Top 5 Films of 2016 (It’s Been A Funny Year)

11 01 2017

godzilla-resurgence (Toho Co., Ltd. - 2016)

Since a very young age, I have been a fan of the Two Ronnies. It’s a comedy love that I still carry to this day and continue to enjoy looking back on every now and then. But despite this love for two comedy greats, I have always struggled with Ronnie Barker’s sitcoms. I have seen numerous episodes of Porridge and Open All Hours, but in all honesty have never found them to be all that funny. I have watched plenty of episodes; maybe an odd wisp of laughter here and there, but on the whole, just did not get them. If anything, the only thing that would get a faint pant of air from my lungs would be the spring-loaded till in Open All Hours. Despite this lack of understanding on my part, one thing though that has shined on to me in a way is how sometimes on occasion, I cannot help but at the end of the day say; “It’s been a funny day”. Well, looking back on the movies of 2016, I now cannot help but say “It’s been a funny year”.

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A Funny year is indeed how I feel this year has gone by in terms of movie releases. There have been several high-profile and low profile releases that have caught the eyes of myself and many other movie goers. We have seen live action remakes of animated classics, rebirths of classic comedy, and revolutionary new ideas in already popular genres as well as the usual treasure trove of sequels and heart-warmers. For me personally it’s been a weird one, with a lot of films that I wanted to see being released in the first half of the year, with the second half being a collection of films that I was wavering watching or not. Quite a few of these films were pretty fun and are included in this list, but there have been one or two disappointments. Firstly I did not get to see Teenage Mutant Ninja Turtles: Out of the Shadows or Kung Fu Panda 3 (not forgetting the new Japanese Godzilla film which nobody considers releasing for people living in the UK!), but the big disappointment for me had to be Dad’s Army. It was funny in places; but everything else was just boring by comparison with an acting pool not living up to their own acclaim and a story that was not worth bothering with!

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There have been some high’s thankfully, some of which are unable to be featured in this list and just want to give a quick shout out to (in no particular order): Allegiant, X-Men: Apocalypse, Eddie The Eagle, and Rogue One: A Star Wars Story. But now the main event; as per usual: films will be rated in ascending order with Number 1 being my favourite and 5 being not as much my favourite but still a good film, and as always, the list applies to films that were released and shown on the big screen between the traditional 12 month period of January to December. So without dragging this on any further, here are my Top Five Favourite Films of the year (yes, this year it is actually 5).

ethel-and-ernest (Cloth Cat Animation - 2016)

5. Ethel & Ernest – Based on the Raymond Briggs graphic novel of the same name, Ethel and Ernest is about the life of Briggs’s own parents as they meet, date, marry and live their lives through the changing face of Great Britain. Originally meant to be shown on TV during Christmas 2016, special big screen showings were done in places around the country including at The Dukes in Lancaster. Before seeing this film I had no idea what it was about, thinking it was When The Wind Blows by mistake (having forgotten what that was called), then my Mam told me differently; a little unsure but still interested I decided to go see it, and really enjoyed it. I liked how it was less a film, more an animated slide show of the lives of an incredible couple living through the hardships of London life during WWII, to raising a son, to a new way of life compared to their own upbringing. I especially enjoyed the shots of WWII city life as most documentaries I have seen have mostly focused on evacuations and the front line, but this instead showed what life was like in a major city. Overall I enjoyed this film a great deal, from its unique form of storytelling to its charming and colourful animation style.

10-cloverfield-lane (Bad Robot Productions - 2016)

4. 10 Cloverfield Lane – If you are like me, then over the last few years you will have been calling out for a Cloverfield sequel since Cloverfield’s original released in 2008. For years I have kept tabs on it to see if such a film was going to happen or not, and so far no official sequel has appeared; a spiritual successor has though. 10 Cloverfield Lane is a very different film to the original Cloverfield. Whilst the first film was a found footage drama about a group of people trying to survive a monster attack on New York City; 10 Cloverfield Lane is about a young lady (Mary Elizabeth Winstead) who finds herself in a bomb shelter with two other people, and begins to get cold feet surrounding the older of the two (John Goodman). The film in essence is both a psychological and science fiction horror as for the first good half you get the feeling that something is going on above ground as the characters get used to a new life underground, until the main character finds evidence that suggests that everything underground isn’t groovy either, eventually leading to a tense situation that culminates in a giant twist that makes you rethink everything you have just seen. 10 Cloverfield Lane is a one-of-a-kind film that makes you want to feel out for your Teddy Bear and grip it tight.

