It’s Showtime – The Running Man

29 03 2017

Have you ever considered appearing in a Game Show? Like many kids of the 1990’s, I used to dream of appearing in shows like Gladiators, The Crystal Maze, Virtually Impossible, and the biggest one of them all; Fun House. As time went on it became obvious that me appearing in any kind of Gameshow was probably not going to happen, but I kept some tiny day dreams for shows like Cross-Fire, Raven, Bamzooki, Jungle Run and of course Robot Wars (which given its return to TV has got me thinking about it once more). While I may not have been a contestant, many people have as is the point of game shows, many of them striving to achieve the grand prize of money, a holiday or maybe a boat. Win or lose though, many of them should be thankful that they were not competing for the right to stay alive.

Released in 1987 by TriStar Pictures and directed by Paul Michael Glaser; The Running Man is a Dystopian Action Thriller based on the book of the same name written by Stephen King (under the pseudonym Richard Bachman) where a wrongly convicted man is forced to compete in a gladiatorial style TV game show known as The Running Man. The film is set in America between 2017 and 2019, where after a worldwide economic collapse; the country has become a police state and the government soothes the population with the airing of game shows where convicted criminals have to fight for the right to stay alive with a chance of being pardoned by the state.

Former cop Ben Richards (Arnold Schwarzenegger) is wrongly convicted for the mass shooting of civilians at a food riot after he refuses to follow an order to kill the civilians in the first place, and is now dubbed the Butcher of Bakersfield. He along with a few other inmates including William Laughlin (Yaphet Kotto) and Harold Weiss (Marvin J. McIntyre) escape from a labour camp, with Ben going to his brother’s apartment to hide out only to discover that it is now occupied by Amber Mendez (Maria Conchita Alonso); a composer for ICS who are the broadcaster of The Running Man. Taking Amber as a hostage, Ben intends to leave the country for Hawaii, but while at the Airport, Amber informs the authorities and Richards is captured. Taken to ICS, Richards meets the host and producer of The Running Man; Damon Killian (Richard Dawson) who tries to persuade Ben into competing in the show. When he refuses, Killian threatens to enter Laughlin and Weiss instead; upon learning this Richards agrees to take part.

The next day the show begins with people all over America and from different backgrounds tuning in to watch. Backstage, Amber; who is working on the show that night discovers some evidence that some of the news made about Richards maybe untrue and goes in search to find out more. As the show begins and Richards is introduced, Killian reveals that he has entered Weiss and Laughlin into the show anyway. Richards threatens to return for Killian, before he and his other inmate pals are sent on their way through large tunnels on strange rocket powered sledges. The Idea of the Running Man is that the contestants are forced to run through a large area of urban wasteland while being chased by an elite team of Killer Stalkers; if they survive, they are pardoned for their crimes. The Audience though love all this brutality and cannot wait for the first stalker to be introduced; that stalker being a very large hockey player dressed character called Sub Zero (Professor Toru Tanaka). The three runners are penned into Sub Zero’s own specially designed area and are toyed with endlessly until Richards uses a barbed wire fence to strangle him, killing him in the process, the first time that has happened in the history of the show. With the audience in shock, the three runners use this advantage to get away. While in the game zone, Laughlin and Weiss use this opportunity to find the network’s uplink for the benefit of the resistance. Amber meanwhile has been caught, and is forced to enter the Running Man also; she arrives just before two more stalkers enter the game zone in the form of chainsaw wielding Buzzsaw (Gus Rethwisch) and arc electricity user Dynamo (Erland Van Lidth). Buzzsaw fatally wounds Laughlin, while Weiss is shocked to death by Dynamo. Richards kills Buzzsaw with his own chainsaw, but spares the life of Dynamo after his electric suit stops working. Richards agrees to carry out Laughlin’s last request of getting the uplink node information to the resistance within the game zone. Off camera; Killian sends a message to Ben offering him a job as a stalker, but he refuses, and Killian sends out the next stalker; the flamethrower wielding Fireball (Jim Brown). In the studio and outside however, the audience starts cheering for Richards given his unstoppable killing streak. While being chased around by Fireball; Amber discovers the decaying bodies of the supposed winners of the last series of the show, discovering that their victory was faked. Richards then kills Fireball by blowing him up.

Running out of options (and stalkers), Killian asks the help of retired and champion stalker Captain Freedom (Jesse Ventura). Freedom however refuses as he does not like the way the show has become compared to what it was like when he used to do it. Using body doubles, Killian fakes the death of both Richards and Amber by the hands of Captain Freedom. Ben and Amber meanwhile are still in the game zone and have been found by the resistance and their leader Mic (Mick Fleetwood) and learn of their faked deaths. Using the transmitter info acquired by Weiss earlier, the resistance launches a two-pronged attack on ICS. First they show footage of what really happened at the Bakersfield riot and present details that Killian has been lying to the audience for a very long time. Then resistance fighters led by Ben and Amber break into the studio fighting the guards. Amber succeeds in killing Dynamo while Ben confronts Killian. Killian’s bodyguard Sven (Sven-Ole Thorsen) shows up, but decides not to fight Richards as he has had enough of his boss and walks off. Killian tries to convince Richards that he was only doing what the audience were asking for; saying that they love reality TV and televised violence. Richards decides to give the audience what he thinks they really want and sends Killian off in one of the rocket powered sledges down the same tunnel that Richards went down. Killian crashes into a sign on the way out bearing his image and dies, while Richards and Amber leave the studio sharing a kiss on their way out.

One thing that stands out about The Running Man is that while it may not be the first among discussed films of the same genre, or even not as frequently mentioned as other Arnold Schwarzenegger films of note; it is still a very entertaining and enjoyable film. While maybe not Schwarzenegger’s best film or performance, this does not distract from how enjoyable the experience this film delivers. The Running Man is one of those films that is guaranteed to entertain an audience whether it be a seasoned viewer, or even those who are watching it for the first time. Saying that though is pretty simple, as explaining why is even harder. While I could immediately jump on saying that the film has a certain je-ne-sais-quoi about it, I think that could be considered cheating. From an action point of view, The Running Man delivers plenty of it. It does what any quality action film does, which is always having something going on, and never too slow. It has lots of running around, plenty of fights, death, explosions while also allowing the use of drama to give those scenes purpose. It’s swift and uneasy, but does not lose sight from its main plot or setting. It’s very basic levels of action uses its scene and scenario to ramp it up and create more meaning, providing the audience with a continued reason to watch. The film’s setting, while not being fully represented, still presents an idea of what it is like to live in a dystopian America, really representing the lives of rich and poor, but also presenting an idea of how a police state could soothe tensions within the populace to keep it under a better form of control than with strong levels of violence. One thing though that probably helps a lot in its film making is how that while you are watching a film; you are also an audience member of this TV Gameshow. The Running Man is presented like many classic American game shows with the charismatic host and big budget effects, to produce the best show they can. In the case of The Running Man the show has its charismatic and popular host; it has music, dancers, merchandise as well as a reality TV effect to it which always grabs an audience. Another thing in the shows profile is how it incorporates what Pro Wrestling was like around the time of the film’s release with a cavalcade of wrestling gimmicks. While said gimmicks are pretty much non-existent to a point these days, back then it was all the range, and with the show’s Stalkers; while they are blood thirsty killers, they are taking on personas with a detailed and strong gimmick. This combination of reality TV and Pro Wrestling along with everything else makes The Running Man Gameshow the kind of show people could actually get into to, even nowadays as it’s a perfect formula conjured up from some of television’s most popular programming. While you are indeed watching a film, you are still watching a Gameshow as presented in the fictional scenario. With the films level of action, small but basic plot, and unique presentation style; creates a very entertaining and enjoyable film. That does not mean though that everything is plain sailing, or perfect.

