. Add to this the inclusion of top car personalities like Clarkson in particular, and you get this really interesting creation. Yes, there are better things to watch on a Friday and Saturday night slumped in front of the TV, but if you love cars as much as me, and carry a passion for the true monsters of automotive design and engineering; then you will want to see this film.

GENEPOOL





Don’t Let The Big Bugs Bite – Mimic

30 12 2015

Mimic (Miramax - 1997)

Imagine the scene, there is a terrifying new disease-spreading throughout your home town, killing lots and lots of people…and there is no cure. What do you do? You could hang around and wait for a miracle cure, or you could find a way to stop the disease from spreading/catching further. It’s an interesting plan, and wouldn’t you believe it, it’s possible – just so as long you are sure it won’t come back to eat you in 3 years’ time.

M5

Released in 1997 by Miramax and Directed by Guillermo Del Toro, Mimic is a Science Fiction Horror Film based on the short story of the same name written by Donald A. Wollheim. Mimic deals with the subject of genetic construction and tampering in a similar theme and style to the written works of Michael Crichton, particularly his book and later film Jurassic Park. This time however it’s for the creation of a new species of bug, which then quite literally bites back when it goes out of control.

M1

In Manhattan, a deadly disease known as Strickler’s disease has struck, claiming the lives of hundreds of children. The disease has no cure, nor a vaccination; however what people do know is that it’s being carried by the common cockroach. To this end, Entomologist Dr. Susan Tyler (Mira Sorvino) is brought in by the C.D.C. to create a new species of insect (a cross between Termite and Praying Mantis DNA) which she and her husband Dr. Peter Mann (Jeremy Northam) call the Judas Breed. The insects are successful in killing off the Cockroach population, and with it Strickler’s disease. The Judas Breed meanwhile was designed to be unable to live and breed outside the lab for no more than 6 months, and so would die after 1 generation. Three years later, a reverend is chased and dragged underground by a mysterious assailant; the only person to witness it however is a possibly autistic boy called Chuy (Alexander Goodwin) who notices the strange sound the assailant makes, naming him Mr. Funny Shoes (Doug Jones, Bill Lasovich and Roger Clown). The following morning, the church building is cordoned off by C.D.C. agent Josh (Josh Brolin); who notices excrement hanging off the ceiling, inside of which has some buttons.

M8

Susan, now working at a natural history museum with her assistant Remy (Alix Koromzay), buys some bugs off kids Ricky (James Costa) and Davis (Javon Barnwell). One of the bugs in question is rather big and looks rather weird. Upon closer inspection, Susan begins to realize that the bug is a member of The Judas Breed and is also a baby. But before she can find out more, her office is attacked by an assailant, who only appears to take the bug specimen with him. Susan explains this to her Husband, and with Remy and the kids in tow, they try to get another specimen from a subway locker, but are stopped by Subway cop Leonard (Charles S. Dutton), who demands to see a Permit. Meanwhile, with some information from Susan, and the hope of making quick money, Ricky and Davis journey through the Underground and find an Egg sack, but before they can do anything, both kids are killed by a strange creature. In the subway meanwhile, Susan meets Chuy who is with his guardian Manny (Giancarlo Giannini). That night Chuy hears Mr. Funny Shoes inside the church, and goes looking for him, while Remy and Susan go to a water treatment plant where a large bug, is discovered. Susan’s boss Dr. Gates (F. Murray Abraham) examines the creature and summarizes that the bug is a soldier and part of a colony.

M6

Manny discovers that Chuy has disappeared, and goes underground to look for him after spotting some clues as to where he might have gone. Upon getting a permit to look in the subway locker, Leonard, Peter and Josh head underground to find another specimen, and find traces of more hanging excrement. Susan meanwhile waits outside in the station, looking through some photographs. In the station though, is one of the assailant figures, who transforms into a large man-sized bug, which then takes her deeper underground. Peter and Leonard fall into an old subway station, and Josh runs off to find help, but is then killed by a large creature. Susan meanwhile comes to, and tries to call for help from the city above, but nobody listens. One of the large insects does however, and comes after her. She is eventually rescued by Manny, who after finding Leonard and Peter asks them for help. They take refuge inside an old Coney Island subway car, but Leonard gets injured by an insect that manages to get inside. Upon killing it; Susan explains that by increasing their metabolism, The Judas Breed were able to both reproduce and mutate very fast, despite being unable to biologically reproduce at all. To this end, the creatures have begun to evolve, and Mimic their main predator: Man. At that moment, the car is swarmed by big insects, smelling the blood coming out of Leonard’s Leg. Using the dead one’s smell glands, Susan coats the windows in the smell of the dead creature insides, causing the other to flee, making the insects think the train is one of them. With the insects gone, the group formulates a plan to move the car down the tracks to a possible escape. Peter is sent to get the power back up, while Manny is sent to switch the tracks.