Independence Day: Resurgence (20th Century Fox - 2016)

3. Independence Day: Resurgence – Much like number four on this list, if you are like me and absolutely love the Roland Emmerich science fiction film Independence Day, you will have also been hoping that maybe one day there might be a sequel to it; well (two decades later), one has indeed been released. Twenty years after the events of the first film, humanity has used the technology scrounged from the remains of the alien fleet to upgrade their own technology and bolster up defences of planet Earth. This however has not turned out to be all that fruitful however, as the once defeated alien empire has decided to enact a counter attack by sending in a much bigger force than the last one. The first film’s core cast (minus an obvious one) have returned to fight alongside a new cast of characters including (but not limited to); Liam Hemsworth, Jessie T. Usher and Maika Monroe. The film itself was once again packed with a jaw dropping cavalcade of special effects that once again bring the awe and fascination that the first film did so well, but does not content itself by making a simple remake, but a strong sequel that does things a little bit differently and contains several other genres, not just the basic few. Overall I was mightily pleased with the end result.

your-name (Toho Co., Ltd. - 2016)

2. Your Name. – If you look through the prolific catalogue of films produced by Studio Ghibli, there are many highlighted classics. Having recently become a major fan of the studio’s works, I am always on the lookout for new films to watch to add to my growing collection. Some of the films on show though that do not necessarily grab my attention however are the convoy of teen based romantic dramas. In most cases I actually try to avoid them as they don’t really appeal to me. Well this year, I saw a film which was along those lines (not released by Studio Ghibli) while also entwined with a Science Fiction enhanced story that within an instant became one of my favourite films this year. Your Name. is a Japanese Anime film directed by (Makoto Shinkai), which tells the tales of a boy and girl who have never met and live in completely opposite locations miles apart from each other, but for some reason get connected, as when they sleep, they dream the lives of the other, not realizing at first, that in reality they have in fact changed bodies. It is a strange film to begin with that leads to some really funny situations, but things take a sudden turn which causes one character to search out the other and come across a grim reality that makes them attempt to change the course of history. I must say I actually really enjoyed it. I was put off at first by its romantic idea, but upon finishing wanted to give it a standing ovation. It was so different, yet so unique that I was left gobsmacked for one that I enjoyed such a film that I would have normally tried so hard to put off. By failing to look round that I did not properly foresee the science fiction elements that I just so love and the two together created a potent mix that made me leave the cinema with a smile across my face. I absolutely enjoyed this film to its absolute core and it has made me rethink my earlier stance on romantic teen anime films.

deadpool (20th Century Fox - 2016)

1. Deadpool – Just bear with me for a moment as I get my head in the right frame of mind for this one…

With all the super hero related movies that are getting released these days, I think it’s good that we have at least one film that we as an audience can actually connect with. Saving the world is good and all, but what about when you return home and find out that some maniac has kidnapped your girlfriend, I think we can all agree that that is probably far more important! Deadpool is the next major spin-off in the X-Men Film Series and stars everyone’s loud mouthed mercenary as he sets out not to save the world, but rescue his girlfriend and hope he can receive some good plastic surgery in the process. Based on the Marvel Comics character of the same name, Deadpool stars Ryan Reynolds in the lead role, backed up with the talents of Ed Skrein, T.J. Miller and Morena Baccarin in what has to be one of the strangest films of all time. Deadpool is not your run of the mill superhero movie, as Deadpool isn’t really a superhero, more just someone rather deadly you don’t want to offend. Deadpool comes wrapped in a neat pile of action, guns, violence, comedy, sexual antics and fourth wall breaking moments to create a truly incredible experience that will have other superhero movies (and super heroes) taking notice. Altogether this film creates a matchless form of cinematic awesomeness becoming not just the most standout film of this year, but also my absolute favourite film of 2016.