The Running Man is actually a very small film; not necessarily in length, more in the form of detail. There is a lot going on in the background and a very strong setting is implied, but not delved into. The film says that America is a dystopian police state, but the only evidence of that is a strong police force that could be considered more as security rather than peace keepers. There are a lot of city scenes, some showing a more privileged sector, and that of a down trodden and poor area too, but there are only two scene shots of this, one on a small street area, and the other on the outskirts with the city in the background, but it does not suggest police state, just city and slums; like many a large city. We are told there is a resistance movement but because we have no grounding as to how bad this police state is, there is no real building of reasoning as to why a basic resistance movement is required or needed. That’s the major problem with this film’s setting; that while we are told this stuff, there is no visual evidence to back it up with, other than some scenes with police forces casually walking around. The only thing we have is this TV Show, and that too causes a major plot problem in that supposedly bringing down the TV Station is all that matters. The resistance works hard to bring down a game show and TV channel; but if you are living in a police state where the political elites have control, why would bringing down a TV channel solve the problem? It’s a big foot hole in the plot, because the more you watch it, the more you want to tell everyone that it really doesn’t matter, it does not really solve much, if anything; it’s just going to get worse from here on out. So the ending is a bit unhooked. It’s a real shame really, because the city from a visual perspective looks really good.

On the perspective that the producers of the film could not see into the future, the film’s game show does not lend itself to the current modern-day culture that we live in. One thing that stands out with the film’s selection of stalkers is how they are designed not necessarily around practicality, but more around gimmicks and personas of pro wrestling at the time of the film’s release. In that respect when looked at now it could suggest that the film may not have aged well, but this is only in one short way. Yes the Stalkers do look a bit ridiculous now, but back then would have looked pretty impressive, and in honesty, they are not all that bad. This however brings me quite neatly into another of the films major issues, which is that the cast on the whole is a bit shoddy. The stalker gimmicks are nicely made and it’s easy to see where the ideas came from and what the film’s producers were hoping to achieve, but there aren’t many standouts. Dynamo for instance comes packed with a costume which even back then would have probably looked ridiculous with the glowing hair and light up costume, it looks dire. Buzzsaw does not really do much other than show off his teeth, and Sub Zero is rather wasted given that Professor Toru Tanaka is actually a pretty cool big guy actor when given an actual chance to show off. In reality it makes Tanaka’s performance in an episode of the A-Team far more career prestigious than in a big action film starring Schwarzenegger. In the end it does come down to Captain Freedom and Fireball, which in itself is rather sad. For the most part, both characters; while given major credited parts find themselves on the side-lines until necessary. Fireball’s introduction is rather late on, but has a much stronger stalker part than the others. His entrance and intro is one of the film’s best looking and most enjoyable scenes, plus he helps shed some light on the malpractices of the show. Jesse Ventura as Captain Freedom has a similar part as he is played as mainly the retired veteran of the sport who has great memories and respect for what he used to do and how he did it. His passion for the sport shows off well as he does not like the new wave gimmicks and probably would want to take on Richards if it was left to him and not Killian. Much like Fireball, he is a late intro and is only really referenced up to this point, but his veterancy and style portrays a really interesting character that creates an on-screen identity before he even becomes relevant. Both Brown and Ventura give good performances but it’s only worth between 10 and 15 minutes of the entire film; they both deserved well more.

The rest of the cast is pretty much near hit and misses with very few of the headliners actually standing out. I don’t really get much of a feeling for Mick Fleetwood’s character, nor Weiss, and while Amber’s character does improve towards the end of the film, it just feels rather late. There is some interesting cast minors such as Killian’s assistant Brenda (Karen Leigh Hopkins), The Running Man’s director Tony (Kurt Fuller) and of course Sven who sadly could have had more of a part. From there though we do get some cool characters; Laughlin for instance has great on set chemistry between himself and Richards. If it was not the case of these two needing to work together, he could be a really good nemesis for Schwarzenegger, but in this case what we have is a strong ally for Richards. While he does meet a gruesome end at the end thanks to Buzzsaw, he does produce one of the film’s most powerful and poignant moments backed up with that killer soundtrack. It is an interesting but good casting as it’s one that could have worked either way, be it friend or foe. Richard Dawson is an inspired casting for the part of the cold and ruthless game show host. Given his background and history of Gameshow hosting, it comes more naturally to him, as he looks and feels like a game show host, no matter what the context. He is able to draw popularity to himself through a natural form of charisma, but on top of that he is also able to play a character, one who enjoys a level of ruthlessness that comes with the power and joy of presentation and production control, one that also makes himself believe that whatever he is doing is not necessarily selfish, but right. It is an incredible part and one played by a naturally talented persona that produces a real sense of reality to a very fictional product. Arnold Schwarzenegger for me is someone whose career I have known about but have seen him in very few roles. I have seen most of the Terminator’s, Batman and Robin and Kindergarten Cop, and it’s hard not to think of the large brutish character we have come to expect from said roles. He is a big muscle guy, but it’s hard to see him in other light especially with him playing very archetypal roles. This however does allow me to see another side to him. Yes, he is the muscle-bound hero, but there is more to him here. There is compassion to his friends, love (in the end) for him and Amber but also a sense of belief between right and wrong given his introduction and background. While the film makes use of his well-known line from The Terminator (just 3 years earlier), there are more lines to come, including a very daft form of spoken humour when it comes to the stalker deaths. While he does have a very physical role to play, he shows and does more than that, and in the process allows audiences who have only seen one real side of him to see more of what is quite a cool and diverse actor when provided with a chance.

The Running man does have some interesting and nice effects to it, all be it though come mostly down to some nicely designed and created set pieces such as the tunnels and the main stage of the game show itself. The jumpsuits (I had to at some point didn’t I) are not too putting off; yes they look weird, sort of like how Arnie would look if he was asked to play Wolverine in the iconic spandex (I really don’t think bright banana yellow is his colour), but altogether look ok in different colours. It’s not the best effects of the film but more than most is definitely not the worst. But it’s not really the films effects where I want to look at; more the film’s incredible soundtrack. The Running Man’s soundtrack (composed by Harold Faltermeyer) on the whole sounds very futuristic, but also very low; not sad but grimmer, helping to construct the idea of a dystopian future. It has a lot in common I think to Escape From New York with powerful and hard-hitting keyboards with a sense of fast and light rock. There are four pieces though I would like to make particular mention of; the start of the show, Laughlin’s death, the broadcast attack and the end credits. Mick’s Broadcast attack features this very light siren like sound to begin with which appears rather irrelevant, but quickly builds to include other sounds. It is a pretty light track until the fast repeating drums come in. Before this, they feature the Running Man’s general theme, something which can be heard throughout the film; but once those drums come in, a different piece comes to the stage. It actually breaks the tension and grim sounds of the previous pieces of music and allows a lighter sense of hope as an attack comes its way. It’s in no way optimistic or celebrating, but it gives a lighter more hopeful energy which suggests change in the film’s plot. It’s still dark, low and tense and continues to produce, but it’s a different vision of what once was and is now to come.