M4

Inside the car, Susan believes the Mimic Insects could spread out of the subway system and colonise anywhere they choose. She describes to Leonard that one way of preventing them from doing this would be to find and kill the colony Male, who will be the only one capable of allowing the Judas Breed to reproduce. While out to switch the tracks, Manny finds Chuy but is killed by one of the insects. Peter manages to get the power back on, and finds Chuy, and Susan, who left the car to look for Manny. They are however cornered by a group of Mimic Insects. Knowing he hasn’t got much time left, Leonard uses the smell of his bleeding leg to distract the insects long enough for Susan and Chuy to hop into a dumb-waiter and escape. Peter then sets off to find a way to stop the creatures while they are still down there. He gets chased into a room which turns out to be a colony nest. Using a pickaxe, he quickly releases gas into the room, hoping to use Manny’s lighter to set it alight, but the lighter has stopped working. With next to no time left, he uses the axe to cause a spark on some railings, causing the room to catch fire, killing all the bugs, and sending a fireball throughout the immediate subway area. Escaping from the Fireball, Susan goes to look for Chuy, but runs into the male Bug. Using her own blood to attract it, she has it chase her; just ducking out of the way from an oncoming Subway train, crushing the Male Mimic. On the surface, the area is in Anarchy after the subway fireball. Dr. Gates explains to Susan that after combing the area twice; ensures her that nothing could have survived. Peter meanwhile had a lucky escape diving into a pool of water, and is reunited with both Susan and Chuy on the surface.

If you look through the filmography of director Guillermo Del Toro, particularly at the films he has directed; many films immediately come to my mind and are at the forefront of his directing career. Films of course like Pan’s Labyrinth, the Hellboy films, Blade II, Pacific Rim, as well as a host of films directed in his native Mexico (that I have not yet seen). On this list however you will also find MIMIC. Back when Pacific Rim was due for release, I remember reading inside VUE Cinema’s prevue magazine a piece about Del Toro and his output, and MIMIC stands out in his filmography, but the main reason for this is due to the film not making back its budget, and when compared to the success of his later films; MIMIC is held as being something like a Black Sheep in his career output. I don’t think that kind of statement is very fair however; because I think MIMIC is very good. It’s is Tremendously Terrifying. I have known about this film for years after seeing the beginning once back in between 2005 and 2008 and after finding out what it was have kept on eye on it since, but recently it was the first time I had watched it all the way through. It carries a lot of frights and scares throughout, while also maintaining a level of creepiness, because bugs are creepy, plus the science fiction story genre element works and is explained well. It’s not like 1950 American Monster Movie explanations where it is done rather quickly; MIMIC instead explains it bit by bit by the relevance of it as the characters begin to explore it. The science fiction side also makes a nice break/change from most monster horror fiction too as it goes into talk about the need for the bug species, but then how while science in the lab can be controlled, the real world can’t. The idea of this film being like a Michael Crichton novel was actually something my Lecturer suggested (who as far as I am aware has not seen it, but suggested such when I mentioned it), and when you look into it sort of does. The mention towards Jurassic Park is very apt I feel, as both stories talk about the new future for science, but in the real world, nature cannot be controlled so easily.

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I don’t know if you have watched The Strain or not (I can’t see why you wouldn’t have watched it, since the demise of Top Gear it is officially the best show on TV), but I find that in terms of the handling of its characters, Mimic has some rather similar similarities. The Strain is of course the TV Series adaptation of a book series written by Guillermo Del Toro himself about the release of a Vampire Virus. While Mimic has a similar feature in that sense, that is not what I am going to talk about right now. Mimic has an assortment of characters, all of them in varying different ways of life, the kind of people you wouldn’t necessarily think of associating with each other. Much like The Strain where you have some people who know and work on the Virus but then only to join up with others and create a rag-tag group of people which includes themselves, a pawn shop owner, an exterminator and a computer hacker. This sort of thing happens in Mimic also with characters ranging from an Entomologist, agents of the C.D.C., a subway cop, a shoe shiner, and his Autistic Ward suddenly converge on each other.