GENEPOOL (what was your favourite film of 2016?).





An Ordinary Life – Ethel & Ernest

14 12 2016

ethel-and-ernest (Cloth Cat Animation - 2016)

What do you dream of? Do you dream of riding a Unicorn and battling the Troll King in the city of Colossus on the furthest edge of Saturn? If so, then you have misunderstood my question. When I ask what you dream of, I ask that in the meaning of, what do you foresee for yourself. Do you dream of a big mansion, lots of money, a gold-plated Rolls Royce and a pet Jaguar? That sounds like a pretty good dream for yourself and I wish you luck in your endeavors to achieve that, but is there anything wrong with a simpler life: a life that involves having your own house, a nice job, maybe a husband or wife, a nice little car and a kid to call your own? Well, given a recent example I recently discovered, I can see a lot of pleasantry in just living a nice long-lived ordinary life, seems quite nice.

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Released in 2016 by Cloth Cat Animation and Directed by Roger Mainwood; Ethel and Ernest is an animated adaptation of the Raymond Briggs graphic novel of the same name. Raymond Briggs is of course best known for his graphic novels including The Snowman, Father Christmas, Fungus the Bogeyman and When the Wind Blows, many of which have since been adapted further into films and TV shows. Ethel and Ernest follows the story of Briggs’s parents from when they began their courtship in the early 1920’s right up to their deaths in the 1970’s, along the way showing their incredible life through an ever-changing world, delivering their own experiences in some of history’s most notable moments.

ethel-and-ernest-book (Jonathan Cape - 1998)

The story begins with Ethel (Brenda Blethyn) working as a lady’s maid who over the period of a couple of days is spotted by a young man on a bike. After a few days the young man all nicely dressed arrives at Ethel’s work place and introduces himself as Ernest (Jim Broadbent). He invites her out on a date and after a few more dates, Ethel requests that she leaves her employ as a maid so that she may Marry Ernest. Her request is given, and the two marry, followed by getting a house together, and Ernest getting a job as a milkman. As time passes by, the two of them sit down into a normal living routine, with Ethel becoming a housewife and Ernest fascinated by the ever passing technological world, installs a radio and a cooker plus a few more home improvements to make it theirs. Outside of their lives, things are changing, Britain is on the brink of war with Germany, and people are out of work. While all this is going on, Ethel and Ernest conflict with one another due to their respective beliefs, with Ernest acknowledging his working class life, while Ethel believes that she is more middle class and up. Eventually Ethel is treated with the birth of a son they name Raymond (Luke Treadaway), but giving birth was a real strain on her and is told that it’s best that they don’t have another.

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Britain engages with Germany as World War 2 starts, and Raymond is sent to live with Aunty Flo (Gillian Hanna) and Aunty Betty (Pam Ferris) in the countryside as he is evacuated with thousands of other children. Broken hearted at home without Raymond in their lives, Ethel and Ernest plod on with Raymond taking another job as a fireman during the Blitz Bombings. The two of them erect both a Morrison and an Anderson bomb shelter, and are privileged with seeing Raymond in the countryside and have him home one weekend, although he and Ernest narrowly miss an attack from a Doodlebug. With the war over, the family returns to normal, with Raymond going to grammar school and Ernest seeing improvement in his work load, although the two cannot stop bickering with the election of a Labour government and Churchill being kicked out of office. As Raymond grows up, he begins to do things very different to his parents that they just don’t understand, such as his desire to go to Arts School, while his parents can’t see much of a job coming out of it. Raymond grows his hair out, although Ethel continues to press a comb onto him. Eventually Raymond meets a girl called Jean (Karyn Claydon), who unfortunately is not able to provide grandparents to Raymond’s parents. The two of them get a house in the countryside that Ethel considers to be a dump.