A good film plot, as many people will tell you is about change; change from one thing into something else. The Running Man is a film which features a small but dramatic change, the change of a country from one that is cut in half by class, to one united by a common goal, the same could be said for the change in Richards, as he goes from a criminal, to that of a free man. While the broadcast theme suggests change and hope, the end credits (Restless Heart by John Parr), actually present one, as it’s a theme that is much lighter. Gone are the low-toned sounds of a despotic regime raining down on its citizens, in comes the sound of willful change and hope as we see a nation now with hope for a change in attitude, even if it is very much only suggested. It’s a nice light theme for the film to end on in general and has a nice beginning to it, which really helps provide that breath of fresh as it all comes to an end, all the excitement and adrenaline is now over, so remember to breathe.

The ICS Theme for the game show itself is actually pretty light and does not feel as hard-hitting as a game show’s introduction should be. It does not feel catchy or memorable, just light; but mix it in with the dancers, and a different perspective is revealed, that of less a game show, more of an event, and one that requires and deserves a level of build up to get the audience going before the main event begins. It’s a similar idea I think to when in The Hunger Games there is that 1 minute countdown to the bloodbath, the calm before the Storm, but held in a slightly more glorious way as this time the whole nation is backing it, and because it’s the kind of show which gives audience participation, there has to be that level of joy for them too as the show begins. One track in The Running Man that is not joyous is that of when Laughlin dies. The Running Man’s general musical theme is this sort of keyboard based riff which can be heard in several parts of the film, more of an atmospheric track than anything else, but when Laughlin dies it is played a lot heavier. It’s the loss of a good strong friend and his message for Richards, one which Richards agrees too, but also from belief that Richards should have died not Laughlin. It is a pretty funky track and sound, but especially more so at this point when the notes are pretty much being slammed by the soloist. It is a game of life and death, but becomes more real at this point, and the soundtrack goes out of its way to use this point as the most poignant reminder of this, creating the film’s and film’s soundtrack’s best and most memorable moment.

The Running Man critically is a very hard one to judge. Yes it has its issues ranging from a mainly makeshift cast, to a setting and theme which is not really delved into enough to really provide scope. On the other hand though it delivers an incredible soundtrack, some wonderfully designed set pieces, some interesting moments, but on the whole a lot of very enjoyable moments of action. As a dystopian thriller, it definitely does not hold a lot of ground and there are far better ones out there than this. But as a dystopian action film; this is one of the best. While I still prefer the Hunger Games and Battle Royale; I would happily put this up a good level. It has something that every action film fan would enjoy while also using a unique perspective to create something that is truly unique in cinema. Trust me on this when I say that this is a truly enjoyable film; I mean it, give it a go.

GENEPOOL (The poster is a bit off-putting).





It’s The End – Logan

15 03 2017

logan (20th Century Fox - 2017)

Whenever I finish something, or feel like something is coming to a close; something big and has taken me a long time to do, my mind always jumps to the scene of the fourth Doctor Who regenerating into the fifth. I don’t know why, but it’s a nice poignant scene which carries the incredible line; it’s the end, but the moment has been prepared for”. It’s that line that comes to mind when I can feel like something is the end, or that I have reached the end. But knowing what I am like, I will have prepared for it, so like when I finished reading the GONE book series, I found something to read to replace it with for instance. Well, in the case of this film, the moment has been prepared for, but the hardest hit is that it truly is The End!

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Released in 2017 by 20th Century Fox, Produced by Lauren Shuler Donner and Simon Kinberg, and Directed by James Mangold; Logan is a superhero film starring Hugh Jackman returning for what is intended to be his last portrayal of Wolverine, a role he has held for 17 years. When the film was first announced on the heels of The Wolverine, I was really excited as I really loved The Wolverine. Come 2015 however with Jackman announcing his retirement from playing Wolverine, I was very sad, and had begun chasing my mind around for replacement actors (if there were any), forgetting of course that before that bridge is crossed, Jackman would still provide us with one last glorious hurrah.

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The year is 2029; all mutants are supposedly dead except for a small group, and a now aging Logan (Hugh Jackman) works as a chauffeur on the border with Mexico and lives with friend Caliban (Stephen Merchant) and former mentor Charles Xavier (Patrick Stewart) at an old smelting plant. Xavier is now growing old and senile with his psychic powers now grown beyond control with devastating effect and has to take medication to control it. One day Logan is approached by a lady called Gabriella (Elizabeth Rodriguez) who asks him to give her and a young girl called Laura (Dafne Keen), escort to a location in North Dakota. Logan reluctantly accepts the job as the money provided will allow him to buy a luxury yacht he wants to purchase. As he comes to collect them though he finds Gabriella has been murdered. Laura stows away in his car though and goes to the Smelting Plant where she becomes friends with Charles. Just as they arrive though, a platoon of soldiers led by Donald Pierce (Boyd Holbrook) arrive having captured Caliban, and are demanding that Logan hand over the girl. As men try to capture her though, she quickly attacks them in a very savage and brutal way, with steel claws coming out of her hands, decapitating and amputating several limbs.

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Logan, Laura and Charles escape, and using Gabriella’s phone, discover that Laura or X-23 as she was designated; was one of several young children born and bred by the Transigen Program headed up but surgeon Zander Rice (Richard E. Grant). The kids are injected with Mutant DNA and are bred to become mindless and dangerous soldiers, however unable to control the children’s souls, they all don’t want to do what they’re told anymore and most of them escape including Laura. Because she was made from Logan’s DNA, it is deduced that he is her father. Pierce with the help from the Reavers, use Caliban’s ability to locate other mutants to find Logan, and while staying at a casino in Oklahoma City the trio are nearly captured, but Xavier has one of his moments and near paralyzes everyone in the city except Laura and Logan. Logan is able to get them out of the city, but does not believe in the mythical Eden of North Dakota where they are going, especially when he finds the co-ordinates referenced exactly in an X-Men comic. The trio are eventually given shelter by a family they help out on the road and the group bond together, as Laura discovers more of the outside world, one she never experienced having been locked up all those years. During the night however, Xavier is murdered by X-24, the final project of Transigen to replace the children, who also happens to be a copy of Logan, claws and all. X-24 captures Laura placing her in very restrictive shackles and takes her to Rice, but Logan arrives just in time to face himself having found the murdered family and the dead Charles. With some help, X-24 is pinned down, and Caliban uses a grenade to blow up rice’s van. Logan saves Laura and the two head out in the night, burying Charles in the morning.