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Thankfully the major part of this cast is small so I am not going to get bogged down like the Independence Day review last week. Anyway; Mimic, sort of like Independence Day again, does work hard to incorporate and make good tertiary characters all the way through the film. So automatically within the first 10/15 minutes you get characters like Ricky and Davis who to begin with get a big role, but eventually, and something I feel of as a departure for the film, don’t survive and become early victims to the Mimic Bugs, but they’re not in the background, they are upfront, and so their death scene becomes a big moment for the film. Then you get characters like Josh, characters who meet the true meaning of supporting characters. He is the film’s light relief, a sort of comedy character. Another person who meets a grim end; but lasts longer than most. He spends most of the film complaining about his role/job and you don’t really connect with him, but for the sake of comedic relief he is ok. Next to him you also have characters like Remy and Dr. Gates. Gates presents the moral side of science, the character you need in a story like this. Someone who questions the true motives behind the uses of science to create the Judas Breed. But at no point does he lose his temper, but tries to show a logical understanding of what goes on and does what he can to support Susan. Remy meanwhile is a character I like, and consider an unfortunate casualty, as while she is a good character, and someone you want to see more of, she has very little in the way of appearances. So while she has a very positive start to this film, she does sort of get ignored from the half-way point onwards and I find that rather sad and a bit disappointing.

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Leonard is an odd one. He is a character that is very strong throughout this film and is very good at his job. Compared to most other roles played by Dutton, Leonard stands out more. He is something of a narrator, a historian more like, and who talks about the legends of the Mimic creatures before he even knows about them. Tells the tales of strange people called Long john, but also knows a lot about the underground area. As things begin to take a turn he becomes something of a guardian and a sacrificial hero to the group. He is an enjoyable character, and his singing is rather fun, I just wonder if his death is more a punishment for his unpleasantness, or if he is really needed to die at the end? In something of a similar character to Leonard, you have Manny, the shoe polisher. Much like Leonard he is very down to earth, works hard to both put food on the table and look after his ward in Chuy. He is an interesting character in that he is one of the films very few anchors, one of those people who in the midst of all the science fiction explaining, that brings it back down to a more common human level. He is very caring of Chuy, although finds him possibility a little bit irritating due to his condition, but in a similar vein to Leonard, you wonder if he is really needed as he just gets killed off like everyone else. Chuy meanwhile I find hard to think about it. Much like other characters in this section he has an interesting part, making friends with the bugs, rattling on his spoons, knowing everything about shoes. He has an interesting dynamic, but for the most part; particularly towards the end, he just becomes an alternate character to look out for and for the main characters to save, keep out of harm’s way. He is someone who is good, but as to why is the real question.

Peter Mann, someone who I cannot put my finger on, not in the sense that he is a good character, more in the form of I cannot figure why he is in this film. He starts out as the scientific boss and husband to Susan who then runs on a trail to discover and eventually annihilate the nest of the Judas Breed, but…this turn of character in him does not feel right. He doesn’t seem caring, more a sort of grumpy, he is not a connectable character, more a sort of supportive character that gets some attention. Yes his scenes underground leading to the big bug massacre is good, tense, thrilling and scary, it’s just for the most part, I just don’t get him. Which is entirely the opposite compared to Mira Sorvino’s character. What is a lovely strong female character throughout this film, you have someone who like many of the above loves and enjoys their work, but is the creator of the film’s main antagonist in the Judas Breed. Yes, there was plenty of reasoning to create them, to help wipe out a horrific disease, but just when she thinks they are all dead over, she begins to discover that isn’t necessarily the case. As things develop further, she gets thrusted head first into the situation, eventually meeting the mutated, evolved form of her creation, to then ultimately wiping them out, the one person who needed to do it. She doesn’t raise much of a smile throughout the film’s events, and is embroiled more into the case the more it develops, soon realising the real results of her work, and going from keen professional scientist, to a near nervous wreck at the devastation and death caused by the miracle bugs. So of course she has to end it all with one final, and possibly sacrificial last stand against the creatures, in the end saving humanity once again from the bugs she created to save them once before. Sorvino’s performance is brilliant in Mimic, she stands as the archetype and central figure throughout as a character that stands the rest of the film, not one who becomes a great hero, or an underdog, but someone who stands as a hero to begin with, but ultimately becomes a pre-underdog type character, being brought down to her knees on the result of her creation. A terrific performance by a true; but unfortunately, lesser (at current) titan of cinema.