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As time passes by and the world steadily advances further, life for Ethel and Ernest begins to slow down. Ernest retires from his job as a milkman and Raymond gets a job as a teacher. Ethel and Ernest take in a more quiet life, but Ethel’s health begins to deteriorate, and as time passes by begins to forget things, even those closest to her. Eventually Ethel dies in hospital, leaving Ernest to fend for himself. After some time goes by, Ernest too dies. Back at his parents’ home; Raymond makes note of a tree in their garden, one he planted when he was just a boy.

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Ethel and Ernest is a rather pleasant film which at first does not really present itself as a film, more a sequence of short films spanning the life of two very ordinary people. At first it’s like an animated slide show, and one I felt presented the story of these two-bit by bit, maybe frame by frame or chapter by chapter. The film however is at this point just starting its engine, as when life settles down, the Drama begins. At first these are two gentle lovers just enjoying life as it can be, but now they face the prospect of actually having to live together, and what we discover is that they are two polar opposites. They share dreams and desires for the future but like many of the time cannot see how much life will change ahead of them, or how quickly it is enacted. While it is very pleasant though, the film is somewhat tragic, as it ends the only way life can, in the Death of these two people, and how their life affects those around them at that time. But in that though we are presented with a cold hard fact of the knowledge that life must come to an end and how important it is that we don’t waste it, it’s one chance in only one chance. The film though while ending like this however reminds us that even when these two people passed on, that in life, although maybe not absolutely perfect, they still lived an extraordinary life, one that was filled right to the brim. Maybe not the most glamorous or exciting, but definitely a positive life, and shows that no matter your standing, class or background, a good life can still be had.

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The film’s story I find is very similar to The Wind Rises, as though while in essence it’s just a story of the parents of Raymond Briggs, it also tells a very broad story of the growth of England from post World War One right through the tumultuous years of World War Two and the progression of life luxuries beyond that. It does this in a very unique way to. I have seen lots of documentaries in the past regarding what happened in World War 2, but most of these have taken the form of talking about the front line, the enemy, the Battle of Britain, the blitz, other countries and the evacuation of children; however I have not ever (I think) seen a documentary or presentation of the life lived by those in London during this time. I am not saying that said things have not been done before, but they do seem pretty rare. Here, this film really shows that with mentions of the Anderson Bomb Shelters and the like, to mentions of life for those working to keep London built and even the raids of Doodlebugs. It is a very nice way to tell a story but also presents information of what England was like that at that time.

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While all this is going on of course, we get a real glimpse of the lives of Ethel and Ernest. The film does have some great cast members and features some cameos from people at the time presented in their original format, but this film really does work to show us what these two were like by making them the front-runner of every scene. But while it may be an idyllic life for those of a similar situation, there is a minor level of conflict between the two. Ernest for example is very much a working class man. He works hard because he knows he has to and is good at his job. He loves Ethel a lot, and even uses his manual labour skills to good use in improving their lives in any way he can; he is very much a working class hero. Ethel meanwhile comes from a more upper class background, although this is only shown in what she used to do for a living. This background though very much impacts her way of thinking, and though while their lives appear very much in similar vain to that of the average working class family, she genuinely believes she is not Working Class. This conflict between the two remains throughout, and while although this causes tension between the two-way of thoughts, they are less hostile, more just ways of thinking. In reality they are two very different people and share no real commonality in belief. This continues further when Raymond grows up, starts acting more like a teenager, a rebel against the old-fashioned views and respects. This causes Ethel to look at her son differently as he changes like a changed world, growing his hair out, not looking for a normal ‘job’, going down a different route, not buying a ‘house’ and of course not being able to provide her with a grandchild. It really shows the change in respects over time as though back when they were young; Raymond’s choices would not have stood up to anyone, but now the world is more free it goes against those older respects and really delivers home in a very presentable and obvious way the difference between the old and young generations.