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Beside himself, and with his healing still failing, Logan agrees to take Laura to Eden, still not believing it. Eventually they arrive at a mountain range with a community filled with the other surviving experimented children all run by Rictor (Jason Genao). There Logan learns that the children will be making an 8 mile hike across the Canadian border. Logan is ready to send Laura on her way, but Laura wants to know him as a father, although he is still down and out about losing his own friends, and sees himself less as a father, and more of a threat, and just wants to die. The kids attempt to make the hike, but are soon surrounded and chased by the Reavers. Using a healing serum from Transigen, Logan takes in the full dose knowing it will kill him but should give him strength to save the kids. The kids are soon rounded up and shackled except for Laura who gets surrounded, but rescued by Logan. The serum though begins to ware off just as he meets Rice, who happens to be the son of the man behind the Weapon X Program. X-24 is set loose on Logan, but Laura is able to free the other kids who kill Pierce. Logan is impaled on a tree during the fight, but using an Adamantium bullet, Laura kills X-24, which Logan had kept for years. Eventually succumbing to his wounds, Logan dies, unable to heal and the kids bury him before crossing the border.

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In 2007; the German heavy metal band known as Scorpions released a single called Humanity. It is a song which poignantly depicts the destruction and downfall of the human race through its own acts and nothing more. It is a very heavy track and whose lyrics basically suggest, as delivered in the music video with a young boy simply saying “It’s The End!” Now this track does not appear in Logan I should point out, but that is what comes to mind as I think on this film. It’s the end of Hugh Jackman playing this part. This is an actor who has played a movie role for 17 years now. During that time there have been 3 American Presidents, 4 UK Prime Ministers, 4 (technically 5) Doctor Who’s. It is an incredible amount of time to play a film role, most WWE Wrestlers don’t even last that long, but here is Hugh Jackman still playing this role, now deciding he wants to leave. He deserves it rightly so, he is allowed to walk away given the energy, passion and devotion he has put into just one character. He has played other parts which help prevent typecasting, but possibly for the rest of his life, will be best remembered for being The Wolverine, you do not forget 17 years of the same thing in a flash. So, yes, it’s the end of Jackman as Wolverine; but not just that. It’s also the end of 2 major characters in a film series that has become one of the most critically and financially successful franchises in movie history. The X-Men film series is not ending, No! There are still more films to come including Deadpool Sequels (YES!). No, what we have here is something of what could be best described as a tragic ending, which is sad for Xavier, but more so for Wolverine as he has led a pretty tragic life.

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The story of Wolverine is a tragic one as it’s the life of a genuinely good person who has led a rough life. He is very old given that his healing prevents aging on a grand scale. Over the years he is going to meet people and see people die, a lot of people die if you live that long and that is not good for the mental soul. As life has passed by, something horrid happens to him, something so dark and miserable, but something that he has only partial memories of. So as life ticks by he has to remember these things not knowing entirely what it was, and spends life running instead of facing. Eventually though good things happen for him, he gets friends, and a family, and can care for people again, and have a proper life, but given as to who he is and what he is, none of this could possibly last, and as the years have gone by, and seen more people die, some by his own hands for the good of others, he resigns to a wishful death, and waits for it. It is a very sad story for someone who is not a bad man, someone who is actually a very good man, a caring man, a protective man. Yes, he is prone to a little bit of violence, but only when it is called for; doing what must be done, because without him to protect his friends, no-one can. Into this, we find ourselves confronted with the final act of The Wolverine. But it’s not really a super hero movie, more of a personal journey as one man reaches his eventual end, but has one last thing to do.

Logan is actually a rather small film. It’s not a mega big one like other super hero films of note, as this is not a character trying to save the world, but those around him, and as such we go less on a journey to save the world, but a more personal one. As such he is not referred to as The Wolverine, but because it’s a personal story is known better as just Logan. Logan starts off in a similar vein as does The Wolverine, with Logan having to live and come to terms with his life and the death by his own hand of someone he loved. Now coming into this film we are told something similar has happened, but we don’t know exactly what. But just like before, Logan is beat up and ruined and has resigned to live as much a recluse as possible while caring for Xavier who has become rather senile. Eventually though he is given a duty he does not want, that of looking after a little girl very much like him. He is meant to be the father, but has no care for her, caring for his friends than her; something which falters in the mind of Laura who wants to know who she is and know her father too. As the story continues and things happen as usual, the similarities between the two emerge as Laura is very much like he was in the first first X-Men, with Logan now having grown up. Logan is still resigned to wishing death upon himself, but knows that once more, he needs to do the right thing to help those that need his help resulting in one last blood bath for those who deny him and others peace. His Death though is not nice, nor peaceful, but more brutal for someone who has earned better. It is a film that makes you think deeply upon issues such as the harsh and sometimes quick deaths of others while others get a more natural one. It looks into how people desire Death, and how Death actually comes. It features a brutal end which dies just like death is a final stop. It really makes you think on if you believe that the world is a better place without you, how can you be certain of this? How do you not know that life right now is in fact better, because ‘you’ are around!

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Logan is a small film and bolsters a small but pretty strong cast. Stephen merchant I find was actually pretty good as Caliban. Caliban has featured sort of twice in the past with his most recent piece being in Apocalypse as some garish and camp clown; here instead we see what he is truly like and capable of but also what kind of person he is given his history as one of the Morlocks. Gabriella’s part is small but sweet and shares some backstory light on some of the films major issues and themes including who Laura is and why we should care. One thing though I find the film lacks is a strong villain. There are some good villainy characters and others who help fill in those parts like a few extras. Pierce himself has the nice sinister mechanical arm and some god talking points but feels more like a hindrance than a villain. Same can be said for Rice, who while is a deceptive schemer with a good voice, again just feels plain. I am not saying he’s bad, it just feels like the villains are strong because they are many, but not because of whom they are. I mean X-24 feels like a wasted opportunity and a mistake being rewritten. His appearance as Logan is a bit like the Undertaker vs Undertaker match at SummerSlam 1994; kind of surprising, but still rather silly. It feels like a wasted opportunity to bring in a new monster. I thought maybe an enhanced Sabretooth, or Maverick, or someone big and scary to introduce. With a double Wolverine, it felt more like Weapon XI in Origins all over again, and we know what happened there don’t we!

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What villain’s lack, heroes make up. The Transigen kids are a nice addition although faint on the film’s radar, mostly as people to get into trouble and allow a moment of heroism, but for this film, it really comes down to Logan, Laura and Xavier. Xavier’s part in this film is still pretty similar to past films but does do a lot more and shows what Stewart can do when allowed to do something very different. He is in some sense the comedy side kick and delivers some incredibly funny moments, but it’s through his disorientated new life that shows how bad things have become. He remains something of a hindrance to Logan after all these years, but one Logan has come to care for, as rightly he should, as Xavier is practically his last and now only friend. His death in the film is a big shock, but not a sincere one, as don’t forget we have seen him die before in more dramatic circumstances with this one more lost in the moment, but you do see his life pass in his eyes.