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Let’s not forget however the film’s other characters. The Mimics. The Mimic Creatures in this film are nicely designed monstrosities made for a purpose but ultimately become a new threat, somewhat similar to a species of creature they were supposed to wipe out. In explanation, they were designed to kill off the common cockroach to aid in the killing of a deadly virus striking down the children of Manhattan Island. The end result of that being the death of the virus, but due to an unfortunate misunderstanding, the Mimic bugs themselves, become a new bug threat. While not a virus, like the one they helped rid the city of, still a very dangerous one. Mimic’s, so named for their ability to imitate their main predator/prey in man is a wonderful idea, one that chills the spine, but sets them up as human like characters until they eventually reveal themselves true and proper, not as humans, but as ferocious bugs. Their design is brilliant, somewhat held back by some dodgy late 90’s CGI, their appearance is still terrifying with a hint of realism, and the fact that the way they are shown of pursuing the humans like Prey adds another detail of character, not in something that is to be ignored or does ignore, but rather a merciless killer.

The special Effects are a bit hit and Miss in Mimic. As stated above, the CGI suffers a bit and doesn’t stand out as well as effects delivered in films of its time including Independence Day one year earlier, and The Lost World: Jurassic Park released in the same year as Mimic. The film’s quick scenes and quick moments of movement on part of the Mimic’s sort of make up for it. Yes; while there is still the odd dodgy bit here and there, for the most part in how they used, they look alright, and still don’t ruin the incredible level of design that went into the creature designs. Sadly though due to the lack of well-done CGI, the effects have not aged too well, and these days it’s only the real in shot stuff that still works, and the CGI looks rookie in vain to today’s standards, it’s just so lucky that everything else pretty much works in terms of the film making. But while the CGI falls a lot short, the close up uses of suits/animatronics/puppets/masks/whatever they are is brilliant. The effect of having something there and visible in camera, with added detail such as odd hairs and prongs on the arms and claws are well done. In a similar style to the Alien creatures in Aliens, if it was just the, whatever it was they used, it would have been superb throughout. Add to this the level of additional props and set pieces, like the underground sections, the cart, and of course the icky sticky, very unnerving egg pods. Those in the final scenes in the nest are really creepy, and add to it the bug like sounds, you have something that while in the main part is a horror film, still has room for moments of a horrible, repulsive, disgusting and off-putting by far, nature. Another addition I would quickly like to mention is the several uses of city skyline shots, there are only really 2 I can think of, but both of them are lovely on-screen shots that help to break up the film, but anyway back to the Bugs.

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But while the Special Effects may fall short, the soundtrack (composed by Marco Beltrami) certainly doesn’t. The film’s early sounds from scenes such as the release of the Mimic’s and attack on the priest present a very mysterious yet monstrous feel to them. The entire soundtrack on the whole sounds more operatic and monstrous more than anything else, especially the opening and closing credits. They present something of a mystery, like something is hiding, then reveals itself, and is a stark, terrifying monstrosity standing in front of you, and all that you can do, is just stare and scream, there is no running. It’s almost setting your eyes upon a Frankenstein like creature, standing in front of you; Ominous not moving, just pure terrifying. And that is just the soundtrack. Yes it works in tandem with the film, but just to provide a sense of that in listening to it, and also being memorable enough to still create a sense of that is remarkable.

Truly Terrifying: that is the best way to describe Mimic. A terrifying experience all worked into one film supported by all directions by horrifying looking creatures, great characters played by a wonderful cast, horrifying soundtrack and a gripping, thrilling story with a mix of Science Fiction to make Mimic not just a Horror Film, but a really spine tingling mystery. While maybe not standing out as much as Del Toro’s other well-known films like Pan’s Labyrinth for instance, that does not mean that it should be overlooked. Mimic is deserving of another chance, I don’t mean a remake (although a TV series could be interesting), I mean having another watch. Sure it has on and offs, and maybe t’s not Del Toro’s greatest piece of cinema art work, but for the sake of watching a horror film that both creeps you out and nearly scares you to death simply from the ideas that it generates I think is worthy of giving it another look. Now when I think of Del Toro, I am going to think of this film more in detail and equality of mention to his other works. So, Night Night, Sleep Tight, Don’t Let The Big Bed Bugs Bite, Hopefully See You In The Morning Light.

GENEPOOL (Happy New Year).








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