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Being based on the works of Raymond Briggs, the film strives to present its artwork and look in the same style as his book and his personal drawing style. The film looks very traditional in its animation, although shows some points where it nearly leaps off the page. It is 3D shaded but not flat 2D either. The animation is very fluid and very detailed, and within a few seconds really draws your attention in as it’s nice and clear but also very fun in presenting its information as well as world and characters. One thing thought that really stood out for me though was how it used 2 different styles of artwork to portray life and death. You see, when the film is playing, all the images are nice and colourful, nice and bright, as if to show their life and how easily they just jump off from the page. But then as the film continues, when it presents a moment of death, the style changes; while it still carries all other forms of life in the same style, death is a more static, 2D image, that is very detailed still, but the life is completely withdrawn, like they who they once were is gone and the body; like the drawing, has no life.

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Ethel and Ernest has an interesting use of music, as for the most part there is pretty much no soundtrack, but that is in to say that one has not really been provided, but not there is no music either. No, instead the film uses a lot of old-fashioned and well known pieces from respected composers of the time using popular music of the current time the story is in. One piece though that has sort of been used as a standing point of at least some form of a soundtrack is that of a piece by Paul McCartney called In the Blink of an Eye. I am not really all that a fan of McCartney, but this piece of music is a nicely fitting piece. It sounds very progressive in its tune and presents other animations to mind as they pop into your brain. It sounds very British and really helps to create a vision of the passage of time in British lands and fits nicely with the images of this film. It’s progressive but also retrospective and just nicely fits in there as when the credits roll on they show how beautiful a life it was for Ethel and Ernest and really how well it was lived.

Ethel and Ernest really is such a pleasant film. It tells a nice story of an average family, not an average family who happened to be spies or anything spectacular on an action like scale, just an ordinary family living a pretty ordinary life. It tells a story of the inner conflicts and opinions of married life, plus also tells a story of Britain and the changing of attitudes and respects with the passing of time. It is nicely animated showing stark contrasts between life and death, creating some really humorous moments and at the same time bringing to life and telling the real life biography of two amazing people. Ethel and Ernest is a real family drama and a really pleasant film to watch, easily a future classic, one that families can (and probably will) continue to enjoy watching with one another in years to come.

GENEPOOL





If You Could Command Any Star Wars Army…

23 11 2016

Star Wars (Lucasfilm)

I used to like Star Wars, but I digress.

Star Wars: The Force Awakens (LucasFilm - 2015

While riding on the train back home from a Wedding back in August, I asked my Friend Matt the question; if he could command any army in Star Wars, which would it be? It’s a bit of an out there question I know and one that I had in my head for a couple of months preceding that, which in turn developed from a few other questions that I will probably end up writing about in the future (which include but are not limited to such things as who would I pick to be in my ultimate superhero/villain team). Anyway I asked this question. Basically the question is in the circumstances that if you were given the power and choice to lead an entire army from the Star Wars Universe, which would it be?

I remember that his immediate answer was Ewoks. Good choice, as the Ewoks pretty much single handily did defeat the Empire intrusion on the Forest Moon of Endor. Personally that is not my choice, but I can see how that could be a good choice, as not only are they practical, but also very musical, as well as very cuddly. My answer though to the question I am asking, I immediately chose when I originally thought of the question. There are a lot of good armies to choose from (even when sticking just to the films), many of which garner a lot of variety in their arsenal as well as secret weapons that are entirely attributed to them only. But for me, there really is only one obvious choice, one that if put into battle with all the others would simply dominate. They are the one army that suggests anything army like, and have the weaponry and technology to back it up: The Galactic Republic.

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It would be a very short post if I just ended it there, but I feel like I should explain my reasoning and choice, so what follows is a brief but detailed post of why I would choose the Galactic Republic over all the others, and I will do that by stating where their strengths lie by going into the different elements of a Star Wars army and attempt to argue their strengths against those of the other armies.