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Laura spends most of the film rather quiet, does not say a single word until just before the final Act. Yes there are shouts, yells and screams, but no words. This form of silence allows retention of mystery as to who she is, but also allows expressing more deeply the life she had and the new world she is experiencing. Silence can be golden at times and really works in her favour, as we see this young girl come face to face with new things, not knowing what they involve or how to interact, but when finally realising who she is and where she is, she finally speaks, knowing that she needs to for the sake of Logan, but also so she can be heard. Her desperation to get to Eden comes more as a cross between hope and instruction from others, not necessarily her own entire belief, but somehow knows it’s there even if Logan doesn’t. Her skills as a fighter are incredible and are very similar to Wolverine, but she has some heart too, not a lot as this is crowded with the same anger Logan once had too, but as things come to a close, she knows that she must carry on, even though her father; something she wants and desires cannot help her, but in some way knows that still lives on inside her, respecting his death, and making his legacy live on in more ways than one.

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Logan’s design and perception of being much older and on the verge of death is an interesting one. We have seen him go through emotions before, but then he was not on the ultimate verge of giving up, more just conflicted. Now though he desires it, more than anything else. It’s kind of hard to speak on his performance after 3 or so paragraphs of detailing his character, but one thing stands out more than most; his Death; His final hurrah. Coming into this film, I was thinking his last stand was going to be like in The Wolverine, one last heroic but still cynical fight to the death where he would come out on top but now no more energy left to continue. No, this time his death is more personal. It wasn’t a long lasted blood bath, more one which required others to save him and take on his role, and one that required others to do the work, while he acted as a decoy, once again being more of a team member than a loner. But his death does have something else in it though. Going into this I thought it would be like The Wolverine, but in that, he was The Wolverine, now he is just Logan. Calling him The Wolverine, it’s like a promise (like The Doctor), you know what he is, who he is and what he can do, but by putting ‘the’ before it he becomes a thing, not a person; this film is a much more personal one, so in this case it’s not the death of The Wolverine, it’s the death of Logan. That carries a more significant weight to it; it’s not the death of a thing, but the death of somebody. Laura in a future film could become the New Wolverine, or someone else could take on that name; but you can’t replace or take on the identity of Logan.

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The film does come packed like many other X-Men films with a cavalcade of special effects. These of course include ‘very’ detailed claws including spots of graphic detail and blood splatter; especially when piercing through the heads of some people. The mechanical hands are a nice treat showing off some more blood and limb coverage than usual. The film uses its special effects department in other ways too to create visions of the future including a scene involving driverless, but dangerous trucks. The film also comes with a soundtrack once again produced by Marco Beltrami featuring quite a few slow pieces which are used to heighten the level of reality but more a sense of realisation than anything else possibly to state that this is the end! Pieces like Old Man Logan, Don’t Be What They Made You and Goodnight Moon cover this pretty well, but the soundtrack does of course know when to get busy though and of course creates action packed pieces for when a fight is on especially in a scene like the Forest Fight at the end and also when Logan is facing X-24. The one thing though that really stands out about this soundtrack though is the inclusion of several classic pieces by Johnny Cash. Logan’s first trailer of course famously features the song Hurt, which really shows the direction the film intends to take so that the audience can really see how the film is likely to turn out but also more likely what it is all about. This piece though does not actually feature in the film, what does feature though is not a slow grim song, but a rather pleasant, peaceful and also happy song that really turns around the film’s great tragedy and helps you gain some perspective.

A few months ago I went to see the film Ethel and Ernest based on the book of the same name written by Raymond Briggs. The film has a very sad ending, but turns this around in a sense by featuring a piece of music and images within the credit roll that suggest that while the ending was sad, it does not mean that everything was as there was some really happy moments. Here we have the sad ending and conclusion to the story of Wolverine (in film), but, while he has had great tragedy in his life, and it ended as such, there is some peace we can look back on. For one Logan has attained a peace from the devastation of his dark history, but also in that history there was also, happiness, joy, peace and of course love. This is held by the film playing The Man Comes Around in the credits, a light fluffy as well as casual piece, signifying not an entirely sad ending, but shows that there has always been another side to the coin, that in the misery, there was joy, and in the darkness there was also light; and so while Wolverine does bow out, we can take a moment of knowledge and recognition about the life he had, and the legacy that he leaves behind, not just in story, but also in the entertainment and joy he has given us as cinema goers.

Logan is a pretty sad point. I know the series will continue and new stars are appearing to take the helm and the future such as Ryan Reynolds, Sophie Turner and hopefully Dafne Keen too, but it is a sad point, more so when I think that there could have been more. When X-Men Origins came about and really failed like it did, that is the series lowest point, so when The Wolverine came along and excelled so much, it felt like a new beginning, like that is what Origins should have been, forgetting that film and becoming the first a Wolverine Trilogy. But now it has come to an end, it feels like only the surface was being scratched, and that more was on the way. It’s like when Castle was cancelled last year; it was in it’s prime, there was more to be told, and it just ended. That’s what we have here, like something more could have come, but now we may never see that. You can only play a character for so long though, and an end would have come eventually. The end of something is exciting because you don’t know how it’s going to end, but eventually realization sets in, and you realize that it truly is the end. So even if it did continue, it would eventually end: but what an ending it was! Logan does not disappoint in providing one last fight, one last match, one last scene of steel claws, blood curdling action, eye grossing violence, but also one last moving scene as the great hero finally comes to rest in peace. Logan is a sad and tragic little film, but shows off plenty of emotion and heart in a film series that has defined just that in the super hero genre; and now Hugh Jackman can now go do something else, leaving a legacy that will live on in cinema forever, and one that no-one can match. There is only one true Logan, and only one true, Wolverine.

GENEPOOL





Top 8 WWE Tag Teams From The Mid-2000’s That Did Not Get A Proper Opportunity

8 02 2017

WWE Logo

When I started watching WWE in 2004, the Tag Team division (at least on Smackdown) were alight with some cool tag team matches. Around at the time were teams like The Dudley Boyz, as well as a string of other tag teams made up of singles wrestlers including the teams of: Paul London and Billy Kidman, Rob Van Dam and Rey Mysterio as well as Rene Dupree and Kenzo Suzuki. While it may not have been a golden period for tag team wrestling, it was still pretty good. Come a few changes in the line-ups (less than a year later) however, and the tag teams were pretty low in terms of quality. You had MNM on Smackdown engaging in competition every week with the supposedly ‘only’ tag team around at the time made up of Charlie Haas and Hardcore Holly, where as Raw was pretty much doing what Smackdown had done one year previously, creating tag teams made up of singles wrestlers such as Eugene and William Regal and William Regal and Tajiri.