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Infantry: Infantry/personnel units make the backbone of an army; without Infantry and Personnel there would be no army. No matter the ships, tanks, aerial units, without soldiers and personnel to use them or back them up and maintain them, all you will have is a load of machines that cannot be used. Infantry is the main force of an army, and while Tanks and other vehicles have a lot more firepower and are better armored, they can cost a lot to build and are not as practical as soldiers. Every army in Star Wars has their infantry, ranging from swamp dwelling frogmen, to cuddly teddy bears, to general foot soldiers and even robots. One of the most iconic units in Star Wars is of course the Stormtrooper, and Stormtroopers are a well-equipped fighting force, but given that the universe pretty much belongs to the Empire by the time the Stormtroopers are introduced, they are less infantry, more a peace keeping force. They are a tried and tested as well as disciplined fighting force of course, but they present themselves more as shock troopers rather than infantry, if not more like; well, police officers of the galaxy. They do not suggest themselves as being a fighting force that could work on a large scale battle front, their guns themselves look pretty small, and in the end, they’re probably about as much good as those white fellas from The Hunger Games. Now take the Republic Soldier (or Clone Trooper); the republican army is of course famously built from clones, under a strict regime program that turns them into an equipped and disciplined fighting force the second they step out of the factory. The best way I can describe them is during the Battle of Geonosis. The minute they arrive in the arena, they are perched on the edge of the LAAT gunships, and the second they land they are firing shots at a large fighting force of battle droids. They don’t wait, they know who the enemy is, they know how to attack and they have been well-trained enough to know that now is the time to attack. This is just basic infantry, there are other kinds of units, but as they are just the basic infantry in battle, to go in there, and get to work, plus cause as much damage in less than a minute, only to then join a much bigger fight, suggests a dedicated and effective fighting machine, not one that is unprepared for a larger fight.

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Infantry Specialists: Basic infantry units may be the backbone and largest part of a military fighting force; but every army should work at producing some specialist’s within the infantry division as to be able to deal with specific or certain situations on the battlefield. This can range of course from specialist infantry for certain weather conditions such as the Galactic Empire’s Snow Troopers, but by specialists I mean more in the form of weapon specialists to of course engineers and medics. In terms of weapon specialists, the Republic has shown a great level of degree of weapon specialists throughout their use. Some of these are designated by their role in the army, but unlike most armies in Star Wars, the Republic Army appears to be unique in their use of Snipers. I have never seen the Gungans, Ewoks, Rebel Alliance, Galactic Empire, Confederacy of Independent Systems or even the Trade Federation use Snipers. I like Snipers as it’s the idea of not being seen but picking off enemies from afar. Other unique soldiers in their arsenal include Medics, as most other armies (except maybe Ewoks) seem to work under the idea of if you are injured you are already Dead and it’s not worth bothering with. Two things may appear to be a little small in number of examples, but it’s still more than the others (at least from what I have seen).

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Ranks: On the battlefield, much like in other more modern (REAL!) day circumstances, it’s important to have a clue as to what on earth you are meant to be doing. This is where more experienced and well taught soldiers come in to play whose job it is rather to issue commands to the lower downs than fight up front. In the real army these are known as commanders or officers. Now, not all high level commanders are sat behind the army with their feet up, many have to be on the battlefield to direct soldiers in the heat of battle. All armies have ranked commanders, but the Republic better enhances the role of theses soldiers in a very obvious way, one that is actually used in the real world – using colour on uniform to point out who is in charge. It’s not just the Republic who uses this system in Star Wars of course as the Droids of the Trade Federation use a similar system. Now the colour for the most part in both armies is more of a designation as to their role in the army, but even when uniform and colour changes in role, Yellow has always stood out as some form of Commander. This use of colour is actually used in the real world; one example is in the uniforms of the Police in the United Kingdom. During big events, officers use coloured epaulettes to highlight their rank, as it stands out more than symbols. Examples of colour include White for Sergeants and Red for Commanders.

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On the battlefield this would be very useful for an army, as if soldiers lose their place and need guidance or even assistance, being able to pin point a commander or someone in a similar position would be a lot easier if it was especially highlighted, rather than going round examining their shoulders.