Dudley Boyz

As 2005 started to round down however, things began to change, with a string of tag teams entering the company, not exactly made up of well-known single wrestlers, but teams specifically put together for the purposes of tag team wrestling before they debuted. This was a major move for the company as it was an opportunity to create new and potential future stars, as well as lighten up a division which had been pretty static all this time. Some of these did go on to achieve some success, even winning a few tag team titles; teams like the aforementioned MNM, as well as Deuce ‘n Domino, Lance Cade and Trevor Murdoch, Curt Hawkins and Zack Ryder, Spirit Squad, Cody Rhodes and Ted DiBiase, as well as the rebooted L.O.D. made up of long time Road Warrior; Animal, and the fledgling Heidenreich (although this could have been done more to promote a recently released DVD). Some of the Tag Teams though that appeared during this time (and there were a decent few) did not really get an opportunity to shine, which was a shame as some of them were pretty good. OK, yes some were pretty bad too, the main ones coming to mind (at least in my opinion) being; The Dicks (the Heart Throbs were not too bad although they were pretty much near the same as The Dicks).

Those though that were at least pretty good to a point though did not get much of an opportunity to shine, many of them sometimes receiving tag team title shots, but in the end did not actually get them, and although some lasted a while, in the end most were either released, or broken up (which created numerous other problems which did not work out either). The thing is though, for me personally, I had high hopes for these teams, and still fondly remember them to this day, and so I wanted to do a post on these teams. Originally I was going to do a post with just the top 5, but I wanted to be as inclusive as I could be, so I thought about doing 7, then 8 because I remembered one other team. So here and now then are the Top 8 Tag Teams from the mid 2000’s in WWE that I fondly remember, as well as I feel did not get their justly right opportunities.

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8. La Resistance (rebooted) – When WWE brought back the ECW promotion in 2006, I was pretty excited given what I had heard about the ECW brand. How wrong I was to be excited; it was basically more like an episode of Heat with a Hardcore match each week for about 3 weeks, and then it just became Heat. Anyway, there were some good things for a time on it, things like TEST, Marcus Cor Von and a rebooted La Resistance. La Resistance were a tag team on Monday Night Raw for a few years made up of members Rene Dupree, Rob Conway and Sylvan Grenier. They had some pretty good success and for a time was the main tag team on Raw winning the championship 4 times overall. The group though eventually split, and Conway and Grenier had some interesting time as singles performers. Just over a year after ECW returned, Grenier and Dupree were brought back together to fight on ECW. Given how much Grenier improved in singles competitions, plus both he and Dupree’s Tag Team pedigree; I was pretty interested (was a fan of Dupree on Smackdown too) to see the result. The problem though was that they were on ECW, a promotion that had no real Tag Team division, nor tag team titles. So they eventually just disappeared after no more than 1 match. It was a shame really; I can still fondly remember their entrance music.

7. The Pitbulls – The Pitbulls is a name that has been used for many Tag Teams in the past, but I am talking about the team of Kid Kash and Jamie Noble. Both of these wrestlers were in the cruiserweight division and had some success in singles competition; but when they formed together making the Pitbulls it was a pretty exciting moment. At the time they were very hot single cruiserweight wrestlers, and teams made of cruiserweight wrestlers (like London and Kidman) usually were good value. These two though were not plumped on ECW, No, they were put on Velocity. Heat and Velocity were the shows WWE put on before the big events like Pay-Per-Views, Raw and Smackdown, just small things to get the audience going.  But if you were on one of the main shows and then went to Velocity or Heat, it was nearly a career death sentence. Some people did alright from it like Val Venis, but most of the time, it was where guys went before they were released from their contract. The Pitbulls had a few matches on Velocity and were pretty good, but it all ended rather abruptly after Kid Kash was released. Jamie Noble still stuck around for a time though.

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6. Jesse and Festus – In many cases with Tag Team wrestling, it’s not uncommon for teams to be made up of one little person, and one big person. During this time in wrestling Val Venis (not saying Val Venis is a small person, but…) was paired up with Viscera. It’s not necessarily a bad thing; it’s just the case that it can sometimes look like one certain person is doing all the work. That was not necessarily the case with these two, but the way they worked it out it could certainly look like that. Jesse and Festus played the parts of two wrestlers supposedly from the Deep South. Jesse was like a cruiserweight, Festus was definitely a heavyweight. Jesse was the talker/spokesperson of the team, whereas Festus was the muscle (it doesn’t help does it). It was a strange tag team in all honesty, as Festus looked like someone who should have been more in singles competition. Basically, Festus did not do any talking at all. He stared blankly into the camera, but supposedly had some kind of condition, which made him change personality from this dopey looking figure, to an enraged monster: when he heard the bell ring. Despite the strangeness of the team and its issues here and there, they were pretty entertaining, at one point acting like a removal firm. They had some good back stage moments, and some good in ring matches, including a good one between The Undertaker and Festus. But like many good, and entertaining Tag Teams in WWE, the two were split up. Jesse tried to become a member of Cryme Tyme, while Festus went on to be a sort of hard man enforcer type for many wrestlers like CM Punk in his Straight Edged Society. Jesse was eventually released from the company, later followed by Festus. It’s not all sad though, as Festus has returned to WWE once again in Tag Team competition as a member of The Club with AJ Styles and Karl Anderson; albeit now being called Luke Gallows.

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5. Gene Snitsky and Tyson Tomko – This was another one of those cases where two mainly singles guys were brought together. Gene Snitsky had played the part of a large monster on Raw for a good long time and had scored a victory over Kane, and had been featured in a few main events including the main even at Survivor Series in 2004. But he began to dwindle after a time. Tyson Tomko was a big guy who could physically go, but spent most of his time acting like a bodyguard to Christian (much like Luther Reigns did for Kurt Angle), and we very rarely saw what he could do. So teaming these two together seemed like a good scenario, as two of the biggest and most imposing guys in WWE at the time would finally get an opportunity to show off. Well, to begin with you did not really get to see them, their main claim to fame was some kind of neck kink incident that John Cena walked in on. They did get one or two tag team title shots, but never really got it and then it just ended. It was a real shame; Tyson Tomko was one of these guys, much like Luther Reigns, who did have a good physical stance, but very little allowance to wrestle, and are instead hired to be bodyguards; Gene Snitsky meanwhile had proved what he was capable of, but this was never allowed either, and while this teaming up should have been a major move by WWE, it never went anywhere, and then they just disappeared.

the highlanders

4. The Highlanders – The Highlanders were a team of wrestlers apparently originating from Scotland who made a name for themselves mainly in Canada and in OVW. They came into WWE as two large, brutish wrestlers who had their own comedy and entertainment value and who in their first couple of weeks had shown what they could do, this swiftly ended with a loss to the Spirit Squad, and they just wandered for a long time. They became less a wrestling team, more a couple of guys backstage brought out for entertainment value, not wrestling value. This did change about a year later with a pretty good heel turn, which sadly did not last. When they first showed up they were very impressive and looked like ‘the team’; the ones everyone should look out for, the ones who got so hyped that they were going to be the tag team divisions next big thing, but sadly it never happened.

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3. Cryme Tyme – For both Wrestling skill and backstage entertainment; no-one was better than Cryme Tyme. Cryme Tyme first appeared with a series of vignettes/promos where they appeared to be portraying a very stereotypical view on American street gangs. This view was shown by having two guys rob shops and beat people up, but in a way that was made to look entertaining. When Cryme Tyme finally appeared on Raw, they set the whole division ablaze with two wins against the Spirit Squad in a row. Their tag team skills in the ring were very good and they had some good finishers and good tactics (such as Shad Gaspard getting the pin, while JTG would distract the other team-mate). It was a good in ring team, but when they went backstage, they lit up the scene with a load of inappropriate sketches where they would greatly disrespect authority figures and rip people off. Their time as a team was sadly short, but they did get another go which went pretty ok too, but for a team that more than most showed they deserved a run with the titles; they never got them, and much like Jesse and Festus, they were split up in a move that was genuinely a bad move. Cryme Tyme were a fantastic team, and their combination of in ring skill and back stage antics made them one of the most memorable tag teams of that time if not more.

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2. The Mexicools – The Mexicools were one of the first in the wave of teams that came about during this period of new tag teams. They were originally a stable made up of three very successful cruiserweight wrestlers; namely Juventud Guerrera, Psicosis and Super Crazy. The team was made to look like another group of stereotypes mainly that of Mexican immigrants employed to do house work. To this end the team would always come to the ring on a trio of Lawnmowers. The team originally started as just a group who would invade and disrupt matches, but soon would actually get involved with matches. This took the form of Juventud working as a singles wrestler and the group’s leader, and both Psicosis and Super Crazy in Tag Team competition. Within a short space of time, the group showed off with ease how good a team they were; displaying incredible tag team manoeuvres as well as spectacular single in ring performances including amazing high-flying skills. At the time, this team were more than obvious the ones who should have been getting title opportunities, and they did, nearly. Basically, the Mexicools got a shot at MNM’s tag team titles for the 2005 Armageddon Pay-Per-View.  The Smackdown before that said Pay-Per-View, Batista and Rey Mysterio won the Tag Team titles; so you would instantly think that come Armageddon, the Mexicools would face Batista and Rey Mysterio instead right? Wrong! Yes despite winning a shot at the titles; when the titles were won by somebody else, the team of Psicosis and Super Crazy did not fight that said team, but would fight MNM as usual, despite MNM not being the champions at that time. It was just stupid and ridiculous, and with the Mexicools finally on course to get something, they lose it for stupid reasons. The Mexicools hung round for a while after that, but Juventud had left, then Psicosis, and Super Crazy had a short singles run; until what became one of the most promising, and most deserving tag teams out there, became nothing!

the gymini

1. The Gymini – The Gymini were an interesting team. First introduced by Simon Dean on an episode of Smackdown, (with a cool entrance theme) one of them appeared followed by another. It was two rather large, muscled men who looked like a spitting image of one another. They showed no signs of being singles wrestlers pushed into one; they were in fact two real life twins also known as the Shane Twins who had some success in other companies. They came to WWE and quickly dispatched the hot tag team of the time; Paul London and Brian Kendrick, and they did this over a good few weeks. They stood out as a team; they both came with good individual in ring skills, as well as a series of team based moves which mostly involved throwing people in the air. They were as big as many singles performers and were dominant in every match. But again, were not given their just opportunity. They sort of stagnated and had one or two matches here and there, but instead of getting anywhere near the titles, they just dwindled, with the titles surprisingly being given to: Paul London and Brian Kendrick, the same guys the Gymini had destroyed on weekly occasions. It just did not make sense. The Gymini did not get a major full run compared to some other teams on this list, but for that very brief period in which they showed up and dominated the scene, they were in my opinion the best Tag Team of that period, and the one I wanted to see more of, and success brought too.

GENEPOOL





My Sore Throat Routine

9 01 2017

halls-soothers

Last week, I got a cold and a sore throat. This was very annoying as you can expect, but more annoying than most as I had plans for the weekend (it was a Thursday that I got it), and had work the day after I got it.  In 2016 I had a wave of sore throats and colds as the year went on; mostly sore throats, about 6 or 7 in total as far as I can remember, sometimes within a few short weeks from the last one. It was a horrendous time, and after a year of mostly sore throats, I was hoping 2017 would start off much nicer, but in less than a week, boom, another one. At the time of writing this, things are finally starting to wear off, but I am not letting my guard down. My sore throat is about gone, what currently remain are a cough, and an infected feeling at the back of the roof of the mouth. My cold is going down, my nose still feels twitchy, but I ‘hope’ that it does not get worse. It was really annoying as it pretty much ruined my weekend, and decided to prolong within to about a day of something big happening. For the most part; colds I can just about stand; yes they are really annoying and can cause violent cases of sneezing, however a sore throat is worse, as that is sheer pain!

difflam-spray

Luckily however, due to a lifelong battle of on and off colds and sore throats, I have managed to learn a few tips and tricks to help it not to prolong too far. For starters, if I feel that one is about to come on, I will buy some Soothers to help beat it back. If things escalate, I may consider the purchase of some Strepsils and start putting on Vapour Rub. When it does kick in though, I know what I need to do. I have a select group of medicines I instantly go and buy, knowing that they work just fine.

Difflam Spray is a spray that comes in a nice green and white bottle. Basically spray it directly into the mouth onto the infected area. What’s good about it is a quick action that while minor-ly relieving the pain, it does act fast to slow down the infection. The ultimate bonus though is that it does not have a limited day use, as long as you separate the use of it by at least the times on the bottle, you can keep using it all day long. Soothers and Strepsils (I like the Honey and Lemon ones best) are more just lozenges to help soothe the pain, as Sore Throats can last a while, and are shockingly painful; as such, lozenges help to soothe the pain. Vapour Rub helps with breathing, which on occasion I will wear during the day in cases of the most pain, but is especially useful when going to bed, as every time you breathe in without it, you can’t hope to fall asleep with that much pain. Finally, you need something to which can not only help relieve the pain, but also fight against the illness to help you recover sooner than later. For this I have two choices. My main choice is Lemsip Day and Night pills; the reason for this being is that while they are strong and fast at working, the pack comes with night time pills, which aren’t loaded with caffeine, so this means you are not stark awake when what to be doing is going to sleep. In the case though that Lemsip is not available, I like to treat myself with Beechams Liquid, as I find it can work quicker than most, plus the taste of the liquid is enough to distract me from the pain briefly.

lemsip-day-and-night

 

Alongside these things, one thing I find that helps is to keep warm. I do this by wearing full body clothing (minus the head), and a jumper on top of my t-shirt. I also try to keep the room I am in as warm as I can, and only drink (as far as I can) hot squash. It’s just a minor little thing based on a scene from Rizzoli and Isles (although that was about having a fever) and my knowledge of cooking (germs hate heat, lots of heat should help). Anyway, there you have it, my system for when I get a Sore Throat (as well as a cold). I just thought I would share that with you in case you want some advice (and also to find a way to distract myself).

GENEPOOL





The Apprentice 2016 Top 5 Candidates I Really Want To See Get Fired!

9 11 2016

the-apprentice-uk

The Year is 2016, and once again the BBC treats us to one of the major BBC Highlights of the year; a TV show where a bunch of Clowns attempt to prove themselves in a series of business based tasks in hope of getting some money to start a business with. Yes, The Apprentice (UK) is back on the box and is already in full swing this year. In the past the show has delivered some spectacular moments as well as presented a series of candidates as well as a select group of clowns who most of us would not trust with a ball of string let alone £250,000.