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Tanks: Since World War One, Tanks have been an instrumental feature on the battlefields of the world; it’s the same with Star Wars (but as the film suggests it was a long time ago, the question has to be raised as to whether or not the films are set before or after World War One). Tanks play an important role on the battlefield, as they can do things infantry cannot do. They come with far superior forms of firepower, are a lot quicker and more mobile than infantry, can travel great distances, and can attack bigger and more armoured units as well as buildings from afar. Tanks have always been a key role to the battlefields of Star Wars and there are several unique and iconic tanks in the series, ranging from but not limiting to vehicles such as the AAT hover Battle tanks of the Trade Federation to the giant four-legged AT-AT’s of the Galactic Empire. While these vehicles are all well and good, the Republic’s AT-TE is a much more superior vehicle than both of these and more for some very simple reasons. Firstly, while it is a big and possibly sluggish vehicle, because it hugs the ground, it does not fall to the great weakness of the mighty AT-AT. While the AT-AT is a pretty good piece of equipment, due to its set of four legs to walk on carrying a heavy load, it makes the vehicle very unstable, and easy to be tripped up with something as easy as a cable. Once it hits the ground it’s less useful than paper weight. The AT-TE uses six legs, supporting and distributing the weight evenly across itself. Also, it does not fall under this trip up weakness either, as in order for that to work, the cable would need to intertwine and near shackle each leg, and would need to be done quickly. Another major gain for the AT-TE is that it has access to one main Big Gun. While it has access to smaller support guns, using a much bigger gun allows it to use the gun for close up attack but also far off artillery shots too. The gun itself also means it uses one main powerful shot rather than distributing its attack between several guns, and in the use of energy weapons which require fuel and power to use, a big shot would be a lot better than lots of small shots, plus would mean it could be used a lot more than others and would be more energy-efficient in the long run.

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The other advantage though the AT-TE has over its contemporary rivals is that it can be considered as being like what is known as an MBT or Main Battle Tank. During World War Two, lots of different kinds of tanks were made for various purposes and reasons and there was a lot of variety. Since then however it has become apparent that designing lots of Tanks for different purposes is sort of a long-winded strategy and in the end it would be a lot more efficient t design one vehicle that could suit most, if not all purposes than just a few, then support said vehicle with other support vehicles (or even infantry) in that vehicles (short) list of failings. Variations of MBT’s exist of course, but as they are based on a base vehicle, it actually makes designing variations a lot easier. The Galactic Empire utilities a lot of different walker based designs but very few of these are similar, which means, in similar fashion to Germany in WW2, they designed them for different situations in order to create as much power as possible from each vehicle, but in the process spread themselves rather thin. The Republic on the other hand, created a vehicle, and stuck with it. They adapted future designs and included features such as wheels and even made base troop carriers out of them, and in one case a two-legged version and sometimes carry even smaller weapons, but in the end, all variations were based on the same vehicle; one that was the real ground work horse of their arsenal. It’s similar to the UK’s use of the Challenger 2; it’s the base model for variations, but in the end is based on a workable design. In the end the AT-TE would probably be replaced for a more up to date advanced model, but it would still serve the Republic in a long-term purpose for a very long time.

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Artillery: Artillery is just as important as Tanks, as Artillery delivers greater levels of firepower to bring down much bigger obstacles such as buildings and fortifications. The Republic (as a going theme you may have cottoned on to) is possibly the only ones to show off a degree of artillery usage. The Empire and Trade Federation have only really used a tank’s superior firepower to one shot defences, but have not really experimented with using them to bring down buildings. The Republic however has presented their artillery in the past in the form of the self-propelled SPHA-T; most notably during the battle of Geonosis to bring down the Trade Federation star ships. These vehicles are very big, possibly bigger than AT-TE’s but use a very simple form of artillery to bring down the ships: that being an adjustable arm with a strong energy weapon on the end. Such vehicles are of course very slow, but on show they are very powerful and capable in the role. In comparison, well; no one has actually showed off a viable comparison, which is even weirder considering how basic these vehicles are.

laat

Aerial Vehicles: This being Star Wars, this could probably be put in two different parts, so for now we will consider those on the battlefield, not necessarily for use in non-air space. When it comes to use on the battlefield, aircraft serve mainly the use of transportation in Star Wars. In the real world aircraft are better used for support craft and can be used to bomb enemy positions from afar and more importantly be used for reconnaissance. In Star Wars it appears armies decide to just jump into battle full force with no dedicated planning, so reconnaissance is not really required. In Star Wars, battles take up quite a bit of the screen as well as scene, but in order for anyone to actually get there; they have two options, either walk, or get some Transport. In terms of practicality; the Republic is very practical in their designs. Armies like the Trade Federation use transport vehicles to move troops around, but are susceptible to attack as the troops need unfolding and then turning on. Empire transports such as the Lambda-class T-4a shuttle and it’s larger variants are less than practical also, as while they can disembark from the front, the access is very limited, and only really practical when allowing two people off at a time, but then the ramp is very narrow and can be a bit of a squeeze. For the most part Storm Troopers usually depart from the back, which is protective, but makes them prone to attack from the enemy as they run around and set up, meaning they could be picked off with ease before they fire a single shot. The Low Altitude Assault Transport (LAAT) used by the republic army is a gunship aerial vehicle, which comes packed to the teeth with a variety of advanced weaponry. These range from standard light laser cannons, to focus beams and cluster missiles. It is a powerful and fearsome vehicle in its own right; however it is also a very useful ship for the transporting of infantry across the battlefield. Once again, the battle of Geonosis proves their practicality and efficiency, as the vehicle allowed soldiers to sit off the side of the ship on both sides, fire from the ships openings, and as soon as it landed, could safely and effectively deploy troops into the battlefield. It allowed and carried defensive capabilities, plus carried offensive abilities too, while also providing an effective launch pad for a quick infantry deployment and attack. Much like the AT-TE too, it was such a well-designed vehicle, that it allowed itself to be customized into other varieties including a vehicle carrier which could carry good heavy loads including the likes of the AT-TE.

assault-ship

Ships: As stated in the last section, aerial vehicles provide two purposes in Star Wars, because you could not have a war in the stars if you did not have vehicles that could compete in the stars. So to this end, huge capital ships become an integral part of the arsenal for any Star Wars Army wishing to compete on a Galactic Scale. Now, while the Republic could be considered weak in context – just bear with me for a moment. If this question was simply about star/space ships, I would have chosen the Empire. I love Star Destroyers, and the Galactic Empire has the awesome power of the Executor. However I would not consider the Republic weak in this department, as they have a superb collection of small fighter/bomber craft ranging from Jedi Starfighters, to X-Wing like designed aircraft in the form of the ARC-170 space fighter. But when it comes to Capitol carrier ships, these Acclamator-class Assault ships are well designed as carrier transports, but in the form of space conflicts, they can still bring a level of broadside firepower. Their shape allows them to sort of glide through the stars, and their light size in comparison to others should give them a speed and maneuverability bonus, but if you think about it, a fleet of these things are less like capitol ships, and more like mini sized battleships, and there are entire fleets of them. Just imagine that. Less a capitol/command ships, but more a proper battle ship. In Earth terms it would be like having an entire fleet of Yamato or Iowa Class Battleships, and who doesn’t want that? Yes, they could look a little weaker to the might of the Star Destroyer, but in Firepower, they could still deliver a punishing.

yamato

Well I hope that wasn’t too boring of a read, but I wanted to cover the reasoning of my choice. Anyway the chances of me being given the keys to the Republic Army Arsenal is very slim, probably more like impossible as Star Wars isn’t real, but I suppose it’s just good fun. Anyway, that is why; given the power and choice I would choose to command the Republic Army. Yes, the other armies have their own strengths as well that should (and need to) be considered, but as a good all-rounder, there can’t be any better than the Republic, as for one thing, they are at least consistent in their designs and are a very efficient machine. That is my choice, who would you pick to command?

GENEPOOL








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