It is one of my favourite shows of the TV Calendar Year, and is both interesting as well as very entertaining, all the time creating near cringe worthy moments, and bits and bobs which are just too painful to watch. Every year when the show returns I prepare myself for the oncoming assault of dim-witted decisions being made by people who are supposedly by their own admission ‘successful’ or ‘expert’ business men and women. Every series that comes around also comes with a select group of Characters who are in their own unique way surprising; as they somehow manage to get any distance in the show. The one thing though that gets the most surprise from me is that many of them are already running their own businesses, so why they need to come onto the Apprentice is anyone’s guess? In all honesty after nearly 12 series of The Apprentice, I am surprised that I still get surprised by all this. I know these things are coming, but still get shocked when they happen. As I look back into past series’, its amazing how far we have come, but also how contenders from previous series look far better now than anyone in the last few years. The candidates of Series 5 for instance look like viable candidates for anything thrown in their way, while more recent series (series 12 especially), show a group of jokers who don’t really appear qualified to do, well…anything.

As series 12 goes; this to me looks like the biggest list of candidates who should all be fired immediately and get the show over with on the spot right now. There are maybe 4 people I can see going the distance and be good candidates for the role, but one of those; Aleksandra, decided to quit in task 4, so now we are left with; Alana, Jessica and Grainne. For me, that’s it; you may as well sack the rest right now and jump straight into the audience’s favourite task: The Interviews. Some people in this series though have shown themselves to be in a class of their own when it comes to being top joker at clown school, and for this reason, I present to you; the Top 5 Candidates I Really Really Want/Hope to see get Fired this year:

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5. Paul Sullivan – Paul Sullivan is one of those candidates that can be a real surprise. Ones who are practical in any situation and can be potentially good candidates if you give them half a chance; so far though he has not really done anything like that. No offence to guys like this, guys who are not just good workers, but also possibly brilliant leaders if people would just give them a chance (or more likely just Shut Up!). They are hard workers and come from said backgrounds, and for that they are worthy of respect. Paul though while looking like he has come from said background, has only really acted like a bullish bull in a china tea shop. He has shown high levels of attitude and frustration to tasks. Now I can respect that as watching them on TV makes me want to do the same, but has not really shown any commendable acts either. He is professional, which is more than can be said about most, but he is not much else either. There is still some hope for him I feel…but he really needs to show that he can work upon it.

courtney-wood

4. Courtney Wood – Courtney is quite clearly the Snake in the Grass for this series. For an idea of what I mean by that, here is an example from a previous series:

Courtney has not really showed himself doing much, but given that he has never been called into the boardroom, his actions have never come into question. However, he did shed his cloak on a treat a few weeks ago. Whilst out playing Croquet with his new ‘friends’, he said “I know I can beat everyone in this competition, every week I long triple firing because it just makes my life easier”. Now while this is probably the secret dream of all Candidates in the process, the simple fact he said this out of no-where, and was pretty much the first thing he said this series, just makes me lose sympathy for him. I think we all look forward to a triple firing, not just because it makes You’re Fired interesting, but also because it removes the dead weight and horrible ones a lot quicker!

sofiane-khelfa

3. Sofiane Khelfa – Sofiane is one those guys that really needs to learn how to thread; just so then he can thread his mouth shut! He talks quite a bit, maybe not as much as Karthik in all likelihood, but he has this way of making and doing things his way and only his way, and he does this by talking so much that by the time someone can actually speak and either suggest their own ideas or debate his, there is not enough time to do so. He comes off as being rude, and has made some controversial announcements, comments and actions in the show, and could be considered more of an achilles heel to a team than a player. Someone who talks too much can be annoying, someone who talks too much but for the sake of lambasting and shooting his own opinion forward to the point where it appears like no-one else’s matters – that is just horrible; and for that he needs to get the finger.

samuel-boateng

2. Samuel Boateng – If this was any other series, Samuel Boateng could potentially be a really good candidate, but it isn’t and he has proved that he is definitely not. Given the task of doing a crowd-sourcing project, he made the consistently fatal apprentice mistake of suggesting that his past experience makes him a ‘pro’ at such things, once anyone does this, they may as well just be handed a shovel. In past episodes he has actually been quite quiet and it’s only recently that he has begun to really show himself. He is pretty vocal about his opinions and suggestions, and does fight his corner well, but in a very defensive position, and when presenting upfront could be a lot more descriptive rather than hoping everyone gets him, because I don’t think anyone actually does. However, his lack of being a good candidate really came out last week, and this all relates to what I have just described. If it wasn’t for him hopelessly describing what he was trying to get a bunch of actors to play out in the middle of a train station while rehearsing it, not even the audience watching at home would have got it! It would have been just a man enjoying a thumping good walk around a station and a bunch of people falling over whenever they got nudged in the shoulder, who then burst into dance. What that represents is, well…nothing other than his belief that reincarnation involves a west end musical moment. He thinks everyone is on the same page as him, and that everything is as clear as day, but in reality he’s as clear as a concrete bunker. He is obviously a very creative person, but what he needs to do is less work on the conception and put work more into the execution; and hope he does so before his business dreams meet the point of Sralan’s (sorry, Lord Sugar’s) Index Finger of Business Death.

karthik-nagesan

1. Karthik Nagesan – Every series of the Apprentice has at least one character, someone who stands out as more than just a candidate, someone who is unique by how much of a fool they are. This year it comes down to Karthik (or K as he wishes to be called) to fulfill this role. When a new series starts, many of these contestants like to share their own opinion about themselves; but you really have to worry for someone if at any time they suggest that they are like Napoleon or Alexander The Great and consider themselves optimistic enough of their chances to one day become Prime Minister of the UK. Basically, Karthik wants to be the UK version of Donald Trump (I’ll let that one sink in). It’s not his status though that makes me want to see the back of him sooner than later. On the BBC website, there is a quote which suggests that he believes himself to be firm yet polite. Now there is one key word here that is very possibly a complete lie; the word ‘polite’. Karthik has proven himself to be possibly the most untrustworthy person in the show’s history. He is someone who believes that no matter who the actual Project Manager is for a given task, that in actual fact it is him. He feels that his words should be respected no matter how much dribble they are, and that he should be able to do no matter what he wants no matter what others like the PM say. Now while he has since calmed down, week 2 of the process should have seen him gone. For one, his idea of being allowed to sit with the advert editor for 5 minutes just to do what he wanted without articulating to his team what he wanted to actually do was just absolute nonsense and should only be reserved for the audience, plus there was no need for that level of attitude! Then his latent disrespect towards Lord Sugar in the Board Room was beyond the pale. He talked down to Lord Sugar in the same manner as someone would talk down to a child. It was the pure personification of cringe worthy and one he should have been sent home for. But of course he has since calmed down, so he could consider that his lucky break, but given what he has shown himself to be like, I doubt he will be able suppress it for long; next he will be asking for 5 minutes alone with Claude Littner (“FIGHT! FIGHT! FIGHT! FIGHT! FIGHT!”).

GENEPOOL (Who would you like to see get the Business Finger of Death – or Fired as its more widely known?)








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